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visited Spain for what was intended to be a short visit but he fell in love with the
Iberian landscape and stayed for fourteen years. Whilst on Ibiza he married his first wife Madeleine Chardon with whom he had a daughter and when the marriage ended he moved to the mainland to live in a hacienda in
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Award in 1979. As abstract art began to lose influence as new 'pop' style were in vogue and to some extent
Copnall found himself less fashionable during the late 1970s and 1980s. A series of solo exhibitions were held throughout the 1970s but Copnall had become an increasingly peripheral figure in
223:. He had several solo exhibitions in Spain and Catalonia as well as shows in Germany where he was also popular and a lesser one in England in Newcastle. He said of his life in the 1960s: "No Beatles, but plenty of bullfighting, flamenco and Rioja!"
169:, were both professional artists. as was another uncle, Hubert Picton Copnall (1918–1997), who also farmed in Sussex for over thirty years. His paternal grandfather, Edward White Copnall, was an early photographer and artist.
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the context of mainstream
English art. Nevertheless, he was an influential figure for the next generation of British artists by virtue of a twenty-year period from 1973 to 1993 when Copnall worked as a teacher at the
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In 1968, Copnall returned to
England and the following year held a solo exhibition at the Bear Lane Gallery in Oxford. His work of this period displayed the influence of American abstract expressionists such as
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in 1988. During the final years of his life, divorced from his second wife
Copnall painted infrequently and ceased all together following a stroke. He died on 9 June 2007 following a short illness.
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Copnall married, secondly, in 1976 to
Caroline Brown with whom he had a son and a daughter. By 1982, he was working in an artists' colony in the East End of London at the defunct
212:. The intense light of Spain and the visceral nature of its people changed his art fundamentally as he experimented with intense earthy colours whilst increasingly moving towards
305:, considered that it was "difficult to think of a more appropriate setting for John Copnall's paintings" than this light-filled example of pioneering mid-1930s architecture.
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on increasingly larger canvasses. His use of colour was exuberant. Copnall stated that 'Painting is colour and colour is painting." In 1970, he won the
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As the 1960s progressed, Copnall became fashionable and he began to sell his paintings to private collectors, including
American actor
216:. Throughout his career Copnall was interested in using intense colour and the Spanish light undoubtedly enhanced his artistic senses.
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in London. This proved a poor choice of a career as
Copnall lacked the required mathematical ability and used the excuse of his
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painting of richly coloured stylised realism, often on a grand scale. He was also a teacher of painting for twenty years at the
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200:. His early work was largely figurative and he won Turner Gold Medal for Landscape Painting in his penultimate year in 1954.
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the mountains above Malaga where he earned a living as a painter sometimes using the name of
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in
Bexhill-on-Sea, Sussex drew mainly on work done in the period 1992-96. In the catalogue,
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Copnall showed early promise in drawing and at the age of eighteen he began studying at the
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Initially, Copnall started his painting studies under the tutelage of his father at the
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Jerry Knight, All About
Horsham Magazine, Article on Bainbridge Copnall, May 2013.
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The Abbey Fellowships incorporating the Edwin Austin Abbey Memorial Scholarships
594:(Exhibition catalogue ed.). Mill Street, London SE1: Reed's Wharf Gallery.
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to leave architecture permanently in order to become a professional artist.
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in the City of London and from June 1950 to June 1955 under the artist Sir
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748:. Art Dictionary Ltd., (part of Sansom & Co). pp. 1, 888.
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whilst continuing with his teaching role. In 1996, his solo show
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See You at the Movies: The Autobiography of Melvyn Douglas
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David Buckman (October 2007). "Obituary of John Copnall".
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647:"John Copnall : recent abstract paintings (1996)"
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Reflections, Orbits and Radiances, Paintings 1992-1996
133:(1928–2007) was an English artist best known for his
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256:Scholarship and further recognition followed with
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797:"Radiance II (Chelsea and Westminster Hospital)"
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356:Chilvers, Ian; Glaves-Smith, John, eds. (2009).
675:. The London Group. Archived 13 September 2005.
402:"British and Irish Artists of the 20th Century"
387:Dictionary of British Artists Working 1900-1950
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474:Tod Ramos, Julia Rushbury, and Felicity Owen,
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429:"Professional Photographers in Horsham (W)"
362:A Dictionary of Modern and Contemporary Art
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364:. Oxford University Press. p. 156.
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653:. Austin/Desmond Fine Art, London, 1989
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478:. Published by The Royal Academy (2010)
203:In 1954, Copnall and his artist friend
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339:St. Mary's College, Twickenham, London
161:. His father was the eminent sculptor
851:, artnet.com. Accessed 10 April 2024.
689:(Aberdeen Art Gallery & Museums)"
539:Douglas, Melvyn; Tom Arthur (1986).
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900:Alumni of the Royal Academy Schools
839:9 artworks by or after John Copnall
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324:Addenbrooke's Hospital, Cambridge
321:Aberdeen Art Gallery & Museum
291:Reflections, Orbits and Radiances
106:Landscape & abstract painting
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358:"Copnall, Edward Bainbridge"
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316:Selected public collections
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385:Grant M. Waters (1975).
267:Canterbury School of Art
744:Buckman, David (2006).
131:John Bainbridge Copnall
25:John Bainbridge Copnall
821:Copnall, John (2008).
720:"Pale Blue Abstract 1"
590:Copnall, John (1996).
427:Edward White Copnall.
389:. Eastbourne Fine Art.
135:abstract expressionist
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260:awards in 1973 and a
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295:De La Warr Pavilion
244:with Copnall using
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400:Copnall, Hubert.
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227:Return to England
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250:cotton duck
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214:abstraction
159:West Sussex
141:in London.
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53:9 June 2007
859:Categories
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333:, Helsinki
145:Early life
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600:cite book
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111:Spouse(s)
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283:Spratt's
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121:Children
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