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Julius Conus

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these lines reach you, I hope that circumstances will have changed. I also hope that your temporary auditory nerve disorder has passed. Generally, I want to advise you to be very confident in yourself, not to succumb to self-doubt, and to be as you were 6 years ago in this respect. Paris had such a beneficial effect on your playing that you began to play with much more refinement. But it's as though you have less courage and virtuoso bravura. Be conscious of your enormous talent, and that you should surpass every living violinist. Be bolder, more confident in yourself, and never doubt your great powers, not even for a moment."
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hint about all the matters contained in the previous one? Why don't you write anything this time about either the quartet, or, the main thing, about your marriage plans? For that is the major interest. Or has all of that gone down the drain? Please, when you have time, answer all these questions." Further, he closes the note showing concern for Conus' writing, "There is a sad note in your letter. Pour out your feelings on my friendly chest, dear Zhulik. Are you coming back to Russia? When are we going to meet?"
275:, an exodus of the aristocratic intelligentsia erupted, prompting Conus to relocate. Although Eduard Conus had settled in Russia in the early nineteenth century, he had not renounced his foreign citizenship. Therefore, Conus was able to gain exit visas to relocate his family to Paris, France, in 1918. Here he stayed to teach at the Russian Conservatory, which still exists as the 182:
speak English? I'm very curious to know." He ends the letter inviting Conus to visit him during the summer, noting that "If financial matters are putting you off, contact your most sincere friend (i.e. me), who has now earned a lot of capital from his operas, and will be glad to help you. I swear that nobody will ever know. And it will be a great pleasure for me."
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In this letter Tchaikovsky sends updating viola/violin pieces to Conus asking for review, guidance, and "opinion as soon as possible," on its worth. This letter shows Tchaikovsky's informality and ease of conversation with Conus, fearing no criticism from Conus, but jokingly threatening that if Conus
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In this letter Tchaikovsky offers words of encouragement and support for Conus, "I am sorry that your letters are filled with a spirit of sadness and despondency. Why is this? I think it may because you haven't yet played in public, and haven't received the acclaim you deserve. But by the time that
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In this letter Tchaikovsky uses a personal nickname for Conus, a play on his first name (Julius), Zhulik. Here, he asks Conus about his plans to form a quartet, but is most interested the personal accounts of Conus's life, asking, "tell me Zhulik, why in your last letter was there not even a small
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Tchaikovsky replies to a recent missive from Conus, detailing his life in America, following a concert in Philadelphia. In this letter, there is little talk of music. Instead, Tchaikovsky shows eager interest in "one important thing that you have never written to me about, namely: do you already
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Conus was born in Moscow, the son of Eduard Conus, a pianist, composer and teacher of French descent born in Saratov. His mother, Klotilda (sometimes Clothilde) Adolfovna, née Tambroni, was of Italian parentage and born in St Petersburg. His brothers were the musicians
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Documentation of the mentorship between Tchaikovsky and Conus are evident in 13 letters from Tchaikovsky to Conus, dating from 1891 to 1893. The selections below highlight Tchaikovsky's influence on Conus's life.
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In 1938, while visiting his niece, Olga Alexandrovna Khreptovich-Buteneva, at the Khreptovich family estate in Shchorsy, Poland (now Belarus), Conus was arrested by the Red Army. Olga would later publish
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In 1893 Conus returned to Moscow to teach at the conservatory alongside his brother Georgi Conus. During this time, he also assisted in the technical aspects of the violin parts for Tchaikovsky's
299:. Indeed, the bond with Rachmaninoff was strengthened as a result of the marriage of their children. By December 1931, Rachmaninoff's daughter, Tatiana, was engaged to marry Conus's son, Boris. 312:, a memoir recounting the exile and persecution of the region and its inhabitants. He was soon released and returned to Moscow in 1939. Once in Moscow, Conus took up a position at 828: 295:
The years in Paris brought many trials to the Conuses who had fled Russia. However, comfort was sought in their enduring friendships with fellow artists such as
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In this letter, Tchaikovsky urges Conus to connect with Damrosch in Berlin and encourages him to fill the position of concertmaster-soloist that Damrosch seeks.
694: 670:"Zlom (1939-1942) : uspaminy / Volʹha Ali︠a︡ksandraŭna Khraptovich-Butsi︠a︡ni︠o︡va ; [peraklad Tatstsi︠a︡ny i I︠A︡ŭhena Letskaŭ].9" 255:
Arguably Conus's legacy survives due to the popularity of his Concerto in E minor for violin, completed in 1898 and dedicated to his professor
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During his time at the Conservatoire de Paris, Conus began a successful career, playing first with the Paris National Academy of Music (
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finds the updated music difficult, then the first thing Tchaikovsky will do is "hang you on the first aspen I come across."
