Georgia O'Keeffe - Knowledge

670: 392: 428: 758: 912: 971: 773: 1565: 616: 580: 743: 707: 1769: 949: 598: 688: 930: 304: 1111:, which she purchased and learned to drive in 1929. She often talked about her fondness for Ghost Ranch and northern New Mexico, as in 1943, when she explained, "Such a beautiful, untouched lonely feeling place, such a fine part of what I call the 'Faraway'. It is a place I have painted before ... even now I must do it again." O'Keeffe did not work from late 1932 until about the mid-1930s due to nervous breakdowns. She was a popular artist, receiving commissions while her works were being exhibited in New York and other places. 51: 792: 566:, and was a teaching assistant to Bement during the summers. She took classes at the University of Virginia for two more summers. She also took a class in the spring of 1914 at Teachers College of Columbia University with Dow, who further influenced her thinking about the process of making art. Her studies at the University of Virginia, based upon Dow's principles, were pivotal in O'Keeffe's development as an artist. Through her exploration and growth as an artist, she helped to establish the 1204: 1450: 1629: 1580:

home once while their session was still in progress. She had suspected for a while that something was going on between the two, and told him to stop seeing O'Keeffe or get out. Stieglitz left home immediately and found a place in the city where he and O'Keeffe could live together. They slept separately for more than two weeks. By the end of the month they were in the same bed together, and by mid-August when they visited Oaklawn, the Stieglitz family summer estate in

1309:, a photographer she met in the 1940s, moved to New Mexico in 1961. He often made photographs of her, as did numerous other important American photographers, who consistently presented O'Keeffe as a "loner, a severe figure and self-made person." While O'Keeffe was known to have a "prickly personality," Webb's photographs portray her with a kind of "quietness and calm" suggesting a relaxed friendship, and revealing new contours of O'Keeffe's character. 1601: 653:, beginning in the fall of 1916. O'Keeffe, who enjoyed sunrises and sunsets, developed a fondness for intense and nocturnal colors. Building upon a practice she began in South Carolina, O'Keeffe painted to express her most private sensations and feelings. Rather than sketching out a design before painting, she freely created designs. O'Keeffe continued to experiment until she believed she truly captured her feelings in the watercolor, 11145: 1156: 1441: 1372: 1357: 7300: 1272:. By far the most productive and vivid period was on Maui, where she was given complete freedom to explore and paint. She painted flowers, landscapes, and traditional Hawaiian fishhooks. Back in New York, O'Keeffe completed a series of 20 sensual, verdant paintings. However, she did not paint the requested pineapple until the Hawaiian Pineapple Company sent a plant to her New York studio. 1394:. She stopped oil painting without assistance in 1972. In 1973, O'Keeffe hired John Bruce "Juan" Hamilton as a live-in assistant and then a caretaker. Hamilton was a potter. Hamilton taught O'Keeffe to work with clay, encouraged her to resume painting despite her deteriorating eyesight, and helped her write her autobiography. He worked for her for 13 years. The artist's autobiography, 1193: 1313:"White Place", a white rock formation located near her Abiquiú house. In 1946, she began making the architectural forms of her Abiquiú house—the patio wall and door—subjects in her work. It was in this period that O'Keefe also worked seriously with photography, providing striking counterparts to her patio and door paintings. Another distinctive painting was 1933:," liberated from Victorian strictures and mores and pursuing her own life and education and self-expression freely. O'Keeffe was in active dialogue with her suffragist friend Anita Pollitzer, with whom she exchanged letters on the subject. Pollitzer, in fact, was the first person to introduce Alfred Stieglitz to O'Keeffe's art work. She was also reading 1921:. Grasso notes that "Modernists championed rupture, innovation, and daring in art forms, styles, and perspectives," and that O'Keeffe "first created herself as an artist when feminism and modernism were interlinked". As early as 1915, O'Keeffe was reading books and articles on women's suffrage and cultural politics with enthusiasm, such as 2218:, was the first biographer to state that O'Keeffe was a bisexual. She came to that conclusion from reading letters between Beck and Paul Strand. Colin B. Bailey, Director of Museums, Fine Arts Museums of San Francisco stated that people who wrote that O'Keeffe was bisexual brought the topic into "murky historical waters". 410: 458: 1579:

In June 1918, O'Keeffe accepted Stieglitz's invitation to move to New York from Texas after he promised he would provide her with a quiet studio where she could paint. Within a month he took the first of many nude photographs of her at his family's apartment while his wife was away. His wife returned

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in 1930, O'Keeffe said she was "interested in the oppression of women of all classes". Gross writes: "She sustained an affiliation with the National Woman's Party and made public statements about gender discrimination and women's rights in interviews, speeches, letters, and articles into the 1970s."

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O'Keeffe continued to visit New Mexico, without her husband, and created a new body of works based upon the desert. O'Keeffe broke free of "strict gender roles" and adopted "gender neutral" clothing, as did other professional women in Santa Fe and Taos who experienced "psychological space and sexual

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was one of O'Keeffe's critics who, although considering her to be "the only prominent woman artist" (in the words of Marilyn Hall Mitchell), considered sexual expression in her work (and other artists' work) artistically problematic. Kootz stated that "assertion of sex can only impede the talents of

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and returned to New Mexico in 1934. In August 1934, she moved to Ghost Ranch, north of Abiquiú. In 1940, she moved into a house on the ranch property. The varicolored cliffs surrounding the ranch inspired some of her most famous landscapes. Between 1934 and 1936, she completed a series of landscape

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and her husband moved from NYC to Detroit. Here, Kahlo painted the famous Self Portrait on the Borderline Between Mexico and the United States. Many historians have noted the jack-in-the-pulpit flowers which lie on the Mexico side of the painting. These flowers, which are not native to Mexico, were

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O'Keeffe was a legend beginning in the 1920s, known as much for her independent spirit and female role model as for her dramatic and innovative works of art. Nancy and Jules Heller said, "The most remarkable thing about O'Keeffe was the audacity and uniqueness of her early work." At that time, even

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Owing to the legal delays caused by Stieglitz's first wife and her family, it would take six years before he obtained a divorce. O'Keeffe and Stieglitz were married on December 11, 1924. For the rest of their lives together, their relationship was, "a collusion....a system of deals and trade-offs,

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Beginning in 1946, O'Keefe worked with the painting conservator Caroline Keck to preserve the visual impression of her paintings. O'Keefe's stated preference was for her works to be free of dirt, even if removing such soiling caused abrasion to her colors. Keck encouraged O'Keefe to begin applying

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In the 1920s and 1930s, Santa Fe and Taos were havens for men and women who wanted to live unburdened by societal norms about sexuality. During that time, "artists flocked to New Mexico inspired by its vast natural beauty and the indigenous cultures that were so different from their own." Lesbian

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In the 1940s, O'Keeffe made an extensive series of paintings of what is called the "Black Place", about 150 miles (240 km) west of her Ghost Ranch house. O'Keeffe said that the Black Place resembled "a mile of elephants with gray hills and white sand at their feet." She made paintings of the

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based on her personal sensations. In early 1916, O'Keeffe was in New York at Teachers College, Columbia University. She mailed the charcoal drawings to a friend and former classmate at Teachers College, Anita Pollitzer, who took them to Alfred Stieglitz at his 291 gallery early in 1916. Stieglitz

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O'Keeffe stood her ground against sexual interpretations of her work, and for fifty years maintained that there was no connection between vulvas and her artwork. Firing back against some of the criticism, O'Keeffe stated, "When people read erotic symbols into my paintings, they're really talking

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In 1918, O'Keeffe moved to New York as Stieglitz offered to provide financial support, a residence, and place for her to paint. They developed a close personal relationship, and later married, while he promoted her work. Stieglitz also discouraged her use of watercolor, which was associated with

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to see her 1917 exhibition, and continued taking photographs, many of which were in the nude. It created a public sensation. When he retired from photography in 1937, he had made more than 350 portraits and more than 200 nude photos of her. In 1978, she wrote about how distant from them she had

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O'Keeffe became increasingly frail in her late nineties. She moved to Santa Fe in 1984, where she died on March 6, 1986, at the age of 98. Her body was cremated and her ashes were scattered, as she wished, on the land around Ghost Ranch. Following O'Keeffe's death, her family contested her will

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A substantial part of her estate's assets were transferred to the Georgia O'Keeffe Foundation, a nonprofit. The Georgia O'Keeffe Museum opened in Santa Fe in 1997. The assets included a large body of her work, photographs, archival materials, and her Abiquiú house, library, and property. The

842:), and portraits of O'Keeffe. Prior to her marriage to Stieglitz, O'Keeffe's drawings and paintings were frequently abstract, although she began to expand her visual vocabulary from 1924 onward to include more representational imagery "usually taken from nature and often painted in series". 836:. Strand's photography, as well as that of Stieglitz, inspired O'Keeffe's work. Stieglitz, whose 291 Gallery closed down in 1917, was now able to spend more time on his own photographic practice, producing a series of photographs of natural forms, cloud studies (a series known as 558:, Bement's colleague. Dow's approach was influenced by principles of design and composition in Japanese art. She began to experiment with abstract compositions and develop a personal style that veered away from realism. From 1912 to 1914, she taught art in the public schools in 1959:

She received unprecedented acceptance as a woman artist from the fine art world due to her powerful graphic images and within a decade of moving to New York City, she was the highest-paid American woman artist. She was known for a distinctive style in all aspects of her life.

1176: 211:. Called the "Mother of American modernism", O'Keeffe gained international recognition for her meticulous paintings of natural forms, particularly flowers and desert-inspired landscapes, which were often drawn from and related to places and environments in which she lived. 1716:'s solo exhibition at the MOMA, after which a friendship developed. They remained friends, staying in touch when O'Keeffe recuperated from a nervous breakdown in a hospital and then in Bermuda. Both women visited each other's homes on a couple of occasions in the 1950s. 241:

in 1918 at Stieglitz's request and began working seriously as an artist. They developed a professional and personal relationship that led to their marriage on December 11, 1924. O'Keeffe created many forms of abstract art, including close-ups of flowers, such as the

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commented " Essence of very womanhood permeates her pictures", citing her use of color and shapes as metaphors for the female body. This same article also describes her paintings in a sexual manner. O'Keeffe, most famous for her depiction of flowers, made about 200

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in upstate New York, "they were like two teenagers in love. Several times a day they would run up the stairs to their bedroom, so eager to make love that they would start taking their clothes off as they ran." Also around this time, O'Keeffe became sick during the

733:. She "captured a monumental landscape in this simple configuration, fusing blue and green pigments in almost indistinct tonal gradations that simulate the pulsating effect of light on the horizon of the Texas Panhandle," according to author Sharyn Rohlfsen Udall. 248:

paintings, that many found to represent vulvas, though O'Keeffe consistently denied that intention. The imputation of the depiction of women's sexuality was also fueled by explicit and sensuous photographs of O'Keeffe that Stieglitz had taken and exhibited.

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paintings sold to an anonymous buyer in France for US$ 25,000, but there is no evidence that this transaction occurred the way Stieglitz reported. As a result of the press attention, O'Keeffe's paintings sold at a higher price from that point onward.

4527:... her place, through the eyes and lens of her close and longtime friend, photographer Todd Webb (1905–2000), who produced a glorious collection of photos of her and her surroundings at her Ghost Ranch and Abiquiú houses between 1955 and 1981. 1805:

Quarry when it was discovered". In November 2016, the Georgia O'Keeffe Museum recognized the importance of her time in Charlottesville by dedicating an exhibition, using watercolors that she had created over three summers. It was entitled,

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In New Mexico, she collected rocks and bones from the desert floor and made them and the distinctive architectural and landscape forms of the area subjects in her work. Known as a loner, O'Keeffe often explored the land she loved in her

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O'Keeffe and Stieglitz lived together in New York until 1929, when O'Keeffe began spending part of the year in the Southwest, which served as inspiration for her paintings of New Mexico landscapes and images of animal skulls, such as

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O'Keeffe's lotus paintings may have deeper ties to vulvar imagery and symbolism. In Egyptian mythology, lotus flowers are a symbol of the womb, and in Indian mythology, they are direct symbols for vulvas. Feminist art historian

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the feature of a series of paintings by O'Keeffe just two years prior in which she painted the flowers at different periods of growth: one fully closed, one open, etc. This same series of growth is featured in Kahlo's painting.

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tacitly agreed to and carried out, for the most part, without the exchange of a word. Preferring avoidance to confrontation on most issues, O'Keeffe was the principal agent of collusion in their union," according to biographer

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argues against the notion that the women were sexually or romantically involved, finding such a reading of their correspondence incongruous with their "passionate ties to their husbands" and "strong heterosexual attractions".

7375: 1246:. The offer came at a critical time in O'Keeffe's life: she was 51, and her career seemed to be stalling (critics were calling her focus on New Mexico limited, and branding her desert images "a kind of mass production"). 2002:(1979) in recognition of what many prominent feminist artists considered groundbreaking introduction of sensual and feminist imagery in her works of art. Although feminists celebrated O'Keeffe as the originator of " 5730: 322:. Her parents, Francis Calyxtus O'Keeffe and Ida (Totto) O'Keeffe, were dairy farmers. Her father was of Irish descent. Her mother's father, George Victor Totto, for whom O'Keeffe was named, was a Hungarian 391: 5581: 1777:

in Europe, there were few artists exploring abstraction. Even though her works may show elements of different modernist movements, such as Surrealism and Precisionism, her work is uniquely her own style.

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found them to be the "purest, finest, sincerest things that had entered 291 in a long while" and said that he would like to show them. In April that year, Stieglitz exhibited ten of her drawings at 291.

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and smoke-emitting factories in Queens. The next year she made her final New York City skyline and skyscraper paintings and traveled to New Mexico, which became a source of inspiration for her work.

3298: 864:, completed in 1922, depicts her notion of simple, meaningful life. O'Keeffe said that year, "it is only by selection, by elimination, and by emphasis that we get at the real meaning of things." 6582: 1694:(stroke). She immediately flew to New York to be with him. He died on July 13, 1946. She buried his ashes at Lake George. She spent the next three years mostly in New York settling his estate. 3739: 1988:, and Christ's with Georgia O'Keeffe. This image, addressing the role of religious and art historical iconography in the subordination of women, became "one of the most iconic images of the 1592:

In February 1921, Stieglitz's photographs of O'Keeffe were included in a retrospective exhibition at the Anderson Galleries. Stieglitz started photographing O'Keeffe when she visited him in

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From 1972 to 1976–77, O'Keeffe continued to work in oil, pastel, and watercolor, but only with assistance. She could work unassisted in charcoal and pencil, however, and did so until 1984.

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in Abiquiú, which she renovated into a home and studio. She moved permanently to New Mexico in 1949, spending time at both Ghost Ranch and the Abiquiú house that she made into her studio.

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become, "When I look over the photographs Stieglitz took of me—some of them more than sixty years ago—I wonder who that person is. It is as if in my one life I have lived many lives."

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sold for $ 44,405,000—at the time, by far the largest price paid for any painting by a female artist. Her works are in the collections of several museums, and following her death, the

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She had a close relationship with Beck Strand. They enjoyed spending time together, traveling, and living with "glee". Strand said that she was most herself when with O'Keeffe. In

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added to it in the 1980s had left most of her $ 65 million estate to Hamilton. The case was ultimately settled out of court in July 1987. The case became a famous precedent in

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women in the fields of photography, archaeology, and anthropology were drawn to the area professionally and personally. O'Keeffe knew lesbian and bisexual women According to

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O'Keeffe and Stieglitz had an open relationship, which could be painful for O'Keeffe when Stieglitz had affairs with women. In 1928, Stieglitz began a long-term affair with

511:, co-owned by her future husband, photographer Alfred Stieglitz. The gallery promoted the work of avant-garde artists and photographers from the United States and Europe. 5361: 1103:. She made several paintings of the church, as had many artists, and her painting of a fragment of it silhouetted against the sky captured it from a unique perspective. 2210:

O'Keeffe preferred to focus on her artistic skills than her sexual orientation. She did not claim to be bisexual, and there are differing opinions about her sexuality.

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amateur women artists. According to art historian Charles Eldredge, "the couple enjoyed a prominent position in the ebullient art of New York throughout the 1920s".

