629:, often regarded as a "masterpiece." Wiley restaged it with an African rider wearing modern army fatigues and a bandanna. Wiley "investigates the perception of blackness and creates a contemporary hybrid Olympus in which tradition is invested with a new street credibility". While creating the work Wiley attempted to use real horses to model and found that the proportions between man and horse in the original work to be unrealistic. The purpose of art during David's time was to serve as propaganda. Although seemingly naturalistic, both Wiley's and David's portraits feature rider's who are disproportionate to their steed, because "men look a lot smaller on real horses." Wiley claims to be simultaneously drawn to the illusion used in Old Masters paintings while also wanting to expose them: "The appeal, I suppose, is that, in a world so unmasterable and so unknowable, you give the illusion or veneer of the rational, of order—these strong men, these powerful purveyors of truth. And so this thing that I do is in a strange sense being drawn toward that flame and wanting to blow it out at once."
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American men and white men. In the recreation of these 18th century portraits, modern black men that he meets on the streets are taking the place of the original subjects, they are assuming their position or power. He paints them as people who are worthy of being noticed, rather than background elements or in subservient positions. Wiley is also creating a portrayal of
African American men that is not often seen in the media today. Wiley challenges a perception that has been continually pushed onto society. Rather than depict them as angry or tough, he creates portraits where the figures are dignified, confident, and at times vulnerable. The figures are in poses in ways that do not always align with what is considered masculine for black men today.
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features of his Black figures that eroticizes them in a way women were traditionally portrayed. He focuses on their bodies, includes motifs like sperm that reference their vitality, and poses them in vulnerable positions. The floral and decorative backgrounds put into question the idea of masculinity. The patterns of lace and flowers are often associated with femininity and by submerging his male figures in these ornate backgrounds, Wiley acknowledges the beauty and youth of his subjects.
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827:: activist Derrick Ingram, artist Nathaniel Lloyd Richards, and photographer Terrell Armistead. Ingram said that Wiley had raped and sexually assaulted him in September 2021 during a brief relationship between the two. Richards claimed that Wiley had groped him on a date in 2019. Armistead accused Wiley of groping him and "performing forced oral penetration" during a 2010 encounter at Wiley's apartment. Wiley's four accusers said they planned to file a
656:. Wiley describes his approach as "interrogating the notion of the master painter, at once critical and complicit". His figurative paintings "quote historical sources and position young black men within that field of power". In this manner, his paintings fuse history and style in a unique and contemporary manner. His art has been described as having homoerotic qualities. Wiley has used a sperm motif as symbolic of masculinity and gender.
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804:, who said that Wiley had assaulted him twice in June 2021 during and after a dinner event in Ghana. Awuah-Darko claimed that he was first "inappropriately groped" shortly after meeting Wiley, and then was subject to a "much more severe and violent" assault later that day. Awuah-Darko said that he had not initially recognized the incident as assault and that he had not reported it due to attitudes toward
332:. These have included Brazil, Nigeria, India, and China because Wiley states that he understands all of these as "points of anxiety and curiosity and production" to the world. As he has continued to paint models from around the world, he has increasingly painted them not based on Western painting traditions and styles but on the historic artistic styles from each of these own countries.
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who look up at the museum wall and see someone who looks like them being displayed at the museum, especially the portrait of the first Black
American president. After the unveiling of Wiley's portrait of the President and Amy Sherald's portrait of the First Lady, the Smithsonian National museum saw an increase in the number of visitors from 1.1 to 2.1 million people.
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and other possessions. Wiley instead creates detailed backgrounds full of bright patterns that at times enter the foreground in front of the figures. His intent is to create a background that just like his figures is competing to be noticed and blend the two in order to elevate the figures. The background imagery is meant to add a layered complexity to the work.
232:. It was there that Wiley developed his passion for portraiture. Wiley noted that his brother was better at portraiture than he was, and this fueled a sense of competition between them. The siblings would compete to see who could recreate the most realistic images. Upon his return to the US, Wiley continued studying art and attended high school at the
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wealth of the homeowners. By replicating these patterns and motifs from opulent decor and other elements of interior design and encapsulating his figures within them, Wiley is recreating a similar sense of wealth with his portraits. Viewers are led to re-contextualize their view of the urban figures as they associate them with the lavish backdrops.
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Much of Wiley's work focuses on male figures. This is an intentional choice by Wiley to reflect on the lack of female figures in art history in portraits due to societal norms. The way in which Wiley positions his figures and how he paints them switches the feminine and masculine roles. He emphasizes
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also features a modern-day black woman as Judith and a white woman as
Holofernes, challenging the viewer's expectations of this familiar motif, inviting political readings, and "bending a violent image from art history—which is rife with them —to the needs of a country that is reexamining the violent
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lacking in this portrayal and turned to his background in classical paintings. His comparisons between this new type of portraiture and the ones he studied from the eighteenth century sparked inspiration and led Wiley to create a combination of his modern portraiture and classic styles from history.
