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relationship. As time passes
Charlie reverts to form, spending freely, drinking heavily, and entertaining 'loose women' in the house. Learning of Jiminee's ability to forge their mother's signature, Charlie convinces him to sign documents without his siblings' knowledge, and he further alienates the children when he dismantles their garden shrine. Matters come to a head when an estate agent and a couple let themselves in to inspect the house. Although Diana still refuses to see the truth, Elsa and Gerty correctly deduce that Charlie intends to sell the house, and after searching his room they discover that he has squandered virtually all of their mother's savings.
606:"The use of children in movies is a hazardous business, if only because the little monsters walk away with the whole enterprise: plot, atmosphere, everything...Occasionally, however, a director succeeds in beating the little prodigies into submission and wringing restrained performances from them, and when this happens, the result can be memorable. Peter Brooks did it with his castaways in "Lord of the Flies"; Lee Thompson did it with Hayley Mills in "Tiger Bay"; and now Jack Clayton has done it superbly in
626:(1967), a family of seven children decide not to report their mother's death from illness for fear of being sent to an orphanage. Instead, they bury their mother in the garden of their large family home and continue life as normal. Clayton charts the full gamut of childhood emotion – carefree and playful one minute, unforgivingly cruel the next – in what remains one of the most sorely underappreciated portraits of the vicissitudes of childhood."
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their mother dies suddenly, the children realise that they may be split up and sent to orphanages, so they decide to conceal their mother's death and carry on with their daily routine as if she were still alive. They secretly bury their mother in the back yard at night, and convert the garden shed into a shrine to her, where they periodically hold seances to communicate with her spirit.
535:"On my first morning in the gloomy house in Croydon I was in a bit of a funk. Eight pairs of eyes, ranging from five to fourteen, gazed at me solemnly. Not a smile, no welcoming grin even. In the little caravan in the scrubby front garden which I had been given to change in there was a jam jar stuffed with privet and some wilting Michaelmas daisies. Under it was a note.
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tears up in front of Hubert), Hubert suggests that they get in touch with him, hoping he will help them. Elsa dismisses the idea and throws the address away, but when she leaves the room Hubert recovers it. For the next six months, the children carry on an outwardly normal life, although conflict arises when Gerty innocently takes a ride on a stranger's motorbike.
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He immediately moves in, and Hubert admits that he had secretly written to
Charlie, asking him to come. The family adjusts to the new domestic situation, with Charlie taking them on outings, and even buying a new car. Most of the children (especially Diana) come to trust and love him, although Elsa remains deeply suspicious of him.
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offspring of her many adulterous liaisons, and that none of them are his own. He further reveals that he now controls the property, having used
Jiminee to unwittingly forge their mother's signature and sign over the title deed for himself. When he callously declares that he despises the children, and
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The children's secret world begins to change when
Jiminee brings home Louis, a friend from his school, and allows him to hide there. Soon their teacher arrives, demanding to search the house and retrieve the missing boy, but the situation is defused by the unexpected arrival of their father, Charlie.
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Some of the children suggest contacting their estranged father, but the idea is rejected by Elsa, who has been indoctrinated with her mother's bitter contempt for her shiftless ex-husband. When oldest brother Hubert discovers that Elsa knows their father's contact address (a letter arrives which Elsa
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The eldest child, Elsa, takes charge. The children make excuses for their mother's absence to their neighbours and teachers, claiming that the doctor has sent her to the seaside for her health, and they dismiss their abrasive housekeeper, Mrs Quayle. The children realise they can support themselves
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The children's idyllic world begins to crumble after
Charlie has a chance encounter on a bus with Mrs Quayle. She soon reappears at the house, demanding to know what has happened to Mrs Hook, but she is placated by Charlie. She inveigles her way back into the home, and she and Charlie soon begin a
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When
Charlie arrives home that night, the children demand an explanation. He at first tries to cover for himself but, confronted by the implacable Elsa, he reveals all, and furiously denounces their mother – he explains that she had led a dissolute life before she fell ill and turned to religion,
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Horrified by Gerty's contact with an outsider, Diana 'consults' their mother's spirit. The siblings denounce Gerty as a 'harlot' and they punish her by taking away the precious comb their mother had given her, and cutting off her long hair. Soon after, Gerty falls ill, and although Diana follows
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The seven Hook children, whose ages range from five to fourteen, live in a dilapidated
Victorian house in suburban London. The older children help to care for their invalid single mother, whose chronic illness has led to her to convert to fundamentalist religion and refuse all medical help. When
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The children briefly debate whether or not to bury
Charlie in the garden and carry on as before, but they finally accept the gravity of their situation. As the film ends, the children leave the house for the last time and walk off into the dark to turn themselves in to the authorities.
