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But once in his hometown Joseph notices something strange: everyone runs away as they see him. He arrives at his fiancée's house only to find her with husband and children. Finally he realizes that three years, not three days, have passed and that his former neighbors and friends think he's a ghost.
217:
The Devil asks Joseph to sell him his violin. When Joseph refuses he offers him a book that he says will lead to untold wealth. Joseph does not understand the book, but the Devil convinces him it is worth more than his cheap violin. Joseph realizes the book contains events that happen in the future.
231:
Joseph sees the Devil in disguise as a cattle merchant and confronts him. The Devil tries to calm Joseph by reminding him of the book's power: Joseph started off as a peddler but with the knowledge gained from the book quickly amassed wealth. The
Soldier realizes this material wealth means nothing.
262:
The Devil is already at the palace disguised as a virtuoso violinist. Joseph turns over some cards and gets an air of confidence when they are all hearts. The Devil makes his presence known, clutching the violin to his chest, and taunts Joseph. The
Narrator informs Joseph that the Devil still
124:
Ramuz relates the parable of a soldier who trades his violin to the Devil in return for vast economic gain by means of three actors: the
Narrator, who both narrates and impersonates several minor characters; the Devil, who assumes various guises; and the Soldier himself, Joseph, from no army
439:. According to the musicologist Danick Trottier, these influences are linked to a certain extent to Stravinsky's experiences and first successes in the cosmopolitan Paris of the early 1910s, since the capital of France was a confluence-point for a variety of artists and musicians during
185:
arranged for clarinet, violin and piano, in a nod to
Reinhart who was an amateur clarinetist. This was first performed on 8 November 1919, also in Lausanne, long before a larger suite employing all seven original instruments became available to other musicians.
239:
The Devil arrives, now disguised as an old woman peddler. She offers for sale a lucky medallion, a mirror, a picture of a woman, and then a violin. Joseph moves to buy the violin, but when she hands it over he finds he can no longer play: it makes no sound.
832:
ECD .88198 (this and the
Cocteau/Ustinov Philips version listed above are generally considered the best recordings, the Philips being more theatrical – including a speaking part for the princess – but less realistic in terms of the diction of the
1601:
361:
The work ends with Joseph crossing the frontier-post, a boundary not to be crossed, after being tempted by the ideal of having both his wife and his mother. The Devil is waiting as Joseph turns back to find his
Princess, now gone.
280:
Unable to resist the music, the Devil begins to contort, is exhausted, and finally falls to the ground. Joseph takes the
Princess's hand and together they drag the Devil away before falling into each other's arms.
218:
He accepts the Devil's offer to spend three days at the Devil's home in great luxury to learn about the book and teach the Devil the violin. After this term the Devil takes Joseph the rest of his way home.
1205:. The new libretto tells the story of an American soldier who meets Death on the road in Iraq. It was performed on November 13, 2022 with choreography by Arielle Cole, and danced by Cole's company,
256:
He arrives at an inn where he hears the news that the king's daughter is sick, and whoever can raise her from her bed will be given her hand in marriage. He makes his way to the palace.
210:
He rests by a stream. From his pack he takes out his lucky St. Joseph medallion, then a mirror, next a picture of his fiancée, and finally his violin. He begins to play.
214:
The Devil appears, disguised as an old man carrying a butterfly net. Joseph does not notice him but continues to play. The Devil sneaks up from behind and startles him.
2995:
1626:
276:
As the two embrace the Devil arrives, for the first time undisguised. Joseph shields the
Princess. He realizes he can defeat the Devil by playing his violin.
2319:
270:
He triumphantly marches into the
Princess's chambers where he plays another tune. Miraculously the music revives her, and she begins a sequence of dances.
287:
But the Devil pops his head in and begins to torment the couple, warning that Joseph may not leave the palace without the Devil regaining control of him.
751:
1298:
766:
1004:(cornet), Daniel Breszynski (trombone), Vincent Pasquier (double bass), Michel Cerutti (percussion), CD (B000003I1K) 1997 Auvidis Valois France.
1719:
686:(bassoon), Richard Walton (cornet), Sidney Langston (trombone), Edmond Chesterman (double bass), Stephen Whittaker (percussion), conducted by
177:
Reinhart continued his support of
Stravinsky's work in 1919 by funding a series of concerts of his recent chamber music. These included a
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799:, film version 1964, Michael Birkett (director), Dennis Miller and Leonard Cassini (producers), Richard Marden (editor), BHE production.
