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398:' portrait of a bride and groom visiting a goldsmith is a typical example of a transitional still life depicting both religious and secular content. Though mostly allegorical in message, the figures of the couple are realistic and the objects shown (coins, vessels, etc.) are accurately painted but the goldsmith is actually a depiction of St. Eligius and the objects heavily symbolic. Another similar type of painting is the family portrait combining figures with a well-set table of food, which symbolizes both the piety of the human subjects and their thanks for God's abundance. Around this time, simple still-life depictions divorced of figures (but not allegorical meaning) were beginning to be painted on the outside of shutters of private devotional paintings. Another step toward the autonomous still life was the painting of symbolic flowers in vases on the back of secular portraits around 1475. Jacopo de' Barbari went a step further with his
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1877:'s work was devoted to the language of still life as it had been developed in the course of the seventeenth and eighteenth centuries. During these centuries, the genre of still life was placed lowest on the hierarchical ladder. Vallayer-Coster had a way about her paintings that resulted in their attractiveness. It was the "bold, decorative lines of her compositions, the richness of her colours and simulated textures, and the feats of illusionism she achieved in depicting wide variety of objects, both natural and artificial" which drew in the attention of the Royal Académie and the numerous collectors who purchased her paintings. This interaction between art and nature was quite common in
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2225:(1871), with its bright orange background. With Impressionist still life, allegorical and mythological content is completely absent, as is meticulously detailed brushwork. Impressionists instead focused on experimentation in broad, dabbing brush strokes, tonal values, and colour placement. The Impressionists and Post-Impressionists were inspired by nature's colour schemes but reinterpreted nature with their own colour harmonies, which sometimes proved startlingly unnaturalistic. As Gauguin stated, "Colours have their own meanings." Variations in perspective are also tried, such as using tight cropping and high angles, as with
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1573:, was austere. It differed from Dutch still life, which often contained rich banquets surrounded by ornate and luxurious items of fabric or glass. The game in Spanish paintings is often plain dead animals still waiting to be skinned. The fruits and vegetables are uncooked. The backgrounds are bleak or plain wood geometric blocks, often creating a surrealist air. Even while both Dutch and Spanish still life often had an embedded moral purpose, the austerity, which some find akin to the bleakness of some of the Spanish plateaus, appears to reject the sensual pleasures, plenitude, and luxury of Dutch still-life paintings.
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942:. These two views of flowers—as aesthetic objects and as religious symbols— merged to create a very strong market for this type of still life. Still life, like most Dutch art work, was generally sold in open markets or by dealers, or by artists at their studios, and rarely commissioned; therefore, artists usually chose the subject matter and arrangement. So popular was this type of still-life painting, that much of the technique of Dutch flower painting was codified in the 1740 treatise
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561:(1568), with its realistic depiction of raw meats dominating the foreground, while a background scene conveys the dangers of drunkenness and lechery. The type of very large kitchen or market scene developed by Pieter Aertsen and his nephew Joachim Beuckelaer typically depicts an abundance of food with a kitchenware still life and burly Flemish kitchen-maids. A small religious scene can often be made out in the distance, or a theme such as the
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326:, still life in Western art remained primarily an adjunct to Christian religious subjects, and convened religious and allegorical meaning. This was particularly true in the work of Northern European artists, whose fascination with highly detailed optical realism and symbolism led them to lavish great attention on their paintings' overall message. Painters like
1635:, "dead nature") was gaining in popularity, it remained historically less respected than the "grand manner" painting of historical, religious, and mythic subjects. On the other hand, successful Italian still-life artists found ample patronage in their day. Furthermore, women painters, few as they were, commonly chose or were restricted to painting still life;
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appreciated as individual objects of study apart from any religious or mythological associations. The early science of herbal remedies began at this time as well, which was a practical extension of this new knowledge. In addition, wealthy patrons began to underwrite the collection of animal and mineral specimens, creating extensive
283:, "whose artistry is surpassed by only a very few...He painted barbershops and shoemakers' stalls, donkeys, vegetables, and such, and for that reason came to be called the 'painter of vulgar subjects'; yet these works are altogether delightful, and they were sold at higher prices than the greatest of many other artists."
2243:(1889) is a self-portrait in still-life form, with Van Gogh depicting many items of his personal life, including his pipe, simple food (onions), an inspirational book, and a letter from his brother, all laid out on his table, without his own image present. He also painted his own version of a vanitas painting
1683:(1606) for the cardinal, as well, claiming that he painted it 'fatta tutti del natturel' (made all from nature) and he charged extra for the extra effort. These were among many still-life paintings in the cardinal's collection, in addition to his large collection of curios. Among other Italian still life,
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found in still life the perfect vehicle for his revolutionary explorations in geometric spatial organization. For CĂ©zanne, still life was a primary means of taking painting away from an illustrative or mimetic function to one demonstrating independently the elements of colour, form, and line, a major
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Celui qui fait parfaitement des païsages est au-dessus d'un autre qui ne fait que des fruits, des fleurs ou des coquilles. Celui qui peint des animaux vivants est plus estimable que ceux qui ne représentent que des choses mortes & sans mouvement ; & comme la figure de l'homme est le plus
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painted small and simple assemblies of food and objects in a most subtle style that both built on the Dutch Golden Age masters, and was to be very influential on 19th-century compositions. Dead game subjects continued to be popular, especially for hunting lodges; most specialists also painted live
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specimens in allegorical form, such as the "five senses", "four continents", or "the four seasons", showing a goddess or allegorical figure surrounded by appropriate natural and human-made objects. The popularity of vanitas paintings, and these other forms of still life, soon spread from
Holland to
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He who produces perfect landscapes is above another who only produces fruit, flowers or seafood. He who paints living animals is more estimable than those who only represent dead things without movement, and as man is the most perfect work of God on the earth, it is also certain that he who becomes
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The 16th century witnessed an explosion of interest in the natural world and the creation of lavish botanical encyclopædias recording the discoveries of the New World and Asia. It also prompted the beginning of scientific illustration and the classification of specimens. Natural objects began to be
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closed the doors on
Vallayer-Coster's still-life 'era' and opened them to her new style of florals. It has been argued that this was the highlight of her career and what she is best known for. However, it has also been argued that the flower paintings were futile to her career. Nevertheless, this
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In
Catholic Italy and Spain, the pure vanitas painting was rare, and there were far fewer still-life specialists. In Southern Europe there is more employment of the soft naturalism of Caravaggio and less emphasis on hyper-realism in comparison with Northern European styles. In France, painters of
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By the 18th century, in many cases, the religious and allegorical connotations of still-life paintings were dropped and kitchen table paintings evolved into calculated depictions of varied colour and form, displaying everyday foods. The French aristocracy employed artists to execute paintings of
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had evolved since early
Christian days. The most common flowers and their symbolic meanings include: rose (Virgin Mary, transience, Venus, love); lily (Virgin Mary, virginity, female breast, purity of mind or justice); tulip (showiness, nobility); sunflower (faithfulness, divine love, devotion);
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During the 20th and 21st centuries, the notion of the still life has been extended beyond the traditional two dimensional art forms of painting into video art and three dimensional art forms such as sculpture, performance and installation. Some mixed media still-life works employ found objects,
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still life depicted objects associated with a given profession, as with the
Cornelis Norbertus Gysbrecht's painting "Painter's Easel with Fruit Piece", which displays all the tools of a painter's craft. Also popular in the first half of the 17th century was the painting of a large assortment of
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works, such as
Picasso's oval "Still Life with Chair Caning" (1912). In these works, still-life objects overlap and intermingle, barely maintaining identifiable two-dimensional forms, losing individual surface texture, and merging into the background—achieving goals nearly opposite to those of
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The first four decades of the 20th century formed an exceptional artistic ferment and revolution period. Avant-garde movements rapidly evolved and overlapped in a march towards nonfigurative, total abstraction. The still life and other representational art continued to evolve and adjust until
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around 1440, is one of the outstanding examples of this trend, with borders featuring an extraordinary range of objects, including coins and fishing-nets, chosen to complement the text or main image at that particular point. Flemish workshops later in the century took the naturalism of border
234:, including the later familiar motif of a glass bowl of fruit. Decorative mosaics termed "emblema", found in the homes of rich Romans, demonstrated the range of food enjoyed by the upper classes, and also functioned as signs of hospitality and as celebrations of the seasons and of life.
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paintings, in which sumptuous arrangements of fruit and flowers, books, statuettes, vases, coins, jewelry, paintings, musical and scientific instruments, military insignia, fine silver and crystal, were accompanied by symbolic reminders of life's impermanence. Additionally, a skull, an
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by the late 16th century, and has remained significant since then. One advantage of the still-life artform is that it allows an artist much freedom to experiment with the arrangement of elements within a composition of a painting. Still life, as a particular genre, began with
1889:, as well as 17th-century Dutch masters, whose work has been far more highly valued, but what made Vallayer-Coster's style stand out against the other still-life painters was her unique way of coalescing representational illusionism with decorative compositional structures.
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By the 16th century, food and flowers would again appear as symbols of the seasons and of the five senses. Also starting in Roman times is the tradition of the use of the skull in paintings as a symbol of mortality and earthly remains, often with the accompanying phrase
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or pocket watch, a candle burning down or a book with pages turning, would serve as a moralizing message on the ephemerality of sensory pleasures. Often some of the fruits and flowers themselves would be shown starting to spoil or fade to emphasize the same point.
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The horticultural explosion was of widespread interest in Europe and artist capitalized on that to produce thousands of still-life paintings. Some regions and courts had particular interests. The depiction of citrus, for example, was a particular passion of the
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is a still-life painting depicting pantry items, such as victuals, game, and drink, often arranged on a simple stone slab, and also a painting with one or more figures, but significant still-life elements, typically set in a kitchen or tavern. Starting in the
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violet (modesty, reserve, humility); columbine (melancholy); poppy (power, sleep, death). As for insects, the butterfly represents transformation and resurrection while the dragonfly symbolizes transience and the ant hard work and attention to the harvest.
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119:. Early still-life paintings, particularly before 1700, often contained religious and allegorical symbolism relating to the objects depicted. Later still-life works are produced with a variety of media and technology, such as found objects, photography,
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started to go into decline by the 1830s, genre and portrait painting became the focus for the
Realist and Romantic artistic revolutions. Many of the great artists of that period included still life in their body of work. The still-life paintings of
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tombs. It was believed that food objects and other items depicted there would, in the afterlife, become real and available for use by the deceased. Ancient Greek vase paintings also demonstrate great skill in depicting everyday objects and animals.
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reduced the rendering of still-life objects even further to little more than bold, flat outlines filled with bright colours. He also simplified perspective and introduced multi-colour backgrounds. In some of his still-life paintings, such as
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and other
Northern European artists made it possible to paint everyday objects in this hyper-realistic fashion, owing to the slow drying, mixing, and layering qualities of oil colours. Among the first to break free of religious meaning were
971:("little deception"). In addition to these types of still life, Dutch artists identified and separately developed "kitchen and market" paintings, breakfast and food table still life, vanitas paintings, and allegorical collection paintings.
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is added to elevate the subject. This sort of large-scale still life continued to develop in
Flemish painting after the separation of the North and South, but is rare in Dutch painting, although other works in this tradition anticipate the
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or "breakfast paintings", represent both a literal presentation of delicacies that the upper class might enjoy and a religious reminder to avoid gluttony. Around 1650 Samuel van
Hoogstraten painted one of the first wall-rack pictures,
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painted many still-life compositions, often including musical instruments, bringing still life to the forefront of artistic innovation, almost for the first time. Still life was also the subject matter in the first Synthetic Cubist
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court in Florence, Italy. This great diffusion of natural specimens and the burgeoning interest in natural illustration throughout Europe, resulted in the nearly simultaneous creation of modern still-life paintings around 1600.
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started creating these pictures which consist of an image (usually devotional) which is encircled by a lush still life wreath. The paintings were collaborations between two specialists: a still life and a figure painter.
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The Netherlandish production of still lifes was enormous, and they were very widely exported, especially to northern Europe; Britain hardly produced any itself. German still life followed closely the Dutch models;
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2239:'s "Sunflowers" paintings are some of the best-known 19th-century still-life paintings. Van Gogh uses mostly tones of yellow and rather flat rendering to make a memorable contribution to still-life history. His
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photography, video, and sound, and even spill out from ceiling to floor and fill an entire room in a gallery. Through video, still-life artists have incorporated the viewer into their work. Following from the
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still-life paintings which feature objects tied, tacked or attached in some other fashion to a wall board, a type of still life very popular in the United States in the 19th century. Another variation was the
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was a pioneer in pure still life without figures and created the compositional innovation of placing detailed objects in cabinets, cupboards, and display cases, and producing simultaneous multiple views.
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founded a family of prominent American painters, and as major leader in the American art community, also founded a society for the training of artists and a famous museum of natural curiosities. His son
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2843:'s "Campbell's Soup Cans") is based on still life, but its true subject is most often the commodified image of the commercial product represented rather than the physical still-life object itself.
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period, such paintings became popular in Spain in the second quarter of the 17th century. The tradition of still-life painting appears to have started and was far more popular in the contemporary
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in the 1970s reasserted illusionistic representation, while retaining some of Pop's message of the fusion of object, image, and commercial product. Typical in this regard are the paintings of
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Gradually, religious content diminished in size and placement in this type of painting, though moral lessons continued as sub-contexts. One of the relatively few Italian works in the style,
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is a "kitchen scene" in the Dutch manner, which is both a detailed portrait of a cook and the game birds she is preparing. In a similar manner, one of Rembrandt's rare still-life paintings,
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2289:. Peto specialized in the nostalgic wall-rack painting while Harnett achieved the highest level of hyper-realism in his pictorial celebrations of American life through familiar objects.