3835: 11290: 7861: 7608: 5691: 1807: 434: 223: 5573: 3636: 3574: 1406:(1936) on the cover. It became a bestseller. During the 1970s, she made a series of works in watercolor. She continued working in pencil and charcoal until 1984. 2713: 687: 6704: 4424: 11275: 5011: 4070: 1155: 3764: 11285: 8644: 6022: 1639:. This was a favorite subject for O'Keeffe, who once said, "It's my private mountain. It belongs to me. God told me if I painted it enough, I could have it" 8110: 7655: 2582: 1754:

In 2020, Tymberwood Academy (in Gravesend, Kent, England), pupils chose new class names. One of the winning names for a Year 3 class was Georgia O'Keeffe.

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O'Keeffe was the second of seven children. She attended Town Hall School in Sun Prairie. By age 10, she had decided to become an artist. With her sisters,

7854: 5892: 1556:; however, the artist rejected these notions, stating that "femaleness is irrelevant" and that "it has nothing to do with art making or accomplishment." 4878: 597: 7613: 6053: 638: 4394: 4118: 1799:("O'Keeffe's Ghost") in January 2006, "in honor of Georgia O'Keeffe for her numerous paintings of the badlands at Ghost Ranch and her interest in the 11270: 6574: 2530: 1544:

an artist, for it is an act of defiance, of grievance, in which the consciousness of these qualities retards the natural assertions of the painter".

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In 1908, O'Keeffe discovered that she would not be able to finance her studies. Her father had gone bankrupt and her mother was seriously ill with

230:, an art dealer and photographer, held an exhibit of her works in 1917. Over the next couple of years, she taught and continued her studies at the 6756: 6283: 518:. She was not interested in a career as a painter based on the mimetic tradition that had formed the basis of her art training. She took a job in 11205: 6260: 5514: 6634: 3709: 2920: 9062: 6422: 6335: 5187: 4540: 2739: 2495: 2156:

does not say the painting is of O'Keeffe, but the record of the painting is filed in a category for Georgia O'Keeffe photographs and clippings.

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in Madison, Wisconsin, as a boarder between 1901 and 1902. In late 1902, the O'Keeffes moved from Wisconsin to the close-knit neighborhood of

11310: 11300: 11190: 7478: 1625:. They lived primarily in New York City, but spent their summers at his father's family estate, Oaklawn, in Lake George in upstate New York. 5841: 5124: 4940: 3805: 8126: 7948: 1967: 1527: 615: 11255: 7926: 6612: 6452: 6092: 5961: 5779: 4917: 4716: 4652: 218:, until about 1920, she studied art or earned money as a commercial illustrator or a teacher to pay for further education. Influenced by 11245: 6392: 4481: 4165: 3597: 3009: 2959: 2764: 1667:, O'Keeffe began to spend the summers painting in New Mexico in 1929. She traveled by train with her friend the painter Rebecca Strand, 11280: 11210: 8367: 7877: 7434: 6734: 6551: 5632: 5095: 4577: 534:

made her ill. She began teaching art in 1911. One of her positions was at her former school, Chatham Episcopal Institute, in Virginia.

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and skyline. One of her most notable works, which demonstrates her skill at depicting the buildings in the Precisionist style, is the

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until joining her family in Virginia in 1903. She completed high school as a boarder at Chatham Episcopal Institute in Virginia (now

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After further course work at Columbia in early 1916 and summer teaching for Bement, she became the chair of the art department at

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Norris, Kathleen, Wagner M., Anne, Peters, Sarah Whitaker (1999). "Georgia O'Keeffe. Summer Days. 1936". In Venn, Beth (ed.).

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O'Keeffe's prickly personality is legendary, but with Webb she displays the kind of quietness and calm she wanted to embody.

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O'Keeffe came to know the many early American modernists who were part of Stieglitz's circle of artists, including painters

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The Flowers and Bones of Georgia O'Keeffe: A Research-Based Dissertation Culminating in a Full-Length Play: Days with Juan

4202: 11260: 11185: 7686: 5065: 3827: 2263: 1782: 270: 5683: 5507:"The Young and the Restless : O'Keeffe & Stieglitz: An American Romance, By Benita Eisler (Doubleday: 560 pp.)" 5001: 970: 7602: 6840: 4302: 3628: 3564: 986: 679: 499: 452: 6875: 2717: 8963: 8336: 8009: 7582: 7471: 7348: 7279: 7260: 7144: 6696: 6276:"Focus : Georgia on Her Mind : Jane Alexander's Fascination With Artist O'Keeffe Leads to PBS' 'Playhouse'" 5773: 5664: 5489: 5458: 5421: 4985: 4683: 4416: 4147: 3447: 3342: 3184: 2872: 2794: 1162: 1134: 630: 260: 4063: 2556: 1564: 11240: 11200: 9079: 7993: 6811: 6305: 3772: 1510: 725:

She began a series of watercolor paintings based upon the scenery and expansive views during her walks, including

10836: 10299: 7978: 7502: 6856: 6140: 6018: 1857: 1581: 504: 482: 419: 378: 369: 6213:"Extreme convergence in the body plans of an early suchian (Archosauria) and ornithomimid dinosaurs (Theropoda)" 2578: 314:, 1907, Frances Lehman Loeb Art Center at Vassar College. The painting is likely a portrait of Georgia O'Keeffe. 8360: 8325: 6920: 6821: 1491: 1167: 882:, which by the mid-1920s were large-scale depictions of flowers, as if seen through a magnifying lens, such as 5888: 2183:

She also said that she was happy being "me" rather than worrying about affairs that Stieglitz might be having.

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O'Keeffe began creating simplified images of natural things, such as leaves, flowers, and rocks. Inspired by

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and Anita, she received art instruction from local watercolorist Sara Mann. O'Keeffe attended high school at

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held a retrospective of her work in 1960 and 10 years later, the Whitney Museum of American Art mounted the

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Rathbone, Belinda; Shattuck, Roger; Turner, Elizabeth Hutton; Arrowsmith, Alexandra; West, Thomas (1992).

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paintings inspired by the New Mexico desert, often with prominent depictions of animal skulls, including

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as a commercial artist and worked there until 1910, when she returned to Virginia to recuperate from the

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The Year in Television, 2009: A Catalog of New and Continuing Series, Miniseries, Specials and TV Movies

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by Bill Long, 6/29/07.: "I painted it often enough thinking that, if I did so, God would give it to me."

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and more dramatically in the charcoal drawings that she produced in 1915 that led to total abstraction.

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Frames of Reference: Looking at American art, 1900-1950. Works from the Whitney Museum of American Art

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Epley, Bradford (2018). "Accommodating change: twentieth-century American artists and conservators".

3701: 2912: 1683:, largely due to Stieglitz's affair with Dorothy Norman. She did not paint again until January 1934. 527: 346: 6414: 6331: 2747: 1073:, exploring the rugged mountains and deserts of the region that summer and later visited the nearby 222:, O'Keeffe began to develop her unique style beginning with her watercolors from her studies at the 10249: 10153: 9852: 9736: 8320: 8153: 8118: 7330: 7326: 7310: 5449:

Painting Gender, Constructing Theory: The Alfred Stieglitz Circle and American Formalist Aesthetics

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Eleanor Tufts; National Museum of Women in the Arts; International Exhibitions Foundation (1987).

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Eleanor Tufts; National Museum of Women in the Arts; International Exhibitions Foundation (1987).

11230: 11225: 10643: 10533: 10386: 9892: 9761: 9229: 8914: 8710: 8391: 7367: 6870: 5837: 4154:. International Exhibitions Foundation for the National Museum of Women in the Arts. p. 83. 3797: 3545: 3191:. International Exhibitions Foundation for the National Museum of Women in the Arts. p. 81. 2141: 1610: 1062: 1021: 589: 5117: 3657: 3273: 2197:, she tended to avoid Santa Fe's lesbian women. She was friends with bisexual and gay men, like 10589: 10084: 9948: 9907: 9640: 9610: 9193: 8660: 8575: 7958: 7792: 7574: 7534: 5481: 5475: 3335:

Two Lives, Georgia O'Keeffe & Alfred Stieglitz: A Conversation in Paintings and Photographs

3078: 2864: 2860: 2854: 1889: 1735:. She traveled and camped at "Black Place" often with her friend, Maria Chabot, and later with 1605: 1553: 1502: 1038: 543: 462: 439: 342: 287: 187: 177: 7690: 6604: 6444: 6076: 5945: 5760: 4901: 4700: 4636: 3975: 3948: 3918: 3765:"Georgia O'Keeffe (1887–1986): East River from the Thirtieth Story of the Shelton Hotel, 1928" 3080: 1980:, with the heads of notable women artists collaged over the heads of Christ and his apostles. 1212: 278: 11265: 11103: 10790: 10381: 10345: 10183: 9968: 9721: 9680: 9650: 9550: 9545: 9468: 9393: 8538: 8092: 7893: 7846: 7626: 7542: 7510: 6898: 6376: 6254: 5807: 5392: 5237: 4465: 4149: 3659: 2982: 2943: 2814: 2761: 1989: 1853: 1652: 1532: 1088: 890: 486: 303: 244: 10044: 8629: 7318: 6726: 6535: 5616: 5091: 4738: 870:

expresses O'Keeffe's feelings about music through visual art, using bold and subtle colors.

497:. In 1908, she won the League's William Merritt Chase still-life prize for her oil painting 11175: 11170: 11098: 10800: 10508: 10482: 10401: 9973: 9726: 9188: 8595: 8399: 7700: 7518: 7393: 6976: 5549: 3398:. Washington, D.C.: National Museum of American Art, Smithsonian Institution. p. 205. 3226: 3224:

Zilczer, Judith (1999). "'Light Coming on the Plains': Georgia O'Keeffe's Sunrise Series".

3141: 3139:

Zilczer, Judith (1999). "'Light Coming on the Plains': Georgia O'Keeffe's Sunrise Series".

1387: 1328: 1284: 1192: 1074: 1034: 866: 713: 282: 100: 11078: 8513: 2683: 1690:

Shortly after O'Keeffe arrived for the summer in New Mexico in 1946, Stieglitz suffered a

353:

building trade, but the demand never materialized. O'Keeffe stayed in Wisconsin attending

8: 11017: 10991: 10330: 10304: 10223: 10218: 10143: 10074: 10064: 10054: 9963: 9887: 9540: 9483: 9320: 9260: 9250: 9133: 9128: 8988: 8533: 8224: 7968: 7744: 6999: 6886: 6361: 6168: 5150: 2346: 1841: 1837: 1691: 1222:

approached O'Keeffe about creating two paintings for the Hawaiian Pineapple Company (now

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but the singular work at The Art Institute of Chicago is stylized as "Sky above Clouds".

2086:

Lovingly, Georgia: The Complete Correspondence of Georgia O'Keeffe & Anita Pollitzer

207:

whose career spanned seven decades and whose work remained largely independent of major

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Mitchell, Marilyn Hall (1978). "Sexist Art Criticism: Georgia O'Keeffe: A Case Study".

5181: 5006: 4837: 4809: 4801: 4584: 4545: 4274: 3798:"Important Art by Georgia O'Keeffe: Radiator Building – Night, New York" 3266: 3243: 3158: 2374: 2316: 2109:. Vol. One, 1915–1933 (Annotated ed.). New Haven, CT: Yale University Press. 1824: 1748: 1484: 1243: 1084: 1020:

held a retrospective of her work in 1927. In 1928, Stieglitz announced that six of her

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Georgia O'Keeffe (1887–1986)...Presidential Medal of Freedom received January 10, 1977

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Painting materials as displayed at the Georgia O'Keeffe Museum in Santa Fe, New Mexico

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issued a 32-cent stamp honoring O'Keeffe. In 2013, on the 100th anniversary of the

1614: 1568: 1319: 1142:. It depicts a desert scene with a deer skull with vibrant wildflowers. Resembling 1042: 884: 730: 238: 227: 136: 56: 1789:

in 1998, and is now owned by the Georgia O'Keeffe Museum. A fossilized species of

1138:(1936). In 1936, she completed what would become one of her best-known paintings, 269:

After Stieglitz's death in 1946, she lived in New Mexico for the next 40 years at

50: 11108: 10981: 10966: 10917: 10907: 10760: 10734: 10673: 10538: 10498: 10457: 10452: 10376: 10371: 10259: 10233: 10168: 10104: 10079: 10049: 9983: 9943: 9882: 9877: 9872: 9781: 9756: 9630: 9605: 9525: 9325: 9304: 9299: 9153: 9113: 8973: 8934: 8842: 8822: 8746: 8695: 8600: 8580: 8423: 8269: 8148: 7988: 7952: 7777: 7750: 7442: 6790: 6670: 5808:"The View from Out There Cady Wells: Ruminations at the New Mexico Museum of Art" 5556: 5396: 5241: 4592: 4509: 4398: 3470: 3186: 2768: 2149: 1938: 1901:, more than three times the previous world auction record for any female artist. 1540: 1415: 1269: 1235: 1185: 1049:, who provided the women with studios. From her room she had a clear view of the 1017: 833: 821: 563: 559: 474: 330: 166: 7234:

Modernism and the Feminine Voice: O'Keeffe and the Women of the Stieglitz Circle

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North American Women Artists of the Twentieth Century: A Biographical Dictionary

4702:

Georgia O'Keeffe, a Private Friendship: Walking the Abiquiu and Ghost Ranch land

4638:

Georgia O'Keeffe, a Private Friendship: Walking the Abiquiu and Ghost Ranch land

4225: 1501:, the highest honor awarded to American civilians. In 1985, she was awarded the 1467:

In 1938, O'Keeffe received an honorary degree of "Doctor of Fine Arts" from the

1375: 11088: 11083: 11047: 10922: 10841: 10826: 10785: 10709: 10663: 10472: 10421: 10396: 10289: 10269: 10173: 10029: 10024: 9978: 9862: 9857: 9847: 9837: 9821: 9806: 9801: 9786: 9776: 9771: 9675: 9660: 9655: 9580: 9575: 9473: 9203: 9163: 9158: 8978: 8929: 8909: 8899: 8832: 8827: 8817: 8766: 8730: 8705: 8675: 8518: 8503: 8279: 8264: 8184: 7983: 7943: 7717: 7414: 7404: 5282:

Flowers and Towers: Politics of Identity in the Art of the American 'New Woman'

4402: 4206: 2762:

2013–14 Wisconsin Statutes 2013–14 S.84.1021 Georgia O'Keeffe Memorial Highway.

2137: 1948: 1833: 1728: 1644: 1632: 1548:

about their own affairs." She attributed other artists' attacks on her work to

1411: 1324: 1288: 1231: 874: 813: 607: 8685: 5069: 4780: 2255: 1479:. Among her awards and honors, O'Keeffe received the M. Carey Thomas Award at 1453: 1275:

During the 1940s, O'Keeffe had two one-woman retrospectives, the first at the

503:. Her prize was a scholarship to attend the League's outdoor summer school in 318:

Georgia O'Keeffe was born on November 15, 1887, in a farmhouse in the town of

11159: 11063: 11032: 10986: 10882: 10851: 10821: 10805: 10770: 10765: 10739: 10683: 10599: 10594: 10528: 10518: 10477: 10462: 10447: 10442: 10416: 10284: 10094: 10089: 10059: 9988: 9953: 9917: 9811: 9791: 9711: 9645: 9555: 9346: 9224: 9219: 9143: 9138: 8968: 8904: 8858: 8837: 8781: 8756: 8690: 8680: 8570: 8508: 8294: 8189: 8057: 7898: 6114: 4347: 3352: 2451:"Texas State Historical Association (TSHA) - TSHA Gala featuring Clay Walker" 2450: 2395: 2211: 1877: 1869: 1724: 1702: 1622: 1593: 1523: 1506: 1280: 1239: 650: 478: 307: 7456: 7425: 5431: 4294: 3079:

Amon Carter Museum of Western Art; Patricia A. Junker; Will Gillham (2001).

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began an effort to create the first catalogue of her work in the mid-1940s.