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1985:
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366:: violin and percussion entwined in a rhythmic duel, the final measures played solely by the percussionist; here the score is marked
2003:
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1941:
1857:
Die Geschichte vom Soldaten: Strawinsky, Ramuz, Auberjonois, Ansermet. Das Profil der UrauffĂĽhrung in Lausanne im September 1918
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controls him because he retains the Devil's money, and if he can lose all of it to the Devil in a card game he will be free.
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1952:
915:(1991). The same melody was also used at the ending of "Soft-Sell Conclusion" on the second Mothers Of Invention album,
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112:. The music is rife with changing time-signatures and for this reason is commonly, though not always, performed with a
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Marti, Christoph. "Zur Kompositionstechnik von Igor Strawinsky: Das Petit concert aus der Histoire du soldat".
2542:
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1978:
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in which he narrates his adaptation of the story and portrays all characters, recorded with members of the
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2007:
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conducts the Columbia Chamber Ensemble, 1961, issued as part of "Igor Stravinsky: The Recorded Legacy",
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474:, who danced in the role of the Devil opposite his wife Ludmilla as the Princess. Sets and costumes by
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The work's sixteen narrative and instrumental sections alternate and are not intended to overlap.
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39:(as it was first published), is an hour-long 1918 theatrical work to be "read, played and danced
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as the voice of the Devil. This production was released on VHS the next year and on DVD in 2004.
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Stephen Walsh, "The composer, the antiquarian and the go-between: Stravinsky and the Rosenthals
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616:. The Martins ballet was given again May 1987 and revived in May 1999 when it was reviewed by
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1911:
Zur, Menachem. "Tonal Ambiguities as a Constructive Force in the Language of Stravinsky".
1411:
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824:
Gérard Carrat (Narrator), François Berthet (Soldier), François Simon (Devil), conducted by
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within the text and 2 on the wrappers. 100 pages + 2 leaves. A livre d'artiste printed on
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and the New York City Opera Dancers completed the cast. (Presented on a triple bill with
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and Abdulkareem Kasid created a version set in Iraq and staged by Andrew Steggall at
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1726:, The British Theatre Guide review by Philip Fischer of The Old Vic production, 2006
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In 2002, Joan SanmartĂ recorded a jazz arrangement version scored for a septet of
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Joseph Duprat, the Soldier, is walking exhausted toward his hometown on a 15-day
152:
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54:
159:, a friend and champion of Stravinsky and a former assistant to Ansermet at the
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137:, who sponsored and underwrote its premiere. In gratitude Stravinsky dedicated
133:
Stravinsky was helped greatly in the work's production by Swiss philanthropist
1602:"Rock Legend Roger Waters Has Adapted the Narration and Recorded Stravinsky's
971:
3010:
2173:
1810:
Stravinsky and the Russian Traditions: A Biography of the Works Through Mavra
1562:
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played the title role, and the Princess was portrayed by Mercedes Ellington.
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shows Stravinsky's absorption of a wide range of musical influences: the
387:
109:
1823:
Bailey, Kathryn. "Melodic Structures in the Overture and Scene-Music of
1644:
61:; the two men conceived it together, their basis being the Russian tale
2840:
2428:
2382:
1845:(the Musical Revisions, the Sketches, the Evolution of the Libretto)".
1448:"1918. Histoire du soldat, la France dans le rétroviseur de Stravinski"
1129:
1001:
945:
926:
169:
and gave three fully staged performances in London the following July.
113:
19:"The Soldier's Tale" redirects here. For the unrelated 1988 movie, see
1548:
382:
The original French text by Ramuz has been translated into English by
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1048:
862:
641:. Costume design by Clarence Wilson. Lillian Jarvis as the Princess,
609:
402:
1606:– He Narrates the Whole of this Harrowing Modern Fairy Tale Himself"
921:(1967). On 6 September 1972, Zappa narrated in a performance by the
1833:
Association Canadienne des Écoles Universitaires de Musique Journal
1117:
1080:
957:
455:
148:
97:
81:
1963:
948:(Soldier), Reed Armstrong (Devil), Solisti New York, conducted by
541:. Scenic and costume design by Victor Capecce; lighting design by
232:
All he wants is what he had before, the things everyone else has.
125:
identified. A dancer has the usually silent role of the Princess.