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Wiley has kept his personal life private but identifies as a gay man. He has said that his sexuality "is not black and white. I am a gay man who has drifted. I am not bi. I've had perfectly pleasant romances with women, but they weren't sustainable. My passion wasn't there. I would always be looking
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towards the viewer instead of appearing aloof. Wiley explained that Obama and the foreground of the plants are battling over who takes the primary space in the portrait, which Wiley hoped would communicate that Obama is more central than just his story and experiences that helped contour his life.
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In 1999, Wiley earned his BFA from the San
Francisco Art Institute. In 2001, he received a scholarship to complete his MFA at Yale University School of Art. In art school, Wiley attributed his most important lesson to focusing on creating art that he truly wanted to make—not art that his professors
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Wiley's portrait paintings are known for their bright and colorful backgrounds. These intricate backgrounds are purposefully different from the portraits they are based on. The original backdrops of the classical portraits Wiley uses for his references are full of sweeping estates, their families,
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Wiley also mentioned in the unveiling of Obama's portrait that he went to museums in Los
Angeles and noticed that there weren't many artworks that display African Americans; he wanted to change that. He hoped that one day the artworks that he creates can inspire future African American generations
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The beginnings of Wiley's now-famous portraits can be traced back to his time in Harlem, New York, during his residency at the Studio Museum. It was at this time he came upon a crumpled mugshot released by the New York Police
Department. On it was a photo of an African American man in his twenties
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magazine that low costs was no longer the reason. Critics have long wondered about the extent to which Wiley's paintings are painted by Wiley himself. When asked if one could visit his studio in China to watch him paint, the artist declined. Wiley's
Beijing studio is managed by Ain Cocke, who has
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Wiley draws inspiration for these designs from historical work from the Rococo and
Neoclassical art period as well as elaborate wallpapers. The original portraits that Wiley recreates would have hung in lavish homes of the wealthy amongst other extremely detailed ornaments to further enhance the
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paintings for the pose of a figure. Wiley's paintings often blur the boundaries between traditional and contemporary modes of representation. Rendering his figures in a realistic mode—while making references to specific Old Master paintings—Wiley creates a fusion of period styles and influences,
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During the unveiling of Obama's portrait, Wiley stated in an interview that Obama wanted "a very relaxed, man-of-the-people representation" and Wiley created that image through small details: an open collar, the absence of a tie, and the perception that the
President's body was physically moving
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Wiley and his siblings were raised by their mother, Freddie Mae Wiley. Their father, Isaiah D. Obot, was a
Nigerian student who came to the US on scholarship. He returned to Nigeria upon finishing his studies, leaving Freddie to raise the couple's six children on her own. Wiley has said that his
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When later commenting on his fascination with the mugshot and its influence in his art, Wiley noted that when he found it on the street, it altered his view of what portraiture could be and solidified his feelings about the portrayal of black men in the world. Wiley saw that there was something
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Kehinde Wiley is an American portrait painter who paints monumental works of art that captivate an audience with its bold colors and views on racial power. He is one of many contemporary artists throughout the world who hopes to shift racial power throughout the media using his art. When he was
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Wiley's intent when he began to create these ornate portraits was to re-image Black men's depiction in art. The way he has his models pose, in similar positions and stances as the original figures in classical paintings, is meant to act as commentary for the historical power dynamic of African
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President Obama felt that Wiley's work was able to elevate an ordinary person to look like royalty and to lift them up so that they belong as a part of American life, reflecting Obama's belief that politics should be about the country unfolding from the bottom up and not the other way around.
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letter demanding the removal of his "categorically false and defamatory" Instagram posts. Wiley's representatives also shared a series of text messages between the two men, which they said had been sent in the months after the alleged assault, in which Awuah-Darko asked to meet Wiley again.
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In his childhood, Wiley's mother wanted her children to stay out of the streets and so she encouraged an interest in art through enrollment in after-school art classes. At the age of 11, Wiley and his brother were selected with 48 other children to study briefly at an art conservatory near
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magazine described one of these as depicting "a tall, elegant black woman in a long blue dress. In one hand, she holds a knife. In the other, a cleanly severed brunette female head". Wiley said about this work: "It's sort of a play on the 'kill whitey' thing". A second painting entitled
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The inspiration for Obama's pose came from the photography session conducted with Obama in preparation for the portrait. Wiley recalled a moment of repose in between shots when Obama was essentially as he is depicted in the portrait, a pose the artist felt was authentic to Obama.
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In response, Wiley said that the allegations were "completely false" and a "social media-driven fabrication" that distracted from his traveling exhibition "An Archaeology of Silence". Wiley also denied ever meeting Armistead and disputed certain elements of Armistead's story.
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Interiors color swatch. Wiley depicts his slightly larger than life-size figures in a heroic manner, giving them poses that connote power and spiritual awakening. Wiley's portrayal of masculinity is filtered through these poses of power and spirituality.
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underpinnings of even its most benign-seeming traditions." Art critic Walter Robinson remarks that this reimagining of the Judith/Holofernes story "suggests, with a jovial brutality, that Judith would prefer to be done with white standards of beauty."