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parfait ouvrage de Dieu sur la Terre, il est certain aussi que celui qui se rend l'imitateur de Dieu en peignant des figures humaines, est beaucoup plus excellent que tous les autres ...
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628:. These specimens served as models for painters who sought realism and novelty. Shells, insects, exotic fruits and flowers began to be collected and traded, and new plants such as the
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2774:'s still-life paintings, objects appear weightless and float in lightly suggested two-dimensional space, and even mountains are drawn as simple lines. In Italy during this time,
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pioneered the Spanish still life with austerely tranquil paintings of vegetables, before entering a monastery in his forties in 1603, after which he painted religious subjects.
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combined superb renderings of the textures of fur and feather with simple backgrounds, often the plain white of a lime-washed larder wall, that showed them off to advantage.
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While artists in the North found limited opportunity to produce the religious iconography which had long been their staple—images of religious subjects were forbidden in the
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painting, which intends to deceive the viewer into thinking the scene is real, is a specialized type of still life, usually showing inanimate and relatively flat objects.
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543:, of the "monumental still life", which were large paintings that included great spreads of still-life material with figures and often animals. This was a development by
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In the late Middle Ages, still-life elements, mostly flowers but also animals and sometimes inanimate objects, were painted with increasing realism in the borders of
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painters, that technique and colour harmony triumphed over subject matter, and that still life was once again avidly practiced by artists. In his early still life,
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movement, went in a radically different direction, creating 3-D "ready-made" still-life sculptures. As part of restoring some symbolic meaning to still life, the
1671:–1600) is one of the first examples of pure still life, precisely rendered and set at eye level. Though not overtly symbolic, this painting was owned by Cardinal
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developed the genre further. Originally serving a devotional function, garland paintings became extremely popular and were widely used as decoration of homes.
2202:, using a more traditional technique, was famous for his exquisite flower paintings and made his living almost exclusively painting still life for collectors.
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convey a strong emotional current, and are less concerned with exactitude and more interested in mood. Though patterned on the earlier still-life subjects of
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2751:'s still life introduced the use of abundant white space and coloured, sharply defined, overlapping geometrical shapes to produce a more mechanical effect.
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bounteous and extravagant still-life subjects that graced their dining table, also without the moralistic vanitas message of their Dutch predecessors. The
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1703:) were influenced by both the Northern and Southern schools, borrowing from the vanitas paintings of the Netherlands and the spare arrangements of Spain.
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by Gerard de Lairesse, which gave wide-ranging advice on colour, arranging, brushwork, preparation of specimens, harmony, composition, perspective, etc.
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Though most still lifes after 1600 were relatively small paintings, a crucial stage in the development of the genre was the tradition, mostly centred on
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and his pupils, still-life painting was revived in the form of fictional niches on religious wall paintings which depicted everyday objects. Through the
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In the United States during Revolutionary times, American artists trained abroad applied European styles to American portrait painting and still life.
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introduced the American version of the habitat or biotope picture, which placed flowers and birds in simulated outdoor environments. The American
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was the foremost still-life painter, exploring a wide variety of approaches to depicting everyday bottles and kitchen implements. Dutch artist
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severely reduced still life to raw depictions of form and colour, until by the 1950s, total abstraction dominated the art world. However,
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and still-life painting did not carry the "gravitas" merited for painting to be considered great. An influential formulation of 1667 by
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subject matter, typically commonplace objects which are either natural (food, flowers, dead animals, plants, rocks, shells, etc.) or
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and other artists created their own brand of Surrealism, featuring native foods and cultural motifs in their still-life paintings.
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probably introduced the Antwerp style to Italy in the 1570s. The tradition continued into the next century, with several works by
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A significant contribution to the development of still-life painting in the 20th century was made by Russian artists, among them
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and focused instead on deconstructing objects into pure geometrical forms and planes. Between 1910 and 1920, Cubist artists like
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Michel, Marianne Roland. "Tapestries on Designs by Anne Vallayer-Coster." The Burlington Magazine 102: 692 (November 1960): i–ii
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did become popular, featuring a few objects of food and tableware laid on a table. Still-life painting in Spain, also called
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tapestries are another example of the general increasing interest in accurate depictions of plants and animals. The set of
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The 18th century to a large extent continued to refine 17th-century formulae, and levels of production decreased. In the
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557:) introduced the type with a painting that still startles. Another example is "The Butcher Shop" by Aertsen's nephew
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images have been re-interpreted through the last 400 years of art history, starting with Dutch painters around 1600.
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shows the influence of Fantin-Latour, but is one of the first to break the tradition of the dark background, which
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Similar still life, more simply decorative in intent, but with realistic perspective, have also been found in the
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was based primarily on its subject. In the Academic system, the highest form of painting consisted of images of
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998:(Dutch for 'ostentatious still life'). This style of ornate still-life painting was developed in the 1640s in
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and Cubist-derived abstraction. Typical of the American still-life works of this period are the paintings of
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includes filters that can be applied to 2D vector graphics or 2D raster graphics on transparent layers.
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into his still lifes as into his other work; while reconnecting to old master traditions, he achieved a
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also did so. No surviving flower-pieces by them are known, but many survive by the leading specialists,
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in the 1960s and 1970s reversed the trend and created a new form of still life. Much pop art (such as
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recorded in ancient Roman times, Greek artists centuries earlier were already advanced in the arts of
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However, it was not until the final decline of the Academic hierarchy in Europe, and the rise of the
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1870:'s still-life paintings employ a variety of techniques from Dutch-style realism to softer harmonies.
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Many leading Italian artists in other genre, also produced some still-life paintings. In particular,
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Flemish and Dutch artists also branched out and revived the ancient Greek still life tradition of
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while Romance languages (as well as Greek, Polish, Russian and Turkish) tend to use terms meaning
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an imitator of God in representing human figures, is much more excellent than all the others ...".
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2859:(1964) portrays not a single family's lunch but an assembly line of standardized American foods.
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Adapting CĂ©zanne's shifting of planes and axes, the Cubists subdued the colour palette of the
1576:
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935:
595:, who mostly sub-contracted the still-life and animal elements to specialist masters such as
491:
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2718:. Additionally, CĂ©zanne's experiments can be seen as leading directly to the development of
2396:
White Roses, Chrysanthemums in a Vase, Peaches and Grapes on a Table with a White Tablecloth
1624:
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Seventeenth-century Flemish Garland Paintings: Still Life, Vision, and the Devotional Image
3191:
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2355:
2268:
2075:
2049:
2000:
1874:
1388:
1291:
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975:
928:
920:
896:, and there were many engraved illustrations for books (often then hand-coloured), such as
258:
2668:, his homage to his friend Van Gogh who had died eleven years earlier. The group known as
126:
The term includes the painting of dead animals, especially game. Live ones are considered
8:
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1958:
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3722:
edited by Francesco Porzio and directed by Federico Zeri; Review author: John T. Spike.
2677:
2478:
2325:
2233:, a painting which was mocked at the time as a "display of fruit in a bird's-eye view."
2187:
1609:
102:
art, still-life painting emerged as a distinct genre and professional specialization in
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Still life on a 2nd-century mosaic, with fish, poultry, dates and vegetables from the
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500:(1504), a very early independent still life, perhaps the back or cover for a portrait
381:
272:
120:
108:
5127:
4547:
3676:
3482:
2198:'s still-life paintings are strongly tonal and clearly headed toward Impressionism.
470:
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254:
231:
103:
6954:
4127:. Yale University Press Pelican history of art. New Haven: Yale University Press.
3075:
2786:(1937), his updated version of the traditional Dutch table still life. In England
2748:
2470:
2195:
606:
388:
studies of fruit (around 1495) as part of his restless examination of nature, and
159:
7147:
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6678:
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2909:
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2519:
2260:
2256:
2183:
2150:, still life began to fall from favor. The Academies taught the doctrine of the "
2130:
1893:
1596:
978:
the genre of garland paintings was developed. Around 1607–1608, Antwerp artists
881:
395:
268:
249:
The popular appreciation of the realism of still-life painting is related in the
208:
171:
58:
5031:
2851:(1972) combines the pure colours of Matisse with the pop iconography of Warhol.
2710:
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2587:
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7209:
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276:
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6790:
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3187:
2099:
603:. By the second half of the 16th century, the autonomous still life evolved.
84:
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3097:
2956:
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2818:
2787:
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2687:
2612:
2550:
2369:
2259:
was one of a group of early American still-life artists, which also included
2206:
2174:
2167:
2026:
1981:
1966:
1565:
In Spain there were much fewer patrons for this sort of thing, but a type of
1527:
1473:
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841:
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219:: "barbers' shops, cobblers' stalls, asses, eatables and similar subjects".
7189:
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1746:
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1199:
1143:
632:(imported to Europe from Turkey), were celebrated in still-life paintings.
376:
372:
364:
is the best-known example, designed in Paris around 1500 and then woven in
327:
295:
223:
176:
164:
7184:
5045:
2771:
1695:
combines a similar sympathetic female portrait with images of game birds.
7105:
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4474:
4415:
4329:
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4227:
3171:
3154:
2840:
2825:
2564:
2501:
1986:
Roses, Convolvulus, Poppies, and Other Flowers in an Urn on a Stone Ledge
1878:
1676:
1535:
1514:
1458:
1336:
939:
885:
815:
770:
510:
385:
331:
323:
319:
227:
99:
95:
80:
2684:
also painted notable still life during this period, especially flowers.
1675:
and may have been appreciated for both religious and aesthetic reasons.
7152:
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1655:
1538:(then Flemish and Dutch artists), than it ever was in southern Europe.
610:
449:
355:
127:
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280:
204:
4187:
2801:, they began to interpret still-life subjects with a combination of
2707:, further explored pure colour and abstraction in their still life.
7194:
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2660:
The century began with several trends taking hold in art. In 1901,
2154:" (or "Hierarchy of Subject Matter"), which held that a painting's
1882:
1631:
Even though Italian still-life painting (in Italian referred to as
1191:
365:
3934:, Barron's Educational Series, Hauppauge, New York, 1998, p. 273,
3483:
Metropolitan Museum of Art Timeline, Still-life painting 1600–1800
911:
Around 1600 flower paintings in oils became something of a craze;
6533:
6336:
6274:
6091:
5990:
5730:
5457:
5290:
4896:
4496:
4380:
3757:, Barron's Educational Series, Hauppauge, New York, 1999, p. 96,
3221:
2836:
2791:
2743:
2726:
2696:
1898:
1558:
1531:
1523:
1018:
999:
889:
600:
554:
540:
350:
243:
216:
180:
5452:
2770:
placed recognizable still-life objects in their dreamscapes. In
1885:
and French still lifes. Her work reveals the clear influence of
1605:
410:
still-life paintings, which contains minimal religious content.
7157:
7016:
6508:
6438:
6007:
5919:
5774:
5005:
4146:
2719:
2333:
1857:
1832:
877:
637:
592:
562:
315:
303:
212:
188:
91:(drinking glasses, books, vases, jewelry, coins, pipes, etc.).
2782:, best known for his detailed yet ambiguous graphics, created
1658:
applied his influential form of naturalism to still life. His
1206:
5241:
2608:
2267:, and John Johnston. By the second half of the 19th century,
1860:
love of artifice led to a rise in appreciation in France for
1826:
Still Life with Apples, Grapes, Melons, Bread, Jug and Bottle
629:
524:
in the background (1566), 171 Ă— 250 cm (67.3 Ă— 98.4 in).
192:
2797:
When 20th-century American artists became aware of European
1897:
collection contained floral studies in oil, watercolour and
733:(1591–94), panel, 21 × 30 cm, his only known still life
392:
who also made precise coloured drawings of flora and fauna.
7093:
5895:
3949:
3947:
3863:
3861:
3083:
2759:
2330:
Still Life with Lobster and trophies of hunting and fishing
892:
paintings of flowers and other still-life subjects for the
844:
in the last quarter of the 16th century. The English term
2498:
Still Life with Apples, a Pear, and a Ceramic Portrait Jug
2142:
With the rise of the European Academies, most notably the
1227:, still life elements by a specialist on history painting(
765:
Prominent Academicians of the early 17th century, such as
7084:
Art in the Protestant Reformation and Counter-Reformation
3328:
3326:
2277:
paintings also flourished during this period, created by
211:
as a panel painter of "low" subjects, such as survive in
3944:
3858:
2657:'s drip paintings, eliminated all recognizable content.
37:"Naturaleza muerta" redirects here. For other uses, see
226:
wall paintings and floor mosaics unearthed at Pompeii,
3323:
2653:
mid-century when total abstraction, as exemplified by
1892:
The end of the eighteenth century and the fall of the
864:
had developed highly illusionistic techniques in both
4040:– Saint Petersburg: NP-Print Edition, 2007. – 448 p.
3833:
3831:
111:
of the 16th and 17th centuries, and the English term
3812:
3810:
3808:
3806:
2645:(1916), oil and sand on canvas, 115.9 x 81 cm,
286:
3673:
3202:photorealistic effects without the use of filters.
1393:
Still Life with Fruit, Flowers, Glasses and Lobster
915:painted some works himself, and records that other
840:Still life developed as a separate category in the
711:
Still life with Quince, Cabbage, Melon and Cucumber
3828:
3675:
1835:style floral decoration became far more common on
3803:
3537:, Yale University Press, New Haven, 1995, p. 77,
3316:
3314:
198:Still-life paintings often adorn the interior of
7257:
4038:Unknown Socialist Realism. The Leningrad School.
