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Julian Gloag

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538:(1986) involves aged retired architect Oliver, his wife May, their middle-aged son, Rupert and his daughter Miranda. The action takes place over a weekend, when Rupert turns up and announces that he is once again divorcing and leaving his job for no real reason except middle-aged malaise. Miranda, a first-year medical student, also appears, happy that her father has left her militant, feminist mother. “ 583:), and he also cares for his sick wife whilst running a bookshop and cataloging the immense library of the wealthy Matilda. Though a good, compassionate man, he is drawn by circumstances into becoming a criminal. The narrative unfolds in part through Aaron's phone conversations with the needy and desperate, and as with Gloag's previous work there are Gothic elements: 249:. He praises the ensemble of child actors, saying “no adult actor can hope to hold his own against their innocent blue eyes”. Dirk Bogarde received a BAFTA nomination and described working on the project as one of happiest experiences of his career. Child star Mark Lester went on to achieve huge fame a year later with the titular role in the film musical 609:
From the publisher's description (in translation): “At the centre of this novel, there is silence; heavy, but necessary to silence the unthinkable. Around the silence, characters who, like puppets, play the comedy of life. Banality and madness coexist in a minimalism that the author practises with
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From Gallimard: “…the small town near the cliff overlooking the mist-shrouded sea, the recesses of the bookshop where the cat constantly roams, the castle where the femme fatale reigns, with its chambers full of mystery draws a spectral world that bears witness to Julian Gloag's rich imagination.”
354:(1966), tells the story of Jordan Maddox who suddenly finds himself accused of murder. At first it seems an amusing mistake to him, but to the police Maddox is the guilty man. Imprisoned, he undergoes an agonizing trial and a dark night of the soul where he confronts a more general sense of guilt. 303:
do share common themes and plot strands. Both involve a group of mixed-aged children who conceal their mother’s death and inter her corpse within the family home, and then attempt to carry on normally as best they can. In both works there is a Gothic atmosphere of increasing strangeness, decay and
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Set entirely in France, the story features Paul Molphey, a schoolteacher and writer of roughly Gloag's age. As a young man, Paul writes a novel and sends it off, hearing nothing. Many years later, he discovers that an upcoming writer, Jean-Pierre Montbarbon (who is roughly McEwan's age) has won a
503:(1985), where a prominent barrister, Vivian Winter, is stabbed to death in his flat. Unsuccessful writer Ivor Speke turns detective and uncovers a web of intrigue surrounding Winter's former clients. Patterns emerge and the mystery deepens when Speke delves into the details of Winter's will. 157:
The story concerns the seven Hook children, who decide not to report their mother's death for fear of being separated and sent to an orphanage. Instead they bury her in the back garden, pretending to the outside world that she is ill and confined to her room. Their problems begin when curious
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From the Gallimard description (in translation): “Built in brief sequences, punctuated by a series of images, this book recalls the films of Truffaut or Rohmer whose apparent banality covers a great concern for precision, no word left to chance. Few things are said, many are implied or left
134:, and then emigrated to the United States before settling in France. Though his literary reputation has declined somewhat in Britain, he remains popular in France, where he lived much of his life, and there most of his work is available in translation from 561:(1991) concerns Connie and Walter, who meet on an English-language teaching course. As they share language exercises and vocabulary games, they fall in love, but the age difference and the concerns of their personal lives work to separate them. 523:
is more of a conventional thriller, he says “…But there are few thrillers that can match its swift and psychologically telling strokes of characterization – and whatever category we assign it to, it remains an exceptionally gripping story.”
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prize for his new novel. Paul reads the novel and finds it to be his own, reproduced almost verbatim: “He turned back to the beginning and started again, although he hardly had need to read. He knew it by heart. It had come back at last.
388:(1973), which involves Anne Mansard's killing of her fiancé and the ensuing complications surrounding his estate. Soon her lover and various family members and friends also meet untimely ends, all to Anne's advantage. 605:
at the suggestion of Paris publisher Editions Autrement. The story involves Edinburgh couple Deb and Greg, who live in a rundown flat with a small baby, and eventually enlist a deaf-mute cleaning lady, Mrs Keats.