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family survived on welfare checks and the limited income earned by his mother's "thrift store"—which consisted of a patch of sidewalk outside their home. At the age of 20, Wiley traveled to Nigeria to meet his father and explore his family roots.
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commissioned to paint the former President of the United States at that time, Barack Obama, Wiley became even more popular, showing his art in multiple international shows and exhibiting in places like Cuba, Nigeria, and Los Angeles.
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Although Wiley's portraits were initially based on photographs of young men from the streets of Harlem, Wiley began to expand to an international view, using models found in urban backdrops from around the world including
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became a permanent for Penn Station's concourse in New York City. The stained-glass work depicts black break-dancers on a background of the sky with clouds. The piece is inspired by the 18th century ceiling frescoes of
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were commissioned in 2005 and depicted contemporary men, as opposed to the 'heroic' equestrians in the originals, wearing sports team jerseys and Timberland boots, with Wiley deciding to keep the original titles.
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511:, New York City. The exhibit featured 11 paintings depicting contemporary black artists. Wiley opened a studio in Beijing, China, in 2006 to use several helpers to do brushstrokes for his paintings. Initially,
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of "the 'old' inherited by the 'new' – who often have no visual inheritance of which to speak." Wiley says this instantly sparks a conversation that is equally emotional as it is intellectual.
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Vankin, Deborah (January 24, 2020). "Obama Portraits to Tour in Summer '21; the Smithsonian Says the Portraits of Barack and Michelle Will Visit Five Cities, Including Los Angeles' LACMA".
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hosted an exhibition of his work in 2007 and describes his paintings as "heroic portraits which address the image and status of young African-American men in contemporary culture."
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commissioned Wiley to paint four portraits of prominent African soccer players. Patterns from his paintings were incorporated into Puma athletic gear. The complete series,
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from 2012, he replaces the couple (man and woman) depicted in the original painting from 1610 with a pair of young men. The same year, he exhibited two variations on the
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This reimagining was also seen in Wiley's VH1 commissioned piece, where he was asked to paint honorees for the 2005 Hip Hop Honours program. Wiley depicted the rapper
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called the allegations against Wiley "serious and concerning" but criticized the museums' decision, arguing for placing problematic artists in context rather than
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worked for him for close to a decade, first as a painting assistant and now as a manager. He is an accomplished painter, though far less successful commercially.
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with his basic personal information in order for the man to be identified. Wiley held onto this mugshot and it would inspire some of his future work, including
536:. The work is his first permanent, site-specific installation in the medium of glass. He also curated a group show of African arts featuring Nigerian artist
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Obama's portrait took Wiley over two years, from the first conversation about the commission to the unveiling which took place on February 12, 2018, at the
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for the First Lady portrait. They were the first Black artists to paint an American President's portrait and a First Lady's portrait, respectively.
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Some conservative commentators criticized the selection of Wiley for the commission because he had earlier produced two painting variations of
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is a bronze sculpture that commemorates African American youth lost to the social and political battles being waged throughout the nation.
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3012:"PUMA commissions Contemporary Artist Kehinde Wiley to create portraits of African Football Players to Celebrate World Cup 2010 Campaign"
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Wiley denied the accusations, stating that the two had been in a "brief, consensual relationship". Lawyers for Wiley sent Awuah-Darko a
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2301:"'Rumors of War' statue makes Times Square debut, provides a response to Confederate monuments in its future home of Richmond, Va."
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321:. Models are dressed in their everyday clothing and asked to assume poses found in artwork from their location's history. It's a
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752:. Two of Wiley's paintings were featured on the top of 500 New York City taxi cabs in early 2011 as a collaboration with the
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1582:"On studying art in the forests of St. Petersburg at age 12, his hyperdecorative style, and combining grandeur with chance"
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Several art museums said they would suspend or cancel their plans to host future exhibitions from Wiley, including the
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neighborhood where he was born. Dressed in street clothes, his models were asked to assume poses from the paintings of
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Wiley chooses countries that he believes are on the "conversation block" in the 21st century to be represented in
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Okoro, Enuma (January 28, 2022). "Artist Kehinde Wiley: 'I wanted to interrupt the history of these paintings'".
2197:"FACT CHECK: Did Obama's Portraitist Paint an Image of a Black Woman Holding the Severed Head of a White Person?"
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In a number of his paintings, Wiley inserts black protagonists into Old Master paintings. In 2007 he reimagined
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His portraits are based on photographs of young men whom Wiley sees on the street. He has painted men from
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The power of décor : Kehinde Wiley's interventions into the construction of black masculine identity
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Pogrebin, Robin (February 12, 2018). "Obama Portrait Artists Merged the Everyday and the Extraordinary".