1461:the Elder, Dishes with Oysters, Fruit, and Wine
994:A special genre of still life was the so-called
422:Various vessels in the border of an illuminated
53:Still Life with Game Fowl, Vegetables and Fruits
2292:
1920:(1737), Foundation of the Royal Armoury, Sweden
644:At the turn of the century the Spanish painter
4073:The Juilliard Journal Online 18:6 (March 2003)
3605:Oxford Dictionary of Art Terms: Pronkstilleven
3311:
2942:
2794:for his highly detailed still-life paintings.
2754:Rejecting the flattening of space by Cubists,
1129:Still Life Pewter Jug and Two Porcelain Plates
940:mania for horticulture, particularly the tulip
651:
154:
4173:
3678:The Thames and Hudson Dictionary of Art Terms
1594:
880:and its depiction in art. The Flemish artist
796:
670:A Meat Stall with the Holy Family Giving Alms
550:A Meat Stall with the Holy Family Giving Alms
330:often used still-life elements as part of an
56:
2245:Still Life with Open Bible, Candle, and Book
1251:Still-Life with Two Dead Peacocks and a Girl
404:(1504), among the earliest signed and dated
3819:
1315:Feigned Letter Rack with Writing Implements
1207:Dutch, Flemish, German and French paintings
1194:and Germany, and also to Spain and France.
931:, both active in the Southern Netherlands.
137:Still life occupied the lowest rung of the
4180:
4166:
3975:, Portland House, New York, 1986, p. 643,
1788:Pacific Palisades, Los Angeles, California
963:, particularly the imitation of nature or
581:'s treatment of the same subject in 1583,
215:versions and provincial wall-paintings at
2475:Carnations and Clematis in a Crystal Vase
1277:Still Life with Pie, Silver Ewer and Crab
619:(1595–96), oil on canvas, 31 × 47 cm
3345:exhibition review, Frick Collection, NYC
3198:have copied or visualised 3D effects to
3144:
2631:
2607:
2124:
2098:
1816:
1604:
1575:
1489:
824:
810:
742:
731:Metal Plate with Peaches and Vine Leaves
672:(1551), 123.3 Ă— 150 cm (48.5 Ă— 59")
605:
509:
290:
170:
158:
43:
4124:Flemish Art and Architecture, 1585–1700
1478:Still-Life with Bread and Confectionery
1017:Especially popular in this period were
497:Still-Life with Partridge and Gauntlets
401:Still Life with Partridge and Gauntlets
14:
7258:
6861:Contemporary Indigenous Australian art
3726:(1991) Volume 133 (1055) page 124–125.
3102:Compotier avec fruits, violon et verre
2722:still life in the early 20th century.
2311:Still Life with Fruit, Bottles, Breads
2170:, chose landscapes to serve that end.
1505:), is one of the earliest examples of
738:
535:Dutch and Flemish Renaissance painting
4881:Art of the late 16th century in Milan
4161:
3682:. London: Thames and Hudson. p.
2094:
1937:Still Life with Glass Flask and Fruit
1812:
1173:Another type of still life, known as
521:Jesus in the house of Martha and Mary
185:Naples National Archaeological Museum
2603:
2374:Tulips in a Vase, with a Caterpillar
1866:(French: "trick the eye") painting.
1341:Still Life with a Globe and a Parrot
528:
505:
4094:, 2001, National Gallery (London),
4080:, Harry N. Abrams, New York, 1998,
3267:Langmuir, 13–14 and preceding pages
2567:(1834–1919), an American Civil War
834:Still life with Musical Instruments
714:, oil on canvas, 69 Ă— 84.5 cm
310:is filled with religious symbolism.
72:
24:
6216:Vienna School of Fantastic Realism
5067:Neoclassical architecture in Milan
3011:San Francisco Museum of Modern Art
2824:In Mexico, starting in the 1930s,
1706:
1610:Josefa de Ayala (Josefa de Ă“bidos)
1485:
302:(1480), Museo Thyssen-Bornemisza,
39:Naturaleza muerta (disambiguation)
25:
7292:
6290:American Figurative Expressionism
4626:International Gothic art in Italy
4139:
2862:The Neo-dada movement, including
2453:Still-Life with Apples and Grapes
611:Michelangelo Merisi da Caravaggio
306:. According to some scholars the
287:Middle Ages and Early Renaissance
7240:
7239:
5799:Neue KĂĽnstlervereinigung MĂĽnchen
4145:
3595:, Ashgate Publishing, Ltd., 2012
3190:still life images. For example,
3109:
3090:
3068:
3039:
3017:
2995:
2976:
2949:
2580:
2557:
2531:
2512:
2486:
2463:
2441:
2422:
2403:
2384:
2362:
2340:
2318:
2299:
2068:
2042:
2019:
1993:
1974:
1951:
1925:
1906:
1806:Still Life of Fish and Shellfish
1794:
1768:
1739:
1713:
1466:
1451:
1426:
1407:
1381:
1355:
1329:
1303:
1284:
1265:
1239:
1213:
1136:
1117:
1098:
1068:
1062:Los Angeles County Museum of Art
1032:
936:Dutch Reformed Protestant Church
719:
698:
677:
658:
484:
463:
435:
415:
6721:Tunisian collaborative painting
6194:International Typographic Style
4111:, Yale University Press, 1995,
4030:
4021:
4012:
4003:
3994:
3985:
3965:
3956:
3924:
3915:
3906:
3897:
3888:
3879:
3870:
3849:
3840:
3794:
3785:
3776:
3767:
3747:
3738:
3729:
3713:
3704:
3667:
3658:
3645:
3636:
3627:
3618:
3609:
3598:
3583:
3574:
3565:
3556:
3547:
3535:Dutch Flower Painting 1600–1720
3527:
3518:
3509:
3500:
3488:
3476:
3467:
3458:
3449:
3440:
3431:
3422:
3413:
3404:
3395:
3386:
3377:
3368:
3359:
3350:
3335:
3140:
2417:(1869–1871), private collection
2223:Still Life with Bouquet and Fan
1780:Still Life with Bowl of Citrons
354:elements even further. Gothic
279:and still life. He singled out
242:(Death makes all equal). These
175:Glass bowl of fruit and vases.
6474:The Caribbean Artists Movement
3973:The Illustrated Library of Art
3302:
3293:
3284:
3270:
3261:
3252:
3243:
1693:Little Girl with Dead Peacocks
123:, as well as video and sound.
13:
1:
4830:Dutch and Flemish Renaissance
4062:
3642:Ebert-Schifferer, pp. 180–181
3186:effects are used to generate
3126:
3054:
2849:Still Life with Goldfish Bowl
2596:Courtauld Institute Galleries
2241:Still Life with Drawing Board
2146:which held a central role in
2083:
2057:
2008:
1940:
1754:
1728:
1665:
1617:
1437:
1396:
1366:
1344:
1318:
1254:
1228:
1225:Diana Returning from the Hunt
1158:
1147:
1083:
1054:
1043:
1040:Cornelis Norbertus Gysbrechts
755:
453:
6945:Modern European ink painting
6317:Bay Area Figurative Movement
3674:Lucie-Smith, Edward (1984).
3419:Slive, 275; Vlieghe, 211–216
2882:, integrated the lessons of
2293:Nineteenth-century paintings
2115:Vase with Fifteen Sunflowers
1933:Jean-Baptiste-Siméon Chardin
1887:Jean-Baptiste-Siméon Chardin
1591:Still Life with Pottery Jars
1503:National Gallery of Scotland
874:Hours of Catherine of Cleves
862:Early Netherlandish painting
818:(1619–1693), oil on canvas,
347:Hours of Catherine of Cleves
343:Early Netherlandish painting
115:derives from the Dutch word
7:
7276:Art of the Dutch Golden Age
6606:Artificial intelligence art
4076:Ebert-Schifferer, Sybille.
4018:Ebert-Schifferer, pp. 382–3
3921:Ebert-Schifferer, pp. 323–4
3485:. Retrieved March 14, 2010.
3455:Ebert-Schifferer, pp. 54–56
3383:Ebert-Schifferer, p. 39, 53
3347:. Retrieved March 15, 2010.
3205:
2943:Twentieth-century paintings
2647:Museum of Fine Arts, Boston
2543:Still life violin and music
2378:Norfolk Museums Collections
1782:(1640), tempera on vellum,
1002:by Flemish artists such as
652:Sixteenth-century paintings
155:Antecedents and development
32:Still Life (disambiguation)
10:
7297:
6519:Post-painterly abstraction
6342:Situationist International
5716:Pennsylvania Impressionism
4027:Ebert-Schifferer, p. 384-6
3524:Slive, 279, Vlieghe, 206-7
3080:Still Life with a Beer Mug
2666:Still Life with Sunflowers
2642:Fruit and a Jug on a Table
2547:Metropolitan Museum of Art
2227:Fruit Displayed on a Stand
2080:The Attributes of Painting
2031:Still Life with Silverware
800:
797:Dutch and Flemish painting
532:
36:
29:
7235:
7039:
6804:
6614:
6394:
6186:
6170:
6102:California Scene Painting
5981:California Scene Painting
5937:Figurative Constructivism
5849:
5654:
5433:
5422:
5252:
5189:
5082:
4998:
4988:Poussinists and Rubenists
4889:
4693:
4426:
4226:
4217:
4204:
4109:Dutch Painting, 1600–1800
3720:La natura morta in Italia
3212:Dutch Golden Age painting
2927:By contrast, the rise of
2817:, and the photographs of
2758:and other members of the
2693:Still Life with Eggplants
2618:Still Life with Geraniums
2120:National Gallery (London)
1645:Maria Theresa van Thielen
803:Dutch Golden Age painting
7200:Prehistoric European art
6849:Contemporary African art
6332:Gendai Bijutsu Kondankai
6260:GeneraciĂłn de la Ruptura
5887:Universal Constructivism
5679:California Impressionism
5634:American Barbizon school
4009:Ebert-Schifferer, p. 387
3962:Ebert-Schifferer, p. 338
3953:Ebert-Schifferer, p. 311
3912:Ebert-Schifferer, p. 321
3903:Ebert-Schifferer, p. 272
3894:Ebert-Schifferer, p. 267
3885:Ebert-Schifferer, p. 260
3876:Ebert-Schifferer, p. 310
3867:Ebert-Schifferer, p. 318
3855:Ebert-Schifferer, p. 299
3846:Ebert-Schifferer, p. 287
3791:Ebert-Schifferer, p. 229
3782:Ebert-Schifferer, p. 173
3633:Ebert-Schifferer, p. 170
3624:Ebert-Schifferer, p. 164
3237:
3149:A completely synthetic,
3033:Museo Thyssen Bornemisza
2747:traditional still life.
2506:Cambridge, Massachusetts
2457:Art Institute of Chicago
1802:Giacomo Francesco Cipper
1751:Maiolica Basket of Fruit
1542:had many subgenres; the
1445:Still Life with Salt Tub
1155:Le Dessert de gaufrettes
820:The J. Paul Getty Museum
807:Flemish Baroque painting
727:Giovanni Ambrogio Figino
445:The Lady and the Unicorn
361:The Lady and the Unicorn
7027:Walking Artists Network
6364:Letterist International
6204:Washington Color School
5118:Arts in the Philippines
3744:Ebert-Schifferer, p. 84
3735:Ebert-Schifferer, p. 82
3724:The Burlington Magazine
3710:Ebert-Schifferer, p. 71
3615:Ebert-Schifferer, p. 90
3580:Ebert-Schifferer, p. 93
3473:Ebert-Schifferer, p. 75
3464:Ebert-Schifferer, p. 64
3437:Ebert-Schifferer, p. 47
3428:Ebert-Schifferer, p. 45
3410:Ebert-Schifferer, p. 34
3401:Ebert-Schifferer, p. 31
3392:Ebert-Schifferer, p. 41
3374:Ebert-Schifferer, p. 26
3365:Ebert-Schifferer, p. 27
3332:Ebert-Schifferer, p. 15
3320:Ebert-Schifferer, p. 16
3308:Ebert-Schifferer, p.137
3290:Ebert-Schifferer, p. 19
2831:Starting in the 1930s,
2571:composition, here in a
2283:William Michael Harnett
2054:Still Life With Lobster
2005:The Attributes of Music
870:illuminated manuscripts
626:cabinets of curiosities
430:, Flemish artist, 1470s
339:illuminated manuscripts
314:By 1300, starting with
7138:Illuminated manuscript
6786:The Designers Republic
6736:Neue Slowenische Kunst
6659:Pattern and Decoration
6559:Institutional critique
6199:Abstract expressionism
5179:Latin American Baroque
5135:Colonial Asian Baroque
4121:Vlieghe, Hans (1998).
3446:Ebert-Schifferer, p.38
3356:Ebert-Schifferer, p.25
3299:Ebert-Schifferer, p.22
3232:Still life photography
3217:List of Dutch painters
3158:
3007:Violin and Candlestick
2833:abstract expressionism
2649:
2629:
2623:Pinakothek der Moderne
2592:Still Life with Cherub
2415:The Black Marble Clock
2352:Yellow Roses in a Vase
2139:
2122:
1828:
1651:are notable examples.
