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In this busiest period of Kamal-ol-Molk's artistic life, he created over 170 paintings. However, most of these paintings have either been destroyed or taken abroad. The works he created in this period indicate his desire to develop his oil painting technique. He advanced so much that he even acquired
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in 1898, at the age of 47 to improve his art. Once there, he had discussions with distinguished
European artists on style and technique, and copied some of Rembrandt's works, including "Self Portrait", "Jonah", and "Saint Matthew". Kamal-ol-Molk visited most of Europe's museums and closely studied
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Qajar's court, Kamal-ol-Molk created some of his most significant works. The paintings he did in this period, which lasted up until the assassination of
Nasereddin Shah, were portraits of important people, landscapes, paintings of royal camps and hunting grounds, and various parts of royal palaces.
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to his school in order to revive the dying fine arts. In addition to teaching art, through his kind behavior he also taught students love, morals and humanity. Many a time he stayed late at school, teaching. He even allotted a portion of his monthly payment to poor students.
376:, after a two-year stay in Iraq, Kamal-ol-Molk returned to Iran and joined the Constitutionalists because of the hatred he had developed towards Mazaffareddin Shah's government. Portraits like "Commander Asa'd Bakhtiari" and "Azad-ol-Molk" signify this period.
421:. The School's goal was to find new talents, embrace them and educate them in the best possible way. Kamal-ol-Molk did not confine himself to painting. Rather, he introduced other arts and crafts such as carpet weaving,
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Movement era of Persia brought about a new atmosphere for the artist. The
Constitutionalists were cultured and appreciated art more than did their predecessors, thus respect for Kamal-ol-Molk and his works increased.
369:. The visits he made to the holy cities in Iraq inspired his work at this time. "Karbala-ye-Moalla Square", and "Baghdad Jewish Fortune Tellers" are two of his most magnificent works of this period.
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laws of perspective by himself and applied them to his works. His mastery in the delicate use of a brush was as well as bright and lively colors distinguished him from his contemporaries.
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came to know
Mohammad Ghaffari and invited him to the court. Mohammad further improved his technique, and Nasereddin Shah gave him the title "Kamal-ol-Molk" (Perfection on Land).
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in 1848, to a family with a strong artistic tradition, tracing their origins back to notable painters during the reign of
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and painting at a young age. In his childhood eagerness, he drew charcoal sketches on the walls of his room.
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689:"KAMĀL-AL-MOLK, MOḤAMMAD ḠAFFĀRI, A. Ashraf with Layla Diba,
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Upon completion of his primary education, Mohammad moved to
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Biography and works of Kamal-ol-molk (in
Persian language)
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Mohammad
Ghaffari, better known as Kamal-ol-Molk, born in
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The increasing pressure on Kamal-ol-Molk, originating in
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Portrait of a music group in Naser al-din shah era, 1886
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Booth-Clibborn, E., Pūrjavādī, N.A. and Abrams, H. N.,
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669:"Kamal-ol-molk: Eminent Iranian Artist",
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232:کمالالمُلک
208:Mirror Hall
136: [
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699:2014-01-21
657:References
324:Following
264:Nader Shah
235:), was an
223:محمد غفاری
67:Qajar Iran
55:1848-09-29
451:Sufi poet
399:The post-
254:Biography
630:See also
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427:woodwork
393:Nishapur
183:Children
147:Movement
120:Painting
85:Nishapur
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339:Raphael
240:painter
237:Iranian
219:Persian
199:, 1899
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343:Titian
334:Europe
291:Tehran
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248:Kashan
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434:Death
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