1447:
1179:
1125:
847:(Devil), instrumental ensemble conducted by Gennady Zalkowitsch,
499:. Three further fully staged performances in London in July 1927.
422:
418:
93:
85:
1860:, rendered in German by Hans Reinhardt. Basel: Springer, 1994.
1183:
105:
89:
50:
2991:
1904:
Vaccaro, Jean-Michel. "La musique dans l'Histoire du soldat".
1901:
and housed in a vellum and board folder and matching slipcase.
1886:
Histoire du soldat, illustrée de lithographies originales par
1366:", Chamber Music Society of Lincoln Center program notes, 2007
252:
Joseph leaves his home with nothing and marches through town.
2045:
1338:, Spring 2007, from findarticles.com, retrieved 14 July 2009
1163:
1145:
1133:
785:
414:
410:
236:
Agitated, he leafs through the book for a solution, in vain.
1692:
Improvisacions amb la història d'un soldat d'Igor Stravinsky
1627:"Bil Baird and his marionettes are busy with Stravinsky now"
1148:, including solo improvisations by most of the interpreters.
821:, double album, sequential recordings in French and English.
364:(Marche triomphale du diable / The Devil's Triumphant March)
1893:
326 copies signed by author and artist. 73 black-and-white
1829:
Canadian Association of University Schools of Music Journal
1531:"Dance; Bouncy Stravinsky Music For a Playful Conversation"
1427:
713:
537:
and Gardner Compton (who also choreographed), conducted by
266:
This the Soldier does. He then takes the violin and plays.
1790:, German version by Hans Reinhart. London: Chester Music.
1201:
of Los Altos, California to write an updated libretto for
1740:
1412:
Susan Halpern, "Recital Notes for January 29, 2008" from
1063:
699:
588:
on 30 January 1981 with the original cast consisting of
1812:. Berkeley, California: University of California Press.
1250:
1194:
377:
212:(Petits airs au bord du ruisseau / Airs by the Stream).
1452:
Nouvelle histoire de la musique en France (1870-1950)
1086:
reworked the libretto into a tale about World War II
272:(Trois danses / Three Dances: Tango, Waltz, Ragtime).
1375:on chambermusicsociety.org, retrieved 14 July 2009
791:Brian Phelan (Soldier), Robert Helpmann (Devil),
3008:
1350:The Impact of Russian Music in England 1893–1929
1765:
1433:
458:, Switzerland, 28 September 1918, conducted by
425:in the instrumentation and textures; Luther's
49:" by three actors, one or more dancers, and a
1979:
1938:of works and work editions of Igor Stravinsky
1233:"Histoire du soldat, K029 (Stravinsky, Igor)"
1051:created his final puppeteering work based on
515:1924: Frankfurt, and Wiesbaden (conducted by
390:, and into German by the poet Hans Reinhart.
1501:, 31 January 1981. Retrieved 18 October 2009
1424:on amusicalfeast.com, retrieved 14 July 2009
1393:): A Brief Historical Overview", 17 May 1994
813:(Devil), instrumental ensemble conducted by
421:, as played by Joseph to cure the Princess;
310:
289:(Couplets du diable / The Devil's Couplets).
147:was first performed on 28 September 1918 in
42:
28:
740:(version for violin, clarinet, and piano),
57:, its libretto, in French, by Swiss writer
1986:
1972:
1655:
776:(Princess), studio ensemble, conducted by
484:Concert Suite: 1920, London, conducted by
328:Deux, c'est comme s'ils n'existaient plus.
1948:International Music Score Library Project
1464:
1225:
1018:. New York: Sony BMG, 2007. 82876-76586-2
370:to the end, although this may be changed
208:(Marche du soldat / The Soldier's March).
16:Theatrical composition by Igor Stravinsky
1804:
1576:"Music News Digest – September 12, 2018"
1539:, 17 May 1999. Retrieved 18 October 2009
1445:
1256:
244:He hurls it away and tears up the book.
2320:Concerto for Piano and Wind Instruments
1563:"Tim Buckley – A Chronology, 1971–1973"
462:. Cast: Gabriel Rosset as the Soldier,
278:(Danse du diable / Dance of the Devil).
3009:
1511:Jennifer Dunning, "The City Ballet in
1489:"Historic Soldat, New Work by Martins"
1402:on sunyocc.edu, retrieved 14 July 2009
446:
165:, led the British premiere in 1926 in
2670:Double Canon (in Memoriam Raoul Dufy)
2299:Variations: Aldous Huxley in memoriam
1967:
393:
351:One happy thing is every happy thing;
141:to him, and gave him the manuscript.