1628:
1602:
1595:
1510:
1311:Samuel van Hoogstraten
1076:Jan Philip van Thielen
980:Jan Brueghel the Elder
925:Jan Brueghel the Elder
837:
822:
794:
788:
762:
620:
525:
311:
195:
168:
132:botanical illustration
109:Netherlandish painting
64:
57:
6776:Artist-run initiative
6751:Young British Artists
6716:New European Painting
6652:Moscow Conceptualists
6574:Feminist art movement
6352:Ukrainian underground
6327:Gutai Art Association
5726:Ten American Painters
5230:Western influence in
4207:List of art movements
4078:Still Life: A History
3153:still life, 2006 (by
3148:
3122:Fruit Bowl on a Table
2784:Still life and Street
2635:
2611:
2252:Charles Willson Peale
2219:Pierre-Auguste Renoir
2128:
2102:
1868:Jean-Baptiste Chardin
1845:Jean-Baptiste Chardin
1820:
1608:
1581:Francisco de Zurbarán
1579:
1546:was augmented by the
1499:Old Woman Frying Eggs
1493:
1296:Still-Life of Flowers
1273:Willem Claeszoon Heda
828:
814:
801:Further information:
789:
783:
781:for the 18th century:
746:
609:
513:
294:
174:
162:
47:
7271:Still life paintings
6586:Saqqakhaneh movement
6479:Chicano art movement
6347:Soviet Nonconformist
6153:Boston Expressionism
6136:Abstraction-Création
5954:Arbeitsrat fĂĽr Kunst
5947:Cologne Progressives
5667:Art Nouveau in Milan
5470:Anglo-Japanese style
5446:National romanticism
4876:Fontainebleau School
4786:Northern Renaissance
4621:International Gothic
4154:at Wikimedia Commons
4152:Still-life paintings
3930:Stefano Zuffi, Ed.,
3753:Stefano Zuffi, Ed.,
3192:graphic art software
3180:2D computer graphics
3176:3D computer graphics
2356:Dallas Museum of Art
2269:Martin Johnson Heade
2076:Anne Vallayer-Coster
2050:Anne Vallayer-Coster
2001:Anne Vallayer-Coster
1965:(1753), stolen from
1875:Anne Vallayer-Coster
1540:Northern still lifes
1389:Jan Davidsz. de Heem
1292:Ambrosius Bosschaert
1106:Maria van Oosterwijk
1093:, Cambridge, England
976:Southern Netherlands
967:, which they termed
951:symbolism of flowers
929:Ambrosius Bosschaert
921:Cornelis van Haarlem
519:Kitchen scene, with
94:With origins in the
30:For other uses, see
7121:Hierarchy of genres
6686:Saint Soleil School
6622:Post-conceptual art
6591:The Stars Art Group
6469:Black Arts Movement
6432:Neo-Dada Organizers
6233:Lyrical abstraction
5966:Australian tonalism
5639:California Tonalism
5311:Hudson River School
5114:Colonial Asian art
4854:English Renaissance
4803:Ghent–Bruges school
4791:Early Netherlandish
4703:Italian Renaissance
4616:Gothic art in Milan
3991:David Piper, p. 635
2701:Maurice de Vlaminck
2392:Henri Fantin-Latour
2348:Gustave Caillebotte
2287:John Frederick Peto
2231:Gustave Caillebotte
2200:Henri Fantin-Latour
2152:Hierarchy of genres
1959:Jean-Baptiste Oudry
1850:Jean-Baptiste Oudry
1681:Large Milan Bouquet
1627:, Municipal Library
1008:Adriaen van Utrecht
944:Groot Schilderboeck
779:hierarchy of genres
750:(Jacopo Chimenti),
739:Seventeenth century
476:Great Piece of Turf
428:Engelbert of Nassau
371:The development of
349:, probably made in
139:hierarchy of genres
7266:Visual arts genres
7163:Landscape painting
6771:New Leipzig School
6711:Neo-conceptual art
6459:Art & Language
6454:Capitalist realism
6376:Florida Highwaymen
6312:Hard-edge painting
6126:Streamline Moderne
6087:Harlem Renaissance
5930:Novecento Italiano
5758:Deutscher Werkbund
5585:Post-Impressionism
5147:Latin American art
4951:Guild of Romanists
4813:German Renaissance
4808:Northern Mannerism
4036:Sergei V. Ivanov,
3837:Michel 1960, p. ii
3800:Zuffi, p. 288, 298
3653:Juan van der Hamen
3495:Books.google.co.uk
3343:Memlings Portraits
3159:
3151:computer generated
2878:, who began as an
2650:
2630:
2434:Lilacs in a Window
2211:Post-Impressionist
2144:Académie française
2140:
2123:
2095:Nineteenth century
1829:
1813:Eighteenth century
1762:private collection
1629:
1603:
1511:
1110:Vanitas-Still Life
1091:Fitzwilliam Museum
984:Hendrick van Balen
917:Northern Mannerist
838:
823:
763:
706:Juan Sánchez Cotán
646:Juan Sánchez Cotán
621:
559:Joachim Beuckelaer
526:
515:Joachim Beuckelaer
492:Jacopo de' Barbari
312:
196:
169:
65:
49:Juan Sánchez Cotán
7281:Netherlandish art
7253:
7252:
7035:
7034:
6891:Corporate Memphis
6844:Classical Realism
6814:Amazonian pop art
6706:Appropriation art
6674:Neo-expressionism
6544:Environmental art
6449:Nouvelle tendance
6166:
6165:
6114:Socialist realism
5971:Dresden Secession
5590:Neo-Impressionism
5553:Decadent movement
5524:Heidelberg School
5418:
5417:
5316:American luminism
5301:DĂĽsseldorf School
5296:Shoreham Ancients
5286:Nazarene movement
5276:Danish Golden Age
5157:Indochristian art
4835:Antwerp Mannerism
4724:Pittura infamante
4718:Florentine School
4713:Proto-Renaissance
4150:Media related to
4090:Langmuir, Erica,
4054:978-5-901724-21-7
3816:Michel 1960, p. i
3571:Taylor, pp. 56–76
3276:Book XXXV.112 of
2604:Twentieth century
2265:Charles Bird King
2221:also discards in
1848:animal subjects.
1673:Federico Borromeo
1419:Skokloster Castle
1221:Peter Paul Rubens
894:Emperor Rudolf II
884:(1542–1601) made
848:derives from the
685:Annibale Carracci
579:Annibale Carracci
529:Sixteenth century
506:Later Renaissance
442:Detail of one of
382:Leonardo da Vinci
273:portrait painting
240:Omnia mors aequat
179:wall painting in
121:computer graphics
83:depicting mostly
16:(Redirected from
7288:
7243:
7242:
7227:Western painting
7173:Modern sculpture
7131:History painting
6834:Art intervention
6627:Installation art
6444:Nouveau réalisme
6184:
6183:
6158:Leningrad School
6050:Mexican muralism
6023:Grosvenor School
5763:American Realism
5746:Der Blaue Reiter
5704:Berlin Secession
5699:Vienna Secession
5694:Munich Secession
5612:Pont-Aven School
5431:
5430:
5281:Troubadour style
5259:(c. 1770 – 1862)
5226:Qing handicrafts
5192:Western elements
5123:Letras y figuras
5096:African-American
5091:African diaspora
5062:Directoire style
4973:Heptanese school
4956:Dutch Golden Age
4941:Stroganov School
4934:Lutheran Baroque
4929:Louis XIII style
4902:Baroque in Milan
4764:Bolognese School
4759:High Renaissance
4742:Forlivese School
4737:Ferrarese School
4460:Migration Period
4224:
4223:
4182:
4175:
4168:
4159:
4158:
4149:
4107:Slive, Seymour,
4057:
4034:
4028:
4025:
4019:
4016:
4010:
4007:
4001:
3998:
3992:
3989:
3983:
3969:
3963:
3960:
3954:
3951:
3942:
3928:
3922:
3919:
3913:
3910:
3904:
3901:
3895:
3892:
3886:
3883:
3877:
3874:
3868:
3865:
3856:
3853:
3847:
3844:
3838:
3835:
3826:
3823:
3817:
3814:
3801:
3798:
3792:
3789:
3783:
3780:
3774:
3771:
3765:
3755:Baroque Painting
3751:
3745:
3742:
3736:
3733:
3727:
3717:
3711:
3708:
3702:
3697:
3681:
3671:
3665:
3662:
3656:
3649:
3643:
3640:
3634:
3631:
3625:
3622:
3616:
3613:
3607:
3602:
3596:
3587:
3581:
3578:
3572:
3569:
3563:
3560:
3554:
3551:
3545:
3531:
3525:
3522:
3516:
3513:
3507:
3504:
3498:
3492:
3486:
3480:
3474:
3471:
3465:
3462:
3456:
3453:
3447:
3444:
3438:
3435:
3429:
3426:
3420:
3417:
3411:
3408:
3402:
3399:
3393:
3390:
3384:
3381:
3375:
3372:
3366:
3363:
3357:
3354:
3348:
3339:
3333:
3330:
3321:
3318:
3309:
3306:
3300:
3297:
3291:
3288:
3282:
3274:
3268:
3265:
3259:
3256:
3250:
3247:
3131:
3128:
3113:
3094:
3072:
3059:
3056:
3043:
3021:
2999:
2980:
2965:Hermitage Museum
2961:Dishes and Fruit
2953:
2906:Evgenia Antipova
2845:Roy Lichtenstein
2807:Georgia O'Keeffe
2803:American realism
2678:Édouard Vuillard
2584:
2573:chromolithograph
2561:
2535:
2516:
2490:
2467:
2445:
2426:
2407:
2388:
2366:
2344:
2326:Eugène Delacroix
2322:
2303:
2237:Vincent van Gogh
2188:Eugène Delacroix
2104:Vincent van Gogh
2088:
2085:
2072:
2062:
2059:
2046:
2023:
2013:
2010:
1997:
1978:
1955:
1945:
1942:
1929:
1910:
1798:
1776:Giovanna Garzoni
1772:
1759:
1756:
1743:
1733:
1730:
1725:Apples in a Dish
1717:
1685:Bernardo Strozzi
1670:
1667:
1641:Laura Bernasconi
1637:Giovanna Garzoni
1622:
1619:
1600:
1470:
1455:
1442:
1439:
1430:
1411:
1401:
1398:
1385:
1371:
1368:
1359:
1349:
1346:
1333:
1323:
1320:
1307:
1288:
1269:
1259:
1256:
1243:
1233:
1230:
1217:
1163:
1160:
1152:
1149:
1140:
1125:Jan Jansz. Treck
1121:
1102:
1088:
1085:
1072:
1059:
1056:
1048:
1045:
1036:
974:In the Catholic
919:artists such as
913:Karel van Mander
760:
757:
748:Jacopo da Empoli
723:
702:
681:
662:
488:
467:
458:
455:
439:
419:
232:Villa Boscoreale
207:is mentioned by
200:ancient Egyptian
183:(around 70 AD),
144:
104:Western painting
74:
62:
27:Type of painting
21:
7296:
7295:
7291:
7290:
7289:
7287:
7286:
7285:
7256:
7255:
7254:
7249:
7231:
7148:Interactive art
7031:
7005:SoFlo Superflat
6930:Kitsch movement
6854:Africanfuturism
6806:
6800:
6679:Transavantgarde
6610:
6564:Light and Space
6549:Performance art
6529:Psychedelic art
6412:Nueva Presencia
6402:Otra FiguraciĂłn
6390:
6322:Les Plasticiens
6307:New York School
6285:Action painting
6270:Metcalf Chateau
6179:
6174:
6162:
6082:Cercle et Carré
6018:New Objectivity
5925:Return to order
5867:School of Paris
5845:
5689:School of Paris
5650:
5536:Arts and Crafts
5441:Neo-romanticism
5426:
5414:
5410:Etching revival
5362:Barbizon school
5306:Pre-Raphaelites
5258:
5255:
5248:
5191:
5185:
5078:
5052:Louis XVI style
4994:
4983:Louis XIV style
4946:Animal painting
4907:Flemish Baroque
4885:
4796:World landscape
4747:Venetian School
4689:
4676:Majorcan school
4643:Novgorod School
4633:Lucchese School
4605:Opus Anglicanum
4597:Norman-Sicilian
4541:Italo-Byzantine
4441:Early Christian
4422:
4406:Pompeian Styles
4219:
4213:
4200:
4186:
4142:
4137:
4071:“Focus on Art”.
4069:Berman, Greta.