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2851:"What the Recent Backlash Against Kehinde Wiley's Work at NCMA Gets Wrong About Art's Past and Present"
2224:"VMFA acquires massive sculpture by artist Kehinde Wiley, created in response to Confederate monuments"
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3653:"Kehinde Wiley's twin desires: Clearing space and building a new republic at the Toledo Museum of Art"
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3513:"Kehinde Wiley 23 November 2002-12 January 2003 by Kehinde WILEY on JONATHAN A. HILL, BOOKSELLER, INC"
2630:"Kehinde Wiley on Painting Masculinity and Blackness, from President Obama to the People of Ferguson"
1660:"Kehinde Wiley on Painting Masculinity and Blackness, from President Obama to the People of Ferguson"
1607:"Kehinde Wiley on Painting Masculinity and Blackness, from President Obama to the People of Ferguson"
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3200:"Minneapolis Institute of Art declines Kehinde Wiley show after artist is accused of sexual assault"
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1039:(2012); the Contemporary Jewish Museum, San Francisco, CA (2013); Boise Art Museum, Boise, ID (2013)
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3412:"Cancelling Kehinde Wiley shows 'does a disservice to the audiences', anti-censorship group claims"
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2083:"President Obama's speech at the portrait unveiling at the Smithsonian National Portrait Gallery…"
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1845:"Five years after his Obama portrait, Kehinde Wiley is taking his art everywhere all at once"
1718:"L.A. County High School for the Arts has celebrity lineup to celebrate its 25th anniversary"
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with a young black man in casual streetwear as the sword-wielding hussar in his painting
560:(2014) is a stained glass window designed by Wiley. It was inspired by an 1843 window of
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3346:"Planned Kehinde Wiley Exhibitions Canceled and Delayed in Wake of Assault Allegations"
3275:"Miami flagship art museum cancels Kehinde Wiley show after sexual-assault allegations"
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2526:"Kehinde Wiley Curates a Group Exhibition Celebrating Contemporary African Portraiture"
2429:"Outsource to China - While riffing on the Western canon. Kehinde Wiley's global reach"
2345:"Kehinde Wiley Taps Creative Studio UAP for First Public Artwork, Set for Times Square"
2175:"Obama Portrait Artist Kehinde Wiley Once Painted Black Women Decapitating White Women"
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2148:"Obama portrait artist's past work depicted black women decapitating white women"
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1634:"Kehinde Wiley | Biography, Art, Portraits, Paintings, Sculptures, & Facts"
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Sometimes Wiley changes the gender of figures portrayed in the older works. In
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2649:"The Obamas' portraits are not what you'd expect and that's why they're great"
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account to share testimonials from others who corroborated his allegations.
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3379:"Anti-Censorship Coalition Criticizes Cancellation of Kehinde Wiley Shows"
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National Portrait Gallery: Recognize! Hip Hop and Contemporary Portraiture
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Art Now, Vol. 3: A cutting-edge selection of today's most exciting artists
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3464:"Barack Obama picks gay artist Kehinde Wiley to do his official portrait"
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3313:"Kehinde Wiley Denies New Allegations of Sexual Assault from Two People"
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3167:"Kehinde Wiley denies accusations of sexual assault from fellow artist"
2694:"The painter who remixes classical European art with black urban youth"
1787:"How the Artist Kehinde Wiley Went from Picturing Power to Building It"
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Following Awuah-Darko's posts, three more individuals accused Wiley of
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In October 2011, Wiley received the Artist of the Year Award from the
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3445:"Kehinde Wiley Puts a Classical Spin on His Contemporary Subjects"
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Spirited Pattern and Decoration in Contemporary Black Atlantic Art
2825:"Kehinde Wiley Puts a Classical Spin on His Contemporary Subjects"
2475:"9 New Public Art Installations in NYC March 2021 - Page 22 of 39"
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3242:"Museum Calls Off Kehinde Wiley Show, Citing Assault Allegations"
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work to China had been done to cut costs but by 2012, Wiley told
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2250:"Kehinde Wiley's Times Square Monument: That's No Robert E. Lee"
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In October 2017, it was announced that Wiley had been chosen by
3835:"and Blackness, from President Obama to the People of Ferguson"
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Kehinde Wiley's sculpture 'Rumors of War' in Times Square, 2019
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2398:"Kehinde Wiley Paints The Formative Black Artists Of Our Time"
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from the article and its talk page, especially if potentially
459:" town. In response to the monuments, Wiley decided to create
3091:"Kehinde Wiley Denies Accusation of Sexual Assault by Artist"
2050:"Barack and Michelle Obama portraits unveiled at Smithsonian"
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Miller, P.D. (2007). "New World Portraiture: Kehinde Wiley".
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at (PAFA) Pennsylvania Academy Of Fine Arts, Philadelphia, PA
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172:. In 2017, Wiley was commissioned to paint former President
3129:"Artist Kehinde Wiley denies accusations of sexual assault"
2372:"A new republic: Kehinde Wiley comes to Seattle Art Museum"
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In May 2024, Wiley was accused of sexual assault by artist
1687:"'Antonovich Amphitheatre' dedicated at LACHSA > LACOE"
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2023-24 "Kehinde Wiley: An Archaeology of Silence" at the
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3627:"Kehinde Wiley: A New Republic February 20–May 24, 2015"
3046:. Vol. 320, no. 1, 919. April 2010. p. 17
2668:"Kehinde Wiley, Napoleon Leading the Army over the Alps"
1499:"Kehinde Wiley: The World's 100 Most Influential People"
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Between 2014 and 2018, he created Black Rock Senegal in
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was delivered in collaboration with Times Square Arts,
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in which he depicts African-American women holding the
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at Roberts & Tilton, Culver City, CA; traveled to
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at The Brooklyn Museum of Art, Brooklyn, NY, catalogue
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as a Dutch Civic guard company from the 17th century.
