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John Moran (photographer)

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that fit into a series of stepped registration holes. In order to create scientifically useful multiple exposures, the process required three photographers, one to expose the sensitized glass, one to move the glass, registering it with the pins and one to note the time of each successive exposure using a chronometer. Two sizes of plates were used. The large plates were exposed every 54 seconds. The smaller plates were exposed at a rate of 1.9 second intervals.
683: 581:– Illustrations are 20 mounted albumen photographs by John Moran of art works by E.B. Bensell, V. de V. Bonfield, John Faulkner, T.J. Fenimore, S.J. Ferris, James Hamilton, Ridgway Knight, G.C. Lambdin, Edward Moran, Peter Moran, Thomas Moran, W.T. Richards, Samuel Sartain, Christian Schussele, T. Henry Smith, N.H. Trotter, S.B. Waugh, W.H. Willcox, I.L. Williams, and G.B. Wood, Jr. 361:, one of the eight American teams to join the 1874 international scientific effort to record the Transit of Venus across the sun, which would allow scientists to more accurately establish the distance between the Earth and the Sun. The effort helped unravel one of the primary mysteries of Solar System astronomy, the true value of the 375:
The photographic equipment selected by the US expedition was the American Optical Company's "Venus Camera Box". The unit used a special negative plate holder that allowed the photographer to take multiple exposures in register. Able to slide both vertically and horizontally, the holder employed pins
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After 1865, the art of John Moran "disappeared" into collections of photographic prints and historic documents. His seminal artistic photographs were "one-off" (individually hand printed and mounted) albumen prints and therefore limited in quantity. Original John Moran prints are over 150 years old
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The hospital, a major military facility, was built in 1862 on a lot of 27 acres, situated between Stenton, Germantown, Springfield and Abington avenues in Philadelphia's Chestnut Hill. Moran photographed a series of views of the hospital's innovatively-designed circular layout. Moran's exterior and
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Moran understood photography could achieve more than merely recording a moment, saying in 1865 "She (photography) can present imagery with a reality and force nearly rivaling the painter, and in some respects, superior." “But it is the power of seeing and deciding what shall be done, on which will
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In the 1850s, Moran was a pioneer in advancing photography as a medium of artistic expression. Moran said, "In photography, as in any work of art, the merit lies, in the power of seeing and deciding what shall be done...It is this knowledge, or art of seeing which gives value and importance to the
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Moran often created photographic images working alongside his brother Thomas as his brother painted the same subject view. Moran's photographs were images that balanced meticulous attention to detail with general atmospheric effects — techniques mirrored in his brother's paintings. Moran often
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Moran said "Art in all its forms is the form of thought, and the photographic work which rises to this plane is the expression of the ideas of the photographer. Nature... becomes plastic to his touch, and he moulds her to his judgment through (the photographer's) power to see the beautiful."
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Four times during every 243 years, Venus passes between the Sun and Earth allowing its silhouette to be observed by skilled and amateur astronomers around the world. The transit of Venus occurs in pairs. The first of the pair that took place in the 1800s occurred on December 9, 1874.
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New York auction house sold a Moran albumen silver print showing the demolition of the Bank of Pennsylvania. The sale price at $ 32,000 (equivalent to $ 44,711 in 2023), set a new auction record for an original John Moran print.
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By the early 1890s, Moran resumed painting, joining his brothers Edward and Thomas in New York City where he wrote about art and exhibited his paintings. A widower, living with his son Thomas Sidney Moran, he died there in 1902.
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Moran was the one photographer among his accomplished siblings. Brothers Thomas, Edward and Peter trained as lithographers and became painters. Moran's sister Elizabeth married an artist and her two children became painters.
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In the late nineteenth century, the dry photographic plate was perfected. It replaced the wet collodion process Moran had used for years. He apparently lost interest in photography and resumed painting as a creative outlet.
