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1892, Hunter's elder sister
Catherine died. Shortly after, in March, another elder sibling, James, also died. Both were in their early twenties. It is thought they may have been victims of an influenza pandemic. William, the father, and Jeanie, seem already to have contemplated emigrating, because a home had been sold. Evidently, the tragic deaths sealed the matter, and the remaining family departed for California via New York on 1 September 1892, aboard the SS Ethiopia.
211:, and his paintings are critically acclaimed for their treatment of light and the effects of light. Except, what Hunter set out to do was not about light, but to capture the essence of nature through pure colour. His paintings became popular with more progressive critics and collectors during his lifetime and have grown to command high prices since his death, becoming among the most popular in Scotland.
488:. He sent paintings back to Reid to be exhibited in Glasgow and London, but he spent a great deal of time sketching and his output of finished oil paintings was low. One exhibition in London had to be postponed due to a lack of paintings. The France trips culminated in 1929 with a critically acclaimed exhibition at the
395:
Hunter was forced to leave Paris and return to
Scotland. Hunter had become an American citizen in 1906 and conscription was not introduced until early 1916. Possibly in response to the government's urging able-bodied men and women to help with the war effort, Hunter moved from Glasgow to his cousin's
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on 7 August 1877. He was the youngest child of five, born to
William and Jeanie (née Stewart) Hunter. George, as he was then known, showed an aptitude for drawing when very young and when he was about thirteen, his mother arranged for him to have painting lessons with a lady acquaintance. In February
566:
Hunter focused for much of his life on landscapes and on still lifes, working in both pen and ink and oil on canvas. His still lifes of fruit are particularly distinctive, but he also painted a variety of landscapes, especially of
Scotland and France. In his earlier paintings, Hunter was influenced
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In 1930 he embarked upon a series of drawings and watercolours of Hyde Park, which were due to be exhibited in London. Hunter hoped to move to the city permanently, as he found it livelier than
Glasgow and the art market was more secure. However, his health deteriorated and he began to suffer badly
302:. Hunter was at this stage quite a successful American graphic artist, considering his young age. "Sunset, The Pacific Monthly", was another journal commissioning his work and altogether, Smith & Marriner catalogue over two hundred publication and book illustrations commissioned from Hunter.
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Hunter was fifteen when he emigrated with his parents and two surviving siblings to
California. Initially, he lived with his family on an orange grove, 50 miles east of Los Angeles. He continued sketching and loved the climate, but showed little interest in farm management. Hunter moved from Los
403:
In
Scotland, Alexander Reid was acting as his agent, remaining in constant contact with him throughout the First World War. In March 1916, Hunter held his second one-man exhibition with Reid in Glasgow. Hunter's work at this stage of his career focused primarily on still lifes, inspired by
447:. Fergusson accompanied him on a number of these visits. Hunter's visits abroad produced a large number of paintings and his style changed noticeably in this period of European travel as he began using dabs of colour placed instinctively to portray underlying form.
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described the "varied and uneven genius" of the painter, and praised one painting as having been executed with "such a freedom and economy of touch one cannot well see how any amount of extra thought or technical application could have bettered it."
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became his professional name. Showing an aptitude for drawing at an early age, he was largely self-taught, receiving only elementary painting lessons from a family acquaintance. He spent fourteen years from the age of fifteen in the US, mainly in
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from stomach pains. He died in
Glasgow in the Claremont Nursing Home on 7 December 1931, aged 54. The cause of death was cardiac failure due to blood poisoning, following an unsuccessful gall bladder operation. A member of
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gave Hunter his first one-man-show, at his gallery at West George Street. It was popular but the public did not have any real understanding of his sense of colour and line. At the show Hunter was probably introduced to the
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collector John
Tattersall. Through Reid, Hunter most likely first met William McInnes of Gow, Harrison & Company (shipbuilders) who became a close friend and patron to Hunter. McInnes went on to buy 23 works in total.
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Hunter particularly strove to capture in his paintings the effects of light, and would repeatedly paint the same objects or locations under a range of lighting conditions. His brush style was influenced by the French
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Many years after his death, solo exhibitions of Hunter's paintings were still held and, in 1953, the display of a selection of watercolours and paintings in
Glasgow attracted numerous visitors. The art critic of the
270:. In 1899, a full-page black and white drawing for Overland Monthly is signed G. Leslie Hunter, the first recorded occasion of his use of "Leslie". In 1902, Hunter became part of a group of artists that included
465:, on the east coast of Scotland and, between 1924 and 1927, he remained in Scotland, dividing his time between Fife and Glasgow. His paintings from this period include a number inspired by views of
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in 1929, Hunter suffered a severe breakdown, forcing his sister to bring him home to Scotland in September. He recovered, and began to paint a number of portraits of his friends, including one of
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to produce domestic landscapes. Later, however, in common with the other members of the Scottish colourists movement, he was heavily influenced by contemporary French artists like
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commented that while Hunter was already "well known as a painter of landscape and still-life," his move to portrait painting would "cause a good deal of interest and discussion."