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2282:"Rumors of War statue unveiled in Richmond, Virginia"
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at the John Michael Kohler Arts Center, Sheboygan, WI
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paintings of black people that reference the work of
3539:"ART; Embracing the Offbeat In a Corner of Hartford"
1919:"Sculpture Created by Kehinde Wiley for VMFA - VMFA"
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Reimagining the Old Masters with Black protagonists
4161:Los Angeles County High School for the Arts alumni
3165:Scribner, Herb; Kingsberry, Janay (May 20, 2024).
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2877:"The "Black Eye" and the Postmodernist Art World"
2565:"Young, Gifted, and Black: Painter Kehinde Wiley"
2501:"Kehinde Wiley "Go" - News - Roberts Projects LA"
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3036:"Equestrian Portrait of the Count-Duke Olivares
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1024:2012: Kehinde Wiley/ The World Stage: Israel at
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3127:Chung, Stephy; Mowbray, Nicole (May 21, 2024).
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3720:"Portrait of Simon George II by Kehinde Wiley"
2720:"A Hot Conceptualist Finds the Secret of Skin"
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540:at the Jeffrey Deitch Gallery in Los Angeles.
3933:
1617:
930:Passing/Posing The Paintings of Kehinde Wiley
795:
699:
281:, as well as a recreation of this mugshot in
3126:
2956:: CS1 maint: multiple names: authors list (
2804:. North Carolina Museum of Art. June 7, 2018
2745:"Kehinde Wiley Biography, Life & Quotes"
1531:"Kehinde Wiley Biography, Life & Quotes"
946:at the Conner Contemporary, Washington, D.C.
317:. This immense body of work became known as
267:
3461:
3310:
3025:, January 2010. Retrieved October 13, 2010.
2580:Kehinde Wiley, Officer of the Hussars, 2007
960:at the Columbus Museum of Art, Columbus, OH
234:Los Angeles County High School for the Arts
203:
3940:
3926:
3818:"Kehinde Wiley, Alexander the Great, 2005"
3699:"Kehinde Wiley: An Archaeology of Silence"
3462:Butterworth, Benjamin (October 20, 2017).
2627:
1657:
1604:
1141:about living persons that is unsourced or
1088:at St. Louis Museum of Art, St. Louis, MO.
212:, in 1977. His father, Isaiah D. Obot, is
86:
3609:"Kehinde Wiley / The World Stage: Israel"
2646:
2640:
2422:
2420:
2418:
1968:"Why the Obamas' Portrait Choices Matter"
1212:Learn how and when to remove this message
905:at the Rhona Hoffman Gallery, Chicago, IL
759:Wiley is featured in a commercial on the
730:
499:Wiley had a retrospective in 2016 at the
439:Wiley revisited this idea after visiting
355:official portrait of the former president
64:Learn how and when to remove this message
3878:Three Wise Men Greeting Entry into Lagos
3376:
3088:
2874:
2106:
1008:Legends of Unity | World Cup 2010 | PUMA
983:Three Wise Men Greeting Entry Into Lagos
912:at Roberts & Tilton, Los Angeles, CA
552:
430:
238:
156:(born February 28, 1977) is an American
3981:Napoleon Leading the Army over the Alps
3650:
3442:
3343:
2822:
2771:"How Kehinde Wiley Makes A Masterpiece"
2647:Kennicott, Philip (February 12, 2018).
2628:Cunningham, Vinson (October 22, 2018).
2455:"How Kehinde Wiley Makes A Masterpiece"
1658:Cunningham, Vinson (October 22, 2018).
1605:Cunningham, Vinson (October 22, 2018).
616:Napoleon Leading the Army over the Alps
423:Wiley's initial series of works titled
4091:20th-century African-American painters
4078:
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2062:from the original on December 21, 2021
2044:
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1992:
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1988:
1959:
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1868:
1761:"Kehinde Wiley '01 M.F.A. | Yale 2024"
1478:
939:at Franklin Art Works, Minneapolis, MN
665:Grandmaster Flash and the Furious Five
279:Conspicuous Fraud Series #1 (Eminence)
4116:African-American contemporary artists
4106:21st-century African-American artists
3921:
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3579:
3577:
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3443:Solomon, Deborah (January 28, 2015).
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2823:Solomon, Deborah (January 28, 2015).