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greatly benefitted from having their work printed in magazines, art books and other publications. Consequently, photographers who followed Moran became better known to the public. Moran has been overlooked for decades.
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In addition to using photography as an artistic medium, Moran was recruited and hired as a photographer documenting scientific projects for the U.S. government. One of those projects, according to his obituary in
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to determine the best route for a canal across the isthmus. Moran documented the trip with numerous still photographs, including many stereographs which were widely reproduced and sold throughout the world.
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also known as Chestnut Hill Hospital for a series that he published for sale. Moran's photos were issued as both mounted photographs and stereographs soon after the facility was completed.
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Moran is listed in local Philadelphia directories as a lithographer in 1856, occasionally listing his profession as artist. He was first listed as a photographer in the 1859 edition of
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Moran's photographs pre-dated rotogravure and halftone print reproduction, so his work was not able to be known by the public on a mass-market scale. Later photographers like
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and Peter Moran, Moran was a member of a network of Philadelphia-based artists, historians, and scientists who recognized photography as a fine art in the years before the
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Moran was mentioned often in the photographic press in America and Europe for both the aesthetic and technical quality of his photographs, and his theories on the medium.
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interior views included photos of special medical wards that could be isolated for patients with infections and then novel centralized storage facilities for supplies.
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photographer and artist. Moran was a prominent landscape, architectural, astronomical and expedition photographer whose career began in the
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In 1871, Moran was hired as the official photographer during the second survey to the Isthmus of Darien in Panama, led by US Navy Commodore
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The Artists' Fund Annual: A Collection of Twenty Photographs From Original Designs By Members of the Artists' Fund Society of Philadelphia
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works of certain photographers over others. There are hundreds who make, chemically, faultless photographs, but few make pictures..."
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photographs. Moran's images were printed on stereographic cards that were widely distributed and viewed using the newly developed
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Moran's pioneering body of nineteenth-century early photography is being rediscovered, appreciated and collected. In 2010,
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It is felt Moran was a humanistic, Arcadian photographer, employing his photographs of nature in a metaphorical way. The
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Transit of Venus 1874 - Observations of the Transit of Venus, 9 December 1874; Made at Stations in New South Wales
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A stereograph showing a man sitting at the base of a tree in a tropical rain forest taken by Moran at Woods,
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John Moran at Harbor Town, Tasmania, December 1874 while leader of the US Transit of Venus Expedition
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included a human subject in his images, providing the viewer an easily relatable sense of scale.
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More than a record: An analysis of the stylistic development in W. H. Jackson's Photography
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Photographic print showing the Transit of Venus across the Sun, taken December 8, 1874 at
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mentioned Moran's role as "one of the pioneer photographers of this country".
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Moran, John (March 1865). "The Relation of Photography to the Fine Arts".
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East of the Mississippi: Nineteenth-Century American Landscape Photography
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Moran, John (March 1865). "The Relation of Photography to the Fine Arts".
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depend the value and importance of any work, whether canvas or negative.”
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on May 31, 1844, having traveled with his mother and then six siblings.
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In addition to single photographic views, Moran also photographed many