602:-star rating. He described the film as "one of the most suspenseful of recent years...It isn't phony "who goes there?" suspense but suspense based on real personalities trapped in an impossible situation". Ebert also particularly praised the performances of the juvenile cast:
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Richard Burton was the first choice to play
Charlie, but it was thought that his fee would push the budget too high, so Bogarde was cast in the role. The juvenile cast was led by Pamela Franklin, who had worked with Clayton (as Flora, one of the possessed siblings) in
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after Elsa discovers that younger brother
Jiminee can convincingly forge their mother's signature, enabling them to cash the trust fund cheques that arrive for her each month, and they also discover that their mother has left over £400 in her savings account.
610:...(he)...directs with firm restraint. Bogarde turns in a competent performance not quite up to his best, but it really isn't his picture anyway. It belongs to the kids, and they are very real kids."
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is the second in a loose trilogy of films in which Clayton explored themes of the occult and of children in isolated situations who are threatened by evil. He most famously essayed these subjects in
622:"Having talked about the tension, the push and pull between the worlds of adult and child, what happens when the child is left alone, when there are no rules left to break? In Jack Clayton's
566:(1983), but that production was troubled, with the studio (Disney) forcing Clayton to replace Delerue's original music (which was considered too dark) with a new score by
486:) to write the script, but he found Brooks' adaptation too long and too close to its source, so he brought in his wife, the noted Israeli-born actress and writer
490:, who "tightened the structure and particularly changed the ending to make it more thematically consistent and psychologically consistent than in the novel".
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538:'Let's hope you're as good as you're cracked up to be. You'd better be. Sincerely, The Children.'
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In his 1975 memoir, Dirk Bogarde recounted his experience with the production in glowing terms:
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Julian Gloag's novel was brought to Clayton's attention by his close friend, Canadian novelist
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that he intends to sell the house and put them all into care, Diana snaps and kills him with a
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was also the second of five collaborations between Clayton and noted French composer
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their mother's practice and refuses to get a doctor, Gerty eventually recovers.
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Reviewing the film on its U.S. release in November 1967, Roger Ebert gave it a
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Haber, J. (14 January 1968). "'Baggy pants' ransohoff changes suits, image".
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had written a script, but it was acquired for Clayton by MGM and
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Best Actor nominations for his performance in the film,
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was interested in producing a film adaptation and that
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in a supporting role. The screenplay was written by
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725:(Chatto & Windus, London, 1975) pp. 247–248
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712:(Manchester University Press) pp. 133
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919:The Lonely Passion of Judith Hearne
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564:Something Wicked This Way Comes
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558:(1964). 16 years after making
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576:(1987) and the TV movie
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217:105 minutes
99:Larry Pizer
78:Produced by
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942:1967 films
936:Categories
656:References
474:executive
419:Gerald Sim
380:as Jiminee
204: (USA)
200:1967-10-13
193: (NYC)
189:1967-10-09
174:1967-09-14
135:Production
128:Metrocolor
68:1963 novel
679:155791666
427:as Doreen
415:as Mother
241:$ 800,000
178: (UK)
137:companies
104:Edited by
814:AllMovie
675:ProQuest
580:(1992).
528:(1983).
502:(1964).
472:Filmways
386:as Gerty
368:as Diana
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86:Starring
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222:Country
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922:(1987)
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866:(1956)
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631:Awards
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