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daughter of the painter Zenone, in 1438. From this union
Liberale is supposed to have been born, considering that a document from 1481 identifies him as a nephew of the Veronese painter Nicolò Solimani, Zenone's son. Iacopa died by 1455, as in that year Iacopo della Biava was married to a certain Margarita, aged 25.
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is attributed to
Liberale. Between April and May 1476 Liberale left Siena to move again to Monte Oliveto Maggiore. On 22 June, still a guest of the archicenobium, he sent one of his 'soma' to Florence, perhaps intending to stay there for some time. It can only be assumed that in these circumstances
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He was born around 1445 in Verona, where he was registered in 1455 at the age of ten. His paternal family name, Bonfanti, is only mentioned in his will of 1527. His father, Iacopo della Biava (Biada), a baker and draper born in Monza but resident in Verona since 1433, had married Iacopa
Solimani,
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he had made a definitive return to the north, since there is no further news of him until 9 Sept. 1481, when he signed an agreement with Nicolò Solimani to decorate the Tonso Chapel in the
Servite Church of the Annunziata in Rovato; however, there is no trace of these frescoes..
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Having also been orphaned by his father, in 1465 Liberale was still living in Verona, where on 19 January he appeared as a witness in a deed of concession of the
Olivetan monastery of Santa Maria in Organo, in which he is said to be working as a baker.
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Liberale named his wife Eva as usufructuary of his movable and immovable property, stipulating that on her death, Margherita and
Lucrezia, daughters of the painter Francesco Torbido, to whom he left an altarpiece depicting the
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The information provided by Vasari, according to which
Liberale died on Saint Clare's Day (11 August) in 1536, is contradicted by the Verona registry office of 1529, which mentions the painter as already deceased.
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On 5 August 1527, he dictated his will in his house in San
Giovanni in Valle in the presence of, among others, the painter Bonifacio di Bartolomeo Pasini and the carver Francesco di Antonio Began.
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in the Duomo, and another for the chapel in the bishopric. For the church of San
Bernardino, he painted in the chapel of the company of the Maddalena. He also painted a
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and entrusted the task of completing an altarpiece for the lay
Confraternity of the Blessed Virgin in Verona Cathedral, were to be considered universal heirs.
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Serie degli uomini i più illustri nella pittura, scultura, e architettura ...
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Among the painters that are cited as his pupils are Giovanni and
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Le vite de' pittori, degli scultori, et architetti veronesi
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Biographical catalogue of the principal Italian painters
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Farquhar, Maria (1855). Ralph Nicholson Wornum (ed.).
212:. There are illuminated books by him in cathedral of
127:Saint-Madeleine, Saint-Catherine and Saint-Tuscany
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45:Liberale di Jacopo, called Liberale da Verona
330:, by Bartolomeo Dal Pozzo (1718), page 18.
281:. London: Woodfall & Kinder. pp.
138:(1441–1526) was an Italian painter of the
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118:, Metropolitan Museum of Art, NY, USA.
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116:Scene from novella of chess-players
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222:Princeton University Art Museum
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172:He was a pupil of the painter
35:Portrait of Liberale da Verona
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367:16th-century Italian painters
357:15th-century Italian painters
316:, by Marco Martelli, page 67.
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142:period, active mainly in
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202:Assumption of the Virgin
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235:Francesco Torbido
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204:. At the
150:Biography
80:Paintings
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105:Nativity
86:Movement
287:Wornum.
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239:il Moro
220:in the
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216:. The
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144:Verona
69:Verona
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198:Birth
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62:Died
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