2768:
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1965:
1942:
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1938:
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1784:
1736:"Kehinde Wiley Paintings, Bio, Ideas"
1715:
1456:
1084:2018 October 19 - February 10, 2019:
925:at Rhona Hoffman Gallery, Chicago, IL
852:National Coalition Against Censorship
717:
374:Smithsonian National Portrait Gallery
182:Smithsonian National Portrait Gallery
4186:American artists of Nigerian descent
3873:at Roberts Projects, Los Angeles, CA
3272:
3197:
3005:
2848:
2718:Smith, Roberta (September 4, 2008).
2427:Beam, Christopher (April 22, 2012).
2426:
2389:
2299:Moynihan, Ellen, and Larry McShane,
2247:
2080:
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1600:
1598:
1596:
1103:
976:Kehinde Wiley: The World Stage—China
443:, where he became interested in the
199:100 Most Influential People of 2018.
20:
3537:Stowe, Stacey (November 24, 2002).
3311:Greenberger, Alex (June 10, 2024).
2964:
2920:
2894:
2665:
2621:
2603:Hans Werner Holzwarth, ed. (2008).
2370:Romano, Tricia (February 4, 2016).
2248:Ugwu, Reggie (September 27, 2019).
2039:
1985:
1966:Smith, Roberta (October 16, 2017).
1893:Tsai, Eugenie (February 20, 2015).
1881:
1785:Lucas, Julian (December 26, 2022).
888:
680:Biblical story famously painted by
361:"America's Presidents" exhibition.
13:
4196:21st-century American LGBTQ people
4191:20th-century American LGBTQ people
4171:San Francisco Art Institute alumni
4096:20th-century American male artists
3564:
3424:from the original on June 26, 2024
3410:Sutton, Benjamin (June 25, 2024).
3391:from the original on June 26, 2024
3358:from the original on June 13, 2024
3325:from the original on June 14, 2024
3299:
3287:from the original on June 22, 2024
3254:from the original on June 15, 2024
3224:
3212:from the original on June 16, 2024
3153:
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2166:
2140:
2000:; Moss, Dorothy; Powell, Richard;
1933:
1407:San Francisco Museum of Modern Art
1057:(2015), Brooklyn, NY; traveled to
1046:at Phoenix Art Museum, Phoenix, AZ
1021:(SCAD) Museum of Art, Savannah, GA
1019:Savannah College of Art and Design
503:. In May 2017, he had an exhibit,
336:Barack Obama presidential portrait
299:
14:
4212:
4131:American people of Yoruba descent
3947:
3855:
3774:"Works – Kehinde Wiley – Artists"
3651:Cocoves, Athena (February 2017).
3585:
3517:JONATHAN A. HILL, BOOKSELLER, INC
3179:from the original on May 20, 2024
3141:from the original on May 21, 2024
3103:from the original on May 20, 2024
2396:Frank, Priscilla (May 26, 2017).
2222:Curran, Colleen (June 20, 2019).
2173:Levine, Jon (February 12, 2018).
2081:Says, Simon (February 13, 2018).
1946:
1897:(Illustrated ed.). Prestel.
1593:
1481:"Kehinde Wiley: Columbus To Open"
1353:Nerman Museum of Contemporary Art
771:Legends of Unity: World Cup 2010,
365:who was simultaneously chosen by
4063:
4051:
4028:
4027:
3377:Schrader, Adam (June 24, 2024).
3344:Boucher, Brian (June 13, 2024).
2875:Robinson, Walter (May 8, 2014).
1722:LA Times Blogs - Culture Monster
1317:Musée des beaux-arts de Montréal
1287:Los Angeles County Museum of Art
1108:
953:at Deitch Projects, New York, NY
918:at Deitch Projects, New York, NY
877:
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3089:Marshall, Alex (May 19, 2024).
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2932:A., Shareef, Shahrazad (2010).
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2769:Mason, Wyatt (April 10, 2013).
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1311:Modern Art Museum of Fort Worth
1059:Modern Art Museum of Fort Worth
937:Bound - Kehinde Wiley Paintings
898:at Real Art Ways, Hartford, CT
773:was exhibited in early 2010 at
259:from Yale University in 2024.
4166:Painters from New York (state)
4121:American contemporary painters
4111:21st-century American painters
4101:20th-century American painters
3273:Rosa, Amanda (June 21, 2024).
3198:Eler, Alicia (June 14, 2024).
1693:. May 21, 2015. Archived from
1651:
1574:
1548:
1491:
1472:
1099:
884:List of works by Kehinde Wiley
780:His work was exhibited in the
589:and the "Sea Foam Green" of a
544:Imagery, symbolism, and themes
1:
4151:African-American LGBTQ people
3074:. Retrieved October 13, 2010.
3002:. Retrieved October 13, 2010.
2849:Howe, Brian (March 7, 2018).
2692:Quito, Anne (April 3, 2015).
2012:. Princeton University Press.
1895:Kehinde Wiley: A New Republic
1716:Boehm, Mike (April 6, 2010).
1469:. Retrieved October 13, 2010.
1450:
1051:Kehinde Wiley: A New Republic
1015:Kehinde Wiley: Selected Works
1010:, several locations worldwide
790:Kehinde Wiley: A New Republic
763:as a 2010 Character Honoree.