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reviewer James R. Frakes says the novel “…has all the lineaments of a funnel or a maelstrom: the whole plot movement is a downwards whirl, a relentless plunge from glazed sunshine to devouring night”.
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unresolved. This reflection on the art of living and writing, on the flight of time and the happiness of loving, if it is sometimes tinged with bitterness, never loses its grace or its lightness.”
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Enraged, Paul travels to Paris with a loaded revolver to confront Montbarbon, and reviewer Wilson regards this development as a “fascinating sub-text” to the real-life story of the success of
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says: “It is pervaded by an overwhelming stink of decadence, by subsidiary characters who are perfect demons and who deserve everything the tentative succubus of the title visits upon them.”
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says the novel “drew me into its world from the first page and held me there ... a penetrating and touching story, which at every point touches on even more than it speaks”.
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officials make inquiries, and well-meaning neighbours offer assistance. The children have begun quarrelling when an enigmatic stranger appears, claiming to be their father.
368:(1968), the eponymous protagonist is an unassuming banker, planning marriage, until he undergoes “psychic dismemberment” and commences a spree of violence and vandalism. 873: 1434: 1012: 119:(2 July 1930 – 12 September 2023) was an English novelist and screenwriter. He was the author of eleven novels, the best known of which is his first, 431:. As in Gloag’s earlier works, childhood traumas and psychiatric intervention mix with crime and sexual intrigues in a complex layered narrative. 1718: 245:, who noted the Gothic elements, such as the bleak rundown house and attempts to commune with the spirit world, together with the parallels to 1384: 542:
does a splendid job of defining three generations bound by family ties that are stronger than foolishness, ill will, even meanness.”
1723: 1091: 1728: 1184: 308:. And both plots reach their denouements through the arrival of older male characters who figure out what is really going on. 417:(1980) is another murder mystery and whodunit, which the Kirkus reviewer compares to the disordered psychological world of 1556: 1315: 1617: 1209: 1075: 1022: 883: 1582: 1417: 978: 1235: 1467: 335:, published in 1981, which involves a writer having his novel copied by another, who passes it off as his own. 1531: 1265: 320: 1733: 1158: 131: 79: 1510: 208: 579:(1996), Aaron is a volunteer for Secours-Amitié (a telephone counselling service similar to the British 1290: 821: 1367: 1342: 953: 653:
and was again directed by Guy Slater. The teleplay was later novelized for Editions Autrement as
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Gloag's first novel was an unexpected success and launched him onto the 1960s literary scene.
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was published in 1978, some reviewers noted remarkable similarities between that novel and
1185:"Ian McEwan on The Cement Garden, sexual gothic and being in the 'toddlerhood of old age'" 8: 223: 180: 1125: 370: 1099: 1693: 1613: 1442: 1392: 1133: 1071: 1018: 879: 846: 289: 271: 190: 795: 646: 622:, an adaptation of his novel of the same name, directed by Guy Slater and starring 481:
In 2013 Editions Autrement published a new French-language version under the title
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and says it “achieves explosive effects with seemingly unpromising material”.
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McEwan himself denied the charge of plagiarism, claiming he was unaware of
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Gloag was born in London, where he was largely brought up. He attended
1583:"Le passeur de la nuit - Du monde entier - GALLIMARD - Site Gallimard" 315:. Gloag was convinced he had been plagiarized and aired his views on 1210:"Ian McEwan's The Cement Garden: Summary & Analysis | Study.com" 519:
onward, “has established a reputation as a master of the macabre”.
212:, got to hear about Gloag's novel from his friend, Canadian writer 1126:"Eyebrows Are Raised Over Passages in a Best Seller by Ian McEwan" 455:
as Julian Gloag’s “Sweet Revenge” for the perceived plagiarism of
139: 60: 1266:"Sweet Revenge Â» 14 Nov 1981 Â» The Spectator Archive" 216:, and he found it “instantly fascinating”. The film version of 43: 1435:"Close friends, woman's influence, vegetarians, femme fatale" 304:
unraveling, which is evocative of the children-only world of
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talent, because extreme pain is said with everyday words.”
