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written towards the end of his life, but not published until 1881, he laments that "notwithstanding . . . Industry . . . he was forct to take a napp at
Beggars Bushe", and elsewhere he refers to "being becalmde in a fogg of necessity" having been passed over by "Credit" and "Opinion". It seems likely
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include references to speaking
Spanish which are only meaningful in the context of Dekker's play; this suggests that the Dekker play is the original, a possibility reinforced by the consideration that there is no known edition of
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175:) as a "base fellow". It may be indicative of his abilities that of all the writers who did a substantial amount of work for Henslowe's companies Day is one of only two not mentioned and praised by
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and even two shillings, that he obtained from
Henslowe. Little is known of his life beyond these small details, and disparaging references by Ben Jonson in 1618/19, describing him, (with Dekker and
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in
Southwark 1599. If so it does not seem have to interrupted his career; he continued to collaborate with writers such as Henry Chettle, who had written with Porter.
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330:(1600), once supposed to be a posthumous work of Lyly's, may be an early work of Day's. It possesses, at all events, many of his marked characteristics. His prose
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The six dramas by Day which we possess show a delicate fancy and dainty inventiveness all his own. He preserved, in a great measure, the dramatic tradition of
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is the work on which Day's reputation chiefly rests. The piece contains much for which parallel passages are found in Thomas Dekker's
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204:(1598), which, with most of his early work, is lost. Day's earliest extant work, written in collaboration with Chettle, is
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from a manuscript of Day's. Considerations partly based on this work have suggested that he had a share in the anonymous
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of a type that hearkened back to the early decades of the public stage in London. In 1608 Day published two comedies,
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However his almost incessant activity does not seem to have paid, to judge by the small loans, of five
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His works, edited by Bullen, were printed at the
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471:. Vol. 7 (11th ed.). Cambridge University Press. p. 875.
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sermon is a curious anticipation of the eloquence of Mr. Chadband in
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This article incorporates text from a publication now in the
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that he was the "John Daye, yeoman" who killed fellow dramatist
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Hotson, Leslie M., "The
Adventure of a Single Rapier",
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The first play in which Day appears as part-author is
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The
Conquest of Brute, with the finding of the Bath
181:Peregrinatio Scholastica, or Learning's Pilgrimage
332:Peregrinatio Scholastica or Learninges Pilgrimage
214:The Merry Humor of Tom Strowd, the Norfolk Yeoman
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538:17th-century English dramatists and playwrights
533:16th-century English dramatists and playwrights
513:Alumni of Gonville and Caius College, Cambridge
179:in his lists of "the best" writers in 1598. In
334:, dating from his later years, was printed by
100:(1574–1638?) was an English dramatist of the
244:. In 1607 Day produced, in conjunction with
222:(printed 1606), a prose comedy founded upon
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276:Law Tricks, or Who Would have Thought it?
255:The Travels of the Three English Brothers
76:Learn how and when to remove this message
19:For other people with the same name, see
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362:, the city poet, was published in 1640.
300:(printed 1634). The passages which echo
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39:This article includes a list of general
543:English male dramatists and playwrights
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258:, which detailed the adventures of
234:notes in Manasses's burlesque of a
136:'s playwrights, collaborating with
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354:were noted and warmly extolled by
45:it lacks sufficient corresponding
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523:17th-century English male writers
518:16th-century English male writers
396:, 1888), with an introduction by
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206:The Blind Beggar of Bethnal Green
508:People from Broadland (district)
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503:English Renaissance dramatists
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350:. The beauty and ingenuity of
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548:People educated at King's Ely
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528:17th-century English writers
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429:A Cambridge Alumni Database
341:The Pilgrimage to Parnassus
212:. It bore the sub-title of
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431:. University of Cambridge.
402:Algernon Charles Swinburne
270:. This play is a dramatic
232:Algernon Charles Swinburne
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302:The Noble Spanish Soldier
297:The Noble Spanish Soldier
167:) as a "rogue" and (with
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373:The Maid's Metamorphosis
327:The Maid's Metamorphosis
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130:Caius College, Cambridge
468:Encyclopædia Britannica
378:Collection of Old Plays
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406:The Nineteenth Century
382:The Parliament of Bees
352:The Parliament of Bees
307:The Parliament of Bees
287:The Parliament of Bees
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400:. An appreciation by
347:Return from Parnassus
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425:"Day, John (DY592J)"
390:Nero and other Plays
386:Humour out of Breath
280:Humour out of Breath
309:earlier than 1641.
292:Wonder of a Kingdom
120:, and educated at
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493:1574 births
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366:Publication
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294:(1636) and
264:Sir Anthony
241:Bleak House
102:Elizabethan
58:introducing
487:Categories
439:References
260:Sir Thomas
66:April 2009
41:references
463:Day, John
314:John Lyly
161:shillings
108:periods.
344:and the
318:euphuism
210:Henry VI
106:Jacobean
98:John Day
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228:Arcadia
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