741:United Federation of Teachers
566:Jean-Auguste-Dominique Ingres
494:
453:Lost Cause of the Confederacy
357:to appear in the Smithsonian
3913:Minneapolis Institute of Art
3678:"Kehinde Wiley: Saint Louis"
2917:(Thesis). Temple University.
1556:"Artist Talk: Kehinde Wiley"
1431:Virginia Museum of Fine Arts
1409:in San Francisco, California
1359:North Carolina Museum of Art
1307:in Charlotte, North Carolina
1299:Minneapolis Institute of Art
1259:, in Los Angeles, California
1119:biography of a living person
1063:Virginia Museum of Fine Arts
992:at ArtSpace, San Antonio, TX
969:Virginia Museum of Fine Arts
840:Minneapolis Institute of Art
808:. Awuah-Darko also used his
601:'s early-nineteenth-century
477:Virginia Museum of Fine Arts
7:
2976:The Financial Times Limited
2584:. Detroit Institute of Arts
1347:Nelson-Atkins Museum of Art
1271:in Cambridge, Massachusetts
1146:must be removed immediately
1093:Museum of Fine Arts Houston
1079:Oklahoma City Museum of Art
693:Judith Beheading Holofernes
677:Judith Beheading Holofernes
398:Judith Beheading Holofernes
255:Wiley received an honorary
130:San Francisco Art Institute
16:American artist (born 1977)
10:
4217:
4136:American portrait painters
1421:in New York City, New York
1361:in Raleigh, North Carolina
1331:in St. Petersburg, Florida
1289:in Los Angeles, California
1283:in New York City, New York
1247:(DIA) in Detroit, Michigan
881:
796:Sexual assault allegations
700:Masculinity and femininity
622:Napoleon Crossing the Alps
475:before being moved to the
455:existing within a modern "
416:
339:
4176:Yale School of Art alumni
4025:
4007:
3964:
3955:
3792:"PAMM Fund for Black Art"
3756:"Untitled (Hand Study 1)"
3494:Kehinde Wiley’s Art Annex
3068:"Painting: Kehinde Wiley"
2913:Sanders, Sophie. (2013).
2505:www.robertsprojectsla.com
1445:in Minneapolis, Minnesota
1401:San Antonio Museum of Art
1341:National Portrait Gallery
1337:in Durham, North Carolina
1301:in Minneapolis, Minnesota
1245:Detroit Institute of Arts
1241:in Sacramento, California
1061:, Fort Worth, TX (2016);
910:Pictures at an Exhibition
782:National Portrait Gallery
739:Art Teachers Association/
654:Giovanni Battista Tiepolo
642:South Central Los Angeles
570:Chapel of Saint Ferdinand
534:Giovanni Battista Tiepolo
359:National Portrait Gallery
268:Residency and inspiration
262:
143:
122:
97:
85:
78:
3904:Artist Towel Series 2008
3778:collection.themodern.org
2607:. Taschen. p. 512.
2544:The Stained Glass Museum
1439:in Hartford, Connecticut
1355:in Overland Park, Kansas
1349:in Kansas City, Missouri
1325:in Boston, Massachusetts
1037:Jewish Museum (New York)
708:
204:Early life and education
3057:(subscription required)
3017:August 2, 2010, at the
2994:March 15, 2010, at the
2228:Richmond-Times Dispatch
1638:Encyclopedia Britannica
1419:Studio Museum in Harlem
1377:Philbrook Museum of Art
1365:Oak Park Public Library
1295:in Milwaukee, Wisconsin
1265:in Gainesville, Florida
1065:, Richmond, VA (2016);
1033:The World Stage: Israel
990:The World Stage: Africa
958:Kehinde Wiley: Columbus
609:Officer of the Hussars.
576:Wiley often references
243:Kehinde Wiley sculpture
210:Los Angeles, California
115:Los Angeles, California
4126:American male painters
3989:President Barack Obama
3631:www.brooklynmuseum.org
2128:Cite journal requires
2010:ProQuest Ebook Central
1824:login.libris.mtsac.edu
1415:in Seattle, Washington
1397:in St. Louis, Missouri
1395:Saint Louis Art Museum
1371:PĂ©rez Art Museum Miami
1233:Columbus Museum of Art
1133:Please help by adding
1073:, Phoenix, AZ (2016);
1069:, Seattle, WA (2016);
1044:Kehinde Wiley: Memling
844:PĂ©rez Art Museum Miami
731:Recognition and honors
573:
525:In 2021, Wiley's work
436:
343:President Barack Obama
244:
191:Wiley was included in
186:Columbus Museum of Art
164:. He is known for his
3900:at Sean Kelly Gallery
3884:May 22, 2018, at the
3760:collections.lacma.org
3511:www.bibliopolis.com.
2800:Judith and Holofernes
2309:, September 27, 2019.
2177:. Yahoo Entertainment
2058:. February 12, 2018.
2006:"The Obama Portraits"
1479:Villarreal, Ignacio.