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Though a commercial failure, the film was well reviewed by
822:"Gloag, Julian | Encyclopedia.com: FREE online dictionary" 557:
Set in Paris in 1989 (the bicentenary of the Revolution),
331:. Gloag’s belief led him to write the subsequent novel 1040:"Our Mother's House Movie Review (1967) | Roger Ebert" 1419:
A WOMAN OF CHARACTER by Julian Gloag | Kirkus Reviews
323:; the discussion panel included McEwan’s publisher, 875:
International Who's Who of Authors and Writers 2004
1469:SLEEPING DOGS LIE by Julian Gloag | Kirkus Reviews 170:received high praise from many prominent critics. 427:, with the plot convolutions and red herrings of 287:– for the wartime hospital sections of his novel 1700: 1664:, Susan Wooldridge, Philip Jackson, Julie Graham 1291:"READING SURFACE Summer Season – Hospitalfield" 384:Themes of suffering and alienation continue in 618:Gloag has written two teleplays. The first is 258:Controversy over similarities to Ian McEwan’s 645:series and was broadcast in 1988. It starred 550: 174:read it “with keen pleasure and admiration”. 16:English novelist and screenwriter (1930–2023) 1634:"BBC One London - 13 July 1986 - BBC Genome" 871: 993: 471:. Word for word, only the names altered.” 338: 1340: 951: 630:, which was broadcast by the BBC in 1986. 319:, a 1970s BBC book programme presented by 1233: 983:. Time and Tide Publishing Company. 1963. 238:played Jiminee, one of the younger boys. 568: 142:on 12 September 2023, at the age of 93. 1532:"Picks and Pans Review: Only Yesterday" 1432: 1369:MAUNDY by Julian Gloag | Kirkus Reviews 1182: 1063: 1010: 515:notes that Gloag, with his novels from 377: 1719:Alumni of Magdalene College, Cambridge 1701: 1657: 1382: 1123: 601:(1996), was adapted from his teleplay 1607: 1260: 1258: 1256: 1119: 1117: 343: 234:played cleaning lady Mrs Quayle, and 161: 145: 947: 945: 406: 1234:Sutcliffe, William (11 June 2005). 1183:Dickson, Andrew (26 January 2014). 613: 226:and Filmways and released in 1967. 13: 1253: 1114: 994:Lehmann, John; Ross, Alan (1963). 590: 499:Murder is the theme once again in 492: 14: 1745: 1678: 1508: 1383:Frakes, James R. (9 March 1969). 1124:Cowell, Alan (28 November 2006). 1037: 942: 527: 434: 230:played the father, Charlie Hook, 1608:Gloag, Julian (4 January 1996). 1484:"Catalogue - Editions Autrement" 1658:Slater, Guy (26 January 1988), 1651: 1626: 1601: 1575: 1549: 1524: 1502: 1476: 1460: 1426: 1410: 1376: 1360: 1334: 1308: 1283: 1227: 1202: 1176: 1151: 1084: 1057: 1031: 1017:. Manchester University Press. 1004: 987: 847:"Julian Gloag - Site Gallimard" 660: 545: 534:A short “drawing-room comedy”, 401: 197: 1724:20th-century English novelists 971: 917: 892: 865: 839: 814: 788: 763: 206:, who had previously directed 123:(1963), which was made into a 1: 1729:English expatriates in France 1612:. Paris: Editions Autrement. 