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1979. The first
Contemporary Ulster Group exhibition in Belfast in 1951 included five of her paintings. She was appointed to a full-time position at the Collegiate Grammar School in 1955. She was featured in the Contemporary Art Group exhibitions in Belfast in 1957 and 1958, and a solo exhibition of 13 of her paintings was held in the Piccolo gallery, Belfast in 1958. When Bridle retired from the Collegiate School in 1963, the Enniskillen committee of the Arts Council held an exhibition of her work in the town hall. She continued to teach part-time in the convent grammar school from 1964, helping to prepare students for examinations. A number of pieces of work from this period reflect on her travels to places such as New Zealand and French New Guinea. Bridle collaborated with her former pupils, Scott and
156:(DMSA) in 1915, moving in with her aunt in uncle at 60 Upper Rathmines Road. She won a teacher-training scholarship in 1917, which funded her remaining four years at the School. Bridle won a prize for pictorial design in 1917, and completed the certificate course in art by 1918. Bridle was awarded the Taylor scholarship in 1920, for her work based on the Greek myth
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Bridle served as an art organiser in
Fermanagh from 1945 to 1951, and encouraged art teachers to broaden the scope of their curriculum. In teaching T.P. Flanagan at Enniskillen Technical College until 1949, she inspired his interest in watercolour. Flanagan and Bridle painted together in Enniskillen,
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In 1947, Bridle's second major exhibition was held at the CEMA gallery, Belfast, featuring landscapes from
Fermanagh and Anglesey. This was followed by a solo show at the Belfast Museum and Art Gallery in 1950, as well as being shown at the annual exhibitions of the Royal Ulster Academy from 1950 to
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of 1924. At an exhibition of paintings by Dublin students in 1922, Bridle sold five landscapes. In 1923 Bridle received her teacher's diploma and a continuation scholarship. While still in London and attending the RCA, Bridle taught classes at night at the
Elephant and Castle School of Art from 1924
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at the Arena chapel, Padua. She was amongst the artists featured in the touring exhibition of living Irish artists in 1943 to 1944, which was organised by the
Council for the Encouragement of Music and the Arts, exhibiting with them until 1953. Bridle was very well travelled, visiting Europe
224:, County Fermanagh in 1926, to take up a teaching post at the Enniskillen Technical School, whilst also teaching part-time at other schools such as the Collegiate Grammar School. Enniskillen would be her home for the rest of her life. Bridle continued to paint, and was a major influence on
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A major retrospective of her work was held at the
Fermanagh County Museum in 1998, which was toured to the Ulster Museum and the Armagh County Museum. Primarily Bridle was a watercolourist and landscape painter, but she also painted portraits in oils. Her 1948 self-portrait is held in
228:, giving him lessons in art, exposing him to modern artists through books and painting outdoors with him. Around 1927 she painted a portrait of Scott, and another portrait of Hunter was exhibited with the RHA the same year. In 1928, Bridle held her first solo exhibition in
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on 19 November 1897. She was the middle child of the three daughters of an Irish lieutenant and coastguard, James Bridle, and a school teacher Janet Bridle (née Flower). Owing to her father's occupation, the family moved many times, living at
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facing Lough Erne. To mark her 90th birthday, Flanagan presented her with a self-portrait. Her final public appearance was made in 1989, at the
Ardowen Theatre, Enniskillen, for a viewing of David Hammond's film,
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from 1931 to 1949, being elected an associate in 1935 and an honorary member in 1962. In 1936 she held an exhibition at John Magee's gallery in
Belfast entitled
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in 1913. Due to this the Bridle children were educated at home by their mother, but also at nearby schools. In 1910, Bridle attended a private school in
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111:(19 November 1897 – 25 May 1989) was a British artist and teacher. She influenced Northern Irish artists such as
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in 1934, and was featured in their inaugural exhibition. She was a regular exhibitor with the
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Doyle, Carmel (2009). "Bridle, Kathleen". In McGuire, James; Quinn, James (eds.).
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to 1925. She won the George
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erected a blue plaque to Bridle on 15 November 2010, at her former home.
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Bridle was employed briefly as a glass painter in the Dublin studio of
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extensively to study art, even touring
Yugoslavia by bus in her 60s.
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164:(RCA), London in 1921. Whilst there she became good friends with
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407:"Kathleen Bridle 1897-1989 Artist and Teacher lived here"
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489:Alumni of the National College of Art and Design
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295:The National Self-Portrait Collection of Ireland
160:. The scholarship allowed her to attend the
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272:for St Macartin's cathedral, Enniskillen.
249:Paintings of Fermanagh, Donegal, and Sligo
360:Encyclopedia of Visual Artists in Ireland
99:watercolour landscapes, and oil portraits
335:. Cambridge: Cambridge University Press.
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356:"Kathleen Bridle ARUA (1897-1989)"
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154:Dublin Metropolitan School of Art
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524:Artists from County Fermanagh
333:Dictionary of Irish Biography
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434:Froude-Durix, Carole (1988)
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189:Percy Oswald Reeves
181:The Checkered Cloth
362:. Visual Arts Cork
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287:Bellanaleck
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185:The Mermaid
170:Henry Moore
166:John Hunter
129:Swalecliffe
74:Nationality
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