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In this letter Tchaikovsky is keen to meet with Conus, and send a portrait of himself for Conus to deliver to Damrosch.
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Julius Conus returned to Moscow in 1939, dying there in 1942. It is not known how he died, or where he is buried.
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A telegram asking Conus to bring his violin on the Wednesday morning train, and leave the next evening.
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An additional 16 replies from Conus to Tchaikovsky, dating from 1889 to 1893, are preserved in the
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In this letter, Tchaikovsky applauds Conus's decision to travel to America (along with
573: 120: 598: 32: 280: 132: 104: 672:[Evil (1939-1942): memories / Olga Alexandrovna Khraptovich-Butianeva]. 260: 161: 88: 68: 762: 602: 239:, assisted with the arrangement for piano duet. According to one source, the 92: 72: 259:. This composition, which has been recorded by many, was best championed by 87:, Julius entered the Moscow Conservatory. Here he studied composition under 244: 84: 56: 116: 236: 60: 247:
were dedicated to Comus. In 1894 he joined Rachmaninoff's quartet.
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in Berlin and secured the roles of concertmaster and first violin.
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Letter 5016 – 20 August/1 September 1893, from Klin
138: 43:; 1 February 1869 – 3 January 1942) was a Russian 353:Tchaikovsky Research: en.tchaikovsky-research.net 829:People from the Russian Empire of French descent 760: 148:Letter 4374 – 23 April/5 May 1891, from New York 263:, who regularly included it in his repertoire. 271:As a result of the civil unrest following the 177:Letter 4638 – 9/21 March 1892, from Maydanovo 156:Letter 4410 – 15/27 June 1891, from Maydanovo 168:Letter 4596 – 10/22 January 1892, from Paris 127:to pursue a concertmaster position with the 123:. At the same time, Conus was encouraged by 699:Official Website of the Republic of Belarus 194:Letter 4856 – 5/17 February 1893, from Klin 186:Letter 4699 – 26 May/7 June 1892, from Klin 614: 203:Letter 5013 – 16/28 August 1893, from Klin 83:Following in the footsteps of his brother 753:International Music Score Library Project 316:and continued to compose. He joined the 131:. He met with the orchestra's director, 674:United States Holocaust Memorial Museum 343: 341: 761: 617:"Father's legacy finally gets its due" 615:Bradstreet, Jewel (19 November 1992). 722:[Konyus, Yuliy Eduardovich]. 605:CD 8.572631, accessed 7 January 2018. 302: 279:. He also worked as an editor at the 266: 110: 338: 63:. All three brothers studied in the 323: 314:Moscow State Pedagogical University 290: 226: 13: 819:Violinists from the Russian Empire 250: 14: 845: 824:Composers from the Russian Empire 804:Russian male classical violinists 799:20th-century classical violinists 784:19th-century classical violinists 742: 794:20th-century classical composers 779:19th-century classical composers 622:Worcester Telegram & Gazette 574:"Julius Conus music | Composers" 712: 687: 662: 637: 608: 591: 566: 223:, but have not been digitized. 139:Correspondence with Tchaikovsky 541: 516: 491: 466: 441: 416: 391: 366: 310:Fracture (1939-1942): Memories 221:Tchaikovsky State House-Museum 119:) as first chair violin under 1: 78: 67:; among their teachers were 7: 789:19th-century male musicians 749:Free scores by Julius Conus 129:New York Symphony Orchestra 10: 850: 834:Moscow Conservatory alumni 724:www.wikidata.ru-ru.nina.az 318:Union of Russian Composers 277:Conservatoire Rachmaninoff 91:, Music encyclopediaunder 36: 814:Pupils of Sergei Taneyev 720:"Конюс,_Юлий_Эдуардович" 649:Russian Music Publishing 331: 241:Morceaux de salon, Op. 6 125:Pyotr Ilyich Tchaikovsky 101:Pyotr Ilyich Tchaikovsky 41:Yuly Eduardovich Konyus 809:Composers from Moscow 597:Whitehouse, Richard. 