1433:Theroux, Paul (27 May 1973). 872:Publications, Europa (2003). 757: 738: 132:Magdalene College, Cambridge 80:Magdalene College, Cambridge 7: 771:"Bloomsbury - Julian Gloag" 152: 10: 1750: 1685:Julian Gloag at Bloomsbury 720:Love as a Foreign Language 559:Love as a Foreign Language 552:Love as a Foreign Language 665: 357: 93: 85: 75: 67: 50: 30: 23: 796:"Julian Gloag - Babelio" 339:Novels mid-1960s and 70s 127:starring Dirk Bogarde. 1064:Bogarde, Dirk (1988). 1011:Sinyard, Neil (2000). 469:Signals of a New World 350:Gloag’s second novel, 71:Novelist, screenwriter 1347:Bloomsbury Publishing 1270:The Spectator Archive 1163:The Spectator Archive 958:Bloomsbury Publishing 726:Le passeur de la nuit 597:Gloag's final novel, 577:Le passeur de la nuit 570:Le passeur de la nuit 184:compares the work to 125:film of the same name 1511:"BOOKS OF THE TIMES" 1343:"A Sentence of Life" 1295:hospitalfield.org.uk 954:"Our Mother's House" 878:. Psychology Press. 826:www.encyclopedia.com 413:Gloag's fifth novel 379:A Woman Of Character 1734:Writers from London 1638:genome.ch.bbc.co.uk 285:No Time for Romance 181:The London Magazine 1439:The New York Times 1389:The New York Times 1316:"BORROWERS AFIELD" 1130:The New York Times 1067:Snakes and Ladders 1044:www.rogerebert.com 1000:. London magazine. 775:www.bloomsbury.com 690:Woman Of Character 678:A Sentence Of Life 672:Our Mother’s House 639:, part of the BBC 517:Our Mother’s House 457:Our Mother’s House 396:The New York Times 386:Woman Of Character 352:A Sentence Of Life 345:A Sentence Of Life 313:Our Mother’s House 301:Our Mother’s House 277:Our Mother’s House 219:Our Mother’s House 168:Our Mother’s House 162:Critical reception 147:Our Mother's House 121:Our Mother’s House 103:A Sentence Of Life 98:Our Mother’s House 1488:www.autrement.com 1102:on 11 August 2016 1070:. Penguin Books. 696:Sleeping Dogs Lie 476:The Cement Garden 461:The Cement Garden 459:by Ian McEwan in 415:Sleeping Dogs Lie 408:Sleeping Dogs Lie 306:Lord of the Flies 297:The Cement Garden 272:The Cement Garden 260:The Cement Garden 247:Lord of the Flies 191:Lord of the Flies 114: 113: 54:12 September 2023 1741: 1673: 1672: 1671: 1669: 1655: 1649: 1648: 1646: 1644: 1630: 1624: 1623: 1605: 1599: 1598: 1596: 1594: 1587:www.gallimard.fr 1579: 1573: 1572: 1570: 1568: 1561:www.gallimard.fr 1553: 1547: 1546: 1544: 1542: 1528: 1522: 1521: 1519: 1517: 1506: 1500: 1499: 1497: 1495: 1480: 1474: 1473: 1464: 1458: 1457: 1455: 1453: 1430: 1424: 1423: 1414: 1408: 1407: 1405: 1403: 1380: 1374: 1373: 1364: 1358: 1357: 1355: 1353: 1341:Bloomsbury.com. 1338: 1332: 1331: 1329: 1327: 1312: 1306: 1305: 1303: 1301: 1287: 1281: 1280: 1278: 1276: 1262: 1251: 1250: 1248: 1246: 1231: 1225: 1224: 1222: 1220: 1206: 1200: 1199: 1197: 1195: 1180: 1174: 1173: 1171: 1169: 1155: 1149: 1148: 1146: 1144: 1121: 1112: 1111: 1109: 1107: 