4065:
4060:
4035:
4031:
4026:
4022:
4017:
4013:
4008:
4004:
3999:
3995:
3990:
3986:
3970:
3966:
3961:
3957:
3952:
3945:
3932:Modern Painting
3929:
3925:
3920:
3916:
3911:
3907:
3902:
3898:
3893:
3889:
3884:
3880:
3875:
3871:
3866:
3859:
3854:
3850:
3845:
3841:
3836:
3829:
3824:
3820:
3815:
3804:
3799:
3795:
3790:
3786:
3781:
3777:
3772:
3768:
3752:
3748:
3743:
3739:
3734:
3730:
3718:
3714:
3709:
3705:
3694:
3672:
3668:
3663:
3659:
3650:
3646:
3641:
3637:
3632:
3628:
3623:
3619:
3614:
3610:
3603:
3599:
3590:Susan Merriam,
3588:
3584:
3579:
3575:
3570:
3566:
3561:
3557:
3552:
3548:
3532:
3528:
3523:
3519:
3514:
3510:
3505:
3501:
3493:
3489:
3481:
3477:
3472:
3468:
3463:
3459:
3454:
3450:
3445:
3441:
3436:
3432:
3427:
3423:
3418:
3414:
3409:
3405:
3400:
3396:
3391:
3387:
3382:
3378:
3373:
3369:
3364:
3360:
3355:
3351:
3340:
3336:
3331:
3324:
3319:
3312:
3307:
3303:
3298:
3294:
3289:
3285:
3279:Natural History
3275:
3271:
3266:
3262:
3258:Langmuir, 13–14
3257:
3253:
3248:
3244:
3240:
3208:
3200:manually render
3143:
3136:
3134:MAMC Strasbourg
3129:
3114:
3105:
3095:
3086:
3073:
3064:
3062:Brooklyn Museum
3057:
3051:Handsome Drinks
3047:Marsden Hartley
3044:
3035:
3022:
3013:
3000:
2991:
2981:
2972:
2954:
2945:
2914:Sergei Zakharov
2910:Gevork Kotiantz
2815:Marsden Hartley
2776:Giorgio Morandi
2655:Jackson Pollock
2627:Munich, Germany
2606:
2599:
2585:
2576:
2562:
2553:
2539:William Harnett
2536:
2527:
2520:William Harnett
2517:
2508:
2491:
2482:
2468:
2459:
2446:
2437:
2432:, (1844–1926),
2427:
2418:
2408:
2399:
2394:, (1836–1904),
2389:
2380:
2367:
2358:
2350:, (1848–1894),
2345:
2336:
2323:
2314:
2304:
2295:
2261:John F. Francis
2257:Raphaelle Peale
2184:Gustave Courbet
2131:Mound of Butter
2097:
2090:
2086:
2073:
2064:
2060:
2047:
2038:
2024:
2015:
2011:
1998:
1989:
1979:
1970:
1956:
1947:
1943:
1930:
1921:
1914:Carl Hofverberg
1911:
1894:French monarchy
1815:
1808:
1799:
1790:
1773:
1764:
1757:
1749:, (1578–1630),
1744:
1735:
1731:
1718:
1709:
1707:Italian gallery
1668:
1661:Basket of Fruit
1620:
1597:Museo del Prado
1567:breakfast piece
1544:breakfast piece
1495:Diego Velázquez
1488:
1486:Southern Europe
1481:
1471:
1462:
1456:
1447:
1440:
1431:
1422:
1412:
1403:
1399:
1386:
1377:
1369:
1360:
1351:
1347:
1334:
1325:
1321:
1308:
1299:
1289:
1280:
1270:
1261:
1257:
1244:
1235:
1231:
1218:
1209:
1169:
1166:Musée du Louvre
1161:
1150:
1141:
1132:
1122:
1113:
1103:
1094:
1086:
1080:Vase of Flowers
1073:
1064:
1057:
1046:
1037:
904:, published by
882:Joris Hoefnagel
860:. 15th-century
809:
799:
758:
741:
734:
724:
715:
703:
694:
682:
673:
663:
654:
537:
531:
508:
501:
489:
480:
468:
459:
456:
440:
431:
420:
396:Petrus Christus
308:Vase of Flowers
300:Vase of Flowers
289:
269:Pliny the Elder
209:Pliny the Elder
157:
142:
59:Museo del Prado
42:
35:
28:
23:
22:
15:
12:
11:
5:
7294:
7284:
7283:
7278:
7273:
7268:
7251:
7250:
7248:
7247:
7236:
7233:
7232:
7230:
7229:
7224:
7217:
7212:
7207:
7202:
7197:
7192:
7187:
7182:
7181:
7180:
7178:Late modernism
7175:
7165:
7160:
7155:
7150:
7145:
7140:
7135:
7134:
7133:
7128:
7126:Genre painting
7118:
7113:
7108:
7103:
7102:
7101:
7096:
7091:
7086:
7076:
7074:Ballets Russes
7071:
7066:
7061:
7060:
7059:
7057:Asemic writing
7049:
7047:History of art
7043:
7041:
7040:Related topics
7037:
7036:
7033:
7032:
7030:
7029:
7024:
7019:
7014:
7013:
7012:
7007:
6997:
6992:
6987:
6982:
6977:
6975:Relational art
6972:
6967:
6962:
6957:
6952:
6947:
6942:
6937:
6932:
6927:
6922:
6921:
6920:
6910:
6905:
6900:
6898:Hypermodernism
6895:
6894:
6893:
6883:
6878:
6873:
6868:
6863:
6858:
6857:
6856:
6846:
6841:
6836:
6831:
6826:
6821:
6816:
6810:
6808:
6802:
6801:
6799:
6798:
6793:
6788:
6783:
6778:
6773:
6768:
6763:
6758:
6753:
6748:
6743:
6738:
6733:
6728:
6723:
6718:
6713:
6708:
6703:
6698:
6693:
6688:
6683:
6682:
6681:
6671:
6666:
6661:
6656:
6655:
6654:
6644:
6639:
6637:Postminimalism
6634:
6629:
6624:
6618:
6616:
6612:
6611:
6609:
6608:
6603:
6598:
6593:
6588:
6583:
6582:
6581:
6571:
6566:
6561:
6556:
6551:
6546:
6541:
6536:
6531:
6526:
6521:
6516:
6514:Generative art
6511:
6506:
6501:
6496:
6491:
6486:
6484:Conceptual art
6481:
6476:
6471:
6466:
6461:
6456:
6451:
6446:
6441:
6436:
6435:
6434:
6424:
6419:
6414:
6409:
6404:
6398:
6396:
6392:
6391:
6389:
6388:
6383:
6381:Cybernetic art
6378:
6373:
6372:
6371:
6369:Ultra-Lettrist
6366:
6356:
6355:
6354:
6344:
6339:
6334:
6329:
6324:
6319:
6314:
6309:
6304:
6299:
6298:
6297:
6287:
6282:
6277:
6272:
6267:
6262:
6257:
6256:
6255:
6250:
6245:
6243:Arte Informale
6240:
6230:
6225:
6220:
6219:
6218:
6208:
6207:
6206:
6196:
6190:
6188:
6181:
6180:(1945–present)
6168:
6167:
6164:
6163:
6161:
6160:
6155:
6150:
6145:
6140:
6139:
6138:
6128:
6123:
6122:
6121:
6116:
6109:Heroic realism
6106:
6105:
6104:
6094:
6089:
6084:
6079:
6074:
6069:
6062:
6057:
6052:
6047:
6046:
6045:
6043:Latin American
6040:
6030:
6025:
6020:
6015:
6013:Group of Seven
6010:
6005:
6000:
5995:
5994:
5993:
5983:
5978:
5976:Social realism
5973:
5968:
5963:
5962:
5961:
5959:November Group
5951:
5950:
5949:
5944:
5934:
5933:
5932:
5922:
5917:
5916:
5915:
5903:
5898:
5893:
5892:
5891:
5890:
5889:
5882:Latin American
5877:Constructivism
5874:
5872:Crystal Cubism
5869:
5864:
5859:
5853:
5851:
5847:
5846:
5844:
5843:
5838:
5833:
5828:
5823:
5818:
5813:
5812:
5811:
5801:
5796:
5789:
5788:
5787:
5782:
5772:
5771:
5770:
5760:
5755:
5750:
5749:
5748:
5743:
5733:
5728:
5723:
5718:
5713:
5712:
5711:
5706:
5701:
5696:
5686:
5681:
5676:
5671:
5670:
5669:
5658:
5656:
5652:
5651:
5649:
5648:
5643:
5642:
5641:
5631:
5630:
5629:
5624:
5619:
5614:
5609:
5604:
5599:
5598:
5597:
5582:
5577:
5575:Volcano School
5572:
5571:
5570:
5565:
5555:
5550:
5545:
5544:
5543:
5533:
5528:
5527:
5526:
5521:
5516:
5511:
5510:
5509:
5504:
5489:
5484:
5479:
5474:
5473:
5472:
5460:
5455:
5450:
5449:
5448:
5437:
5435:
5428:
5420:
5419:
5416:
5415:
5413:
5412:
5407:
5406:
5405:
5400:
5399:
5398:
5383:
5382:
5381:
5380:
5379:
5369:
5364:
5354:
5349:
5348:
5347:
5337:
5332:
5330:Norwich School
5327:
5322:
5321:
5320:
5319:
5318:
5308:
5303:
5298:
5293:
5288:
5283:
5278:
5273:
5271:Fairy painting
5262:
5260:
5250:
5249:
5247:
5246:
5245:
5244:
5239:
5228:
5223:
5218:
5213:
5208:
5207:
5206:
5195:
5193:
5187:
5186:
5184:
5183:
5182:
5181:
5176:
5175:
5174:
5169:
5164:
5162:Chilote School
5154:
5152:Casta painting
5144:
5143:
5142:
5137:
5132:
5131:
5130:
5128:Tipos del PaĂs
5125:
5112:
5111:
5110:
5109:
5108:
5098:
5086:
5084:
5080:
5079:
5077:
5076:
5071:
5070:
5069:
5064:
5059:
5054:
5049:
5037:
5036:
5035:
5028:
5023:
5018:
5016:Louis XV style
5013:
5002:
5000:
4996:
4995:
4993:
4992:
4991:
4990:
4985:
4975:
4970:
4965:
4964:
4963:
4953:
4948:
4943:
4938:
4937:
4936:
4931:
4926:
4925:
4924:
4919:
4909:
4904:
4893:
4891:
4887:
4886:
4884:
4883:
4878:
4873:
4868:
4863:
4862:
4861:
4851:
4850:
4849:
4848:
4847:
4842:
4837:
4827:
4826:
4825:
4820:
4818:Cologne School
4810:
4805:
4800:
4799:
4798:
4783:
4782:
4781:
4780:
4779:
4771:
4766:
4761:
4751:
4750:
4749:
4744:
4739:
4729:
4728:
4727:
4720:
4715:
4699:
4697:
4691:
4690:
4688:
4687:
4686:
4685:
4678:
4673:
4671:Italian school
4662:
4657:
4656:
4655:
4653:Sienese School
4645:
4640:
4635:
4630:
4629:
4628:
4623:
4618:
4608:
4601:
4600:
4599:
4589:
4588:
4587:
4582:
4572:
4567:
4566:
4565:
4563:Pre-Romanesque
4560:
4555:
4545:
4544:
4543:
4538:
4533:
4528:
4518:
4513:
4512:
4511:
4499:
4494:
4492:Donor portrait
4489:
4488:
4487:
4482:
4477:
4472:
4467:
4457:
4456:
4455:
4445:
4444:
4443:
4432:
4430:
4424:
4423:
4421:
4420:
4419:
4418:
4413:
4408:
4403:
4401:Julio-Claudian
4398:
4393:
4383:
4378:
4373:
4368:
4363:
4362:
4361:
4360:
4359:
4354:
4353:
4352:
4350:Greco-Buddhist
4342:
4332:
4327:
4322:
4317:
4312:
4307:
4302:
4297:
4292:
4290:Protogeometric
4287:
4277:
4276:
4275:
4270:
4265:
4260:
4250:
4245:
4244:
4243:
4232:
4230:
4221:
4215:
4214:
4205:
4202:
4201:
4185:
4184:
4177:
4170:
4162:
4156:
4155:
4141:
4140:External links
4138:
4136:
4135:
4119:
4105:
4102:
4088:
4074:
4066:
4064:
4061:
4059:
4058:
4029:
4020:
4011:
4002:
3993:
3984:
3964:
3955:
3943:
3923:
3914:
3905:
3896:
3887:
3878:
3869:
3857:
3848:
3839:
3827:
3818:
3802:
3793:
3784:
3775:
3766:
3746:
3737:
3728:
3712:
3703:
3692:
3666:
3657:
3644:
3635:
3626:
3617:
3608:
3597:
3582:
3573:
3564:
3562:Taylor, p. 197
3555:
3553:Taylor, p. 129
3546:
3526:
3517:
3508:
3499:
3487:
3475:
3466:
3457:
3448:
3439:
3430:
3421:
3412:
3403:
3394:
3385:
3376:
3367:
3358:
3349:
3334:
3322:
3310:
3301:
3292:
3283:
3269:
3260:
3251:
3241:
3239:
3236:
3235:
3234:
3229:
3224:
3219:
3214:
3207:
3204:
3196:Visual artists
3184:photorealistic
3142:
3139:
3138:
3137:
3117:Pierre Bonnard
3115:
3108:
3106:
3096:
3089:
3087:
3074:
3067:
3065:
3045:
3038:
3036:
3023:
3016:
3014:
3003:Georges Braque
3001:
2994:
2992:
2982:
2975:
2973:
2969:St. Petersburg
2955:
2948:
2944:
2941:
2924:, and others.