128:
1031:Bridgehampton Chamber Music Festival
956:, also available as a download from
533:, Lincoln Center: 1978: Directed by
378:Translations into English and German
339:To what you have, what you once had;
2474:A Sermon, a Narrative, and a Prayer
1993:
466:as the Devil (speaking parts), and
353:Two, is as if they had never been.
13:
3037:Compositions for chamber orchestra
1917:68, No. 4 (October 1982): 516–526.
1891:. Lausanne: André et Pierre Gonin.
1817:
1470:"Opera: 'Trilogy' by City Company"
1446:Trottier, Danick (12 March 2020).
1010:/ The Columbia Chamber Ensemble /
349:You must learn to choose between.
322:On n'a pas le droit de tout avoir:
14:
3098:
2900:Coco Chanel & Igor Stravinsky
2325:Capriccio for Piano and Orchestra
2293:Movements for Piano and Orchestra
1921:
968:Royal Scottish National Orchestra
470:as the Narrator. Choreography by
343:What you are with what you were.
302:, the Narrator states the moral:
268:(Petit concert / Little Concert).
63:The Runaway Soldier and the Devil
3032:Chamber music by Igor Stravinsky
2990:
2980:
2979:
1062:created an animated version for
635:Stratford Shakespearean Festival
283:(Petit choral / Little Chorale).
53:of instruments. Its music is by
2624:Three Pieces for String Quartet
2304:Canon on a Russian Popular Tune
1729:
1708:
1683:
1662:
1638:
1620:
1594:
1568:
1556:
1542:
1524:
1504:
1482:
1458:
1439:
784:, 1962 production, recorded at
574:Suite from L'Histoire du Soldat
326:Un bonheur est tout le bonheur;
2687:Symphonies of Wind Instruments
2629:Three Pieces for Solo Clarinet
2571:Three Movements from Petrushka
1906:Voies de la création théâtrale
1851:66, no. 3 (July 1980): 321–38.
1680:, review at DVD Verdict review
1405:
1378:
1355:
1341:
1323:
1291:
1262:
1041:
726:conducts a chamber ensemble ,
314:Ă€ ce qu'on a, ce qu'on avait;
312:Il ne faut pas vouloir ajouter
258:(Marche royale / Royal March).
1:
1835:4, nos. 1–2 (Fall 1974): 1–7.
1739:. 30 May 2008. Archived from
1553:, directed by Michael Birkett
1213:
1170:translated the libretto into
657:
316:On ne peut pas ĂŞtre Ă la fois
293:
3077:The Devil in classical music
3062:Compositions with a narrator
1874:Archiv fĂĽr Musikwissenschaft
649:as the Soldier, narrated by
318:Qui on est et qui on Ă©tait.
300:Grand choral / Great Chorale
254:(Reprise: Marche du soldat).
220:(Reprise: Marche du soldat).
189:
7:
2258:The Song of the Nightingale
2213:Symphony in Three Movements
1434:Stravinsky & Ramuz 1987
1270:"Ragtime Ensemble presents
1176:Montreal Symphony Orchestra
1093:, the first soldier in the
374:when performing the Suite.
10:
3103:
3022:Ballets by Igor Stravinsky
1877:38, no. 2. (1981): 93–109.
1420:December 10, 2008, at the
1035:Sony Classical Masterworks
944:Sally Goodwin (Narrator),
580:. The premiere was at the
341:You have no right to share
18:
3052:Compositions for clarinet
2975:
2866:
2827:
2807:
2786:
2763:
2746:
2739:
2703:
2694:Fanfare for a New Theatre
2678:
2614:
2605:Two Sketches for a Sonata
2490:
2420:
2411:The Owl and the Pussy Cat
2365:
2312:
2221:
2183:
2083:
2014:
2001:
1521:Retrieved 18 October 2009
1364:Three Pieces for Clarinet
1055:before his death in 1987.