11093: 11068: 11012: 10887: 10866: 10861: 10856: 10744: 10724: 10719: 10648: 10584: 10579: 10564: 10559: 10254: 10228: 10213: 10188: 10163: 10009: 9842: 9741: 9665: 9620: 9429: 9424: 9414: 9367: 9362: 9245: 9173: 9148: 9123: 9077: 8924: 8889: 8863: 8786: 8585: 8555: 8431: 8249: 8234: 8229: 8204: 8199: 7963: 7888: 7782: 7767: 7429: 6246: 6228: 3732:"Manhattan Residences of Georgia O'Keeffe and Patricia Highsmith Published" 3569: 3394:

Eldredge, Charles C.; Schimmel, Julie; Truettner, William H., eds. (1986).

2003: 1993: 1985: 1952: 1898: 1865: 1736: 1713: 1660: 1399: 857: 515: 494: 481:, she had to take a year off from her education. In 1907, she attended the 358: 338: 208: 124: 6019:"Kahlo and O'Keeffe: the formative friendship between two artistic giants" 4259:. Berkeley, California: University of California Press. pp. 203–211. 3373:. The library of American art. New York: Harry N. Abrams. pp. 11–19. 1203: 11042: 10714: 10513: 10503: 10340: 10274: 10208: 9902: 9701: 9590: 9560: 9168: 9108: 8998: 8884: 8879: 8751: 8725: 8720: 8563: 8483: 8299: 8254: 8244: 8219: 8168: 7787: 7722: 7362: 5411: 3658:

Barbara Buhler Lynes; Jonathan Weinberg; Georgia O'Keeffe Museum (2011).

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My Faraway One: Selected Letters of Georgia O'Keeffe and Alfred Stieglitz

1873: 1845: 1801: 1732: 1709: 1668: 1636: 1494: 1092: 838: 829: 817: 697: 547: 457: 373: 362: 274: 6641:. Washington, D.C.: National Museum of Women in the Arts. Archived from 6309: 3598:"From Georgia O'Keeffe to War and Peace: Unmissable Arts Events in 2016" 1628: 507:, New York. While in New York City, O'Keeffe visited galleries, such as 11149: 10897: 10892: 10704: 10406: 10193: 10039: 10014: 9706: 9625: 9419: 9388: 9255: 8776: 8304: 8041: 7451: 7058: 5331: 4467:

Famous Americans: A Directory of Museums, Historic Sites, and Memorials

3247: 3162: 2198: 1943: 1922: 1861: 1010: 825: 531: 490: 6210: 4941:"Obituary: Georgia O' Keeffe Dead at 98; Shaper of Modern Art in U.S." 4805: 1679:. In 1933, O'Keeffe was hospitalized for two months after suffering a 1339:

acrylic varnishes to her works in order to facilitate their cleaning.

11027: 10411: 10158: 9595: 8894: 8239: 6575:"Jane Jacobs, Georgia O'Keeffe, and the Power of the Marimekko Dress" 5255:

Nochlin, Linda; Reilly, Maura (2015). "Some Women Realists: Part 1".

4343: 3543:

Rosenfeld, Paul (October 1922). "The Paintings of Georgia O'Keeffe".

3041:"Never-before-exhibited O'Keeffe paintings show shift to abstraction" 1930: 1918: 1881: 1790: 1672: 1440: 1306: 1070: 902:

and helped to organize other exhibitions over the next several years.

554:

faculty member. Under Bement, she learned of the innovative ideas of

200: 7389: 6833:

Equal under the Sky: Georgia O'Keeffe and Twentieth-Century Feminism

3239: 3154: 2816:

Georgia O'keeffe, a Private Friendship: Walking the Sun Prairie Land

1911:

Equal Under the Sky: Georgia O'Keeffe and Twentieth Century Feminism

1600: 199:(November 15, 1887 – March 6, 1986) was an American 11022: 10467: 8345: 8274: 7329:

external links, and converting useful links where appropriate into

5323: 4797: 4580:

Eroded Clay and Rock Flakes, Black Place, New Mexico, July 20, 1953

1300: 1208: 6046:"Behind Frida Kahlo's Real and Rumored Affairs With Men and Women" 3950:

Art and the Crisis of Marriage: Edward Hopper and Georgia O'Keeffe

2496:"Episode 45: Georgia O'Keeffe's Deer's Skull With Pedernal (1936)" 1059:

Hermanos de la Fraternidad Piadosa de Nuestro Padre Jesús Nazareno

11144: 8143: 7526: 5943: 5148: 1894: 1712:

met O'Keeffe in December 1931 in New York City at the opening of

1120: 751:, 1917, watercolor and graphite on paper, Georgia O'Keeffe Museum 523: 519: 204: 3332: 1647:, who was also married, and O'Keeffe lost a project to create a 977:, 1927, oil on canvas, The Phillips Collection, Washington, D.C. 637:

in late 1915, where she completed a series of highly innovative

7419:

Eagle Claw and Bean Necklace, 1934, Museum of Modern Art (MoMA)

4541:"Art; Exploring the Affinities Among Painting, Music and Dance" 2848: 2846: 2844: 2842: 2840: 2838: 2836: 2483:: 74–75. November 9, 1987 – via Readers' Guide Abstracts. 2259: 1676: 1459: 477:

and ranked at the top of her class. As a result of contracting

461:

Georgia O'Keeffe as a teaching assistant to Alon Bement at the

7876: 6078:

Walking Away From The Land: Change At The Crest Of A Continent

5383:

Gates, Alison A. (2021). "Georgia O'Keeffe: Inevitable Icon".

5354:"Sex, Stieglitz and Georgia O'Keeffe | art | Agenda | Phaidon" 2789:. Hanover: University Press of New England. pp. 191–193. 894:

paintings. She painted her first large-scale flower painting,

530:. She did not paint for four years and said that the smell of 8796: 8659: 3942: 3940: 1850:

Black Mesa Landscape, New Mexico/Out Back of Marie's II, 1930

1648: 1483:

in 1971 and two years later received an honorary degree from

1265: 323: 4386: 4384: 2833: 1701:—a book about O'Keeffe, Stieglitz, and Beck and Paul Strand— 382:, which expressed her anxiety and depression about the war. 7006:(3rd ed.). Princeton, NJ: Princeton University Press. 5856: 1719:

Among guests to visit her at the ranch over the years were

1261: 1257: 6445:"Jimson Weed/White Flower No. 1, 1932 by Georgia O'Keeffe" 5991: 3937: 2144:

state that the sitter is identified as O'Keeffe. The book

1884:

as Mabel Dodge Luhan. It premiered on September 19, 2009.

7417:, Native American curator, comments on Georgia O'Keeffe, 7061:

Shared Intelligence: American Painting and The Photograph

5713: 5711: 5709: 4858:

O'Keeffe painted her last unassisted oil painting in 1972

4505:"Santa Fe exhibit paints a different picture of O'Keeffe" 4381: 3661:

Shared Intelligence: American Painting and the Photograph

3393: 3082:

An American Collection: Works from the Amon Carter Museum

2621:"The Checkered Dress by Hilda Belcher, clipping, undated" 1819: 8621: 7080:

Georgia O'Keeffe and Her Houses: Ghost Ranch and Abiquiu

7059:

Lynes, Barbara Buhler; Weinberg, Jonathan, eds. (2011).

6997: 6533: 6165: 5981: 5979: 5614: 4871:"Who Was Georgia O'Keeffe's Younger Man, Juan Hamilton?" 3973: 3916: 3465: 3396:

Art in New Mexico, 1900–1945: Paths to Taos and Santa Fe

2152:

states that the painting is a portrait of O'Keeffe. The

1249:

She arrived in Honolulu on February 8, 1939, aboard the

1007:

East River from the Thirtieth Story of the Shelton Hotel

7192:

Patten, Christine Taylor; Cardona-Hine, Alvaro (1992).

6816:(Paperback reprint ed.). New York: Penguin Books. 4975: 3437: 1386:

By 1972, O'Keeffe had lost much of her eyesight due to

1279:(1943). Her second was in 1946, when she was the first 361:), graduating in 1905. At Chatham, she was a member of 298: 6515: 6211:

Sterling J Nesbitt1, and Mark A Norell (May 7, 2006).

5706: 4361:

Georgia O'Keeffe and Ansel Adams, The Hawai'I Pictures

2555:. National Portrait Gallery, Smithsonian Institution. 2475:"An unabashedly sensual approach to a genteel genre". 1299:

In 1945, O'Keeffe bought a second house, an abandoned

1207:

O'Keeffe's "White Place", the Plaza Blanca cliffs and

981:

After having moved into a 30th floor apartment in the

781:, 1916–1917, watercolor, West Texas A&M University 11133: 6491: 6479: 5976: 5868: 5596: 4903:

American Studies: An Annotated Bibliography 1984–1988

3299:"Birth of the abstract: Georgia O'Keeffe in Amarillo" 3290: 3263: 2678: 2676: 2674: 2672: 2670: 2668: 2666: 2664: 2662: 1095:. O'Keeffe visited and painted the nearby historical 985:

in 1925, O'Keeffe began a series of paintings of the

11221:

Fellows of the American Academy of Arts and Sciences

8111:

Heresies: A Feminist Publication on Art and Politics

7274:. San Diego, New York, London: First Voyager Books. 7175:

The Creative Spirit: Stories of 20th Century Artists

7042:

Georgia O'Keeffe and Ansel Adams: Natural Affinities

6503: 6467: 5480:. Ann Arbor, Michigan: UMI Research Press. pp. 3828:"Radiator Building – Night, New York" 2660: 2658: 2656: 2654: 2652: 2650: 2648: 2646: 2644: 2642: 1365:, 1965, oil on canvas, The Art Institute of Chicago. 1146:, it depicted the skull floating above the horizon. 345:, where O'Keeffe's father started a business making 7198:. Albuquerque, NM: University of New Mexico Press. 7120:. Albuquerque, NM: University of New Mexico Press. 7040:Lynes, Barbara Buhler; Phillips, Sandra S. (2008). 5092:"Special Collections Research Center Knowledgebase" 5068:. Planned Giving Design Center, LLC. Archived from 4698: 4634: 4448:

Finding Paradise: Island Art in Private Collections

4375:

Finding Paradise: Island Art in Private Collections

4064:"Georgia O'Keeffe, Black Cross with Stars and Blue" 3858:"Georgia O'Keeffe: New York Street with Moon, 1925" 2891:. Dallas, Texas: Dallas Museum of Art. p. 15. 2812: 2523:"Georgia O'Keeffe and the $ 44 Million Jimson Weed" 2380:. Larass, Petra., Klier, Melanie. Munich: Prestel. 2041:. Albuquerque, NM: University of New Mexico Press. 1927:

Women as World Builders: Studies in Modern Feminism

1893:(1932) sold for $ 44,405,000 in 2014 at auction to 1526:, the author of the influential 1971 essay titled " 1077:, where she completed her now famous oil painting, 7191: 6890: 6167: 5446: 4779: 4220: 4218: 4216: 3565:"15 Things You Should Know About Georgia O'Keeffe" 3475:. Alabama: Birmingham Museum of Art. p. 144. 3296: 3265: 2373: 2083: 214:From 1905, when O'Keeffe began her studies at the 7313:may not follow Knowledge's policies or guidelines 7004:Georgia O'Keeffe and New Mexico: A Sense of Place 6597: 5915:"Modern Nature: Georgia O'Keeffe and Lake George" 5659:. Ladies' Home Journal Books. 1998. p. 140. 4463: 4000: 3946: 3472:Birmingham Museum of Art: guide to the collection 3038: 2639: 1830:A Marriage: Georgia O'Keeffe and Alfred Stieglitz 1808:O'Keeffe at the University of Virginia, 1912–1914 435:Scrapbook (The Rotunda at University of Virginia) 368:O'Keeffe taught and headed the art department at 349:in anticipation of a demand for the block in the 11157: 6914: 6627: 6537:Full Bloom: The Art and Life of Georgia O'Keeffe 6074: 5618:Full Bloom: The Art and Life of Georgia O'Keeffe 5200: 4459: 4457: 4328:, Honolulu: Honolulu Academy of Arts, p. 13 4005:. New York, NY: W. W. Norton. pp. 294–296. 4003:Full Bloom: The Art and Life of Georgia O'Keeffe 3977:Full Bloom: The Art and Life of Georgia O'Keeffe 3920:Full Bloom: The Art and Life of Georgia O'Keeffe 3620: 3369:Eldredge, Charles C. (1991). "Life and Legend". 3074: 3072: 3070: 3068: 3066: 2913:"Colonial Williamsburg Research & Education" 2808: 2806: 2690:. A&E Television Networks. August 26, 2016. 2104: 1969:Some Living American Women Artists / Last Supper 1904: 1852:as part of their Modern Art in America series. 1536:(1926) as a morphological metaphor for a vulva. 1516: 965: 469:From 1905 to 1906, O'Keeffe was enrolled at the 11291:United States National Medal of Arts recipients 6835:. Albuquerque: University of New Mexico Press. 6572: 6374: 5768:. Taylor & Francis. pp. 113–115, 288. 5063: 4213: 3010:"World War I: The Quick. The Dead. The Artists" 2445: 2443: 1941:, among others, alongside the radical magazine 1848:, the USPS issued a stamp featuring O'Keeffe's 1751:was renamed as Georgia O'Keeffe Middle School. 766:, oil on board, 1916–1917, Milwaukee Art Museum 7405:Patricia Marroquin Norby and Samantha Friedman 6998:Lynes, Barbara Buhler; Poling-Kempes, Lesley; 6308:. United States Postal Service. Archived from 6159: 5889:"O'Keeffe was no saint, tell-all book reveals" 5802: 5800: 5762:Bisexuality and the Eroticism of Everyday Life 5477:O'Keeffe, Stieglitz and the Critics, 1916–1929 4971: 4969: 4967: 4965: 3917:Hunter Drohojowska-Philp (November 17, 2005). 3699: 3433: 3431: 3429: 3427: 3425: 3423: 3421: 3419: 3417: 3415: 3007: 2716:. Wisconsin Historical Society. Archived from 2081: 1671:'s wife, to Taos, where they lived with their 1380:, 1939, oil on canvas, Honolulu Museum of Art. 1037:for the first time, accompanied by her friend 11276:School of the Art Institute of Chicago alumni 9063: 8645: 8361: 7862: 7486: 7472: 7039: 6983:. Washington, D.C.: National Gallery of Art. 6657: 5259:. National Geographic Books. pp. 76–85. 5254: 4454: 3626: 3595: 3562: 3063: 2803: 2487: 2216:O'Keeffe & Stieglitz: An American Romance 1929:. There was much talk in this era about the " 1327:inspired by her views from airplane windows. 112:Visual arts: painting, sculpture, photography 11286:Teachers College, Columbia University alumni 7949:Elizabeth A. Sackler Center for Feminist Art 7236:. Berkeley: University of California Press. 6141:"Reception (Lily Rice and Georgia O'Keeffe)" 5656:100 Most Important Women of the 20th century 5002:"Settlement Is Granted Over O'Keeffe Estate" 4899: 4279:: CS1 maint: multiple names: authors list ( 4095:. New York: The Metropolitan Museum of Art. 3953:. University of Chicago Press. p. 164. 3217: 2980: 2440: 2293:. New York: The Metropolitan Museum of Art. 2055: 2034: 2015: 1317:, 1958. In the mid-1960s, O'Keeffe produced 8127:Why Have There Been No Great Women Artists? 7927:New York School of Applied Design for Women 7250: 6813:O'Keeffe and Stieglitz: An American Romance 6259:: CS1 maint: numeric names: authors list ( 6115:"About us - Georgia O'Keeffe Middle School" 5797: 5678: 5676: 5152:Heroes of the Presidential Medal of Freedom 4978:A to Z of American Women in the Visual Arts 4962: 4906:. Cambridge University Press. p. 112. 4673: 4421:National Endowment for the Humanities (NEH) 3440:A to Z of American Women in the Visual Arts 3412: 3328: 3326: 3324: 2987:. Parkstone International. pp. 34–35. 1528:Why Have There Been No Great Women Artists? 542:She took a summer art class in 1912 at the 9070: 9056: 8652: 8638: 8368: 8354: 7878:Feminist art movement in the United States 7869: 7855: 7479: 7465: 7450:, a solo actor play by Lucinda McDermott, 7363:Georgia O'Keeffe Museum Collections Online 7153: 6761:Education, Smithsonian American Art Museum 6332:"Modern Art in America 1913–1931, Forever" 6273: 5754: 5752: 5647: 5567: 5565: 5186:: CS1 maint: location missing publisher ( 5149:The National First Ladies Library (2010). 4532: 4496: 4338:Jennings, Patricia & Maria Ausherman, 3695: 3693: 3691: 3689: 3687: 3685: 3683: 3681: 3629:"The 10 best flower paintings in pictures" 3268:Carr, O'Keeffe, Kahlo: Places of Their Own 2886: 2371: 1757: 1119:In 1933 and 1934, O'Keeffe recuperated in 1114: 1028: 485:in New York City, where she studied under 416:Untitled (Dead Rabbit with the Copper Pot) 49: 7439:Beinecke Rare Book and Manuscript Library 7435:Alfred Stieglitz/Georgia O'Keeffe Archive 7407:, curators, comment on Georgia O'Keeffe, 7349:Learn how and when to remove this message 7134: 6236: 5886: 5731:"New Mexico Art Tells New Mexico History" 5535:Abrams, Dennis. O'Keeffe, Georgia. 2009. 5123:. American Academy of Arts and Sciences. 4932: 4573: 4571: 4450:, University of Hawaii Press, p. 128 4377:, University of Hawaii Press, p. 119 4086: 4061: 3542: 2941: 2780: 2778: 2776: 2284: 2164: 2162: 1333:Georgia O'Keeffe Retrospective Exhibition 1294: 11271:Presidential Medal of Freedom recipients 7915:American Association of University Women 7255:. New Haven, CT: Yale University Press. 6940:O'Keeffe: The Life of an American Legend 6923:. New Haven, CT: Yale University Press. 6885: 6727:"Georgia O'Keeffe at Tate Modern Review" 6016: 5944:Dennis Abrams; Georgia O'Keeffe (2009). 5673: 5438: 5309: 5273: 4980:. New York: Facts on File. p. 171. 4773: 4771: 4678:. New Haven, CT: Yale University Press. 4445: 4372: 4197: 4195: 4193: 4191: 4189: 4187: 4185: 4183: 3759: 3757: 3664:. Univ of California Press. p. 92. 3442:. New York: Facts on File. p. 170. 3368: 3321: 3259: 3257: 3180: 3178: 3176: 3174: 3172: 2784: 2606:A woman on paper : Georgia O'Keeffe 1767: 1627: 1599: 1563: 1475:and in 1966 was elected a Fellow of the 1342: 1202: 1191: 969: 790: 786: 456: 376:. While there, she created the painting 302: 281:, and in the last years of her life, in 7115: 6937: 6425:from the original on September 11, 2016 6360:. Lifetime Television's. Archived from 6043: 5835: 5831: 5829: 5749: 5562: 5504: 5444: 5416:(1st ed.). Boston: Little, Brown. 5279: 5257:Women artists: the Linda Nochlin reader 5248: 5231: 5118:"Book of Members, 1780–2010: Chapter O" 4950:from the original on September 29, 2009 4881:from the original on September 19, 2021 4323: 4125:. Hartford, Connecticut. Archived from 3888:"The Shelton with Sunspots, N.Y., 1926" 3678: 3223: 3138: 3039:Kathaleen Roberts (November 20, 2016). 2889:Ida O'Keeffe: Escaping Georgia's Shadow 2852: 2327:from the original on September 29, 2019 2250: 2248: 1996:gave O'Keeffe a prominent place in her 1458:, the Georgia O'Keeffe Museum (11:00), 1009:in 1928, a painting of her view of the 678:, 1917, watercolor on newsprint paper, 326:who came to the United States in 1848. 14: 11206:Art Students League of New York alumni 11158: 7269: 7212: 7172: 6830: 6809: 6554:from the original on February 14, 2017 6521: 6509: 6497: 6485: 6473: 6395:from the original on February 14, 2017 6223:(1590). The Royal Society: 1045–1048. 6192:from the original on December 16, 2019 6095:from the original on February 14, 2017 6012: 6010: 6008: 6006: 5964:from the original on February 14, 2017 5862: 5758: 5717: 5635:from the original on February 14, 2017 5409: 5305: 5303: 5301: 5213:from the original on December 31, 2015 5165:from the original on February 14, 2011 5045:from the original on November 17, 2022 5032: 5014:from the original on February 15, 2009 4938: 4920:from the original on February 14, 2017 4848:from the original on November 15, 2023 4719:from the original on February 14, 2017 4655:from the original on February 14, 2017 4568: 4538: 4502: 4484:from the original on February 14, 2017 4326:Georgia O'Keeffe: Paintings of Hawai'i 4254: 4168:from the original on February 14, 2017 4026: 4024: 4022: 3868:from the original on December 19, 2016 3832:Crystal Bridges Museum of American Art 3792: 3790: 3742:from the original on December 18, 2019 3489:from the original on December 18, 2015 3461: 3459: 3309:from the original on February 23, 2018 3104: 3102: 2773: 2256:"Life and Artwork of Georgia O'Keeffe" 2159: 1471:. Later, O'Keeffe was elected to the 471:School of the Art Institute of Chicago 216:School of the Art Institute of Chicago 11301:West Texas A&M University faculty 10948: 10620: 10125: 9450: 9281: 9090: 9051: 8633: 8620: 8349: 8074:WACK! Art and the Feminist Revolution 7921:National Association of Women Artists 7850: 7460: 7401:"Georgia O'Keeffe: To See Takes Time" 7096: 7077: 7020: 6975: 6961:. New York: Washington Square Press. 6956: 6788: 6737:from the original on February 2, 2017 6707:from the original on January 21, 2017 6615:from the original on January 11, 2014 6286:from the original on February 1, 2017 6056:from the original on October 22, 2022 6025:from the original on October 22, 2022 5997: 5985: 5874: 5602: 5578:Natalee Palmer's Spanish 07 Portfolio 5473: 5382: 4939:Asbury, Edith Evans (March 7, 1986). 4777: 4768: 4759: 4616:from the original on February 1, 2017 4539:Zimmer, William (December 31, 2000). 4517:from the original on December 4, 2010 4427:from the original on February 5, 2020 4305:from the original on February 2, 2017 4236:from the original on February 8, 2017 4180: 4076:from the original on August 12, 2019. 3898:from the original on January 18, 2017 3838:from the original on October 18, 2016 3820: 3808:from the original on January 18, 2017 3754: 3712:from the original on January 18, 2017 3700:Robert Torchia (September 29, 2016). 3639:from the original on January 18, 2017 3608:from the original on January 18, 2017 3577:from the original on January 31, 2017 3558: 3556: 3538: 3536: 3521:from the original on January 12, 2017 3501: 3364: 3362: 3297:Michael Abatemarco (April 29, 2016). 3254: 3169: 3120:from the original on January 16, 2017 3051:from the original on January 16, 2017 3020:from the original on January 11, 2017 2694:from the original on January 16, 2017 2533:from the original on December 4, 2021 2317:"Georgia O'Keeffe | American painter" 2058:Georgia O'Keeffe: American and Modern 1509:. In 1993, she was inducted into the 1477:American Academy of Arts and Sciences 959:Pennsylvania Academy of the Fine Arts 537: 232:Teachers College, Columbia University 152: 27:American modernist artist (1887–1986) 11311:20th-century American women painters 11191:American people of Hungarian descent 8375: 8015:The Women's Building (San Francisco) 7974:National Museum of Women in the Arts 7293: 7231: 6981:Georgia O'Keeffe: Catalogue Raisonné 6795:. Knopf Doubleday Publishing Group. 6609:The Frost Art Museum Drawing Project 6081:. Xlibris Corporation. p. 319. 5950:. Infobase Publishing. p. 100. 5887:Foerstner, Abigail (July 28, 1991). 5826: 5782:from the original on August 31, 2023 5110: 5098:from the original on August 14, 2021 5066:"Establishing a Value is Important!" 4641:. Sunstone Press. pp. 152–153. 4390:Tony Perrottet (November 30, 2012), 2520: 2349:. The North Carolina Museum of Art. 2245: 1947:, and lecturing on modernist dancer 1917:and the intense artistic ferment of 1473:American Academy of Arts and Letters 1455:Life and Artwork of Georgia O'Keeffe 1426: 1097:San Francisco de Asís Mission Church 852:Flower paintings of Georgia O'Keeffe 552:Columbia University Teachers College 446: 299:Early life and education (1887–1916) 285:. In 2014, O'Keeffe's 1932 painting 7411:, 1946, Museum of Modern Art (MoMA) 7251:Volpe, Lisa; Plotek, Ariel (2021). 7023:Georgia O'Keeffe Museum Collections 6338:from the original on March 16, 2015 6166:Jules Heller; Nancy Heller (1995). 6003: 5517:from the original on April 16, 2017 5413:Alfred Stieglitz : a biography 5364:from the original on March 15, 2022 5298: 5010:. Associated Press. July 26, 1987. 