2922:Maya Kopitseva
2918:Taisia Afonina
2902:Victor Teterin
2880:abstractionist
2876:Avigdor Arikha
2868:Painted Bronze
2853:Wayne Thiebaud
2756:Marcel Duchamp
2735:Georges Braque
2674:Pierre Bonnard
2637:Jean Metzinger
2605:
2602:
2601:
2600:
2586:
2579:
2577:
2563:
2556:
2554:
2537:
2530:
2528:
2524:After the Hunt
2518:
2511:
2509:
2492:
2485:
2483:
2469:
2462:
2460:
2447:
2440:
2438:
2428:
2421:
2419:
2409:
2402:
2400:
2390:
2383:
2381:
2368:
2361:
2359:
2346:
2339:
2337:
2324:
2317:
2315:
2307:Francisco Goya
2305:
2298:
2294:
2291:
2180:Francisco Goya
2164:John Constable
2156:artistic merit
2136:Antoine Vollon
2096:
2093:
2092:
2091:
2074:
2067:
2065:
2048:
2041:
2039:
2035:Pronkstilleven
2025:
2018:
2016:
1999:
1992:
1990:
1980:
1973:
1971:
1963:The White Duck
1957:
1950:
1948:
1931:
1924:
1922:
1912:
1905:
1814:
1811:
1810:
1809:
1800:
1793:
1791:
1774:
1767:
1765:
1745:
1738:
1736:
1719:
1712:
1708:
1705:
1554:flower bouquet
1487:
1484:
1483:
1482:
1472:
1465:
1463:
1457:
1450:
1448:
1432:
1425:
1423:
1413:
1406:
1404:
1387:
1380:
1378:
1361:
1354:
1352:
1335:
1328:
1326:
1309:
1302:
1300:
1290:
1283:
1281:
1271:
1264:
1262:
1245:
1238:
1236:
1219:
1212:
1208:
1205:
1171:
1170:
1142:
1135:
1133:
1123:
1116:
1114:
1104:
1097:
1095:
1074:
1067:
1065:
1038:
1031:
1012:Dutch Republic
996:pronkstilleven
989:Daniel Seghers
866:panel painting
798:
795:
775:André Félibien
740:
737:
736:
735:
725:
718:
716:
704:
697:
695:
690:Butcher's Shop
683:
676:
674:
666:Pieter Aertsen
664:
657:
653:
650:
599:and his pupil
589:Vincenzo Campi
584:Butcher's Shop
572:genre painting
545:Pieter Aertsen
530:
527:
507:
504:
503:
502:
490:
483:
481:
471:Albrecht DĂĽrer
469:
462:
460:
441:
434:
432:
421:
414:
390:Albrecht DĂĽrer
384:, who created
288:
285:
277:genre painting
156:
153:
26:
9:
6:
4:
3:
2:
7293:
7282:
7279:
7277:
7274:
7272:
7269:
7267:
7264:
7263:
7261:
7246:
7238:
7237:
7234:
7228:
7225:
7223:
7222:
7218:
7216:
7213:
7211:
7208:
7206:
7203:
7201:
7198:
7196:
7193:
7191:
7188:
7186:
7183:
7179:
7176:
7174:
7171:
7170:
7169:
7166:
7164:
7161:
7159:
7156:
7154:
7151:
7149:
7146:
7144:
7141:
7139:
7136:
7132:
7129:
7127:
7124:
7123:
7122:
7119:
7117:
7114:
7112:
7111:Fantastic art
7109:
7107:
7104:
7100:
7097:
7095:
7092:
7090:
7087:
7085:
7082:
7081:
7080:
7079:Christian art
7077:
7075:
7072:
7070:
7067:
7065:
7062:
7058:
7055:
7054:
7053:
7050:
7048:
7045:
7044:
7042:
7038:
7028:
7025:
7023:
7020:
7018:
7015:
7011:
7008:
7006:
7003:
7002:
7001:
6998:
6996:
6993:
6991:
6988:
6986:
6983:
6981:
6980:Skeuomorphism
6978:
6976:
6973:
6971:
6968:
6966:
6963:
6961:
6958:
6956:
6953:
6951:
6948:
6946:
6943:
6941:
6940:Massurrealism
6938:
6936:
6935:Lightpainting
6933:
6931:
6928:
6926:
6923:
6919:
6918:Post-Internet
6916:
6915:
6914:
6911:
6909:
6906:
6904:
6901:
6899:
6896:
6892:
6889:
6888:
6887:
6884:
6882:
6879:
6877:
6874:
6872:
6869:
6867:
6864:
6862:
6859:
6855:
6852:
6851:
6850:
6847:
6845:
6842:
6840:
6837:
6835:
6832:
6830:
6827:
6825:
6822:
6820:
6817:
6815:
6812:
6811:
6809:
6803:
6797:
6794:
6792:
6791:Grunge design
6789:
6787:
6784:
6782:
6779:
6777:
6774:
6772:
6769:
6767:
6764:
6762:
6759:
6757:
6754:
6752:
6749:
6747:
6746:Retrofuturism
6744:
6742:
6741:Scratch video
6739:
6737:
6734:
6732:
6729:
6727:
6726:Memphis Group
6724:
6722:
6719:
6717:
6714:
6712:
6709:
6707:
6704:
6702:
6701:Telematic art
6699:
6697:
6694:
6692:
6691:Guerrilla art
6689:
6687:
6684:
6680:
6677:
6676:
6675:
6672:
6670:
6667:
6665:
6662:
6660:
6657:
6653:
6650:
6649:
6648:
6645:
6643:
6642:Endurance art
6640:
6638:
6635:
6633:
6630:
6628:
6625:
6623:
6620:
6619:
6617:
6613:
6607:
6604:
6602:
6599:
6597:
6594:
6592:
6589:
6587:
6584:
6580:
6577:
6576:
6575:
6572:
6570:
6567:
6565:
6562:
6560:
6557:
6555:
6552:
6550:
6547:
6545:
6542:
6540:
6537:
6535:
6532:
6530:
6527:
6525:
6522:
6520:
6517:
6515:
6512:
6510:
6507:
6505:
6502:
6500:
6497:
6495:
6492:
6490:
6487:
6485:
6482:
6480:
6477:
6475:
6472:
6470:
6467:
6465:
6462:
6460:
6457:
6455:
6452:
6450:
6447:
6445:
6442:
6440:
6437:
6433:
6430:
6429:
6428:
6425:
6423:
6420:
6418:
6415:
6413:
6410:
6408:
6405:
6403:
6400:
6399:
6397:
6393:
6387:
6384:
6382:
6379:
6377:
6374:
6370:
6367:
6365:
6362:
6361:
6360:
6357:
6353:
6350:
6349:
6348:
6345:
6343:
6340:
6338:
6335:
6333:
6330:
6328:
6325:
6323:
6320:
6318:
6315:
6313:
6310:
6308:
6305:
6303:
6302:New media art
6300:
6296:
6293:
6292:
6291:
6288:
6286:
6283:
6281:
6280:Nanyang Style
6278:
6276:
6273:
6271:
6268:
6266:
6263:
6261:
6258:
6254:
6251:
6249:
6246:
6244:
6241:
6239:
6236:
6235:
6234:
6231:
6229:
6226:
6224:
6221:
6217:
6214:
6213:
6212:
6211:Visionary art
6209:
6205:
6202:
6201:
6200:
6197:
6195:
6192:
6191:
6189:
6185:
6182:
6178:
6173:
6169:
6159:
6156:
6154:
6151:
6149:
6146:
6144:
6141:
6137:
6134:
6133:
6132:
6129:
6127:
6124:
6120:
6117:
6115:
6112:
6111:
6110:
6107:
6103:
6100:
6099:
6098:
6095:
6093:
6090:
6088:
6085:
6083:
6080:
6078:
6077:Scuola Romana
6075:
6073:
6070:
6068:
6067:
6063:
6061:
6058:
6056:
6053:
6051:
6048:
6044:
6041:
6039:
6036:
6035:
6034:
6031:
6029:
6026:
6024:
6021:
6019:
6016:
6014:
6011:
6009:
6006:
6004:
6003:Anthropophagy
6001:
5999:
5996:
5992:
5989:
5988:
5987:
5986:Functionalism
5984:
5982:
5979:
5977:
5974:
5972:
5969:
5967:
5964:
5960:
5957:
5956:
5955:
5952:
5948:
5945:
5943:
5940:
5939:
5938:
5935:
5931:
5928:
5927:
5926:
5923:
5921:
5918:
5914:
5913:
5909:
5908:
5907:
5906:Neoplasticism
5904:
5902:
5899:
5897:
5894:
5888:
5885:
5884:
5883:
5880:
5879:
5878:
5875:
5873:
5870:
5868:
5865:
5863:
5860:
5858:
5855:
5854:
5852:
5848:
5842:
5839:
5837:
5834:
5832:
5829:
5827:
5824:
5822:
5819:
5817:
5814:
5810:
5809:Cubo-Futurism
5807:
5806:
5805:
5802:
5800:
5797:
5795:
5794:
5790:
5786:
5783:
5781:
5778:
5777:
5776:
5773:
5769:
5768:Ashcan School
5766:
5765:
5764:
5761:
5759:
5756:
5754:
5751:
5747:
5744:
5742:
5739:
5738:
5737:
5736:Expressionism
5734:
5732:
5729:
5727:
5724:
5722:
5721:Mir iskusstva
5719:
5717:
5714:
5710:
5707:
5705:
5702:
5700:
5697:
5695:
5692:
5691:
5690:
5687:
5685:
5682:
5680:
5677:
5675:
5672:
5668:
5665:
5664:
5663:
5660:
5659:
5657:
5653:
5647:
5644:
5640:
5637:
5636:
5635:
5632:
5628:
5625:
5623:
5620:
5618:
5615:
5613:
5610:
5608:
5605:
5603:
5600:
5596:
5593:
5592:
5591:
5588:
5587:
5586:
5583:
5581:
5578:
5576:
5573:
5569:
5566:
5564:
5561:
5560:
5559:
5556:
5554:
5551:
5549:
5546:
5542:
5539:
5538:
5537:
5534:
5532:
5529:
5525:
5522:
5520:
5517:
5515:
5512:
5508:
5507:Boston School
5505:
5503:
5502:Hoosier Group
5500:
5499:
5498:
5495:
5494:
5493:
5492:Impressionism
5490:
5488:
5487:Peredvizhniki
5485:
5483:
5480:
5478:
5477:Beuron School
5475:
5471:
5468:
5467:
5466:
5465:
5461:
5459:
5456:
5454:
5451:
5447:
5444:
5443:
5442:
5439:
5438:
5436:
5432:
5429:
5425:
5421:
5411:
5408:
5404:
5401:
5397:
5394:
5393:
5392:
5391:Munich School
5389:
5388:
5387:
5384:
5378:
5375:
5374:
5373:
5370:
5368:
5365:
5363:
5360:
5359:
5358:
5355:
5353:
5350:
5346:
5343:
5342:
5341:
5338:
5336:
5333:
5331:
5328:
5326:
5323:
5317:
5314:
5313:
5312:
5309:
5307:
5304:
5302:
5299:
5297:
5294:
5292:
5289:
5287:
5284:
5282:
5279:
5277:
5274:
5272:
5269:
5268:
5267:
5264:
5263:
5261:
5257:
5251:
5243:
5240:
5238:
5235:
5234:
5233:
5229:
5227:
5224:
5222:
5219:
5217:
5214:
5212:
5209:
5205:
5202:
5201:
5200:
5197:
5196:
5194:
5190:Art borrowing
5188:
5180:
5177:
5173:
5170:
5168:
5165:
5163:
5160:
5159:
5158:
5155:
5153:
5150:
5149:
5148:
5145:
5141:
5140:Company style
5138:
5136:
5133:
5129:
5126:
5124:
5121:
5120:
5119:
5116:
5115:
5113:
5107:
5104:
5103:
5102:
5099:
5097:
5094:
5093:
5092:
5088:
5087:
5085:
5081:
5075:
5072:
5068:
5065:
5063:
5060:
5058:
5055:
5053:
5050:
5048:
5047:
5043:
5042:
5041:
5040:Neoclassicism
5038:
5034:
5033:
5029:
5027:
5024:
5022:
5019:
5017:
5014:
5012:
5009:
5008:
5007:
5004:
5003:
5001:
4997:
4989:
4986:
4984:
4981:
4980:
4979:
4976:
4974:
4971:
4969:
4966:
4962:
4959:
4958:
4957:
4954:
4952:
4949:
4947:
4944:
4942:
4939:
4935:
4932:
4930:
4927:
4923:
4920:
4918:
4915:
4914:
4913:
4910:
4908:
4905:
4903:
4900:
4899:
4898:
4895:
4894:
4892:
4888:
4882:
4879:
4877:
4874:
4872:
4869:
4867:
4866:Cretan School
4864:
4860:
4857:
4856:
4855:
4852:
4846:
4843:
4841:
4838:
4836:
4833:
4832:
4831:
4828:
4824:
4823:Danube school
4821:
4819:
4816:
4815:
4814:
4811:
4809:
4806:
4804:
4801:
4797:
4794:
4793:
4792:
4789:
4788:
4787:
4784:
4778:
4777:
4772:
4770:
4767:
4765:
4762:
4760:
4757:
4756:
4755:
4752:
4748:
4745:
4743:
4740:
4738:
4735:
4734:
4733:
4730:
4726:
4725:
4721:
4719:
4716:
4714:
4711:
4710:
4709:
4706:
4705:
4704:
4701:
4700:
4698:
4696:
4692:
4684:
4683:
4679:
4677:
4674:
4672:
4669:
4668:
4667:
4663:
4661:
4658:
4654:
4651:
4650:
4649:
4646:
4644:
4641:
4639:
4636:
4634:
4631:
4627:
4624:
4622:
4619:
4617:
4614:
4613:
4612:
4609:
4607:
4606:
4602:
4598:
4595:
4594:
4593:
4590:
4586:
4583:
4581:
4578:
4577:
4576:
4573:
4571:
4568:
4564:
4561:
4559:
4556:
4554:
4551:
4550:
4549:
4546:
4542:
4539:
4537:
4534:
4532:
4529:
4527:
4524:
4523:
4522:
4519:
4517:
4514:
4510:
4509:
4505:
4504:
4503:
4500:
4498:
4495:
4493:
4490:
4486:
4483:
4481:
4478:
4476:
4473:
4471:
4468:
4466:
4463:
4462:
4461:
4458:
4454:
4451:
4450:
4449:
4446:
4442:
4439:
4438:
4437:
4434:
4433:
4431:
4429:
4425:
4417:
4414:
4412:
4409:
4407:
4404:
4402:
4399:
4397:
4394:
4392:
4389:
4388:
4387:
4384:
4382:
4379:
4377:
4374:
4372:
4369:
4367:
4364:
4358:
4355:
4351:
4348:
4347:
4346:
4343:
4341:
4338:
4337:
4336:
4333:
4331:
4328:
4326:
4323:
4321:
4318:
4316:
4313:
4311:
4308:
4306:
4303:
4301:
4300:Orientalizing
4298:
4296:
4293:
4291:
4288:
4286:
4285:Sub-Mycenaean
4283:
4282:
4281:
4278:
4274:
4271:
4269:
4266:
4264:
4261:
4259:
4256:
4255:
4254:
4251:
4249:
4246:
4242:
4239:
4238:
4237:
4234:
4233:
4231:
4229:
4225:
4222:
4216:
4212:
4208:
4203:
4199:art movements
4198:
4194:
4190:
4183:
4178:
4176:
4171:
4169:
4164:
4163:
4160:
4153:
4148:
4144:
4143:
4134:
4133:0-300-07038-1
4130:
4126:
4125:
4120:
4118:
4117:0-300-07451-4
4114:
4110:
4106:
4103:
4101:
4097:
4093:
4089:
4087:
4086:0-8109-4190-2
4083:
4079:
4075:
4072:
4068:
4067:
4055:
4051:
4047:
4046:5-901724-21-6
4043:
4039:
4033:
4024:
4015:
4006:
4000:Piper, p. 639
3997:
3988:
3982:
3981:0-517-62336-6
3978:
3974:
3971:David Piper,
3968:
3959:
3950:
3948:
3941:
3940:0-7641-5119-3
3937:
3933:
3927:
3918:
3909:
3900:
3891:
3882:
3873:
3864:
3862:
3852:
3843:
3834:
3832:
3822:
3813:
3811:
3809:
3807:
3797:
3788:
3779:
3773:Zuffi, p. 175
3770:
3764:
3763:0-7641-5214-9
3760:
3756:
3750:
3741:
3732:
3725:
3721:
3716:
3707:
3700:
3695:
3693:9780500233894
3689:
3685:
3680:
3679:
3670:
3664:Zuffi, p. 260
3661:
3654:
3648:
3639:
3630:
3621:
3612:
3606:
3601:
3594:
3593:
3586:
3577:
3568:
3559:
3550:
3544:
3543:0-300-05390-8
3540:
3536:
3533:Paul Taylor,
3530:
3521:
3512:
3506:Slive 277–279
3503:
3497:, translation
3496:
3491:
3484:
3479:
3470:
3461:
3452:
3443:
3434:
3425:
3416:
3407:
3398:
3389:
3380:
3371:
3362:
3353:
3346:
3344:
3338:
3329:
3327:
3317:
3315:
3305:
3296:
3287:
3281:
3280:
3273:
3264:
3255:
3246:
3242:
3233:
3230:
3228:
3225:
3223:
3220:
3218:
3215:
3213:
3210:
3209:
3203:
3201:
3197:
3193:
3189:
3185:
3181:
3177:
3173:
3169:
3165:
3156:
3152:
3147:
3135:
3124:
3123:
3119:(1867–1947),
3118:
3112:
3107:
3103:
3099:
3098:Pablo Picasso
3093:
3088:
3085:
3081:
3078:(1881–1955),
3077:
3076:Fernand LĂ©ger
3071:
3066:
3063:
3052:
3049:(1877–1943),
3048:
3042:
3037:
3034:
3030:
3027:(1887–1927),
3026:
3020:
3015:
3012:
3008:
3005:(1882–1963),
3004:
2998:
2993:
2989:
2986:(1840–1916),
2985:
2979:
2974:
2970:
2966:
2962:
2959:(1869–1954),
2958:
2957:Henri Matisse
2952:
2947:
2946:
2940:
2938:
2934:
2930:
2925:
2923:
2919:
2915:
2911:
2907:
2903:
2899:
2898:Sergei Ocipov
2894:
2892:
2889:
2885:
2884:Piet Mondrian
2881:
2877:
2873:
2869:
2865:
2860:
2858:
2854:
2850:
2846:
2842:
2838:
2834:
2829:
2827:
2822:
2820:
2819:Edward Weston
2816:
2812:
2808:
2804:
2800:
2795:
2793:
2789:
2788:Eliot Hodgkin
2785:
2781:
2777:
2773:
2769:
2765:
2761:
2757:
2752:
2750:
2749:Fernand LĂ©ger
2745:
2740:
2736:
2732:
2731:Pablo Picasso
2728:
2723:
2721:
2717:
2714:step towards
2712:
2708:
2706:
2702:
2698:
2694:
2689:
2688:Henri Matisse
2685:
2683:
2679:
2675:
2671:
2667:
2663:
2658:
2656:
2648:
2644:
2643:
2638:
2634:
2628:
2624:
2620:
2619:
2614:
2613:Henri Matisse
2610:
2597:
2593:
2589:
2583:
2578:
2574:
2570:
2566:
2560:
2555:
2552:
2551:New York City
2548:
2544:
2541:(1848–1892),
2540:
2534:
2529:
2525:
2522:(1848–1892),
2521:
2515:
2510:
2507:
2503:
2499:
2495:
2489:
2484:
2480:
2479:Musée d'Orsay
2476:
2473:(1832–1883),
2472:
2471:Édouard Manet
2466:
2461:
2458:
2454:
2451:(1840–1926),
2450:
2444:
2439:
2435:
2431:
2425:
2420:
2416:
2413:(1839–1906),
2412:
2406:
2401:
2397:
2393:
2387:
2382:
2379:
2375:
2371:
2370:James Sillett
2365:
2360:
2357:
2353:
2349:
2343:
2338:
2335:
2332:(1826–1827),
2331:
2327:
2321:
2316:
2312:
2308:
2302:
2297:
2296:
2290:
2288:
2284:
2280:
2276:
2275:
2270:
2266:
2262:
2258:
2253:
2248:
2246:
2242:
2238:
2234:
2232:
2228:
2224:
2220:
2216:
2212:
2208:
2207:Impressionist
2203:
2201:
2197:
2196:Édouard Manet
2193:
2189:
2185:
2181:
2176:
2175:Neoclassicism
2171:
2169:
2168:Camille Corot
2165:
2161:
2157:
2153:
2149:
2145:
2137:
2133:
2132:
2127:
2121:
2117:
2116:
2111:
2110:
2106:(1853–1890),
2105:
2101:
2081:
2077:
2071:
2066:
2055:
2051:
2045:
2040:
2036:
2032:
2028:
2027:Carlo Manieri
2022:
2017:
2006:
2002:
1996:
1991:
1987:
1983:
1982:Rachel Ruysch
1977:
1972:
1968:
1967:Houghton Hall
1964:
1960:
1954:
1949:
1938:
1934:
1928:
1923:
1919:
1916:(1695–1765),
1915:
1909:
1904:
1903:
1902:
1900:
1895:
1890:
1888:
1884:
1880:
1876:
1871:
1869:
1865:
1864:
1859:
1853:
1851:
1846:
1842:
1838:
1834:
1827:
1824:(1716–1780),
1823:
1822:Luis Meléndez
1819:
1807:
1804:(1664–1736),
1803:
1797:
1792:
1789:
1785:
1781:
1778:(1600–1670),
1777:
1771:
1766:
1763:
1752:
1748:
1742:
1737:
1726:
1723:(1578–1630),
1722:
1716:
1711:
1710:
1704:
1702:
1699:still lifes (
1696:
1694:
1690:
1686:
1682:
1678:
1674:
1663:
1662:
1657:
1652:
1650:
1646:
1642:
1638:
1634:
1626:
1615:
1611:
1607:
1599:
1598:
1592:
1588:
1587:
1582:
1578:
1574:
1572:
1568:
1563:
1561:
1560:
1555:
1551:
1550:
1545:
1541:
1537:
1533:
1529:
1528:Low Countries
1525:
1520:
1516:
1508:
1504:
1500:
1496:
1492:
1479:
1476:(1566–1638),
1475:
1474:George Flegel
1469:
1464:
1460:
1454:
1449:
1446:
1435:
1434:Pieter Claesz
1429:
1424:
1420:
1416:
1410:
1405:
1394:
1391:(1606–1684),
1390:
1384:
1379:
1375:
1364:
1363:Pieter Claesz
1358:
1353:
1342:
1339:(1626–1674),
1338:
1332:
1327:
1316:
1312:
1306:
1301:
1297:
1294:(1573–1621),
1293:
1287:
1282:
1278:
1275:(1594–1680),
1274:
1268:
1263:
1252:
1248:
1242:
1237:
1226:
1222:
1216:
1211:
1210:
1204:
1201:
1195:
1193:
1188:
1183:
1178:
1177:
1167:
1156:
1145:
1139:
1134:
1130:
1127:(1606–1652),
1126:
1120:
1115:
1111:
1107:
1101:
1096:
1092:
1081:
1078:(1618–1667),
1077:
1071:
1066:
1063:
1052:
1041:
1035:
1030:
1029:
1028:
1025:
1020:
1015:
1013:
1009:
1005:
1004:Frans Snyders
1001:
997:
992:
990:
985:
981:
977:
972:
970:
966:
962:
961:
955:
952:
947:
945:
941:
937:
932:
930:
926:
922:
918:
914:
909:
907:
903:
899:
898:Hans Collaert
895:
891:
887:
883:
879:
875:
871:
867:
863:
859:
855:
851:
847:
843:
842:Low Countries
835:
832:(1597–1660),
831:
830:Pieter Claesz
827:
821:
817:
813:
808:
804:
793:
787:
782:
780:
776:
772:
768:
767:Andrea Sacchi
753:
749:
745:
732:
728:
722:
717:
713:
712:
708:(1560–1627),
707:
701:
696:
692:
691:
687:(1560–1609),
686:
680:
675:
671:
667:
661:
656:
655:
649:
647:
642:
639:
633:
631:
627:
618:
617:
612:
608:
604:
602:
598:
597:Frans Snyders
594:
590:
586:
585:
580:
575:
573:
569:
568:merry company
564:
560:
556:
552:
551:
546:
542:
536:
523:
522:
517:(1533–1575),
516:
512:
499:
498:
493:
487:
482:
478:
477:
472:
466:
461:
451:
447:
446:
438:
433:
429:
425:
424:book of hours
418:
413:
412:
411:
409:
408:
403:
402:
397:
393:
391:
387:
383:
378:
375:technique by
374:
369:
367:
363:
362:
357:
352:
348:
344:
340:
335:
333:
329:
325:
321:
317:
309:
305:
301:
298:(1430–1494),
297:
293:
284:
282:
278:
274:
270:
267:painting. As
266:
265:
260:
256:
252:
251:ancient Greek
247:
245:
241:
235:
233:
229:
225:
220:
218:
214:
210:
206:
201:
194:
190:
186:
182:
178:
173:
166:
161:
152:
150:
149:
140:
135:
133:
129:
124:
122:
118:
114:
110:
105:
101:
97:
92:
90:
86:
82:
78:
70:
61:
60:
54:
50:
46:
40:
33:
19:
7221:Trompe-l'Ĺ“il
7219:
7190:Outsider art
7143:Illustration
7099:Lutheran art
7089:Catholic art
7052:Abstract art
7022:Unilalianism
6985:Software art
6960:Neosymbolism
6950:Neo-futurism
6913:Internet art
6903:Hyperrealism
6756:Superfiction
6539:Photorealism
6407:Afrofuturism
6172:Contemporary
6148:Dimensionism
6131:Concrete art
6064:
6060:Precisionism
5910:
5857:Sosaku-hanga
5831:Productivism
5821:Metaphysical
5791:
5780:Proto-Cubism
5684:Secessionism
5646:Costumbrismo
5531:Aestheticism
5482:Hague School
5462:
5386:Academic art
5367:Costumbrismo
5335:Empire style
5172:Quito School
5167:Cusco School
5083:Colonial art
5044:
5032:FĂŞte galante
5030:
4999:18th century
4961:Delft School
4912:Caravaggisti
4890:17th century
4844:
4775:
4732:Quattrocento
4722:
4680:
4603:
4506:
4436:Late antique
4320:Severe style
4310:Black-figure
4197:Contemporary
4122:
4108:
4091:
4077:
4037:
4032:
4023:
4014:
4005:
3996:
3987:
3972:
3967:
3958:
3931:
3926:
3917:
3908:
3899:
3890:
3881:
3872:
3851:
3842:
3821:
3796:
3787:
3778:
3769:
3754:
3749:
3740:
3731:
3723:
3719:
3715:
3706:
3677:
3669:
3660:
3647:
3638:
3629:
3620:
3611:
3600:
3591:
3585:
3576:
3567:
3558:
3549:
3534:
3529:
3520:
3515:Vlieghe, 207
3511:
3502:
3490:
3478:
3469:
3460:
3451:
3442:
3433:
3424:
3415:
3406:
3397:
3388:
3379:
3370:
3361:
3352:
3342:
3337:
3304:
3295:
3286:
3277:
3272:
3263:
3254:
3245:
3227:Memento Mori
3168:computer art
3164:computer age
3160:
3141:21st century
3120:
3101:
3079:
3050:
3029:Nature morte
3028:
3006:
2987:
2984:Odilon Redon
2960:
2937:Ralph Goings
2929:Photorealism
2926:
2895:
2872:Fool's House
2871:
2867:
2864:Jasper Johns
2861:
2856:
2848:
2830:
2823:
2811:Stuart Davis
2796:
2783:
2780:M. C. Escher
2753:
2724:
2716:Abstract art
2711:Paul CĂ©zanne
2709:
2705:André Derain
2692:
2686:
2682:Odilon Redon
2672:, including
2665:
2662:Paul Gauguin
2659:
2651:
2640:
2616:
2591:
2588:Paul CĂ©zanne
2569:trompe-l'Ĺ“il
2568:
2542:
2523:
2497:
2494:Paul Gauguin
2474:
2452:
2449:Claude Monet
2433:
2430:Mary Cassatt
2414:
2411:Paul CĂ©zanne
2395:
2373:
2351:
2329:
2310:
2279:John Haberle
2274:trompe-l'Ĺ“il
2272:
2249:
2244:
2240:
2235:
2226:
2222:
2215:Claude Monet
2204:
2172:
2148:Academic art
2141:
2129:
2114:
2107:
2079:
2053:
2030:
2004:
1985:
1962:
1936:
1918:Trompe-l'Ĺ“il
1917:
1891:
1873:The bulk of
1872:
1863:trompe-l'Ĺ“il
1861:
1854:
1830:
1825:
1805:
1784:Getty Museum
1779:
1750:
1747:Fede Galizia
1724:
1721:Fede Galizia
1701:nature morte
1700:
1697:
1692:
1688:
1680:
1679:painted his
1659:
1653:
1649:Fede Galizia
1633:natura morta
1632:
1630:
1613:
1590:
1584:
1566:
1564:
1557:
1553:
1549:trompe-l'Ĺ“il
1547:
1543:
1512:
1498:
1477:
1444:
1415:Peter Binoit
1400: 1660s
1392:
1373:
1340:
1314:
1295:
1276:
1250:
1224:
1200:Georg Flegel
1196:
1187:trompe-l'Ĺ“il
1186:
1182:trompe-l'Ĺ“il
1181:
1174:
1172:
1154:
1144:Lubin Baugin
1128:
1109:
1079:
1051:Trompe-l'Ĺ“il
1050:
1016:
993:
973:
969:bedriegertje
968:
964:
960:trompe-l'Ĺ“il
958:
956:
948:
943:
933:
910:
901:
857:
853:
845:
839:
833:
790:
784:
769:, felt that
764:
751:
730:
709:
688:
669:
643:
634:
622:
614:
582:
576:
563:Four Seasons
548:
538:
518:
495:
474:
443:
407:trompe-l'Ĺ“il
405:
399:
394:
377:Jan van Eyck
373:oil painting
370:
359:
336:
332:iconographic
328:Jan van Eyck
313:
307:
299:
296:Hans Memling
264:trompe-l'Ĺ“il
262:
248:
239:
236:
221:
197:
148:trompe-l'Ĺ“il
146:
136:
125:
116:
112:
98:and Ancient
93:
76:
68:
66:
52:
7106:Digital art
7069:Avant-garde
7010:Superstroke
6886:Flat design
6881:Fictive art
6876:Excessivism
6824:Art for art
6819:Altermodern
6761:Taring Padi
6696:Lowbrow art
6664:Pliontanism
6601:Yoru no Kai
6554:Process art
6494:Systems art
6464:Arte Povera
6386:Antipodeans
6295:in New York
6265:Jikken KĹŤbĹŤ
6228:Color field
6097:Regionalism
6066:Aeropittura
6055:Neo-Fauvism
6028:Neues Sehen
5998:Kinetic art
5862:Suprematism
5836:Synchromism
5753:Noucentisme
5674:Primitivism
5662:Art Nouveau
5617:Cloisonnism
5607:Pointillism
5602:Divisionism
5580:Incoherents
5541:Art pottery
5427:(1863–1944)
5377:Macchiaioli
5352:Biedermeier
5340:Historicism
5325:Orientalism
5266:Romanticism
5237:Akita ranga
5089:Art of the
5074:Picturesque
5026:Chinoiserie
5021:Frederician
4859:Tudor court
4754:Cinquecento
4695:Renaissance
4682:Mappa mundi
4666:cartography
4558:Carolingian
4553:Merovingian
4536:Palaeologan
4508:RepoblaciĂłn
4465:Anglo-Saxon
4396:Gallo-Roman
4335:Hellenistic
4330:Kerch style
4268:Minyan ware
3825:Berman 2003
3249:Langmuir, 6
3172:digital art
3155:Gilles Tran
3130: 1934
3058: 1916
2870:(1960) and
2857:Lunch Table
2841:Andy Warhol
2826:Frida Kahlo
2768:Surrealists
2565:Darius Cobb
2502:Fogg Museum
2376:(undated),
2313:(1824–1826)
2087: 1769
2061: 1781
2037:(1662–1700)
2012: 1770
1944: 1750
1758: 1610
1732: 1593
1677:Jan Bruegel
1669: 1595
1621: 1679
1536:Netherlands
1515:Spanish art
1459:Osias Beert
1441: 1597
1370: 1597
1348: 1658
1337:Pieter Boel
1322: 1655
1258: 1639
1232: 1615
1162: 1631
1151: 1610
1087: 1660
1058: 1680
1047: 1660
902:Florilegium
886:watercolour
858:dead nature
816:Willem Kalf
759: 1625
616:Fruitbasket
553:(1551, now
457: 1500
448:millefleur
386:watercolour
324:Renaissance
320:Middle Ages
228:Herculaneum
100:Greco-Roman
96:Middle Ages
81:work of art
77:still lifes
7260:Categories
7153:Jewish art
6965:Passionism
6925:iPhone art
6871:Cyborg art
6866:Crypto art
6839:Brandalism
6731:Cyberdelic
6596:Tropicália
6569:Street art
6524:Intermedia
6504:Minimalism
6223:Spatialism
6177:Postmodern
6033:Surrealism
5901:Shin-hanga
5741:Die BrĂĽcke
5709:Sonderbund
5622:Synthetism
5345:Revivalism
5254:Transition
5211:Manichaean
5057:Adam style
4978:Classicism
4917:in Utrecht
4845:Still life
4575:Romanesque
4531:Macedonian
4526:Iconoclast
4485:Visigothic
4391:Republican
4345:Indo-Greek
4315:Red-figure
4100:1857099613
4092:Still Life
4063:References
2790:was using
2699:, such as
2160:historical
2109:Sunflowers
1656:Caravaggio
1614:Still-life
1556:, and the
1374:Still Life
1176:ontbijtjes
846:still life
752:Still life
570:" type of
533:See also:
450:tapestries
356:millefleur
259:Parrhasius
253:legend of
128:animal art
113:still life
89:human-made
69:still life
18:Still-life
7215:Shock art
7205:Queer art
7185:NaĂŻve art
7168:Modernism
7000:Superflat
6990:Sound art
6970:Post-YBAs
6955:Neomodern
6796:Verdadism
6766:Superflat
6615:1970–1999
6579:in the US
6499:Video art
6422:Happening
6395:1960–1969
6187:1945–1959
5850:1915–1944
5841:Vorticism
5793:A Nyolcak
5655:1900–1914
5627:Les Nabis
5558:Symbolism
5514:Amsterdam
5464:Japonisme
5434:1863–1899
5396:in Greece
5256:to modern
5101:Caribbean
5046:Goût grec
4968:Capriccio
4922:Tenebrism
4871:Turquerie
4769:Mannerism
4664:Medieval
4521:Byzantine
4502:Mozarabic
4453:Ethiopian
4357:Neo-Attic
4340:"Baroque"
4325:Classical
4295:Geometric
4273:Mycenaean
4220:(Western)
4218:Premodern
4189:Premodern
3188:synthetic
3025:Juan Gris
2891:formalism
2888:modernist
2799:Modernism
2772:Joan MirĂł
2764:Futurists
2739:Juan Gris
2670:Les Nabis
2138:, 1875–85
1841:wallpaper
1837:porcelain
1571:bodegones
1501:(1618), (
1247:Rembrandt
1024:hourglass
908:in 1600.
854:stilleven
334:program.
281:Peiraikos
205:Peiraikos
117:stilleven
85:inanimate
7245:Category
7195:Portrait
7116:Folk art
7064:Anti-art
6995:Stuckism
6908:Idea art
6829:Art game
6781:Artivism
6669:Punk art
6647:Sots Art
6632:Artscene
6489:Land art
6427:Neo-Dada
6359:Lettrism
6253:Nuagisme
6238:Tachisme
6119:Nazi art
5912:De Stijl
5826:Rayonism
5816:Art Deco
5804:Futurism
5595:Luminism
5563:Romanian
5548:Tonalism
5519:Canadian
5497:American
5403:Neo-Grec
5011:Rocaille
4840:Romanism
4774:Counter-
4708:Trecento
4648:Duecento
4638:Crusades
4570:Ottonian
4548:Frankish
4428:Medieval
4411:Trajanic
4371:Scythian
4366:Etruscan
4258:Cycladic
4236:Thracian
3701:83-51331
3206:See also
3182:with 3D
3082:(1921),
3031:(1913),
3009:(1910),
2971:, Russia
2963:(1901),
2933:Don Eddy
2874:(1962).
2766:and the
2664:painted
2621:(1910),
2598:, London
2594:(1895),
2545:(1888),
2500:(1889),
2477:(1883),
2455:(1880),
2354:(1882),
2247:(1885).
2118:(1888),
1689:The Cook
1625:Santarém
1601:, Madrid
1593:(1636),
1530:, today
1443:–1660),
1417:, 1618,
1372:–1660),
1192:Flanders
1153:–1663),
1049:–1683),
547:, whose
366:Flanders
322:and the
230:and the
145:". The
63:, Madrid
55:(1602),
7210:Realism
6807:present
6534:Nut Art
6337:Pop art
6275:Mono-ha
6143:The Ten
6092:Kapists
6038:Iranian
5991:Bauhaus
5785:Orphism
5731:Fauvism
5568:Russian
5458:Nihonga
5372:Verismo
5357:Realism
5291:Purismo
5204:Moorish
5199:Islamic
5106:Haitian
4897:Baroque
4776:Maniera
4660:Mudéjar
4585:Spanish
4497:Pictish
4480:Lombard
4475:Insular
4416:Severan
4381:Gaulish
4376:Iberian
4305:Archaic
4248:Nuragic
4228:Ancient
4211:periods
3222:Vanitas
2988:Flowers
2837:pop art
2792:tempera
2744:collage
2697:Fauvism
2481:, Paris
2192:Chardin
1988:(1680s)
1969:in 1990
1899:gouache
1883:Flemish
1586:BodegĂłn
1559:vanitas
1532:Belgium
1524:Baroque
1519:bodegĂłn
1507:bodegĂłn
1168:, Paris
1019:vanitas
1000:Antwerp
965:mimesis
906:Plantin
890:gouache
601:Jan Fyt
555:Uppsala
541:Antwerp
351:Utrecht
244:vanitas
217:Pompeii
181:Pompeii
165:Vatican
79:) is a
7158:Kitsch
7017:Toyism
6509:Fluxus
6439:Op art
6008:Mingei
5942:Stupid
5920:Purism
5775:Cubism
5424:Modern
5216:Mughal
5006:Rococo
4611:Gothic
4592:Norman
4516:Viking
4470:Hunnic
4448:Coptic
4263:Minoan
4253:Aegean
4241:Dacian
4193:Modern
4131:
4115:
4098:
4084:
4052:
4044:
3979:
3938:
3761:
3690:
3541:
3104:(1912)
2990:(1903)
2813:, and
2737:, and
2727:Fauves
2720:Cubist
2526:(1883)
2436:(1880)
2398:(1867)
2334:Louvre
2285:, and
2186:, and
1858:Rococo
1833:Rococo
1647:, and
1552:, the
1480:, 1630
1376:(1623)
1298:(1614)
1279:(1658)
1131:(1645)
1112:(1693)
878:botany
836:(1623)
693:(1580)
638:Medici
593:Rubens
479:, 1503
345:. The
316:Giotto
304:Madrid
255:Zeuxis
213:mosaic
189:Naples
167:museum
6805:2000–
6248:COBRA
5242:Uki-e
5232:Japan
5221:Qajar
4580:Mosan
4386:Roman
4280:Greek
3238:Notes
3166:with
2575:print
2173:When
1879:Dutch
852:word
850:Dutch
771:genre
630:tulip
224:Roman
193:Italy
177:Roman
7094:Icon
6417:ZERO
6175:and
6072:Asso
5896:Dada
5453:YĹŤga
4195:and
4129:ISBN
4113:ISBN
4096:ISBN
4082:ISBN
4050:ISBN
4042:ISBN
3977:ISBN
3936:ISBN
3759:ISBN
3699:LCCN
3688:ISBN
3651:See
3539:ISBN
3178:and
3170:and
3084:Tate
2935:and
2760:Dada
2703:and
2676:and
2209:and
2166:and
1534:and
1517:, a
1006:and
982:and
949:The
927:and
888:and
868:and
805:and
426:for
257:and
3132:),
3060:),
2855:'s
2847:'s
2229:by
2134:by
2113:or
1760:),
1687:'s
1623:),
1589:or
1513:In
1164:),
1089:),
1060:),
900:'s
73:pl.
7262::
4191:,
4048:,
3946:^
3860:^
3830:^
3805:^
3686:.
3684:32
3325:^
3313:^
3127:c.
3100:,
3055:c.
2967:,
2939:.
2920:,
2916:,
2912:,
2908:,
2904:,
2900:,
2809:,
2733:,
2639:,
2625:,
2615:,
2590:,
2549:,
2504:,
2496:,
2372:,
2328:,
2309:,
2281:,
2263:,
2194:,
2182:,
2084:c.
2078:,
2058:c.
2052:,
2033:,
2029:,
2009:c.
2003:,
1984:,
1961:,
1941:c.
1935:,
1901:.
1881:,
1839:,
1786:,
1755:c.
1729:c.
1666:c.
1643:,
1639:,
1618:c.
1612:,
1583:,
1562:.
1497:,
1438:c.
1397:c.
1367:c.
1345:c.
1319:c.
1313:,
1255:c.
1249:,
1229:c.
1223:,
1159:c.
1148:c.
1108:,
1084:c.
1055:c.
1044:c.
1014:.
756:c.
729:,
668:,
613:,
574:.
494:,
473:,
454:c.
452:,
368:.
275:,
191:,
187:,
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