247:
197:
172:
3057:Compositions for trumpet
3027:Ballets by Peter Martins
1882:Ramuz, Charles-Ferdinand
1768:Ramuz, Charles Ferdinand
1197:was commissioned by the
992:(violin and conductor),
923:Los Angeles Philharmonic
905:recorded the march from
337:You must not seek to add
119:
72:
3047:Compositions for violin
3042:Compositions for septet
2957:Charles Ferdinand Ramuz
2927:Monday Evening Concerts
2730:Monumentum pro Gesualdo
2587:Concerto for Two Pianos
1362:Dr. Richard E. Rodda, "
1299:"Concert artists guild"
1182:(the Inuit homeland in
1174:for performance by the
1079:In 1993, United States
895:, 1990, London: Pangea/
869:Chamber Players, 1975,
345:No one can have it all:
320:Il faut savoir choisir;
242:(Reprise: Petits airs).
234:(Reprise: Petits airs).
59:Charles Ferdinand Ramuz
3067:Modernist compositions
1957:, puppetry adaptation
1737:"The OSM Nunavik Tour"
1095:United States military
912:Make a Jazz Noise Here
724:Gennady Rozhdestvensky
582:New York State Theater
531:New York State Theater
311:
43:
29:
3087:1918 ballet premieres
2599:Sonata for Two Pianos
1914:The Musical Quarterly
1848:The Musical Quarterly
1782:. English version by
1348:Gareth James Thomas,
181:of five numbers from
65:in the collection of
2932:New York City Ballet
2828:Named for Stravinsky
2712:Bluebird Pas de Deux
2330:Violin Concerto in D
2004:List of compositions
1629:by Mark Steinbrink,
1466:Schonberg, Harold C.
1398:22 June 2009 at the
1387:L'Histoire Du Soldat
1193:In 2022, playwright
845:Micheál Mac Liammóir
734:L'Histoire du soldat
720:L'Histoire du soldat
706:L'Histoire du soldat
637:, 1955: directed by
606:Jean-Pierre Frohlich
578:New York City Ballet
491:Full staging, 1926,
155:. British conductor
44:lue, jouée et dansée
3082:Deal with the Devil
2853:Stravinsky Fountain
2848:Stravinsky (crater)
2844:(river cruise ship)
2799:Théodore Strawinsky
2722:The Sleeping Beauty
2230:Scherzo fantastique
2153:Danses concertantes
2067:The Rake's Progress
1954:Historia do Soldado
1582:. 12 September 2018
1550:Soldier's tale, The
1311:on 17 December 2008
1097:to be executed for
982:Guillaume Depardieu
871:Deutsche Grammophon
694:production 1954 at
608:, Victor Castelli,
527:New York City Opera
493:Newcastle upon Tyne
447:Performance history
167:Newcastle upon Tyne
67:Alexander Afanasyev
37:Tale of the Soldier
2794:Soulima Stravinsky
2771:Yekaterina Nosenko
2279:Scherzo Ă la russe
2202:Symphony of Psalms
2106:The Rite of Spring
2039:The Soldier's Tale
1943:Histoire du soldat
1936:Kirchmeyer Catalog
1843:Histoire du soldat
1825:Histoire du soldat
1780:Histoire du Soldat
1766:Stravinsky, Igor;
1722:2008-03-28 at the
1716:The Soldier's Tale
1698:2011-07-13 at the
1676:2005-03-06 at the
1646:The Soldier's Tale
1632:The New York Times
1604:The Soldier's Tale
1536:The New York Times
1517:The New York Times
1513:Histoire du Soldat
1498:The New York Times
1475:The New York Times
1468:(April 24, 1977).
1391:The Soldier's Tale
1371:2009-06-21 at the
1272:The Soldier's Tale
1199:Peninsula Symphony
1153:Rebecca Lenkiewicz
1069:Great Performances
1058:In 1984, animator
935:Ernest Fleischmann
909:on his live album
907:The Soldier's Tale
899:, ASIN B000009HYG.
889:London Sinfonietta
807:Jean-Pierre Aumont
793:Svetlana Beriosova
696:Edinburgh Festival
692:Glyndebourne Opera
628:Montreal Festivals
626:Narrated version:
435:; and Bach in the
399:Histoire du soldat
394:Musical influences
347:That is forbidden;
183:Histoire du soldat
145:Histoire du soldat
129:First performances
78:Histoire du soldat
30:Histoire du soldat
3017:1918 compositions
3004:
3003:
2884:George Balanchine
2874:Earnest Andersson
2823:
2822:
2754:Fyodor Stravinsky
2550:Étude for Pianola
2536:Three Easy Pieces
2512:Piano Sonata in F
2481:Requiem Canticles
2397:Abraham and Isaac
2390:Berceuses du chat
1866:978-3-7643-2958-7
1854:Loeffler, Peter.