4778:Lynes, Barbara Buhler (Fall 2006). 4674:Volpe, Lisa; Plotek, Ariel (2021). 4248: 4080: 4019: 3880: 3787: 3596:Liese Spencer (December 31, 2015). 3456: 3205:from the original on April 27, 2017 3099: 3032: 3001: 2493: 2339: 845: 803: 526:and later moved with her family to 24: 11256:People from Sun Prairie, Wisconsin 8005:Women's Art Resources of Minnesota 7656:New York skyscraper paintings 7063:. University of California Press. 6850: 6677:from the original on June 20, 2015 6585:from the original on June 29, 2018 6455:from the original on July 22, 2020 5571: 5548:A similar remark is registered in 5505:McKenna, Kristine (June 2, 1991). 5201:John F. Matthews (June 15, 2010). 5130:from the original on June 13, 2011 4976:Carol Kort; Liz Sonneborn (2002). 4553:from the original on June 21, 2018 4503:Kilian, Michael (August 1, 2002). 4099:from the original on July 12, 2023 4030: 4001:Drohojowska-Philp, Hunter (2004). 3769:New Britain Museum of American Art 3553: 3533: 3438:Carol Kort; Liz Sonneborn (2002). 3359: 3008:Holland Cotter (January 5, 2017). 2962:from the original on July 25, 2023 2923:from the original on April 9, 2020 2428:from the original on June 26, 2023 2402:from the original on April 4, 2020 2353:from the original on June 26, 2023 2297:from the original on July 12, 2023 2146:A Woman on Paper: Georgia O'Keeffe 2090:. New York: Simon & Schuster. 1840:as Alfred Stieglitz. In 1996, the 1813: 1377:Waterfall, End of Road, Iao Valley 680:Amon Carter Museum of American Art 438:, 1912–1914, watercolor on paper, 400:, 1903–1905, watercolor on paper, 25: 11322: 11281:Students of William Merritt Chase 11211:Artists from Santa Fe, New Mexico 9230:Mildred "Babe" Didrikson Zaharias 8661:National Medal of Arts recipients 8337:Feminist movements and ideologies 7609:University of Virginia, 1912–1914 7567:Cow's Skull: Red, White, and Blue 7289: 7173:Orford, Emily-Jane Hills (2008). 7099:Georgia O'Keeffe: Life & Work 6639:Database of Women Artists (Clara) 6573:Alexandra Lange (June 23, 2017). 6534:Hunter Drohojowska-Philp (2005). 6017:Chernick, Karen (April 7, 2020). 5925:from the original on July 3, 2023 5895:from the original on July 2, 2023 5844:from the original on July 3, 2023 5836:Ellison, Rachel (June 18, 2019). 5759:Garber, Marjorie (May 13, 2013). 5737:from the original on June 5, 2023 5694:from the original on July 3, 2023 5615:Hunter Drohojowska-Philp (2005). 5584:from the original on July 3, 2023 5284:. Cambridge Scholars Publishing. 4151:American women artists, 1830–1930 4093:Heilbrunn Timeline of Art History 3974:Hunter Drohojowska-Philp (2005). 3272:. Yale University Press. p. 3188:American women artists, 1830–1930 3110:"How UVA shaped Georgia O'Keeffe" 2627:from the original on July 1, 2023 2585:from the original on July 1, 2023 2559:from the original on July 1, 2023 2309: 2291:Heilbrunn Timeline of Art History 2278: 2266:from the original on June 6, 2014 1887:On November 20, 2014, O'Keeffe's 1182:Ram's Head, White Hollyhock-Hills 991:Radiator Building–Night, New York 975:Radiator Building–Night, New York 676:Light Coming on the Plains No. II 256:Cow's Skull: Red, White, and Blue 11196:American people of Irish descent 11143: 7687:Georgia O'Keeffe Home and Studio 7644: paintings (1916–1918) 7630: paintings (1915–1927) 7298: 7158:. New York: Barnes & Noble. 6749: 6719: 6689: 6566: 6527: 6437: 6407: 6368: 6350: 6324: 6298: 6267: 6204: 6133: 6107: 6068: 6037: 5937: 5907: 5880: 5723: 5690:. March 11, 2016. p. Z016. 5608: 5542: 5529: 5498: 5467: 5403: 5376: 5346: 5064:Vaughn W. Henry (May 10, 2004). 4417:"Georgia O'Keeffe Paints Hawaii" 4087:Messinger, Lisa (October 2004). 3563:Kristy Puchko (April 21, 2015). 2942:Rath, Sara; Smith, Rick (1977). 2740:"Birthplace of Georgia O'Keeffe" 2521:Rile, Karen (December 1, 2014). 2376:50 women artists you should know 2285:Messinger, Lisa (October 2004). 2221: 2204: 2186: 2177: 1880:as Stieglitz's brother Lee, and 1783:Georgia O'Keeffe Home and Studio 1559: 1448: 1439: 1370: 1355: 1218:In 1938, the advertising agency 1174: 1154: 957:, 1923, oil-painting on canvas, 947: 928: 910: 771: 756: 741: 705: 696:, 1918, oil painting on canvas, 686: 668: 614: 596: 588:, 1915, charcoal on laid paper, 578: 426: 408: 390: 55:O'Keeffe in 1932, photograph by 11246:People from Abiquiú, New Mexico 10300:Harriet Williams Russell Strong 7979:New York Feminist Art Institute 7139:. London: Thames & Hudson. 6415:"Auction Results: American Art" 6044:Kettler, Sara (July 14, 2020). 5838:"Pride: LGBTQ+ Artists and CAM" 5225: 5194: 5142: 5084: 5057: 5026: 4994: 4893: 4863: 4830: 4753: 4731: 4705:. Sunstone Press. p. 325. 4692: 4667: 4628: 4598: 4470:. Scarecrow Press. p. 17. 4439: 4409: 4366: 4353: 4332: 4317: 4287: 4141: 4111: 4055: 3994: 3967: 3910: 3850: 3736:NYC LGBT Historic Sites Project 3724: 3651: 3627:Laura Cumming (April 7, 2012). 3589: 3387: 3132: 2974: 2935: 2905: 2880: 2853:Roberts, Norma J., ed. (1988), 2754: 2732: 2706: 2613: 2597: 2571: 2545: 2514: 2131: 2009: 1283:to have a retrospective at the 999:The Shelton with Sunspots, N.Y. 647:West Texas State Normal College 453:Early works of Georgia O'Keeffe 420:Art Students League of New York 370:West Texas State Normal College 148: 11216:Cowgirl Hall of Fame inductees 11181:20th-century American painters 9979:Ernestine Louise Potowski Rose 8326:Women in the art history field 8010:Woman's Building (Los Angeles) 7272:My Name Is Georgia: A Portrait 7154:Montgomery, Elizabeth (1993). 7135:Messinger, Lisa Mintz (2001). 7097:Lynes, Barbara Buhler (2012). 7078:Lynes, Barbara Buhler (2012). 7021:Lynes, Barbara Buhler (2007). 6921:Whitney Museum of American Art 6915:Haskell, Barbara, ed. (2009). 6666:Georgia O'Keeffe Place Setting 5621:. W. W. Norton. pp. 5–6. 5232:Kessler, Renata Renee (2021). 4606:"The White Place in Sun, 1943" 4583:, on cartermuseum.org, in the 4363:, Honolulu Museum of Art, 2013 4299:Whitney Museum of American Art 4089:"Georgia O'Keeffe (1887–1986)" 3702:"O'Keeffe, Georgia: Biography" 3264:Sharyn Rohlfsen Udall (2000). 2948:. Tamarack Press. p. 91. 2819:. Sunstone Press. p. 54. 2468: 2414: 2372:Christiane, Weidemann (2008). 2365: 2287:"Georgia O'Keeffe (1887–1986)" 2105:Greenough, Sarah, ed. (2011). 2060:. New Haven: Yale University. 1552:. O'Keeffe was also seen as a 1168:Whitney Museum of American Art 1005:(1926). She made a cityscape, 347:rusticated cast concrete block 288:Jimson Weed/White Flower No. 1 151: 1924; died 13: 1: 11306:American women watercolorists 11296:University of Virginia alumni 10949: 10621: 10126: 9451: 9282: 9091: 9080:National Women's Hall of Fame 7994:Washington Women's Art Center 7426:Works by Georgia O'Keeffe 7253:Georgia O'Keefe, Photographer 7217:. New York: Abbeville Press. 7044:. Little, Brown and Company. 6917:Georgia O'Keeffe: Abstraction 6782: 6540:. W.W. Norton. pp. 4–5. 5033:Dingus, Anne (July 1, 1997). 4676:Georgia O'Keefe, Photographer 3980:. W. W. Norton. p. 282. 3923:. W. W. Norton. p. 282. 3085:. Hudson Hills. p. 184. 2168:The series is capitalized as 1905:Women's suffrage and feminism 1890:Jimson Weed/White Flower No 1 1517:Art criticism and scholarship 1511:National Women's Hall of Fame 1499:Presidential Medal of Freedom 1469:College of William & Mary 966:New York Skyscraper paintings 295:was established in Santa Fe. 183:Presidential Medal of Freedom 10326:Paulina Kellogg Wright Davis 8974:John Birks "Dizzy" Gillespie 8591:Readymades of Marcel Duchamp 8034:Exhibitions or installations 7177:. Ottawa: Baico Publishing. 6876:Resources in other libraries 6274:Susan King (July 14, 1991). 6145:www.tymberwoodacademy.co.uk/ 5733:. New Mexico Museum of Art. 5684:"Subtexts: Georgia O'Keeffe" 5539:. Infobase Publishing, p. 97 4699:Nancy Hopkins Reily (2009). 4635:Nancy Hopkins Reily (2009). 2917:www.colonialwilliamsburg.org 2813:Nancy Hopkins Reily (2007). 2239: 2201:, who was a lifelong friend. 2082:Giboire, Clive, ed. (1990). 1858:a biopic of Georgia O'Keeffe 1785:in Abiquiú was designated a 1497:presented O'Keeffe with the 1421: 7: 11251:People from Amarillo, Texas 11236:Painters from New York City 10509:Martha Coffin Pelham Wright 9913:Josephine St. Pierre Ruffin 8622:Awards for Georgia O'Keeffe 8159:Women Artists in Revolution 7999:Women Artists in Revolution 4842:The Georgia O'Keeffe Museum 4781:"Visiting Georgia O'Keeffe" 4203:"Rotating O'Keeffe exhibit" 2767:September 28, 2015, at the 2623:. Georgia O'Keeffe Museum. 1747:Marquette Middle School in 1655:. She was hospitalized for 922:Yale University Art Gallery 624:, 1916, watercolor on paper 606:, 1916, charcoal on paper, 500:Dead Rabbit with Copper Pot 355:Madison Central High School 10: 11327: 11261:People with mood disorders 11186:American abstract painters 10065:Katharine Dexter McCormick 9363:Mary "Mother" Harris Jones 8440:From the Back Window - 291 7649:Light Coming on the Plains 5158:. Canton Ohio. p. 3. 4464:Victor J. Danilov (2013). 4340:Georgia O'Keeffe's Hawai'i 4324:Saville, Jennifer (1990), 4033:"The D. H. Lawrence Ranch" 3947:Vivien Green Fryd (2003). 2056:O'Keeffe, Georgia (1993). 2035:O'Keeffe, Georgia (1988). 2020:. New York: Viking Press. 2016:O'Keeffe, Georgia (1976). 1984:'s head was replaced with 1787:National Historic Landmark 1761: 1721:Charles and Anne Lindbergh 1287:(MoMA) in Manhattan. The 849: 656:Light Coming on the Plains 450: 398:Untitled (Vase of Flowers) 29: 11056: 11000: 10959: 10955: 10944: 10875: 10814: 10753: 10697: 10631: 10627: 10616: 10547: 10491: 10430: 10359: 10318: 10242: 10136: 10132: 10121: 9997: 9931: 9923:Hannah Greenebaum Solomon 9830: 9694: 9508: 9492: 9461: 9457: 9446: 9402: 9376: 9355: 9334: 9313: 9292: 9288: 9277: 9238: 9212: 9101: 9097: 9086: 9012: 9004:Dayton Hudson Corporation 8943: 8872: 8810: 8739: 8668: 8627: 8547: 8494: 8475: 8416:Spring Showers, the Coach 8383: 8334: 8313: 8177: 8136: 8102: 8084: 8033: 7936: 7907: 7884: 7801: 7760: 7731: 7710: 7679: 7593: 7494: 7270:Winter, Jeanette (1998). 7213:Peters, Sarah W. (1991). 6938:Hogrefe, Jeffrey (1994). 6871:Resources in your library 6381:. McFarland. p. 59. 6119:okeeffe.madison.k12.wi.us 6075:Jonathan Stewart (2014). 5840:. Cincinnati Art Museum. 5555:October 29, 2011, at the 4446:Severson, Don R. (2002), 4397:December 2, 2012, at the 4373:Severson, Don R. (2002), 2785:Robinson, Roxana (1989). 2038:Some Memories of Drawings 1915:women's suffrage movement 1742: 1447: 1438: 1433: 1369: 1354: 1349: 1144:Ram's Head with Hollyhock 1130:Deer's Head with Pedernal 1126:Ram’s Head with Hollyhock 1083:, currently owned by the 1033:By 1929, she traveled to 995:New York Street with Moon 873:Also in 1922, journalist 528:Charlottesville, Virginia 473:, where she studied with 173: 162: 130: 116: 108: 89: 63: 48: 41: 10154:Marjory Stoneman Douglas 9964:Wilhelmina Cole Holladay 9737:Charlotte Perkins Gilman 8465:Georgia O'Keeffe - Hands 8457:Georgia O'Keeffe - Torso 8321:List of feminist artists 8119:The Feminist Art Journal 7818:Georgia O'Keeffe - Hands 7810:Georgia O'Keeffe - Torso 7638: series (1916) 7415:Patricia Marroquin Norby 6375:Vincent Terrace (2010). 5688:The Santa Fe New Mexican 5550:"Her Story and Her Work" 5445:Brennan, Marcia (2002). 5410:Whelan, Richard (1995). 5207:Handbook of Texas Online 5203:"O'Keeffe, Georgia Otto" 4610:Art Institute of Chicago 4591:August 19, 2016, at the 4587:Eliot Porter Collection 4062:Richmond-Moll, Jeffrey. 4037:University of New Mexico 3892:Art Institute of Chicago 3549:. pp. 56, 112, 114. 3514:Art Institute of Chicago 3467:Birmingham Museum of Art 2887:Canterbury, Sue (2018). 2856:The American Collections 2787:Georgia O'Keeffe: A Life 2124: 1935:Charlotte Perkins Gilman 1550:psychological projection 1390:, leaving her with only 1277:Art Institute of Chicago 1256:and spent nine weeks in 1069:. O'Keeffe went on many 795:A Stieglitz portrait of 719:Art Institute of Chicago 635:Columbia, South Carolina 11241:Painters from Wisconsin 11201:American watercolorists 10644:Dorothy Harrison Eustis 10534:Catherine Filene Shouse 10387:Patricia Roberts Harris 10025:Mary Steichen Calderone 9893:Lillian Moller Gilbreth 9762:Frances Wisebart Jacobs 9566:Martha Wright Griffiths 8711:Dorothy Buffum Chandler 8392:The Last Joke, Bellagio 8025:Women's Studio Workshop 8020:Women's Interart Center 7937:Venues or organizations 7697:Georgia O'Keeffe Museum 7399:MoMA 2023 installation: 7368:Smithsonian Institution 7232:Pyle, Kathleen (2007). 7116:Merrill, C. S. (2010). 6810:Eisler, Benita (1992). 6789:Burke, Carolyn (2020). 5919:San Francisco Bay Times 5474:Lynes, Barbara (1989). 4595:Retrieved June 16, 2010 4230:Georgia O'Keeffe Museum 3862:Museo Thyssen-Bornemisz 3706:National Gallery of Art 2945:Madison and Dane County 2760:Wisconsin Legislature. 