1098:. Archived from 1092:"Oliver! (1968)" 1088: 1082: 1081: 1061: 1055: 1054: 1052: 1050: 1035: 1029: 1028: 1008: 1002: 1001: 991: 985: 984: 975: 969: 968: 966: 964: 952:Bloomsbury.com. 949: 940: 939: 937: 935: 921: 915: 914: 912: 910: 896: 890: 889: 869: 863: 862: 860: 858: 851:www.gallimard.fr 843: 837: 836: 834: 832: 818: 812: 811: 809: 807: 792: 786: 785: 783: 781: 767: 647:Susan Wooldridge 614:Television plays 222:was produced by 214:Mordecai Richler 138:. Gloag died in 57: 40: 38: 21: 20: 1749: 1748: 1744: 1743: 1742: 1740: 1739: 1738: 1699: 1698: 1681: 1676: 1667: 1665: 1656: 1652: 1642: 1640: 1632: 1631: 1627: 1620: 1610:Chambre d'ombre 1606: 1602: 1592: 1590: 1581: 1580: 1576: 1566: 1564: 1555: 1554: 1550: 1540: 1538: 1530: 1529: 1525: 1515: 1513: 1507: 1503: 1493: 1491: 1482: 1481: 1477: 1466: 1465: 1461: 1451: 1449: 1431: 1427: 1416: 1415: 1411: 1401: 1399: 1381: 1377: 1366: 1365: 1361: 1351: 1349: 1339: 1335: 1325: 1323: 1322:. 16 March 1997 1320:The Independent 1314: 1313: 1309: 1299: 1297: 1289: 1288: 1284: 1274: 1272: 1264: 1263: 1254: 1244: 1242: 1232: 1228: 1218: 1216: 1208: 1207: 1203: 1193: 1191: 1181: 1177: 1167: 1165: 1157: 1156: 1152: 1142: 1140: 1122: 1115: 1105: 1103: 1090: 1089: 1085: 1078: 1062: 1058: 1048: 1046: 1036: 1032: 1025: 1009: 1005: 997:London Magazine 992: 988: 980:Time & Tide 977: 976: 972: 962: 960: 950: 943: 933: 931: 925:"Gloag, Julian" 923: 922: 918: 908: 906: 898: 897: 893: 886: 870: 866: 856: 854: 845: 844: 840: 830: 828: 820: 819: 815: 805: 803: 800:www.babelio.com 794: 793: 789: 779: 777: 769: 768: 764: 760: 741: 732:Chambre d'ombre 708:Blood For Blood 668: 663: 655:Chambre d'ombre 616: 599:Chambre d'ombre 595: 592:Chambre d'ombre 573: 555: 548: 532: 521:Blood For Blood 501:Blood For Blood 497: 494:Blood For Blood 439: 429:Agatha Christie 411: 404: 382: 362: 348: 341: 321:Robert Robinson 281:Lucilla Andrews 263: 209:Room at the Top 200: 186:William Golding 176:Christopher Fry 164: 155: 150: 106: 101: 76:Alma mater 59: 55: 42: 36: 34: 26: 17: 12: 11: 5: 1747: 1737: 1736: 1731: 1726: 1721: 1716: 1711: 1697: 1696: 1687: 1680: 1679:External links 1677: 1675: 1674: 1650: 1625: 1618: 1600: 1574: 1548: 1523: 1501: 1475: 1459: 1425: 1409: 1375: 1359: 1333: 1307: 1282: 1252: 1226: 1201: 1175: 1150: 1113: 1083: 1076: 1056: 1038:Ebert, Roger. 1030: 1023: 1003: 986: 970: 941: 916: 900:"Julian Gloag" 891: 884: 864: 838: 813: 787: 761: 759: 756: 755: 754: 748: 745:Only Yesterday 740: 737: 736: 735: 729: 723: 717: 714:Only Yesterday 711: 705: 702:Lost and Found 699: 693: 687: 681: 675: 667: 664: 662: 659: 651:Philip Jackson 633:The second is 620:Only Yesterday 615: 612: 594: 589: 572: 567: 554: 549: 547: 544: 540:Only Yesterday 536:Only Yesterday 531: 529:Only Yesterday 526: 508:New York Times 496: 491: 453:Lost and Found 438: 436:Lost and Found 433: 410: 405: 403: 400: 381: 376: 371:New