1806:Taruskin, Richard
1670:The Soldier' Tale
1608:. 26 October 2018
1335:The Musical Times
1151:In January 2006,
815:Leopold Stokowski
803:Madeleine Milhaud
752:Jean-Marie Fertey
505:Full staging (by
359:
358:
92:(often played on
3094:
2994:
2983:
2982:
2912:Sergei Diaghilev
2858:Stravinsky Inlet
2744:
2743:
2543:Five Easy Pieces
2529:Valse des fleurs
2517:
2516:
2404:Elegy for J.F.K.
2343:"Dumbarton Oaks"
2340:
2339:
2286:Greeting Prelude
2222:Orchestral music
2196:
2195:
2160:Scènes de ballet
2139:The Fairy's Kiss
1988:
1981:
1974:
1965:
1964:
1960:
1946:: Scores at the
1908:6 (1978): 55–76.
1892:
1813:
1801:
1784:Michael Flanders
1753:
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1409:
1403:
1385:Robert Bridge, "
1382:
1376:
1359:
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1345:
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1327:
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1318:
1316:
1310:
1304:. Archived from
1303:
1295:
1289:
1288:
1286:
1285:
1276:. Archived from
1266:
1260:
1254:
1248:
1247:
1245:
1244:
1229:
1203:A Soldier's Tale
1186:), conducted by
986:GĂ©rard Depardieu
974:(CHAN9189), 1993
885:Vanessa Redgrave
819:Vanguard Records
775:
760:
664:Anthony Nicholls
639:Douglas Campbell
633:Staged version:
525:Ballet version:
507:Sergei Diaghilev
476:René Auberjonois
384:Michael Flanders
330:
305:
304:
46:
32:
21:A Soldier's Tale
3102:
3101:
3097:
3096:
3095:
3093:
3092:
3091:
3007:
3006:
3005:
3000:
2971:
2962:Werner Reinhart
2947:Petrushka chord
2894:Nadia Boulanger
2879:Ernest Ansermet
2862:
2841:Igor Stravinsky
2835:4382 Stravinsky
2819:
2803:
2782:
2759:
2735:
2699:
2674:
2616:
2610:
2564:Les cinq doigts
2557:Piano-Rag-Music
2514:
2513:
2492:
2486:
2460:Canticum Sacrum
2416:
2367:
2361:
2337:
2336:
2308:
2217:
2193:
2192:
2179:
2079:
2025:The Nightingale
2016:
2010:
2006:
1997:
1995:Igor Stravinsky
1992:
1958:
1924:
1880:
1820:
1818:Further reading
1798:
1757:
1756:
1746:
1744:
1735:
1734:
1730:
1724:Wayback Machine
1713:
1709:
1700:Wayback Machine
1690:Joan Sanmarti:
1688:
1684:
1678:Wayback Machine
1667:
1663:
1643:
1639:
1625:
1621:
1611:
1609:
1600:
1599:
1595:
1585:
1583:
1574:
1573:
1569:
1565:by Robert Niemi
1561:
1557:
1547:
1543:
1529:
1525:
1509:
1505:
1493:Anna Kisselgoff
1487:
1483:
1463:
1459:
1444:
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1432:
1428:
1422:Wayback Machine
1414:A Musical Feast
1410:
1406:
1400:Wayback Machine
1383:
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1373:Wayback Machine
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1259:, p. 1295.
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1231:
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1216:
1114:tenor saxophone
1110:electric guitar
1044:
1012:Igor Stravinsky
998:Sergio Azzolini
994:Pascal Moragues
970:, conducted by
918:Absolutely Free
867:Boston Symphony
811:Martial Singher
782:Philips Records
778:Igor Markevitch
769:
754:
710:Igor Stravinsky
672:Robert Helpmann
668:Terence Longdon
660:
651:William Needles
556:La voix humaine
509:), Paris, 1924.
495:, conducted by
486:Ernest Ansermet
472:Georges Pitoëff
460:Ernest Ansermet
449:
441:La Belle Époque
396:
380:
355:
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327:
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324:C'est défendu.
323:
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315:
313:
296:
250:
206:, pack in tow.