2321:Encyclopedia Britannica 2154:Georgia O'Keeffe Museum 2142:Smithsonian Institution 2076:From her correspondence 1764:Georgia O'Keeffe Museum 1758:Georgia O'Keeffe Museum 1675:who provided them with 1659:. At the suggestion of 1611:The Phillips Collection 1609:, 1922, oil on canvas, 1398:, published in 1976 by 1184:, 1935, oil on canvas, 1166:, 1936, oil on canvas, 1150:Skulls and desert motif 1115:Skull and desert motifs 1029:New Mexico (1930s–1986) 717:, 1921, oil on canvas, 590:National Gallery of Art 402:Georgia O'Keeffe Museum 293:Georgia O'Keeffe Museum 32:Georgia O'Keeffe (film) 30:For the 2009 film, see 10590:Rebecca Talbot Perkins 10085:Eunice Kennedy Shriver 9949:Frances Xavier Cabrini 9863:Elizabeth Hanford Dole 9641:Ellen Swallow Richards 9611:Constance Baker Motley 9261:Elizabeth Bayley Seton 9194:Elizabeth Cady Stanton 8576:Nude photography (art) 8164:Women's Caucus for Art 8085:Films or documentaries 7959:Feminist Art Coalition 7535:My Shanty, Lake George 7118:Weekends with O'Keeffe 6957:Lisle, Laurie (1986). 6831:Grasso, Linda (2017). 6449:www.georgiaokeeffe.net 6229:10.1098/rspb.2005.3426 5280:Tessler, Nira (2015). 4359:Papanikolas, Theresa, 3509:"Blue and Green Music" 3114:University of Virginia 2861:Columbus Museum of Art 2714:"Birth Record Details" 1773: 1640: 1617: 1606:My Shanty, Lake George 1576: 1575:, platinum print, 1920 1554:revolutionary feminist 1503:National Medal of Arts 1295:Abiquiú and landscapes 1215: 1200: 1057:(meetinghouse) of the 978: 938:, 1919, oil on board, 800: 544:University of Virginia 466: 463:University of Virginia 440:University of Virginia 343:Williamsburg, Virginia 320:Sun Prairie, Wisconsin 315: 224:University of Virginia 197:Georgia Totto O'Keeffe 188:Edward MacDowell Medal 178:National Medal of Arts 82:Sun Prairie, Wisconsin 68:Georgia Totto O'Keeffe 11104:Anna Wessels Williams 10791:Carlotta Walls LaNier 10524:Elisabeth Kübler-Ross 10382:Martha Matilda Harper 10346:Mary Engle Pennington 10184:Frances Oldham Kelsey 9969:Anne Morrow Lindbergh 9722:Jane Cunningham Croly 9651:Katherine Siva Saubel 9546:Marian Wright Edelman 9469:Margaret Bourke-White 9394:Harriet Beecher Stowe 8539:Clarence Hudson White 8093:!Women Art Revolution 7894:Feminist art movement 7511:Red and Orange Streak 7409:Untitled (Patio Door) 6977:Lynes, Barbara Buhler 6959:Portrait of an Artist 6899:Harry N. Abrams, Inc. 6421:. November 20, 2014. 4900:Jack Salzman (1990). 4739:"Sky above Clouds IV" 4578:Porter's photograph, 3116:. November 10, 2016. 2981:Gerry Souter (2017). 2579:"The Checkered Dress" 2553:"The Checkered Dress" 1990:feminist art movement 1868:as Alfred Stieglitz, 1771: 1653:Radio City Music Hall 1631: 1603: 1567: 1343:Late career and death 1206: 1199:, 1939, oil on canvas 1195: 1039:Rebecca (Beck) Strand 993:. Other examples are 973: 906:Red Canna (1915–1923) 850:Further information: 794: 787:New York (1918–1930s) 639:charcoal abstractions 586:Special Drawing No. 2 487:William Merritt Chase 460: 451:Further information: 306: 10801:Mary Harriman Rumsey 10639:St. Katharine Drexel 10483:Mary Burnett Talbert 10478:Blanche Stuart Scott 10463:Mother Marianne Cope 10443:Ruth Fulton Benedict 10402:Mildred Robbins Leet 10100:Angelina Grimké Weld 9974:Maria Goeppert Mayer 9944:Charlotte Anne Bunch 9521:Antoinette Blackwell 9500:Gertrude Belle Elion 9430:Ida B. Wells-Barnett 9199:Helen Brooke Taussig 9189:Margaret Chase Smith 8731:Hallmark Cards, Inc. 8596:Straight photography 8400:Winter, Fifth Avenue 7519:Blue and Green Music 7394:Museum of Modern Art 7390:Georgia O'Keeffe 7370:Information System: 7319:improve this article 7000:Turner, Frederick W. 6942:. New York: Bantam. 6887:Eldredge, Charles C. 6862:Georgia O'Keeffe 6733:. October 10, 2016. 6000:, pp. 202, 206. 5865:, pp. 398, 505. 5385:Feminist Collections 5072:on February 13, 2007 4877:. January 26, 2021. 4209:on October 14, 2012. 4129:on February 18, 2017 3303:Santa Fe New Mexican 3227:Artibus et Historiae 3142:Artibus et Historiae 2455:tsha.wildapricot.org 1972:(1972) appropriated 1723:, singer-songwriter 1530:", also interpreted 1388:macular degeneration 1329:Worcester Art Museum 1285:Museum of Modern Art 1220:N. W. Ayer & Son 1075:D. H. Lawrence Ranch 1061:, also known as the 987:New York skyscrapers 867:Blue and Green Music 828:, and photographers 714:Blue and Green Music 335:Sacred Heart Academy 101:Santa Fe, New Mexico 11018:Rebecca S. Halstead 10992:Mary Church Terrell 10679:Barbara A. Mikulski 10407:Patsy Takemoto Mink 10392:Stephanie L. Kwolek 10331:Ruth Bader Ginsburg 10305:Emily Howell Warner 10250:Dorothy H. Andersen 10224:Annie Dodge Wauneka 10219:Mary Edwards Walker 10144:Faye Glenn Abdellah 10075:Edith Nourse Rogers 10055:Shirley Ann Jackson 10030:Mary Ann Shadd Cary 9908:Sandra Day O'Connor 9888:Matilda Joslyn Gage 9484:Florence B. Seibert 9321:Carrie Chapman Catt 9251:Juliette Gordon Low 9134:Elizabeth Blackwell 9129:Mary McLeod Bethune 8915:Sydney J. Freedberg 8534:Katherine Stieglitz 8225:Helen Frankenthaler 7969:Lesbian Art Project 7745:Katherine Stieglitz 7331:footnote references 7082:. Harry N. Abrams. 7025:. Harry N. Abrams. 6645:on January 10, 2014 6635:"Mary Beth Adelson" 6605:"Mary Beth Edelson" 6364:on August 30, 2009. 6174:. Garland. p. 5572:Palmer, Natalee G. 4762:Burlington Magazine 4123:Wadsworth Athenaeum 4119:"The Lawrence Tree" 3045:Albuquerque Journal 2720:on November 7, 2012 2609:. 1988. p. 94. 2581:. emuseum, Vassar. 2262:. January 9, 2013. 1951:. In a debate with 1854:Lifetime Television 1842:U.S. Postal Service 1838:Christopher Plummer 1731:, and photographer 1692:cerebral thrombosis 1362:Sky above Clouds IV 1085:Wadsworth Athenaeum 1067:Stieglitz's gallery 483:Art Students League 312:The Checkered Dress 271:her home and studio 10977:Barbara Rose Johns 10928:Flossie Wong-Staal 10903:Nicole Malachowski 10832:Lorraine Hansberry 10776:Marcia Greenberger 10730:Mary Joseph Rogers 10669:Coretta Scott King 10654:Abby Kelley Foster 10570:Susan Kelly-Dreiss 10458:Rita Rossi Colwell 10234:Frances E. Willard 10070:Rozanne L. Ridgway 10020:Lydia Moss Bradley 10005:Madeleine Albright 9898:Nannerl O. Keohane 9868:Anne Dallas Dudley 9797:Betty Bone Schiess 9767:Susette La Flesche 9752:Zora Neale Hurston 9747:Helen LaKelly Hunt 9671:Madam C. J. Walker 9586:Mary Putnam Jacobi 9536:Jacqueline Cochran 9516:Ethel Percy Andrus 9384:Barbara McClintock 8959:Alfred Eisenstaedt 8935:Obert Clark Tanner 8848:Robert Penn Warren 8802:Seymour H. Knox II 8792:Dominique de Menil 8676:Elliott Carter Jr. 8476:Photography series 8290:Carolee Schneemann 8050:Three Weeks in May 7672:series (1960–1977) 7622: (1915–1950s) 6757:"Georgia O'Keeffe" 6697:"Georgia O'Keeffe" 6358:"Georgia O'Keeffe" 6312:on August 10, 2013 5035:"Georgia O'Keeffe" 5007:The New York Times 4944:The New York Times 4585:Amon Carter Museum 4546:The New York Times 3014:The New York Times 2684:"Georgia O'Keeffe" 2500:The Lonely Palette 2422:"Georgia O'Keeffe" 2347:"Georgia O'Keeffe" 2004:female iconography 1825:American Playhouse 1774: 1749:Madison, Wisconsin 1641: 1618: 1577: 1485:Harvard University 1315:Ladder to the Moon 1244:Miguel Covarrubias 1216: 1201: 1132:(1936) as well as 979: 940:High Museum of Art 900:Anderson Galleries 801: 574:First abstractions 568:American modernism 538:First abstractions 467: 351:Virginia Peninsula 316: 121:American modernism 11131: 11130: 11125: 11124: 11121: 11120: 11117: 11116: 11079:Kimberlé Crenshaw 11074:Elouise P. Cobell 11038:Katherine Johnson 11008:Octavia E. Butler 10940: 10939: 10936: 10935: 10847:Clare Boothe Luce 10659:Helen Murray Free 10612: 10611: 10608: 10607: 10473:Patricia A. Locke 10438:Florence E. Allen 10422:Sheila E. Widnall 10367:Linda G. Alvarado 10351:Mercy Otis Warren 10310:Victoria Woodhull 10295:Barbara Holdridge 10290:Beatrice A. Hicks 10265:Lydia Maria Child 10179:Leontine T. Kelly 10117: 10116: 10113: 10112: 9939:Louisa May Alcott 9853:Mary Breckinridge 9732:Geraldine Ferraro 9717:Annie Jump Cannon 9442: 9441: 9438: 9437: 9273: 9272: 9269: 9268: 9179:Eleanor Roosevelt 9078:Inductees to the 9045: 9044: 8994:Robert Motherwell 8984:Vladimir Horowitz 8797:Exxon Corporation 8762:Willem de Kooning 8614: 8613: 8606:291 (art gallery) 8529:Katharine Rhoades 8514:Gertrude Käsebier 8343: 8342: 8215:Mary Beth Edelson 8210:Elaine de Kooning 8058:The Sister Chapel 7844: 7843: 7821:(1919 photograph) 7813:(1918 photograph) 7773:Mabel Dodge Luhan 7658: (1925–1928) 7614:Charcoal drawings 7605: (1903–1912) 7559:The Lawrence Tree 7522: (1919–1921) 7452:Playscripts, Inc. 7359: 7358: 7351: 7243:978-0-520-24189-3 7224:978-1-55859-362-6 7215:Becoming O'Keeffe 7205:978-0-8263-1322-5 7184:978-1-897449-18-9 7165:978-0-88029-951-0 7127:978-0-8263-4928-6 7108:978-88-572-1232-6 7089:978-1-4197-0394-2 7070:978-0-520-26906-4 7051:978-0-316-11832-3 7032:978-0-8109-0957-1 7013:978-0-691-11659-4 6990:978-0-300-08176-3 6968:978-0-671-60040-2 6949:978-0-553-56545-4 6930:978-0-300-14817-6 6907:978-0-8109-3657-7 6857:Library resources 6802:978-1-9848-9970-5 6547:978-0-393-32741-0 6388:978-0-7864-5644-4 6280:Los Angeles Times 6185:978-0-8240-6049-7 6088:978-1-4931-8090-5 5957:978-1-4381-2827-6 5628:978-0-393-32741-0 5511:Los Angeles Times 5291:978-1-4438-8623-9 5266:978-0-500-23929-2 4913:978-0-521-36559-8 4712:978-0-86534-452-5 4648:978-0-86534-452-5 4477:978-0-8108-9186-9 4392:O'Keeffe's Hawaii 4266:978-0-520-21888-8 4161:978-0-940979-01-7 4012:978-0-393-32741-0 3987:978-0-393-32741-0 3960:978-0-226-26654-1 3930:978-0-393-32741-0 3671:978-0-520-26906-4 3482:978-1-904832-77-5 3405:978-0-89659-599-6 3380:978-0-8109-3657-7 3337:. HarperCollins. 3283:978-0-300-09186-1 3198:978-0-940979-01-7 3092:978-1-55595-198-6 2994:978-5-457-46766-8 2955:978-0-915024-13-1 2898:978-0-300-21456-7 2826:978-0-86534-451-8 2750:on July 29, 2016. 2688:Biography Channel 2387:978-3-7913-3956-6 2116:978-0-300-16630-9 2097:978-0-671-69236-0 2067:978-0-300-05581-8 2048:978-0-8263-1113-9 2027:978-0-670-33710-1 1974:Leonardo da Vinci 1964:Mary Beth Edelson 1796:Effigia okeeffeae 1681:nervous breakdown 1665:Mabel Dodge Luhan 1587:1918 flu pandemic 1481:Bryn Mawr College 1465: 1464: 1427:Awards and honors 1392:peripheral vision 1384: 1383: 1228:Lloyd Sexton, Jr. 1224:Dole Food Company 1080:The Lawrence Tree 1047:Mabel Dodge Luhan 749:Canyon with Crows 727:vibrant paintings 556:Arthur Wesley Dow 447:Academic training 220:Arthur Wesley Dow 194: 193: 78:November 15, 1887 16:(Redirected from 11318: 11166:Georgia O'Keeffe 11148: 11147: 11139: 10957: 10956: 10946: 10945: 10913:Louise Slaughter 10837:Victoria Jackson 10796:Philippa Marrack 10781:Barbara Iglewski 10689:Kathrine Switzer 10684:Donna E. Shalala 10629: 10628: 10618: 10617: 10575:Allie B. Latimer 10555:Louise Bourgeois 10529:Judith L. Pipher 10336:Katharine Graham 10280:Marian de Forest 10199:Anna Howard Shaw 10149:Emma Smith DeVoe 10134: 10133: 10123: 10122: 10035:Joan Ganz Cooney 9959:Oveta Culp Hobby 9954:Mary A. Hallaren 9817:Sarah Winnemucca 9686:Gloria Yerkovich 9681:Rosalyn S. Yalow 9636:Jeannette Rankin 9616:Georgia O'Keeffe 9571:Fannie Lou Hamer 9531:Shirley Chisholm 9479:Billie Jean King 9459: 9458: 9448: 9447: 9410:Gwendolyn Brooks 9290: 9289: 9279: 9278: 9119:Susan B. Anthony 9099: 9098: 9088: 9087: 9072: 9065: 9058: 9049: 9048: 8954:Katherine Dunham 8920:Roger L. Stevens 8772:Eva Le Gallienne 8716:Lincoln Kirstein 8701:Georgia O'Keeffe 8654: 8647: 8640: 8631: 8630: 8618: 8617: 8524:Georgia O'Keeffe 8377:Alfred Stieglitz 8370: 8363: 8356: 8347: 8346: 8285:Rachel Rosenthal 8260:Georgia O'Keeffe 8195:Louise Bourgeois 8066:The Dinner Party 7871: 7864: 7857: 7848: 7847: 7826:Georgia O'Keeffe 7739:Alfred Stieglitz 7669:Sky Above Clouds 7642:Palo Duro Canyon 7620:Flower paintings 7551:Oriental Poppies 7488:Georgia O'Keeffe 7481: 7474: 7467: 7458: 7457: 7354: 7347: 7343: 7340: 7334: 7302: 7301: 7294: 7285: 7266: 7247: 7228: 7209: 7188: 7169: 7156:Georgia O'Keeffe 7150: 7137:Georgia O'Keeffe 7131: 7112: 7093: 7074: 7055: 7036: 7017: 6994: 6972: 6953: 6934: 6911: 6896: 6893:Georgia O'Keeffe 6846: 6827: 6806: 6777: 6776: 6774: 6772: 6767:on June 29, 2012 6763:. 