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to house the collection was considered and abandoned. Following six years in storage, the City opened the house museum in
November 1923, but the first two floors provided only enough room to display 275 works. More than 1,000 works were stored on the upper floors or in rented space elsewhere. In
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Johnson's art was exhibited as a separate collection within the
Philadelphia Museum of Art for more than 50 years. In the 1980s legal approval was granted for the Museum to integrate the works into its full collection. The current 100-year loan of the collection lasts until 2083.
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Johnson amassed one of the finest art collections in the United States. Relying on his own judgment and study, he concentrated on early-Renaissance
Italian primitives, Spanish, Flemish, and Dutch paintings. He also bought works by artists who were his contemporaries, including
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1931, the unexhibited works were moved into storage at the newly built
Philadelphia Museum of Art. The City's fire marshal subsequently found 510 South Broad Street not to be fireproof, and in June 1933 the 275 exhibited works were "temporarily" transferred to the
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In 1875, he married Ida Powel
Morrell, a widow with three small children. They had no children together. The family lived at 506 South Broad Street, and he later bought the adjacent house to store his art collection.
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The son of a blacksmith, he attended
Philadelphia public schools, and apprenticed in the law offices of Benjamin & Murray Rush. He was admitted to the Philadelphia Bar in February 1863, and served briefly in the
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called him, "the greatest lawyer in the
English-speaking world," and, "probably less known to the general public in proportion to his importance than any other man in the United States."
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From these wide-eyed
Italian Primitives one turns, however, with a quickened spirit to the Flemish and Dutch pictures, of which the collection possesses remarkable examples. Among these
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In his Will, Johnson left the collection to the City of
Philadelphia with the provision that it be exhibited at 510 South Broad Street. A proposal to build a museum on the new
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Undoubtably the rarest works and those upon which an orthodox collection rests most securely for its prestige are to be found among the
Italian paintings. There are
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61:. He had an extraordinary memory, reportedly memorizing Shakespeare plays as a youth, and reciting extended citations of law in the courtroom.
36:(1841, Philadelphia, Pennsylvania – April 13, 1917, Philadelphia, Pennsylvania) was an American corporate lawyer and art collector. The
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John G. Johnson Collection Museum (center), 510 South Broad Street, Philadelphia, PA. Part of Johnson's residence is visible at far right.
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Johnson declined offers to be nominated to the United States Supreme Court from Presidents
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of extreme historical as well as aesthetic interest, and a beautiful
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161:. The Philadelphia Museum of Art describes this as the "greatest
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1172:"The John G. Johnson Collection: A History and Selected Works"
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The Holy Family with John the Baptist, a Cat, and Two Donors
202:. He made annual trips to Europe, and wrote a short memoir:
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law firm that he founded in 1863 continues under the name
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Common Pleas Court of Philadelphia County, Pennsylvania,
1135:(New York: Princeton Architectural Press, 1996), p. 169.
1159:(Philadelphia: University of Pennsylvania Press, 1942).
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Philadelphia Museum of Art: Handbook of the Collections
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People associated with the Philadelphia Museum of Art
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John G. Johnson, Lawyer and Art Collector, 1841–1917
1021:, curator of the Johnson Collection, 1929–1969
1170:Atkins, Christopher D. M., ed. (1 February 2018).
849:Purple and Rose- The Lange Leizen of the Six Marks
369:Madonna and Child Enthroned, with Donor and Angels
1232:"John G. Johnson, Giant of the Philadelphia Bar,"
1145:"John G. Johnson, Giant of the Philadelphia Bar,"
204:Sight-Seeing in Berlin and Holland among Pictures
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1228:, 1988 exhibition, Philadelphia Museum of Art.
1225:John G. Johnson: Collector of Contemporary Art
570:Saint Francis of Assisi Receiving the Stigmata
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1283:University of Pennsylvania Law School alumni
1201:Catalogue of the John G. Johnson Collection
868:Battle of "The Kearsarge" and "The Alabama"
209:An assessment of the collection from 1914:
1104:, vol. 20, no. 39 (August 19, 1922), p. 1.
350:Selected works from the Johnson Collection
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233:by that master recounting the legend of
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661:Christ and the Woman Taken in Adultery
982:In Merchant Winthers Tavern in Skagen
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601:Master of the Legend of the Magdalen
430:Madonna and Child with Saint Francis
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127:unsuccessfully sought him to become
1091:, from Temple University Libraries.