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The Photographic News: A Weekly Record of the Progress of Photography
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Moran, John (June 1875). "Thoughts on Art, Nature and Photography".
579:. Philadelphia, Pennsylvania: Artists' Fund Society of Philadelphia. 1056:"SALE 2395 Photographs at Christie's New York, October 6 - 7, 2010" 868: 346: 336: 320:, was his role as the photographer "in charge of the Coast Survey. 474:, 1863, albumen silver print, 26.1 x 34 cm (10 3/8 × 13 in.) 240:
Moran was an early advocate of photography as art. Several of his
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Moran served as chief photographer on the U.S. expedition to
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landscape photographs appeared as frontispieces in Wilson's
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Eclipses, Transits and Comets of the Nineteenth Century
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May 23, 2017 340: 296: 281:Moran created a photographic catalog of 220: 191: 135: 852: 1240: 949: 734: 732: 716: 684:"New York, Passenger Lists, 1820-1957" 37:Photograph and signature of John Moran 1081: 794: 785: 634: 625: 600: 591: 574: 472:Broadhead’s Creek, Delaware Water Gap 451:Broadhead’s Creek, Delaware Water Gap 861: 324:Isthmus of Panama Expedition of 1871 1258:19th-century American photographers 1156:The Grand Canyon of the Yellowstone 1132:The Grand Canyon of the Yellowstone 924: 874:The Library Company of Philadelphia 729: 514:Tropical Scenery, Street, Chipigana 13: 1164:Grand Canyon of the Colorado River 405: 388: 14: 1269: 853:Beckner, Sarah (August 1, 1990). 1222:Hayden Geological Survey of 1871 1107: 1030:"The United States S.S. Swatara" 547: 526: 505: 484: 463: 442: 425: 155:At the age of 13, he arrived in 1048: 1022: 996: 970: 943: 918: 892: 379: 293:Pioneer scientific photographer 906:. February 20, 1902. p. 9 819: 779: 767:. February 20, 1902. p. 9 753: 676: 650: 518:The Metropolitan Museum of Art 1: 788:The Philadelphia Photographer 644: 637:The Philadelphia Photographer 628:The Philadelphia Photographer 594:The Philadelphia Photographer 217:Pioneer artistic photographer 925:Russell, Henry Chamberlain. 601:Moran, John (May 26, 1865). 131: 7: 1140:Colburn's Butte, South Utah 984:. August 5, 1875. p. 3 929:. Sydney University Press. 330:Thomas Oliver Selfridge Jr. 10: 1274: 418: 116:A brother of the painters 1190: 1174: 1115: 827:"National Gallery of Art" 585: 562:, Los Angeles, California 541:, Los Angeles, California 499:, Los Angeles, California 370:Philadelphia Photographer 246:Philadelphia Photographer 178:Moran's 1902 obituary in 88: 61: 42: 30: 23: 568: 978:"The Astronomer's Work" 950:Cottam, Stella (2015). 662:National Gallery of Art 476:National Gallery of Art 455:National Gallery of Art 257:National Gallery of Art 113:area during the 1860s. 1008:The Photographic Times 556:Wilds of the Isthsmus. 350: 310: 283:Mower General Hospital 277:Mower General Hospital 230: 201: 163:on the passenger ship 141: 879:World Digital Library 717:Panzer, Mary (2017), 493:Limon Bay, High Tide. 344: 300: 224: 195: 139: 575:Moran, John (1868). 560:J. Paul Getty Museum 539:J. Paul Getty Museum 535:View near Chipigana. 520:, New York, New York 497:J. Paul Getty Museum 394:and now quite rare. 242:albumen silver print 227:Limon Bay, High Tide 92:Photographer, artist 198:View near Chipigana 1216:Emily Kelley Moran 1182:Thomas Moran House 982:The New York Times 904:The New York Times 765:The New York Times 478:, Washington, D.C. 457:, Washington, D.C. 351: 317:The New York Times 311: 231: 202: 181:The New York Times 142: 126:American Civil War 1235: 1234: 963:978-3-319-08340-7 900:"John Moran Dead" 761:"John Moran Dead" 434:Blackberry Bushes 363:astronomical unit 96: 95: 69:(aged 70–71) 65:February 19, 1902 1265: 1198:Mary Nimmo Moran 1148:The Three Tetons 1102: 1095: 1088: 1079: 1078: 1073: 1072: 1070: 1068: 1052: 1046: 1045: 1043: 1041: 1026: 1020: 1019: 1017: 1015: 1000: 994: 993: 991: 989: 974: 968: 967: 947: 941: 940: 922: 916: 915: 913: 911: 896: 890: 889: 887: 885: 865: 859: 858: 850: 839: 838: 836: 834: 823: 817: 816: 814: 812: 801: 792: 791: 783: 777: 776: 774: 772: 757: 751: 750: 748: 746: 736: 727: 726: 714: 695: 694: 692: 690: 680: 674: 673: 671: 669: 654: 640: 631: 622: 620: 618: 597: 580: 551: 530: 509: 488: 467: 446: 429: 399:Alfred Stieglitz 68: 35: 21: 20: 1273: 1272: 1268: 1267: 1266: 1264: 1263: 1262: 1238: 1237: 1236: 1231: 1218:(sister-in-law) 1186: 1170: 1111: 1106: 1076: 1066: 1064: 1054: 1053: 1049: 1039: 1037: 1028: 1027: 1023: 1013: 1011: 1002: 1001: 997: 987: 985: 976: 975: 971: 964: 948: 944: 937: 923: 919: 909: 907: 898: 897: 893: 883: 881: 867: 866: 862: 851: 842: 832: 830: 829:. 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Index


Bolton le Moors
Lancashire
Manhattan
New York City
N.Y.
American
Philadelphia
Pennsylvania
Thomas
Edward
American Civil War

Bolton le Moors
Lancashire
Philadelphia
Pennsylvania
The New York Times


albumen silver print
National Gallery of Art
stereoscope
stereograph
Mower General Hospital

Darién Gap
Panama
The New York Times
Thomas Oliver Selfridge Jr.

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