York Times 361: 356: 347: 342: 340: 337: 333:Lost and Found 262: 256: 202:Film director 199: 196: 163: 160: 154: 151: 149: 144: 112: 111: 108:Lost and Found 95: 91: 90: 87: 83: 82: 77: 73: 72: 69: 65: 64: 58:(aged 93) 52: 48: 47: 32: 28: 27: 24: 15: 9: 6: 4: 3: 2: 1746: 1735: 1732: 1730: 1727: 1725: 1722: 1720: 1717: 1715: 1712: 1710: 1707: 1706: 1704: 1695: 1691: 1688: 1686: 1683: 1682: 1663: 1662: 1661:The Dark Room 1654: 1639: 1635: 1629: 1621: 1619:9782862605777 1615: 1611: 1604: 1588: 1584: 1578: 1562: 1558: 1552: 1537: 1533: 1527: 1512: 1509:Gross, John. 1505: 1489: 1485: 1479: 1471: 1470: 1463: 1448: 1444: 1440: 1436: 1429: 1421: 1420: 1413: 1398: 1394: 1390: 1386: 1379: 1371: 1370: 1363: 1348: 1344: 1337: 1321: 1317: 1311: 1296: 1292: 1286: 1271: 1267: 1261: 1259: 1257: 1241: 1237: 1236:"Cracking up" 1230: 1215: 1211: 1205: 1190: 1186: 1179: 1164: 1160: 1154: 1139: 1135: 1131: 1127: 1120: 1118: 1101: 1097: 1093: 1087: 1079: 1077:9780140105391 1073: 1069: 1068: 1060: 1045: 1041: 1034: 1026: 1024:9780719055058 1020: 1016: 1015: 1007: 999: 998: 990: 982: 981: 974: 959: 955: 948: 946: 930: 926: 920: 905: 904:Libra Memoria 901: 895: 887: 885:9781857431797 881: 877: 876: 868: 852: 848: 842: 827: 823: 817: 801: 797: 791: 776: 772: 766: 762: 752: 751:The Dark Room 749: 746: 743: 742: 733: 730: 727: 724: 721: 718: 715: 712: 709: 706: 703: 700: 697: 694: 691: 688: 685: 682: 679: 676: 673: 670: 669: 658: 656: 652: 648: 644: 643: 638: 637: 636:The Dark Room 631: 629: 625: 624:Paul Scofield 621: 611: 607: 604: 603:The Dark Room 600: 593: 588: 584: 582: 578: 571: 566: 562: 560: 553: 543: 541: 537: 530: 525: 522: 518: 514: 510: 509: 504: 502: 495: 490: 488: 484: 479: 477: 472: 470: 464: 462: 458: 454: 450: 446: 445: 437: 432: 430: 426: 425: 420: 416: 409: 399: 397: 393: 389: 387: 380: 375: 373: 372: 367: 360: 355: 353: 346: 336: 334: 330: 329:Auberon Waugh 326: 322: 318: 317:Word for Word 314: 309: 307: 302: 298: 294: 292: 291: 286: 282: 278: 274: 273: 268: 261: 255: 254: 253: 248: 244: 239: 237: 233: 229: 225: 221: 220: 215: 211: 210: 205: 195: 193: 192: 187: 183: 182: 177: 173: 169: 159: 148: 143: 141: 137: 133: 128: 126: 122: 118: 109: 104: 99: 96: 94:Notable works 92: 88: 84: 81: 78: 74: 70: 66: 62: 53: 49: 45: 33: 29: 22: 19: 1690:Julian Gloag 1666:, retrieved 1660: 1653: 1641:. 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Index

London
Provins
Magdalene College, Cambridge
film of the same name
Magdalene College, Cambridge
Gallimard
Provins
Evelyn Waugh
Christopher Fry
The London Magazine
William Golding
Lord of the Flies
Jack Clayton
Room at the Top
Mordecai Richler
Our Mother’s House
MGM
Dirk Bogarde
Yootha Joyce
Mark Lester
Roger Ebert
Oliver!
Ian McEwan
The Cement Garden
Lucilla Andrews
Atonement
Robert Robinson
Tom Maschler
Auberon Waugh
New York Times

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