235:, while his brother, 37:Юлий Эдуардович Конюс 553:Tchaikovsky Research 528:Tchaikovsky Research 503:Tchaikovsky Research 478:Tchaikovsky Research 453:Tchaikovsky Research 428:Tchaikovsky Research 403:Tchaikovsky Research 378:Tchaikovsky Research 297:Sergei Rachmaninoff 95:, and violin under 65:Moscow Conservatory 726:. 25 December 2023 303:Enemy of the State 285:Serge Koussevitzky 273:Russian Revolution 267:Russian Revolution 111:Tours and concerts 841: 736: 735: 733: 731: 716: 710: 709: 707: 705: 691: 685: 684: 682: 680: 666: 660: 659: 657: 655: 645:"About RMI Page" 641: 635: 634: 632: 630: 612: 606: 601:, Liner note to 595: 589: 588: 586: 584: 570: 564: 563: 561: 559: 549:"Symphony No. 6" 545: 539: 538: 536: 534: 520: 514: 513: 511: 509: 495: 489: 488: 486: 484: 470: 464: 463: 461: 459: 445: 439: 438: 436: 434: 420: 414: 413: 411: 409: 395: 389: 388: 386: 384: 370: 364: 363: 361: 359: 345: 324:Mysterious death 291:Musical marriage 227:Return to Russia 38: 31: 16:Russian composer 849: 848: 844: 843: 842: 840: 839: 838: 759: 758: 745: 740: 739: 729: 727: 718: 717: 713: 703: 701: 693: 692: 688: 678: 676: 668: 667: 663: 653: 651: 643: 642: 638: 628: 626: 613: 609: 596: 592: 582: 580: 572: 571: 567: 557: 555: 547: 546: 542: 532: 530: 522: 521: 517: 507: 505: 497: 496: 492: 482: 480: 472: 471: 467: 457: 455: 447: 446: 442: 432: 430: 422: 421: 417: 407: 405: 397: 396: 392: 382: 380: 372: 371: 367: 357: 355: 347: 346: 339: 334: 326: 305: 293: 281:Editions Russes 269: 253: 251:Violin Concerto 229: 141: 133:Walter Damrosch 121:Édouard Colonne 113: 105:Lambert Massart 81: 27: 17: 12: 11: 5: 847: 837: 836: 831: 826: 821: 816: 811: 806: 801: 796: 791: 786: 781: 776: 771: 757: 756: 744: 743:External links 741: 738: 737: 711: 686: 661: 636: 607: 590: 578:classicalm.com 565: 540: 515: 490: 465: 440: 415: 390: 365: 336: 335: 333: 330: 325: 322: 304: 301: 292: 289: 268: 265: 261:Jascha Heifetz 252: 249: 233:Symphony No. 6 228: 225: 213: 212: 205: 204: 196: 195: 188: 187: 179: 178: 170: 169: 162:Adolph_Brodsky 158: 157: 150: 149: 140: 137: 112: 109: 89:Sergei Taneyev 80: 77: 69:Sergei Taneyev 15: 9: 6: 4: 3: 2: 846: 835: 832: 830: 827: 825: 822: 820: 817: 815: 812: 810: 807: 805: 802: 800: 797: 795: 792: 790: 787: 785: 782: 780: 777: 775: 772: 770: 767: 766: 764: 754: 750: 747: 746: 725: 721: 715: 700: 696: 690: 675: 671: 665: 650: 646: 640: 625:. pp. C7 624: 623: 618: 611: 604: 603:Naxos Records 600: 599:"Jules Conus" 594: 579: 575: 569: 554: 550: 544: 529: 525: 524:"Letter 5016" 519: 504: 500: 499:"Letter 5013" 494: 479: 475: 474:"Letter 4586" 469: 454: 450: 449:"Letter 4699" 444: 429: 425: 424:"Letter 4638" 419: 404: 400: 399:"Letter 4596" 394: 379: 375: 374:"Letter 4410" 369: 354: 350: 349:"Letter 4374" 344: 342: 337: 329: 321: 319: 315: 311: 300: 298: 288: 286: 282: 278: 274: 264: 262: 258: 248: 246: 242: 238: 234: 224: 222: 217: 210: 209: 208: 202: 201: 200: 193: 192: 191: 185: 184: 183: 176: 175: 174: 167: 166: 165: 163: 155: 154: 153: 147: 146: 145: 136: 134: 130: 126: 122: 118: 108: 106: 102: 98: 94: 93:Anton Arensky 90: 86: 76: 74: 73:Anton Arensky 70: 66: 62: 58: 52: 50: 46: 42: 34: 30: 25: 21: 728:. 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Index

‹See Tfd›
Russian
violinist
composer
Georgi Conus
Lev Conus
Moscow Conservatory
Sergei Taneyev
Anton Arensky
Georgi Conus
Sergei Taneyev
Anton Arensky
Jan Hřímalý
Pyotr Ilyich Tchaikovsky
Lambert Massart
Paris Opera
Édouard Colonne
Pyotr Ilyich Tchaikovsky
New York Symphony Orchestra
Walter Damrosch
Adolph_Brodsky
Tchaikovsky State House-Museum
Lev Conus
Morceaux de salon, Op. 6
Rachmaninoff
Jan Hřímalý
Jascha Heifetz
Russian Revolution
Conservatoire Rachmaninoff
Editions Russes

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