1433:in Richmond, Virginia
1403:in San Antonio, Texas
1367:in Oak Park, Illinois
1229:in Brooklyn, New York
1077:, Toledo, OH (2017),
965:Willem van Heythuysen
831:lawsuit against him.
604:The Charging Chasseur
556:
445:Confederate monuments
434:
252:wanted him to make.
242:
4146:American gay artists
4016:Picturing the Obamas
3833:Cunningham, Vinson.
3595:Kehinde Wiley Studio
3490:Jackson, Brian Keith
2989:"Art: Kehinde Wiley"
2567:, NPR, June 1, 2005.
2528:. November 19, 2021.
2290:, December 11, 2019.
1953:Kehinde Wiley Studio
1724:. Los Angeles Times.
1697:on November 15, 2022
1425:Toledo Museum of Art
1335:Nasher Museum of Art
1313:in Fort Worth, Texas
1293:Milwaukee Art Museum
1251:Gibbes Museum of Art
1139:Contentious material
1075:Toledo Museum of Art
806:LGBT rights in Ghana
672:Portrait of a Couple
581:ranging from French
451:and the idea of the
170:Old Master paintings
3742:thejewishmuseum.org
3172:The Washington Post
2653:The Washington Post
2306:New York Daily News
2203:. February 13, 2018
2154:. February 13, 2018
1921:. November 12, 2019
1820:"Untitled Document"
1587:Wall Street Journal
1391:in Portland, Oregon
1389:Portland Art Museum
1385:in Phoenix, Arizona
1343:in Washington, D.C.
1329:Museum of Fine Arts
1323:Museum of Fine Arts
1319:in Montreal, Canada
1277:in Atlanta, Georgia
1269:Harvard Art Museums
754:Art Production Fund
743:. He also received
627:Jacques-Louis David
619:(2005) is based on
147:Painting, sculpting
4201:Sexually fluid men
3798:. February 9, 2022
3543:The New York Times
3449:The New York Times
3247:The New York Times
3096:The New York Times
2724:The New York Times
2324:www.uapcompany.com
2254:The New York Times
1562:. October 26, 2018
1437:Wadsworth Atheneum
1413:Seattle Art Museum
1383:Phoenix Art Museum
1379:in Tulsa, Oklahoma
1275:High Museum of Art
1263:Harn Museum of Art
1253:in Charleston, SC
1239:Crocker Art Museum
1117:This section of a
1071:Phoenix Art Museum
1067:Seattle Art Museum
802:Joseph Awuah-Darko
777:in New York City.
718:Background imagery
599:Théodore Géricault
574:
509:Sean Kelly Gallery
501:Seattle Art Museum
485:Sean Kelly Gallery
441:Richmond, Virginia
437:
285:(2006, Plate 8).
245:
208:Wiley was born in
44:You can assist by
4039:
4038:
3657:Toledo City Paper
3613:The Jewish Museum
3417:The Art Newspaper
3240:(June 13, 2024).
3038:(captioned image)
2479:Untapped New York
2433:New York Magazine
2025:Los Angeles Times
1765:yale2024.yale.edu
1590:, April 26, 2012.
1443:Walker Art Center
1235:in Columbus, Ohio
1222:
1221:
1214:
1196:
1122:needs additional
1095:, Houston, Texas.
1026:The Jewish Museum
848:Joslyn Art Museum
788:exhibit in 2008.
648:masters, such as
640:, as well as the
413:series and statue
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889:Solo exhibitions
817:cease and desist
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746:Canteen Magazine
663:as Napoleon and
471:was unveiled in
406:of White women.
158:portrait painter
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3738:"Kehinde Wiley"
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2481:. March 2, 2021
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1463:"Kehinde Wiley"
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1427:in Toledo, Ohio
1227:Brooklyn Museum
1218:
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1161:"Kehinde Wiley"
1155:
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1055:Brooklyn Museum
1028:, New York City
1003:, New York City
1001:Deitch Projects
923:Easter Realness
891:
886:
880:
864:
825:sexual violence
798:
784:as part of the
775:Deitch Projects
749:
733:
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613:Similarly, his
551:
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538:Oluwole Omofemi
497:
465:J. E. B. Stuart
449:Monument Avenue
421:
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330:The World Stage
319:The World Stage
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300:The world stage
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135:Yale University
123:Alma mater
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3856:External links
3854:
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3840:The New Yorker
3828:
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3724:crockerart.org
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3492:(April 2019),
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2015:
1998:Caragol, TaĂna
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1972:New York Times
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1904:978-3791354309
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1791:The New Yorker
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591:Martha Stewart
562:Saint Adelaide
558:Saint Adelaide
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417:Main article:
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367:Michelle Obama
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3997:Rumors of War
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3958:List of works
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3949:Kehinde Wiley
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2152:The Telegraph
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878:List of works
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862:Personal life
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481:Rumors of War
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469:Rumors of War
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461:Rumors of War
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425:Rumors of War
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411:Rumors of War
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404:severed heads
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154:Kehinde Wiley
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110:(age 47)
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92:Wiley in 2015
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80:Kehinde Wiley
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34:This article
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