184:. Hunter made an extended trip to Scotland, Paris and New York from 1903 to 1905. In 1906 he left San Francisco and returned to Scotland, painting and drawing there, notably in
391:. Here, inspired by French art and the local landscape, he began to develop the style and ability that would later identify him as a colourist. However, with the onset of the
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in 1905, he began preparing for his first solo exhibition, which was to be held the following year. However, Hunter's early work was destroyed in the fire that followed the
344:. Initially he continued to make his living there primarily as an illustrator. His oil painting began with still lifes on black backgrounds, influenced by the Dutch style.
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Angeles to San Francisco in 1899 and began making a living primarily as a newspaper and journal illustrator. He counted among his friends and acquaintances, journalist
420:, and Samuel Peploe. The four of them became known as the Scottish Colourists, although the term was not used until 1948, by which time only Fergusson was still alive.
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from 1939 until 1954. Honeyman, at the time an art dealer, had assisted Hunter in developing his career, and painting the portrait may have been a gesture of thanks.
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Hunter's paintings were popular with critics during his lifetime, and he had successful exhibitions in Glasgow, London and New York. Shortly before his death, the
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Hunter's landscape style began to change after visits to Etaples in 1913 and 1914, although Hunter did not necessarily appear to be part of the existing
371:. Toklas wrote that the pictures shocked Hunter profoundly, and he wished he had never gone to see them. Nevertheless his consciousness had been jolted.
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481:, in his introduction to the exhibition, wrote that "Hunter uses the refractory ... to inspired ends on normal and traditional lines".
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Paintings by Hunter have gone on to sell for large sums in the early 21st century, with one painting described as the "star lot" in a
520:, work by Hunter was included in the club's Memorial Exhibition of 1935, in memory of those of its members who had died since the
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auction in June 2010 selling for £144,000. Another painting was sold in June 2010 for £78,000. Nick Curnow, head of pictures at
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294:. Clearly, Hunter had a completely different artistic exposure compared with others of the Scottish Colourists group, such as
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Ogston, Derek (2004). Leslie Hunter Paintings and Drawings of France and Italy. Baillieknowe Publishing. ISBN 0-9538590-4-5
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Hunter travelled again to the South of France on a number of occasions between 1927 and 1929, and based himself at
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to create colourful and atmospheric compositions. In 1925, Hunter's work was displayed at an exhibition in
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Biography of & artworks by George Leslie Hunter at the Gracefield Arts Centre in Dumfries, Scotland
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bought his first Hunter: "Peaches" for 10 guineas and in September 1917 bought a still life for £38.
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group of painters. Christened simply George Hunter, he adopted the name Leslie in San Francisco, and
171:(7 August 1877 – 7 December 1931) was a Scottish painter, regarded as one of the four artists of the
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and, especially in his later work, is described by art critics as '"open and free" and "energetic".
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virtual representation of the Gracefield Arts Centre's Permanent Collection at exploreart.co.uk
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In 1922, Hunter began to make a series of trips to mainland Europe, where he visited Paris,
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Glasgow Herald article 9 April 1935 ‘’Glasgow Art Club – Memorial Exhibition Opened’’
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When Hunter returned from his first series of trips abroad, in 1922, he settled in
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1230:"George Leslie Hunter's £150,000 Colourist painting comes alive at Bonhams"
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Honeyman, T.J. (1937). Introducing Leslie Hunter. Faber & Faber Ltd
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Honeyman, T.J. (1937). Introducing Leslie Hunter. Faber & Faber Ltd
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Honeyman, T.J. (1937). Introducing Leslie Hunter. Faber & Faber Ltd
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558:, said of it "This is a very special painting, so typical of Hunter."
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469:, and these landscapes increasingly took inspiration from the work of
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Emigration to California and move to San Francisco, leaving parents
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The Scottish colourists: Cadell, Fergusson, Hunter and Peploe
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in London, along with works by Peploe, Cadell and Fergusson.
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664:"The true colours of Scottish painter George Leslie Hunter"
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793:"George Leslie Hunter (1877 – Rothesay – 1931 – Glasgow)"
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363:. The collection included wildly-coloured Fauve works by
1232:. Paul Fraser Collectibles. 16 July 2010. Archived from
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1286:"George Leslie Hunter: a brilliant Scottish Colourist"
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772:"George Leslie Hunter: a brilliant Scottish colourist"
733:"50 interesting facts about the Gallery of Modern Art"
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where he worked on the land until the end of the war.