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Earle 10128: 10109: 10105:Chien-Shiung Wu 10080:Felice Schwartz 10050:Julia Ward Howe 9993: 9984:Maria Tallchief 9927: 9883:Margaret Fuller 9878:Ella Fitzgerald 9873:Mary Baker Eddy 9826: 9782:Antonia Novello 9757:Anne Hutchinson 9690: 9631:Esther Peterson 9606:Wilma Mankiller 9526:Emily Blackwell 9504: 9488: 9453: 9434: 9398: 9372: 9351: 9330: 9326:Frances Perkins 9309: 9305:Sojourner Truth 9300:Margaret Sanger 9284: 9265: 9234: 9208: 9154:Emily Dickinson 9114:Marian Anderson 9093: 9082: 9076: 9046: 9041: 9008: 8964:Martin Friedman 8939: 8868: 8843:William Schuman 8823:Ella Fitzgerald 8806: 8747:Marian Anderson 8735: 8696:Louise Nevelson 8664: 8658: 8623: 8615: 8610: 8601:The Linked Ring 8581:Photo-Secession 8543: 8496: 8490: 8471: 8424:The Hand of Man 8379: 8374: 8344: 8339: 8330: 8309: 8270:Louise Nevelson 8173: 8149:Guerrilla Girls 8132: 8098: 8080: 8029: 7989:tArt Collective 7953:Brooklyn Museum 7932: 7903: 7880: 7875: 7845: 7840: 7797: 7778:Anita Pollitzer 7756: 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10854: 10849: 10844: 10842:Sherry Lansing 10839: 10834: 10829: 10827:Temple Grandin 10824: 10818: 10816: 10812: 10811: 10809: 10808: 10803: 10798: 10793: 10788: 10786:Jean Kilbourne 10783: 10778: 10773: 10768: 10763: 10757: 10755: 10751: 10750: 10748: 10747: 10742: 10737: 10732: 10727: 10722: 10717: 10712: 10710:Ina May Gaskin 10707: 10701: 10699: 10695: 10694: 10692: 10691: 10686: 10681: 10676: 10671: 10666: 10664:Billie Holiday 10661: 10656: 10651: 10646: 10641: 10635: 10633: 10625: 10624: 10614: 10613: 10610: 10609: 10606: 10605: 10603: 10602: 10597: 10592: 10587: 10582: 10577: 10572: 10567: 10562: 10557: 10551: 10549: 10545: 10544: 10542: 10541: 10536: 10531: 10526: 10521: 10516: 10511: 10506: 10501: 10495: 10493: 10489: 10488: 10486: 10485: 10480: 10475: 10470: 10465: 10460: 10455: 10450: 10445: 10440: 10434: 10432: 10428: 10427: 10425: 10424: 10419: 10414: 10409: 10404: 10399: 10397:Dorothea Lange 10394: 10389: 10384: 10379: 10374: 10369: 10363: 10361: 10357: 10356: 10354: 10353: 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Richards 9784: 9779: 9777:Maria Mitchell 9774: 9772:Louise McManus 9769: 9764: 9759: 9754: 9749: 9744: 9739: 9734: 9729: 9727:Catherine East 9724: 9719: 9714: 9709: 9704: 9698: 9696: 9692: 9691: 9689: 9688: 9683: 9678: 9676:Faye Wattleton 9673: 9668: 9663: 9661:Helen Stephens 9658: 9656:Gloria Steinem 9653: 9648: 9643: 9638: 9633: 9628: 9623: 9618: 9613: 9608: 9603: 9598: 9593: 9588: 9583: 9581:Dolores Huerta 9578: 9576:Dorothy Height 9573: 9568: 9563: 9558: 9553: 9548: 9543: 9538: 9533: 9528: 9523: 9518: 9512: 9510: 9506: 9505: 9503: 9502: 9496: 9494: 9490: 9489: 9487: 9486: 9481: 9476: 9474:Barbara Jordan 9471: 9465: 9463: 9455: 9454: 9444: 9443: 9440: 9439: 9436: 9435: 9433: 9432: 9427: 9422: 9417: 9412: 9406: 9404: 9400: 9399: 9397: 9396: 9391: 9386: 9380: 9378: 9374: 9373: 9371: 9370: 9365: 9359: 9357: 9353: 9352: 9350: 9349: 9344: 9342:Belva Lockwood 9338: 9336: 9332: 9331: 9329: 9328: 9323: 9317: 9315: 9311: 9310: 9308: 9307: 9302: 9296: 9294: 9286: 9285: 9275: 9274: 9271: 9270: 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Mille 8764: 8759: 8754: 8749: 8743: 8741: 8737: 8736: 8734: 8733: 8728: 8723: 8718: 8713: 8708: 8706:Leontyne Price 8703: 8698: 8693: 8688: 8683: 8678: 8672: 8670: 8666: 8665: 8657: 8656: 8649: 8642: 8634: 8628: 8625: 8624: 8612: 8611: 8609: 8608: 8603: 8598: 8593: 8588: 8583: 8578: 8573: 8568: 8560: 8551: 8549: 8545: 8544: 8542: 8541: 8536: 8531: 8526: 8521: 8519:Dorothy Norman 8516: 8511: 8506: 8504:Alice Boughton 8500: 8498: 8492: 8491: 8489: 8488: 8479: 8477: 8473: 8472: 8470: 8469: 8461: 8453: 8444: 8436: 8428: 8420: 8412: 8404: 8396: 8387: 8385: 8381: 8380: 8373: 8372: 8365: 8358: 8350: 8341: 8340: 8335: 8332: 8331: 8329: 8328: 8323: 8317: 8315: 8311: 8310: 8308: 8307: 8302: 8297: 8292: 8287: 8282: 8280:M. C. Richards 8277: 8272: 8267: 8265:Barbara Kruger 8262: 8257: 8252: 8247: 8242: 8237: 8232: 8227: 8222: 8217: 8212: 8207: 8202: 8197: 8192: 8187: 8185:Alison Bechdel 8181: 8179: 8175: 8174: 8172: 8171: 8166: 8161: 8156: 8154:The Waitresses 8151: 8146: 8140: 8138: 8134: 8133: 8131: 8130: 8123: 8115: 8106: 8104: 8100: 8099: 8097: 8096: 8088: 8086: 8082: 8081: 8079: 8078: 8070: 8062: 8054: 8046: 8037: 8035: 8031: 8030: 8028: 8027: 8022: 8017: 8012: 8007: 8002: 7996: 7991: 7986: 7984:SOHO20 Gallery 7981: 7976: 7971: 7966: 7961: 7956: 7946: 7944:A.I.R. Gallery 7940: 7938: 7934: 7933: 7931: 7930: 7924: 7918: 7911: 7909: 7905: 7904: 7902: 7901: 7896: 7891: 7885: 7882: 7881: 7874: 7873: 7866: 7859: 7851: 7842: 7841: 7839: 7838: 7830: 7822: 7814: 7805: 7803: 7799: 7798: 7796: 7795: 7793:Rebecca Strand 7790: 7785: 7780: 7775: 7770: 7764: 7762: 7758: 7757: 7755: 7754: 7748: 7742: 7735: 7733: 7729: 7728: 7726: 7725: 7720: 7718:Cerro Pedernal 7714: 7712: 7708: 7707: 7705: 7704: 7694: 7683: 7681: 7677: 7676: 7674: 7673: 7665: 7659: 7653: 7645: 7639: 7631: 7623: 7617: 7611: 7606: 7599: 7597: 7591: 7590: 7588: 7587: 7579: 7571: 7563: 7555: 7547: 7539: 7531: 7523: 7515: 7507: 7498: 7496: 7492: 7491: 7484: 7483: 7476: 7469: 7461: 7455: 7454: 7445: 7432: 7423: 7422: 7421: 7412: 7402: 7387: 7365: 7357: 7356: 7311:external links 7306: 7304: 7297: 7291: 7290:External links 7288: 7287: 7286: 7280: 7267: 7261: 7248: 7242: 7229: 7223: 7210: 7204: 7189: 7183: 7170: 7164: 7151: 7145: 7132: 7126: 7113: 7107: 7094: 7088: 7075: 7069: 7056: 7050: 7037: 7031: 7018: 7012: 6995: 6989: 6973: 6967: 6954: 6948: 6935: 6929: 6912: 6906: 6879: 6878: 6873: 6867: 6866: 6855: 6854: 6852: 6849: 6848: 6847: 6842:978-0826358813 6841: 6828: 6822: 6807: 6801: 6784: 6781: 6779: 6778: 6748: 6718: 6688: 6656: 6626: 6596: 6579:The New Yorker 6565: 6546: 6526: 6524:, p. 104. 6514: 6502: 6490: 6478: 6466: 6436: 6406: 6387: 6367: 6349: 6323: 6306:"Stamp Series" 6297: 6266: 6203: 6184: 6158: 6147:. May 24, 2024 6132: 6106: 6087: 6067: 6036: 6002: 5990: 5988:, p. 202. 5975: 5956: 5936: 5906: 5879: 5877:, p. 320. 5867: 5855: 5825: 5796: 5774: 5748: 5722: 5720:, p. 458. 5705: 5672: 5665: 5646: 5627: 5607: 5605:, p. 200. 5595: 5561: 5541: 5528: 5497: 5490: 5466: 5459: 5437: 5422: 5402: 5391:(1/2): 12–13. 5375: 5345: 5324:10.1086/493510 5318:(3): 681–687. 5297: 5290: 5272: 5265: 5247: 5224: 5193: 5141: 5109: 5083: 5056: 5025: 4993: 4986: 4961: 4931: 4912: 4892: 4862: 4829: 4798:10.1086/511089 4767: 4752: 4730: 4711: 4691: 4684: 4666: 4647: 4627: 4597: 4567: 4531: 4495: 4476: 4453: 4438: 4408: 4403:New York Times 4380: 4365: 4352: 4331: 4316: 4286: 4265: 4247: 4212: 4179: 4160: 4140: 4110: 4079: 4054: 4018: 4011: 3993: 3986: 3966: 3959: 3936: 3929: 3909: 3879: 3849: 3819: 3786: 3753: 3723: 3677: 3670: 3650: 3619: 3588: 3552: 3532: 3500: 3481: 3455: 3448: 3411: 3404: 3386: 3379: 3358: 3343: 3320: 3289: 3282: 3253: 3216: 3197: 3168: 3131: 3098: 3091: 3062: 3031: 3000: 2993: 2973: 2954: 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814:Charles Demuth 805: 802: 788: 785: 784: 783: 777: 770: 768: 764:No. 20 Special 762: 755: 753: 747: 740: 738: 723: 722: 711: 704: 702: 692: 685: 683: 674: 667: 665: 629:She taught at 627: 626: 620: 613: 611: 608:Whitney Museum 602: 595: 593: 584: 577: 575: 539: 536: 448: 445: 444: 443: 432: 425: 423: 414: 407: 405: 396: 389: 387: 300: 297: 192: 191: 175: 171: 170: 164: 160: 159: 144: 140: 135: 134: 132: 128: 127: 118: 114: 113: 110: 109:Known for 106: 105: 99: 97:(aged 98) 91: 87: 86: 80: 67: 65: 61: 60: 54: 46: 45: 42: 26: 9: 6: 4: 3: 2: 11323: 11312: 11309: 11307: 11304: 11302: 11299: 11297: 11294: 11292: 11289: 11287: 11284: 11282: 11279: 11277: 11274: 11272: 11269: 11267: 11264: 11262: 11259: 11257: 11254: 11252: 11249: 11247: 11244: 11242: 11239: 11237: 11234: 11232: 11229: 11227: 11224: 11222: 11219: 11217: 11214: 11212: 11209: 11207: 11204: 11202: 11199: 11197: 11194: 11192: 11189: 11187: 11184: 11182: 11179: 11177: 11174: 11172: 11169: 11167: 11164: 11163: 11161: 11151: 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10779: 10777: 10774: 10772: 10771:Martha Graham 10769: 10767: 10766:Nancy Brinker 10764: 10762: 10759: 10758: 10756: 10752: 10746: 10743: 10741: 10740:Anna Schwartz 10738: 10736: 10733: 10731: 10728: 10726: 10723: 10721: 10718: 10716: 10713: 10711: 10708: 10706: 10703: 10702: 10700: 10696: 10690: 10687: 10685: 10682: 10680: 10677: 10675: 10672: 10670: 10667: 10665: 10662: 10660: 10657: 10655: 10652: 10650: 10647: 10645: 10642: 10640: 10637: 10636: 10634: 10630: 10626: 10619: 10615: 10601: 10600:Kate Stoneman 10598: 10596: 10595:Susan Solomon 10593: 10591: 10588: 10586: 10583: 10581: 10578: 10576: 10573: 10571: 10568: 10566: 10563: 10561: 10558: 10556: 10553: 10552: 10550: 10546: 10540: 10537: 10535: 10532: 10530: 10527: 10525: 10522: 10520: 10519:Winona LaDuke 10517: 10515: 10512: 10510: 10507: 10505: 10502: 10500: 10497: 10496: 10494: 10490: 10484: 10481: 10479: 10476: 10474: 10471: 10469: 10466: 10464: 10461: 10459: 10456: 10454: 10451: 10449: 10448:Betty Bumpers 10446: 10444: 10441: 10439: 10436: 10435: 10433: 10429: 10423: 10420: 10418: 10417:Anne Sullivan 10415: 10413: 10410: 10408: 10405: 10403: 10400: 10398: 10395: 10393: 10390: 10388: 10385: 10383: 10380: 10378: 10375: 10373: 10370: 10368: 10365: 10364: 10362: 10358: 10352: 10349: 10347: 10344: 10342: 10339: 10337: 10334: 10332: 10329: 10327: 10324: 10323: 10321: 10317: 10311: 10308: 10306: 10303: 10301: 10298: 10296: 10293: 10291: 10288: 10286: 10285:Althea Gibson 10283: 10281: 10278: 10276: 10273: 10271: 10268: 10266: 10263: 10261: 10258: 10256: 10253: 10251: 10248: 10247: 10245: 10241: 10235: 10232: 10230: 10227: 10225: 10222: 10220: 10217: 10215: 10212: 10210: 10207: 10205: 10202: 10200: 10197: 10195: 10192: 10190: 10187: 10185: 10182: 10180: 10177: 10175: 10172: 10170: 10167: 10165: 10162: 10160: 10157: 10155: 10152: 10150: 10147: 10145: 10142: 10141: 10139: 10135: 10131: 10124: 10120: 10106: 10103: 10101: 10098: 10096: 10095:Florence Wald 10093: 10091: 10090:Beverly Sills 10088: 10086: 10083: 10081: 10078: 10076: 10073: 10071: 10068: 10066: 10063: 10061: 10060:Shannon Lucid 10058: 10056: 10053: 10051: 10048: 10046: 10043: 10041: 10038: 10036: 10033: 10031: 10028: 10026: 10023: 10021: 10018: 10016: 10013: 10011: 10008: 10006: 10003: 10002: 10000: 9996: 9990: 9989:Edith Wharton 9987: 9985: 9982: 9980: 9977: 9975: 9972: 9970: 9967: 9965: 9962: 9960: 9957: 9955: 9952: 9950: 9947: 9945: 9942: 9940: 9937: 9936: 9934: 9930: 9924: 9921: 9919: 9918:Pat Schroeder 9916: 9914: 9911: 9909: 9906: 9904: 9901: 9899: 9896: 9894: 9891: 9889: 9886: 9884: 9881: 9879: 9876: 9874: 9871: 9869: 9866: 9864: 9861: 9859: 9856: 9854: 9851: 9849: 9846: 9844: 9841: 9839: 9836: 9835: 9833: 9829: 9823: 9820: 9818: 9815: 9813: 9812:Oprah Winfrey 9810: 9808: 9805: 9803: 9800: 9798: 9795: 9793: 9792:Wilma Rudolph 9790: 9788: 9785: 9783: 9780: 9778: 9775: 9773: 9770: 9768: 9765: 9763: 9760: 9758: 9755: 9753: 9750: 9748: 9745: 9743: 9740: 9738: 9735: 9733: 9730: 9728: 9725: 9723: 9720: 9718: 9715: 9713: 9712:Myra Bradwell 9710: 9708: 9705: 9703: 9700: 9699: 9697: 9693: 9687: 9684: 9682: 9679: 9677: 9674: 9672: 9669: 9667: 9664: 9662: 9659: 9657: 9654: 9652: 9649: 9647: 9646:Elaine Roulet 9644: 9642: 9639: 9637: 9634: 9632: 9629: 9627: 9624: 9622: 9619: 9617: 9614: 9612: 9609: 9607: 9604: 9602: 9599: 9597: 9594: 9592: 9589: 9587: 9584: 9582: 9579: 9577: 9574: 9572: 9569: 9567: 9564: 9562: 9559: 9557: 9556:Betty Friedan 9554: 9552: 9549: 9547: 9544: 9542: 9539: 9537: 9534: 9532: 9529: 9527: 9524: 9522: 9519: 9517: 9514: 9513: 9511: 9507: 9501: 9498: 9497: 9495: 9491: 9485: 9482: 9480: 9477: 9475: 9472: 9470: 9467: 9466: 9464: 9460: 9456: 9449: 9445: 9431: 9428: 9426: 9423: 9421: 9418: 9416: 9413: 9411: 9408: 9407: 9405: 9401: 9395: 9392: 9390: 9387: 9385: 9382: 9381: 9379: 9375: 9369: 9366: 9364: 9361: 9360: 9358: 9354: 9348: 9347:Lucretia Mott 9345: 9343: 9340: 9339: 9337: 9333: 9327: 9324: 9322: 9319: 9318: 9316: 9312: 9306: 9303: 9301: 9298: 9297: 9295: 9291: 9287: 9280: 9276: 9262: 9259: 9257: 9254: 9252: 9249: 9247: 9244: 9243: 9241: 9237: 9231: 9228: 9226: 9225:Margaret Mead 9223: 9221: 9220:Abigail Adams 9218: 9217: 9215: 9211: 9205: 9202: 9200: 9197: 9195: 9192: 9190: 9187: 9185: 9182: 9180: 9177: 9175: 9172: 9170: 9167: 9165: 9162: 9160: 9157: 9155: 9152: 9150: 9147: 9145: 9144:Rachel Carson 9142: 9140: 9139:Pearl S. Buck 9137: 9135: 9132: 9130: 9127: 9125: 9122: 9120: 9117: 9115: 9112: 9110: 9107: 9106: 9104: 9100: 9096: 9089: 9085: 9081: 9073: 9068: 9066: 9061: 9059: 9054: 9053: 9050: 9038: 9035: 9033: 9030: 9028: 9025: 9023: 9020: 9018: 9017:Complete list 9015: 9014: 9011: 9005: 9002: 9000: 8997: 8995: 8992: 8990: 8987: 8985: 8982: 8980: 8977: 8975: 8972: 8970: 8969:Leigh Gerdine 8967: 8965: 8962: 8960: 8957: 8955: 8952: 8950:Leopold Adler 8949: 8948: 8946: 8942: 8936: 8933: 8931: 8928: 8926: 8923: 8921: 8918: 8916: 8913: 8911: 8908: 8906: 8905:Rudolf Serkin 8903: 8901: 8898: 8896: 8893: 8891: 8888: 8886: 8883: 8881: 8878: 8877: 8875: 8871: 8865: 8862: 8860: 8859:Armand Hammer 8857: 8854: 8851: 8849: 8846: 8844: 8841: 8839: 8838:Isamu Noguchi 8836: 8834: 8831: 8829: 8826: 8824: 8821: 8819: 8816: 8815: 8813: 8809: 8803: 8800: 8798: 8795: 8793: 8790: 8788: 8785: 8783: 8782:Lewis Mumford 8780: 8778: 8775: 8773: 8770: 8768: 8765: 8763: 8760: 8758: 8757:Aaron Copland 8755: 8753: 8750: 8748: 8745: 8744: 8742: 8738: 8732: 8729: 8727: 8724: 8722: 8719: 8717: 8714: 8712: 