200:
192:
175:
153:Ernest Ansermet
151:, conducted by
135:Werner Reinhart
131:
122:
75:
55:Igor Stravinsky
24:
17:
12:
11:
5:
3100:
3090:
3089:
3084:
3079:
3074:
3072:Suites (music)
3069:
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3054:
3049:
3044:
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3029:
3024:
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2969:
2964:
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2934:
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2924:
2919:
2917:Samuel Dushkin
2914:
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2889:Ballets Russes
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1930:Soldier’s Tale
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1922:External links
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1634:, 26 June 1983
1619:
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1580:FYI Music News
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1519:, 17 May 1987.
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1060:R. O. Blechman
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1033:, released on
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978:Carole Bouquet
975:
961:
954:Chesky Records
942:
931:Hollywood Bowl
900:
874:
852:
841:Rudolf Nureyev
837:Glenda Jackson
834:
826:Charles Dutoit
822:
800:
797:Melos Ensemble
789:
788:, Switzerland.
745:
731:
728:Angel/Melodiya
717:
703:
688:John Pritchard
684:Gwydion Brooke
676:Arthur Leavins
659:
656:
655:
654:
645:as the Devil,
643:Marcel Marceau
631:
624:
621:
586:Lincoln Center
566:
562:The Impresario
547:Barry Bostwick
543:Ken Billington
523:
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517:Otto Klemperer
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1797:0-7119-3841-5
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1776:Blades, James
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1743:on 2008-05-30
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891:conducted by
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619:
618:Jack Anderson
615:
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603:
602:Heather Watts
599:
595:
591:
590:Darci Kistler
587:
583:
579:
575:
571:
570:Peter Martins
568:Balletmaster
567:
564:
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558:
557:
552:
551:John Lankston
548:
544:
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535:Frank Corsaro
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22:
2952:Psalms chord
2907:Jean Cocteau
2898:
2839:
2815:Robert Craft
2728:
2720:
2710:
2704:Arrangements
2692:
2685:
2662:
2650:
2633:
2603:
2591:
2577:Piano Sonata
2569:
2562:
2555:
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2534:
2479:
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2284:
2277:
2270:
2265:Circus Polka
2263:
2256:
2249:
2244:Funeral Song
2242:
2235:
2228:
2200:
2172:
2165:
2158:
2151:
2144:
2137:
2130:
2123:
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2097:
2092:The Firebird
2090:
2073:
2065:
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2044:
2037:
2031:
2024:
1953:
1942:
1934:, Annotated
1929:
1912:
1905:
1899:Arches paper
1885:
1872:
1855:
1846:
1842:
1832:
1828:
1824:
1809:
1779:
1772:Carewe, John
1759:
1758:
1745:. Retrieved
1741:the original
1731:
1715:
1710:
1691:
1685:
1669:
1664:
1645:
1640:
1630:
1622:
1610:. Retrieved
1603:
1596:
1584:. Retrieved
1579:
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1363:
1357:
1349:
1343:
1333:
1325:
1313:. Retrieved
1306:the original
1293:
1282:. Retrieved
1278:the original
1271:
1264:
1252:
1241:. Retrieved
1239:. 2018-12-20
1236:
1227:
1218:
1217:
1202:
1091:Eddie Slovik
1067:
1052:
1023:Roger Waters
1016:Robert Craft
1008:Jeremy Irons
996:(clarinet),
990:Shlomo Mintz
980:(Narrator),
916:
910:
906:
879:(Narrator),
877:Ian McKellen
857:(Narrator),
855:John Gielgud
839:(Narrator),
833:characters).
805:(Narrator),
795:(Princess),
750:(Narrator),
748:Jean Cocteau
742:RCA Red Seal
733:
719:
705:
682:(clarinet),
666:(Narrator),
647:Douglas Rain
614:Daniel Duell
594:Kyra Nichols
573:
572:created the
560:
554:
497:Edward Clark
464:Jean Villard
437:Grand choral
436:
433:Petit choral
432:
426:
406:
398:
397:
381:
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336:
309:
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282:
277:
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271:
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261:
257:
253:
251:
241:
238:
233:
230:
227:(Pastorale).
226:
223:
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216:
211:
207:
201:
193:
182:
176:
160:
157:Edward Clark
144:
143:
138:
132:
123:
77:
76:
62:
40:
36:
27:
26:
25:
2717:Tchaikovsky
2523:Four Études
2251:Four Études
2111:discography
2053:Oedipus rex
2008:Discography
1895:lithographs
1788:Kitty Black
1188:Kent Nagano
1178:'s tour of
1157:The Old Vic
1142:double bass
1042:Adaptations
1025:recorded a
1000:(bassoon),
984:(Soldier),
972:Neeme Järvi
941:as soldier.