411:Dead Christ Supported by Two Angels
219:Virgin and Child Between Two Saints
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551:Blessing Christ and Praying Virgin
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1191:Works by or about John G. Johnson
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1133:Frank Furness: The Complete Works
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1263:Members of the Philadelphia Club
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597:Philip the Handsome, at 5 Years
301:Legend of the Magdalen Predella
134:In an April 15, 1917 obituary,
102:United States Steel Corporation
64:He argued 168 cases before the
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449:Portrait of Lorenzo de Lorenzi
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853:James Abbott McNeill Whistler
110:American Distilleries Company
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733:Spanish and French paintings
506:St. Jerome in the Wilderness
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1062:Crawford Luber, Katherine.
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666:Pieter Brueghel the Younger
624:. A related work is at the
537:Flemish and Dutch paintings
237:, a magnificently dramatic
82:Northern Securities Company
66:United States Supreme Court
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1176:Philadelphia Museum of Art
1131:George E. Thomas, et al.,
963:The Bridge at Saint-Mammès
747:Christ Crowned with Thorns
626:Indianapolis Museum of Art
340:Philadelphia Museum of Art
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106:Amalgamated Copper Company
98:Baldwin Locomotive Company
86:J. P. Morgan & Company
46:Philadelphia Museum of Art
1273:Lawyers from Philadelphia
944:In the Luxembourg Gardens
572:(1430–32), attributed to
525:Cardinal Filippo Archinto
335:Benjamin Franklin Parkway
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273:, authentic specimens of
94:New York Central Railroad
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1209:"John G. Johnson's Art,"
1184:10.29075/9780876332764/1
721:Rhetoricians at a Window
620:(c.1510), attributed to
165:painting in the Museum."
78:American Tobacco Company
1258:American art collectors
1218:John G. Johnson Papers
816:19th century paintings
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84:; and was counsel for
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1155:Barnie F. Winkelman,
1120:, September 24, 1970.
1019:Henri Gabriel Marceau
804:The Baptism of Christ
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184:T. Alexander Harrison
159:Rogier van der Weyden
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129:U.S. Attorney General
90:Pennsylvania Railroad
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1268:Pennsylvania lawyers
1214:, November 10, 1941.
1205:, from Google Books.
1075:Johnson Collection,
986:Peder Severin Krøyer
785:Infanta Maria Teresa
70:Standard Oil Company
948:John Singer Sargent
787:(1650s), Studio of
641:Francis I of France
576:. A copy is at the
196:John Singer Sargent
154:Crucifixion Diptych
34:John Graver Johnson
1077:The New York Times
1050:The New York Times
706:Rembrandt van Rijn
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247:Cima da Conegliano
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137:The New York Times
59:American Civil War
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1102:American Art News
1052:, April 15, 1917.
929:Eduard Charlemont
925:The Moorish Chief
685:Theodoor Rombouts
468:Madonna and Child
453:Sandro Botticelli
388:Madonna and Child
373:Pietro Lorenzetti
355:Italian paintings
305:Sandro Botticelli
172:Eduard Charlemont
23:John G. Johnson,
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255:Story of Alcione
225:, a portrait by
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1253:1917 deaths
1248:1841 births
1066:, 1995. 167
806:(1655–57),
768:(1571–76),
723:(1662–68),
664:(c. 1600),
643:(c. 1530),
491:Dosso Dossi
489:(1512–13),
371:(c. 1320),
303:(c. 1425),
221:, an early
157:(c. 1460),
74:Sugar Trust
28: 1913
1242:Categories
1048:Obituary,
1026:References
887:Arab Chief
683:(c.1620),
413:) (1472),
253:'s tender
227:Botticelli
163:Old Master
80:, and the
42:Saul Ewing
789:Velásquez
725:Jan Steen
617:Ecce Homo
290:Jan Steen
251:Carpaccio
215:Pesellino
1013:See also
1003:(1890),
984:(1886),
965:(1881),
946:(1879),
927:(1878),
908:(1874),
889:(1874),
870:(1864),
851:(1864),
832:(1855),
770:El Greco
599:(1483),
584:, Italy.
553:(1424),
527:(1558),
451:(1492),
432:(1481),
243:Crivelli
231:predella
223:Corregio
206:(1892).
1193:at the
329:Bequest
275:Basaiti
1203:(1914)
529:Titian
312:Family
279:Catena
198:, and
108:, the
104:, the
100:, the
96:, the
92:, the
88:, the
76:, the
72:, the
52:Career
766:PietĂ
582:Turin
407:PietĂ
239:PietĂ
277:and
265:, a
257:, a
119:and
1180:doi
580:in
269:by
261:by
241:by
217:'s
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
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