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Bradley was a
Freemason, joining Royal Yorkshire Lodge in 1813. In 1807 he made a sketch of a Knight Templar Tracing Board for Plains of Mamre Preceptory No.89 which was a cartoon for the famous Masonic Boards at Bottoms originally painted on to the shutters of The Freemasons' Arms and now on the
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Bradley emigrated to the United States in July 1831 to pursue a career as a portrait painter in
Philadelphia, but the venture was not a success. He returned to Keighley in 1833 and resumed his position in the Mechanics' Institute. He was the architect of a new home for the Institute, which was
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where the Brontës had settled into the parsonage by 1820. Bradley worked as a house and sign painter, "but he preferred to call himself an artist". His work was exhibited at events sponsored by the Royal
Northern Society for the Encouragement of the Fine Arts in the 1820s.
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walls of the
Bottoms Lodge Room. Bradley was closely associated with the well-known clockmaker and Freemason John Barraclough (1773-1835) of Haworth and probably painted the dials on Barraclough’s longcase clocks including those with Masonic symbols.
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In 1825, Bradley was one of four
Keighley tradesmen who founded the Keighley Mechanics Institute. He was its first secretary and became vice-president in 1831.
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opened on 29 December 1834. The building later housed the
Yorkshire Bank, and was demolished in 1968. Bradley died in 1844.
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in the years 1829–1830. Bradley is likely to have encouraged
Branwell in his enthusiasm for oil painting and architecture.
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Alexander, Christine; Smith, Margaret (January 2011). "Keighley
Mechanics' Institute".
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Oxford
Companion to the Brontës - Oxford Reference, 'Keighley Mechanics Institute'
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Art
Detective, "Did John Bradley (1786-1843) paint a member of the Loder family?"
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174:"Oxford Companion to the Brontës - Oxford Reference, 'John Bradley'"
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