1256:"Glasgow Family's Colourist Still Life Makes £78,000"
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Hunter revisited – The life and work of Leslie Hunter
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290:, the short-lived alternative to the conservative
254:, as well as significant literary figures such as
51:, date unknown, Aberdeen Art Gallery & Museums
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1304:"Monet, Leslie Hunter and the pursuit of colour"
1004:Alexander Reid in Context by Frances Fowle vol.1
966:Alexander Reid in Context by Frances Fowle vol.1
910:Alexander Reid in Context by Frances Fowle vol.1
901:Alexander Reid in Context by Frances Fowle vol.1
892:Alexander Reid in Context by Frances Fowle vol.1
795:. Richard Green (Fine Paintings). Archived from
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115:Graphic artist; Artist in paper media & Oils
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939:and the related "Figures in Conversation".
423:In July 1917 (through Reid) the collector
347:In 1908, whilst back in Paris, Hunter met
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164:Dr Tom J Honeyman by Leslie Hunter c.1930
1420:British expatriates in the United States
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500:However, shortly after returning to the
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1027:. Duncan R Miller Fine Arts. p. 4.
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825:. Duncan R Miller Fine Arts. p. 3.
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982:. The Scottish Gallery. Archived from
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19:For the Church of England bishop, see
1362:98 artworks by or after Leslie Hunter
1202:"Show of Paintings by Leslie Hunter"
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702:Smith, Bill; Marriner, Jill (2012).
266:. Hunter provided illustrations for
262:, all members of the San Francisco
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1465:20th-century Scottish male artists
1460:19th-century Scottish male artists
1372:Leslie Hunter at artcyclopedia.com
431:European travel and return to Fife
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150:, Alexander Reid, Matthew Justice
133:Artist Member of Glasgow Art Club
324:In 1904, Hunter made a visit to
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1435:20th-century Scottish painters
1425:19th-century Scottish painters
1410:British Impressionist painters
1174:"Mr Leslie Hunter's Portraits"
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737:National Galleries of Scotland
662:Cornwell, Tim (21 July 2012).
510:Glasgow Art Gallery and Museum
1:
1445:1906 San Francisco earthquake
1075:. MG Fine Art. Archived from
641:. Murray, J. pp. 76–80.
614:. Explore Art. Archived from
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338:1906 San Francisco earthquake
292:San Francisco Art Association
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49:The Beach, Largo, at Low Tide
1130:"Friends of Glasgow Museums"
1040:The Complete Writings on Art
706:. Atelier Books, Edinburgh.
496:London, ill-health and death
355:, that was being started by
286:. Together they founded the
228:, at 7 Tower Street, on the
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199:Hunter painted a variety of
16:Scottish painter (1877–1931)
7:
1455:Painters from San Francisco
25:Les Hunter (disambiguation)
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1440:People from Rothesay, Bute
637:Billcliffe, Roger (1996).
288:California Society of Arts
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612:"The Scottish Colourists"
315:Figures in conversation,
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1321:Glynn, Susannah (2007).
1163:Retrieved 17 August 2011
1038:Sickert, Walter (2000).
872:"(George) Leslie Hunter"
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23:. For other people, see
1415:British modern painters
1044:Oxford University Press
935:2 December 2013 at the
1430:Scottish male painters
1135:. 2006. Archived from
1102:"George Leslie Hunter"
1073:"George Leslie Hunter"
980:"George Leslie Hunter"
874:. scottish-places.info
842:"George Leslie Hunter"
508:, the Director of the
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455:Moonlight, Loch Lomond
332:. When he returned to
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306:Beginnings in fine art
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21:Leslie Hunter (bishop)
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367:, and early works by
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296:John Duncan Fergusson
246:, early photographer
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1382:20 July 2018 at the
1323:"Around the Regions"
169:George Leslie Hunter
36:George Leslie Hunter
1450:Scottish Colourists
1260:Lyon & Turnbull
1023:Mackenzie, Jill C.
821:Mackenzie, Jill C.
556:Lyon & Turnbull
486:Saint-Paul-de-Vence
224:Hunter was born in
173:Scottish Colourists
852:on 10 October 2010
743:on 3 December 2010
490:Ferargil Galleries
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389:Etaples art colony
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300:Samuel John Peploe
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124:Post-Impressionism
1210:. 16 October 1953
713:978-1-873830-23-9
353:27 rue de Fleurus
276:Gottardo Piazzoni
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