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296:, Mark Swed lauded it as a “profoundly moving, if slyly unsentimental, meditation on life, love and death it is Andriessen’s “Italian” opera and has the depth, musical richness and (I predict) lasting power of late Verdi.” Swed praised “the humor, the ingratiating jazziness, the terrible fury and, in the end, the ravishing grace of the later scenes.“ In a 2019 poll of critics and editors of
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wrote, “Like all
Andriessen’s best pieces, this showed a man constantly engaged, in the most passionate terms, with the unfathomable dichotomies of human life; passion versus rationality, matter versus spirit, life and death.” Andrew Clements of
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rated the Dutch
National Opera set four out of five stars and argued, “The tone is wonderfully varied – sometimes profoundly serious, sometimes wildly exuberant or irreverent – matched to a score that is equally diverse and eclectic.” In the
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Clements, Andrew; Maddocks, Fiona; Lewis, John; Molleson, Kate; Service, Tom; Jeal, Erica; Ashley, Tim (2019-09-12).
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reprising their original roles as Dante and
Beatrice. The opera won the 2011
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in New York. It received a further concert performance in London at the
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422:review – a rich, important achievement"
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448:. Retrieved 23 January 2017.
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147:BBC Symphony Orchestra
56:12 June 2008
512:. Boosey & Hawkes
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605:Orchestral and vocal
594:Theatre of the World
570:Rosa – A Horse Drama
440:Dutch National Opera
338:May, Thomas (2010).
109:in its development.
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247:Dante's dead friend
137:in Los Angeles and
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121:Performance history
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202:Cristina Zavalloni
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101:and the poetry of
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127:La Commedia
111:La Commedia
107:Hal Hartley
84:La Commedia
19:La Commedia
675:Categories
621:De Materie
562:De Materie
477:2019-10-12
304:References
176:Voice type
60:2008-06-12
44:Librettist
472:0261-3077
272:Reception
72:Amsterdam
24:Opera by
661:Category
231:baritone
209:Beatrice
143:Barbican
52:Premiere
639:Hoketus
243:Casella
226:Lucifer
214:soprano
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681:Operas
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192:Dante
172:Role
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