8709: 8707: 8704: 8702: 8699: 8697: 8694: 8692: 8691:Martha Graham 8689: 8687: 8684: 8682: 8681:Ralph Ellison 8679: 8677: 8674: 8673: 8671: 8667: 8662: 8655: 8650: 8648: 8643: 8641: 8636: 8635: 8632: 8626: 8619: 8607: 8604: 8602: 8599: 8597: 8594: 8592: 8589: 8587: 8584: 8582: 8579: 8577: 8574: 8572: 8571:New York Dada 8569: 8566: 8565: 8561: 8558: 8557: 8553: 8552: 8550: 8546: 8540: 8537: 8535: 8532: 8530: 8527: 8525: 8522: 8520: 8517: 8515: 8512: 8510: 8509:Paul Haviland 8507: 8505: 8502: 8501: 8499: 8497:relationships 8493: 8486: 8485: 8481: 8480: 8478: 8474: 8467: 8466: 8462: 8459: 8458: 8454: 8451: 8449: 8445: 8442: 8441: 8437: 8434: 8433: 8429: 8426: 8425: 8421: 8418: 8417: 8413: 8410: 8409: 8405: 8402: 8401: 8397: 8394: 8393: 8389: 8388: 8386: 8382: 8378: 8371: 8366: 8364: 8359: 8357: 8352: 8351: 8348: 8338: 8333: 8327: 8324: 8322: 8319: 8318: 8316: 8312: 8306: 8303: 8301: 8298: 8296: 8295:Cindy Sherman 8293: 8291: 8288: 8286: 8283: 8281: 8278: 8276: 8273: 8271: 8268: 8266: 8263: 8261: 8258: 8256: 8253: 8251: 8248: 8246: 8243: 8241: 8238: 8236: 8233: 8231: 8228: 8226: 8223: 8221: 8218: 8216: 8213: 8211: 8208: 8206: 8203: 8201: 8198: 8196: 8193: 8191: 8190:Lynda Benglis 8188: 8186: 8183: 8182: 8180: 8178:Notable women 8176: 8170: 8167: 8165: 8162: 8160: 8157: 8155: 8152: 8150: 8147: 8145: 8142: 8141: 8139: 8135: 8128: 8124: 8121: 8120: 8116: 8113: 8112: 8108: 8107: 8105: 8101: 8095: 8094: 8090: 8089: 8087: 8083: 8076: 8075: 8071: 8068: 8067: 8063: 8060: 8059: 8055: 8052: 8051: 8047: 8044: 8043: 8039: 8038: 8036: 8032: 8026: 8023: 8021: 8018: 8016: 8013: 8011: 8008: 8006: 8003: 8000: 7997: 7995: 7992: 7990: 7987: 7985: 7982: 7980: 7977: 7975: 7972: 7970: 7967: 7965: 7962: 7960: 7957: 7954: 7950: 7947: 7945: 7942: 7941: 7939: 7935: 7928: 7925: 7922: 7919: 7916: 7913: 7912: 7910: 7906: 7900: 7899:Women artists 7897: 7895: 7892: 7890: 7887: 7886: 7883: 7879: 7872: 7867: 7865: 7860: 7858: 7853: 7852: 7849: 7837:(composition) 7836: 7835: 7831: 7828: 7827: 7823: 7820: 7819: 7815: 7812: 7811: 7807: 7806: 7804: 7800: 7794: 7791: 7789: 7786: 7784: 7781: 7779: 7776: 7774: 7771: 7769: 7766: 7765: 7763: 7759: 7752: 7749: 7746: 7743: 7740: 7737: 7736: 7734: 7730: 7724: 7721: 7719: 7716: 7715: 7713: 7709: 7702: 7698: 7695: 7692: 7688: 7685: 7684: 7682: 7678: 7671: 7670: 7666: 7663: 7662:Hawaii series 7660: 7657: 7654: 7651: 7650: 7646: 7643: 7640: 7637: 7636: 7632: 7629: 7628: 7624: 7621: 7618: 7615: 7612: 7610: 7607: 7604: 7601: 7600: 7598: 7592: 7585: 7584: 7580: 7577: 7576: 7572: 7569: 7568: 7564: 7561: 7560: 7556: 7553: 7552: 7548: 7545: 7544: 7540: 7537: 7536: 7532: 7529: 7528: 7524: 7521: 7520: 7516: 7513: 7512: 7508: 7505: 7504: 7500: 7499: 7497: 7493: 7489: 7482: 7477: 7475: 7470: 7468: 7463: 7462: 7459: 7453: 7449: 7446: 7444: 7440: 7436: 7433: 7431: 7427: 7424: 7420: 7416: 7413: 7410: 7406: 7403: 7400: 7397: 7396: 7395: 7391: 7388: 7385: 7381: 7377: 7373: 7369: 7366: 7364: 7361: 7360: 7353: 7350: 7342: 7332: 7328: 7327:inappropriate 7324: 7320: 7314: 7312: 7305: 7296: 7295: 7283: 7281:0-15-201649-X 7277: 7273: 7268: 7264: 7262:9780300257809 7258: 7254: 7249: 7245: 7239: 7235: 7230: 7226: 7220: 7216: 7211: 7207: 7201: 7197: 7196: 7195:Miss O'Keeffe 7190: 7186: 7180: 7176: 7171: 7167: 7161: 7157: 7152: 7148: 7146:0-500-20340-7 7142: 7138: 7133: 7129: 7123: 7119: 7114: 7110: 7104: 7100: 7095: 7091: 7085: 7081: 7076: 7072: 7066: 7062: 7057: 7053: 7047: 7043: 7038: 7034: 7028: 7024: 7019: 7015: 7009: 7005: 7001: 6996: 6992: 6986: 6982: 6978: 6974: 6970: 6964: 6960: 6955: 6951: 6945: 6941: 6936: 6932: 6926: 6922: 6918: 6913: 6909: 6903: 6900: 6895: 6894: 6888: 6884: 6883: 6877: 6874: 6872: 6869: 6868: 6863: 6858: 6844: 6838: 6834: 6829: 6825: 6819: 6815: 6814: 6808: 6804: 6798: 6794: 6793: 6787: 6786: 6766: 6762: 6758: 6752: 6736: 6732: 6731:Design Curial 6728: 6722: 6706: 6702: 6698: 6692: 6676: 6672: 6668: 6667: 6660: 6644: 6640: 6636: 6630: 6614: 6610: 6606: 6600: 6584: 6580: 6576: 6569: 6553: 6549: 6543: 6539: 6538: 6530: 6523: 6518: 6511: 6506: 6500:, p. 52. 6499: 6494: 6488:, p. 23. 6487: 6482: 6475: 6470: 6454: 6450: 6446: 6440: 6424: 6420: 6416: 6410: 6394: 6390: 6384: 6380: 6379: 6371: 6363: 6359: 6353: 6337: 6333: 6327: 6311: 6307: 6301: 6285: 6281: 6277: 6270: 6262: 6256: 6248: 6244: 6239: 6234: 6230: 6226: 6222: 6218: 6217:Proc Biol Sci 6214: 6207: 6191: 6187: 6181: 6177: 6172: 6171: 6162: 6146: 6142: 6136: 6120: 6116: 6110: 6094: 6090: 6084: 6080: 6079: 6071: 6055: 6051: 6047: 6040: 6024: 6020: 6013: 6011: 6009: 6007: 5999: 5994: 5987: 5982: 5980: 5963: 5959: 5953: 5949: 5948: 5940: 5924: 5920: 5916: 5910: 5894: 5890: 5883: 5876: 5871: 5864: 5859: 5843: 5839: 5832: 5830: 5813: 5809: 5803: 5801: 5794: 5791: 5781: 5777: 5775:9781136612831 5771: 5766: 5765: 5763: 5755: 5753: 5736: 5732: 5726: 5719: 5714: 5712: 5710: 5693: 5689: 5685: 5679: 5677: 5668: 5666:9780696208232 5662: 5658: 5657: 5650: 5634: 5630: 5624: 5620: 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MIT Press. 5451: 5450: 5441: 5433: 5429: 5425: 5423:0-316-93404-6 5419: 5415: 5414: 5406: 5398: 5394: 5390: 5386: 5379: 5363: 5359: 5355: 5349: 5341: 5337: 5333: 5329: 5325: 5321: 5317: 5313: 5306: 5304: 5302: 5293: 5287: 5283: 5276: 5268: 5262: 5258: 5251: 5243: 5239: 5235: 5228: 5212: 5208: 5204: 5197: 5189: 5183: 5176: 5161: 5154: 5153: 5145: 5126: 5119: 5113: 5097: 5093: 5087: 5071: 5067: 5060: 5044: 5040: 5039:Texas Monthly 5036: 5029: 5013: 5009: 5008: 5003: 4997: 4989: 4987:0-8160-4397-3 4983: 4979: 4972: 4970: 4968: 4966: 4949: 4945: 4942: 4935: 4919: 4915: 4909: 4905: 4904: 4896: 4885:September 16, 4880: 4876: 4872: 4866: 4859: 4847: 4843: 4839: 4833: 4826: 4815: 4811: 4807: 4803: 4799: 4795: 4791: 4787: 4782: 4774: 4772: 4763: 4756: 4740: 4734: 4718: 4714: 4708: 4704: 4703: 4695: 4687: 4685:9780300257809 4681: 4677: 4670: 4654: 4650: 4644: 4640: 4639: 4631: 4615: 4611: 4607: 4601: 4594: 4590: 4586: 4582: 4581: 4574: 4572: 4564: 4552: 4548: 4547: 4542: 4535: 4528: 4516: 4512: 4511: 4506: 4499: 4483: 4479: 4473: 4469: 4468: 4460: 4458: 4449: 4442: 4426: 4422: 4418: 4412: 4405: 4404: 4400: 4396: 4393: 4387: 4385: 4376: 4369: 4362: 4356: 4349: 4348:Kihei, Hawaii 4345: 4341: 4335: 4327: 4320: 4304: 4300: 4296: 4295:"Summer Days" 4290: 4282: 4276: 4268: 4262: 4258: 4251: 4235: 4231: 4227: 4226:"Summer Days" 4221: 4219: 4217: 4208: 4204: 4198: 4196: 4194: 4192: 4190: 4188: 4186: 4184: 4167: 4163: 4157: 4153: 4152: 4144: 4128: 4124: 4120: 4114: 4098: 4094: 4090: 4083: 4072: 4065: 4058: 4047:September 15, 4042: 4038: 4034: 4027: 4025: 4023: 4014: 4008: 4004: 3997: 3989: 3983: 3979: 3978: 3970: 3962: 3956: 3952: 3951: 3943: 3941: 3932: 3926: 3922: 3921: 3913: 3897: 3893: 3889: 3883: 3867: 3863: 3859: 3853: 3837: 3833: 3829: 3823: 3807: 3803: 3802:The Art Story 3799: 3793: 3791: 3774: 3770: 3766: 3760: 3758: 3741: 3737: 3733: 3727: 3711: 3707: 3703: 3696: 3694: 3692: 3690: 3688: 3686: 3684: 3682: 3673: 3667: 3663: 3662: 3654: 3638: 3634: 3630: 3623: 3607: 3603: 3599: 3592: 3576: 3572: 3571: 3566: 3559: 3557: 3548: 3547: 3539: 3537: 3520: 3516: 3515: 3510: 3504: 3488: 3484: 3478: 3474: 3473: 3468: 3462: 3460: 3451: 3449:0-8160-4397-3 3445: 3441: 3434: 3432: 3430: 3428: 3426: 3424: 3422: 3420: 3418: 3416: 3407: 3401: 3397: 3390: 3382: 3376: 3372: 3365: 3363: 3354: 3350: 3346: 3344:0-06-016895-1 3340: 3336: 3329: 3327: 3325: 3308: 3304: 3300: 3293: 3285: 3279: 3275: 3270: 3269: 3260: 3258: 3249: 3245: 3241: 3237: 3233: 3229: 3228: 3220: 3204: 3200: 3194: 3190: 3189: 3181: 3179: 3177: 3175: 3173: 3164: 3160: 3156: 3152: 3148: 3144: 3143: 3135: 3119: 3115: 3111: 3105: 3103: 3094: 3088: 3084: 3083: 3075: 3073: 3071: 3069: 3067: 3050: 3046: 3042: 3035: 3019: 3015: 3011: 3004: 2996: 2990: 2986: 2985: 2977: 2961: 2957: 2951: 2947: 2946: 2938: 2922: 2918: 2914: 2908: 2900: 2894: 2890: 2883: 2876: 2874:0-8109-1811-0 2870: 2866: 2862: 2858: 2857: 2849: 2847: 2845: 2843: 2841: 2839: 2837: 2828: 2822: 2818: 2817: 2809: 2807: 2798: 2796:0-87451-906-3 2792: 2788: 2781: 2779: 2777: 2770: 2766: 2763: 2757: 2749: 2745: 2741: 2735: 2719: 2715: 2709: 2693: 2689: 2685: 2679: 2677: 2675: 2673: 2671: 2669: 2667: 2665: 2663: 2661: 2659: 2657: 2655: 2653: 2651: 2649: 2647: 2645: 2643: 2626: 2622: 2616: 2608: 2607: 2600: 2584: 2580: 2574: 2558: 2554: 2548: 2532: 2528: 2524: 2517: 2501: 2497: 2490: 2482: 2478: 2471: 2456: 2452: 2446: 2444: 2427: 2424:. 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W. Fisher 8787:Eudora Welty 8700: 8586:Pictorialism 8562: 8556:Camera Notes 8554: 8523: 8482: 8463: 8455: 8447: 8438: 8432:The Steerage 8430: 8422: 8414: 8408:The Terminal 8406: 8398: 8390: 8259: 8250:Jane Kaufman 8235:Nancy Graves 8230:Mary Garrard 8205:Judy Chicago 8200:Norma Broude 8117: 8109: 8103:Publications 8091: 8072: 8064: 8056: 8048: 8040: 7964:Hera Gallery 7889:Feminist art 7832: 7824: 7816: 7808: 7783:Eliot Porter 7768:Maria Chabot 7751:Ida O'Keeffe 7667: 7664: (1939) 7647: 7634: 7625: 7616: (1915) 7581: 7573: 7565: 7562: (1929) 7557: 7554: (1928) 7549: 7546: (1926) 7541: 7538: (1922) 7533: 7530: (1922) 7525: 7517: 7514: (1919) 7509: 7501: 7487: 7447: 7430:Open Library 7418: 7408: 7345: 7336: 7321:by removing 7308: 7271: 7252: 7233: 7214: 7194: 7174: 7155: 7136: 7117: 7098: 7079: 7060: 7041: 7022: 7003: 6980: 6958: 6939: 6916: 6897:. New York: 6892: 6861: 6832: 6812: 6791: 6769:. Retrieved 6765:the original 6760: 6751: 6739:. Retrieved 6730: 6721: 6709:. 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Lin 10341:Bertha Holt 10275:Dorothy Day 10209:Ida Tarbell 10174:Jeanne Holm 9903:Maggie Kuhn 9702:Bella Abzug 9591:Mae Jemison 9561:Ella Grasso 9551:Alice Evans 9541:Ruth Colvin 9169:Helen Hayes 9109:Jane Addams 8999:John Updike 8885:Helen Hayes 8880:Saul Bellow 8752:Frank Capra 8726:Alice Tully 8721:Paul Mellon 8686:José Ferrer 8567:(1903-1917) 8564:Camera Work 8559:(1897-1903) 8487:(1925-1934) 8484:Equivalents 8419:(1899-1900) 8384:Photographs 8300:Alma Thomas 8255:Lee Krasner 8245:Lila Katzen 8220:Suzi Ferrer 8169:Where We At 8122:(1972–1977) 8114:(1977–1992) 8061:(1974–1978) 7834:Ghost Ranch 7829:(2009 film) 7788:Paul Strand 7723:Ghost Ranch 7603:Early works 7583:Summer Days 7575:Jimson Weed 7380:photographs 7376:still lifes 6771:January 20, 6741:January 18, 6711:January 18, 6649:January 10, 6619:January 11, 6558:January 20, 6522:Grasso 2017 6510:Grasso 2017 6498:Grasso 2017 6486:Grasso 2017 6474:Grasso 2017 6429:January 19, 6399:January 20, 6290:January 18, 6099:January 20, 6060:October 22, 6029:October 22, 5968:January 20, 5863:Eisler 1992 5814:. June 2017 5718:Eisler 1992 5639:January 20, 5217:January 17, 5102:October 29, 4924:January 20, 4838:"Biography" 4723:January 20, 4659:January 20, 4620:January 18, 4557:October 10, 4521:October 10, 4488:January 20, 4309:January 18, 4240:January 18, 4172:January 20, 4133:January 18, 3902:January 17, 3872:January 17, 3842:January 17, 3812:January 17, 3779:January 17, 3716:January 14, 3643:January 13, 3612:January 13, 3581:January 14, 3546:Vanity Fair 3525:January 18, 3493:January 15, 3313:January 18, 3209:January 20, 3124:January 14, 3055:January 14, 3024:January 16, 2698:January 14, 2527:JSTOR Daily 2331:October 11, 2229:Frida Kahlo 1874:Jean Toomer 1846:Armory Show 1832:, starring 1828:production 1802:Coelophysis 1733:Ansel Adams 1710:Frida Kahlo 1669:Paul Strand 1637:Ghost Ranch 1582:Lake George 1539:Art dealer 1495:Gerald Ford 1404:Summer Days 1402:, featured 1325:cloudscapes 1163:Summer Days 1140:Summer Days 1135:Summer Days 1128:(1935) and 1093:Connecticut 839:Equivalents 830:Paul Strand 818:Arthur Dove 698:Lenbachhaus 548:Alon Bement 505:Lake George 386:Early works 374:World War I 363:Kappa Delta 275:Ghost Ranch 262:Summer Days 259:(1931) and 205:draftswoman 11160:Categories 10898:Jane Fonda 10893:Sarah Deer 10705:Betty Ford 10194:Janet Reno 10040:Gerty Cori 10015:Nellie Bly 9707:Ella Baker 9626:Rosa Parks 9420:Sally Ride 9389:Lucy Stone 9256:Alice Paul 8777:Alan Lomax 8495:Family and 8305:June Wayne 8042:Womanhouse 7908:Precursors 7543:Black Iris 7339:April 2024 6823:0140170944 6783:References 5998:Burke 2020 5986:Burke 2020 5875:Burke 2020 5812:El Palacio 5603:Burke 2020 5397:2565692463 5242:2516220633 5236:(Thesis). 5076:January 3, 4792:(3): 2–7. 4764:: 126–135. 2863:, p. 2199:Cady Wells 2195:El Palacio 1944:The Masses 1923:Floyd Dell 1862:Joan Allen 1822:aired the 1793:was named 1657:depression 1268:, and the 1071:pack trips 1063:Penitentes 1022:calla lily 1011:East River 1003:City Night 826:John Marin 570:movement. 532:turpentine 491:Kenyon Cox 365:sorority. 74:1887-11-15 11028:Joy Harjo 10950:2020–2029 10622:2010–2019 10412:Sacagawea 10159:Mary Dyer 10127:2000–2009 9596:Mary Lyon 9452:1990–1999 9283:1980–1989 9092:1970–1979 8895:I. 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