939:Tim Buckley
903:Frank Zappa
893:Kent Nagano
883:(Soldier),
861:(Soldier),
843:(Soldier),
809:(Soldier),
770: [
761:(Soldier),
755: [
690:, based on
680:Jack Brymer
670:(Soldier),
598:Ib Andersen
388:Kitty Black
368:decrescendo
110:double bass
3011:Categories
2808:Amanuensis
2664:Epitaphium
2501:Tarantella
2429:Zvezdoliki
2383:Pribaoutki
2184:Symphonies
2125:Pulcinella
2060:Perséphone
2015:Operas and
1284:2008-12-06
1243:2024-01-25
1214:References
1207:ArcTangent
1195:Carol Wolf
1130:flugelhorn
1101:since the
1072:featuring
1053:L'Histoire
1002:Marc Bauer
946:Ron Bohmer
927:Lukas Foss
678:(violin),
658:Recordings
539:Imre PallĂł
294:Conclusion
102:percussion
2967:Serialism
2491:Piano and
2436:Ave Maria
2376:Pastorale
2313:Concertos
2237:Fireworks
2118:Les noces
2099:Petrushka
2074:The Flood
1888:Hans Erni
1172:Inuktitut
1162:In 2008,
1138:accordion
1103:Civil War
1099:desertion
1049:Bil Baird
1047:In 1983,
1021:In 2018,
988:(Devil),
887:(Devil),
865:(Devil),
863:Ron Moody
765:(Devil),
736:(Suite).
722:(Suite).
708:(Suite).
702:ALP 1377.
674:(Devil),
610:Bart Cook
403:pasodoble
372:crescendo
298:Over the
190:Structure
114:conductor
2986:Category
2787:Children
2779:(second)
2756:(father)
2515:♯
2338:♭
2194:♭
1808:(1996).
1778:(eds.).
1770:(1987).
1747:27 March
1720:Archived
1696:Archived
1674:Archived
1418:Archived
1396:Archived
1369:Archived
1315:27 March
1118:clarinet
1081:novelist
958:HDtracks
952:, 1993,
828:, 1970,
817:, 1967,
456:Lausanne
149:Lausanne
139:Histoire
98:trombone
82:clarinet
2867:Related
2773:(first)
2747:Parents
2615:Chamber
2507:Scherzo
2493:pianola
2454:Cantata
2167:Orpheus
2084:Ballets
1760:Sources
1180:Nunavik
1166:writer
1126:trumpet
1088:Private
1027:version
929:at the
744:, 1977.
730:, 1964.
716:, 1991.
630:, 1949.
512:Germany
431:in the
423:klezmer
419:ragtime
405:in the
94:trumpet
86:bassoon
2984:
2903:(film)
2740:Family
2715:(from
2658:Septet
2467:Threni
2421:Choral
2132:Apollo
2032:Renard
1928:"K029
1864:
1794:
1704:listen
1654:
1648:(1984)
1612:17 May
1184:Quebec
1144:, and
925:under
623:Canada
612:, and
502:France
413:, the
409:; the
248:Part 2
198:Part 1
173:Suites
106:violin
90:cornet
51:septet
2996:Audio
2764:Wives
2679:Other
2652:Elegy
2641:Octet
2617:music
2593:Tango
2518:minor
2443:Babel
2368:vocal
2046:Mavra
1309:(PDF)
1302:(PDF)
1237:IMSLP
1219:Notes
1164:Inuit
1146:drums
1134:cello
881:Sting
830:Erato
786:Vevey
774:]
759:]
738:Tashi
698:, LP
415:waltz
411:tango
204:leave
179:suite
120:Roles
73:Music
35:, or
2449:Mass
2366:Solo
2174:Agon
1862:ISBN
1792:ISBN
1786:and
1749:2023
1652:IMDb
1614:2021
1588:2018
1317:2023
1014:and
849:Argo
714:Sony
576:for
559:and
417:and
386:and
108:and
2719:'s
2272:Ode
1841:. "
1827:".
1650:at
1491:by
1066:'s
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897:MCA
700:HMV
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1774:;
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1120:/
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488:.
478:.
47:)
41:(
23:.
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