1028:. Tillery had decided by that time that the gender issue was no longer as important as it once was. "What I really wanted was really good singers and good musicians. And folks we could get along with". The second male performer was added in 2005 when Simon Monserrat joined the group, bringing his vast knowledge of Afro-Caribbean rhythms. The group has also added more contemporary music to their repertoire and has become "less myopic". Other men have been members of the choir since 2005 including Bryan Dyer, but the core original members of Tillery, Benin and Burrell have remained in the lineup consistently over the years. DeMore left the choir around 2009, and her chair was filled by Tammi Brown.
787:, but acted as primary producer on only two songs ("I'm So Thankful" and "Fever"), with Obiedo producing all other songs except one. The style of the recording is a blend of R&B, gospel, pop, jazz and soul, and garnered some critical success but failed to gain national recognition. The LP's "Motown-y" style made it hard for the women's music distribution network to categorize and therefore market to the majority white women's music audience, despite some positive reviews in the gay press such as "Linda Tillery's latest album … is one of the best records ever to find its way into the Women's Music section of a record store".
733:("MichFest") in 1976 and several subsequent years, bringing her authentic expression of African American blues and R&B to women's music festival audiences. A favorite project that she initiated at MichFest was called "A Tribute to Black Women in the Blues" which presented Tillery's "respect and gratitude paid to some women who might have been otherwise ignored. Who were otherwise ignored! And it was one of the most satisfying moments in my life". A recording was made of the tenth anniversary of MichFest in 1985 with Tillery contributing her rendition of the
665:
Way" and "Wonderful", the latter of which was the first song composed entirely by
Tillery. The song "Freedom Time", co-written by Tillery and Watkins, brings attention to the problems of being black and female and gay with the lyrics: "If I could just tell you what it's really like/To live this life of triple jeopardy/I fight the daily battles of all my people/Just to sacrifice my pride and deny my strength". This song has been cited as influential in scholarly studies of black feminism and in feminist journals. In a 1978 review in the radical feminist journal
7637:
7623:
33:
517:
crashed after that….The lifestyle can either make or break a human being. There are some people who are destroyed by their early success. At least I can say I'm a survivor". The group broke up and reformed in 1969, and had varying membership for periods of time in the late 1960s and early 1970s. One account shows that
Tillery left the group in January 1969, rejoined in March 1970 through 1971, and left The Loading Zone for the final time in 1972.
4895:
3570:
3237:
2848:
2181:
884:. On Saturday, Tillery and Skin Tight performed at a dance called "Puttin' On The Ritz" that was jointly sponsored by Olivia and the Bay Area Career Women organization, to celebrate BACW's tenth anniversary and Olivia's twentieth anniversary. That evening, Skin Tight's membership consisted of Ellen Seeling and Jean Fineberg on horns, Joy Julks on bass, Nancy Wenstrom on electric guitar, Maria Martinez on drums,
1043:, a dance piece based on the African-American folk tale of slaves flying back to Africa. CHC provided the soundtrack to the wall dancing of Bandaloop. The performance was a one-night stand at San Francisco's Fort Point. The entrance to the fort was converted to the swaying deck of a slave ship, and the story played out over the fort walls. They only performed it once due to production costs.
434:, and I play harmonica…. She walked through the door in a post office uniform, with little white cat-eyed glasses, and I said, that's our girl. She just looked right. We evolved as a dance band with a fusion of R&B and rock, and we ended up as a psychedelic soul band once we added Linda. She was singing for us by the time we opened for
1008:, and "pounding sticks" to keep the rhythm. The Choir has a repertoire of 60 to 70 songs. The traditional arrangements of many of the songs were for one or two people with perhaps hand claps as percussion. Tillery chooses the material and has arranged about 95 percent of the music for the five-part choir.
1407:
was to get together as a "trio thing exploring roots music from the time when
America was a much more rural country and black and white music was much more blended". The collaboration "fuses the bluegrass sounds of the Kentucky rolling hills with the hills and field hollers of the Mississippi Delta".
1406:
and Linda
Tillery to see what would happen if the three musicians from disparate backgrounds performed together. The initial concert was dubbed as "Hills to Hollers", and it was such a success that the three women put together a tour and released a live album in 2012. The main idea behind the project
1159:
In addition to her solo, session work, women's music, and
Cultural Heritage Choir careers, Tillery has collaborated with many other artists in various genres including music, theater, radio, film, and television. She has also taught classes and workshops as part of her role as an "activist educator".
702:
was the only album she released on Olivia
Records, and Tillery left the collective in 1979. In an interview years later, Tillery described her Olivia experience: "I was quite happy to be in an environment where I could observe other women in the creative process and also in the administrative process
684:
and brought poetry as well as jazz and blues to women's music audiences. It also exposed audience members to an empowering lesbian culture that was emerging across the USA and it "demonstrated that white lesbians were not the only ones creating a new women's culture: Though the concert was first and
964:
to test the response. The feedback was overwhelmingly positive, with
Tillery being "flooded" with letters from fans saying how much the music had touched them. After that experimental concert in 1991, Tillery decided she would continue on this path and she formed the Cultural Heritage Choir in 1992.
748:
that included both professional musicians and festival attendees, which traditionally performed on Sunday mornings. After a controversy whereby some white choir members changed the gender pronouns from male to female in song selections, the 1992 MichFest program booklet description of the choir, led
664:
appeared together on an album. Like all Olivia projects at the time, all of the musicians as well as technical staff were female, including Sandy Stone as recording engineer. The album included a slightly longer version of "Don't Pray For Me", as well as two songs with overt lesbian lyrics: "Womanly
1011:
Tillery calls the music performed by the CHC "survival music". She says "it helped
African-Americans endure Jim Crow, lynchings, rapes. The music carried them forward". Also, Tillery says "These songs and the consciousness of them will actually save me in the end. They don't cost any money, they're
695:
describes seeing the performances at the time: "You've never seen anything like it. They really did present this hot, hot, HOT show. And either you really fell into … the well or some people were repelled … because it was almost too much. But that's the good news, because they were groundbreaking".
1019:
Tillery said that from the inception of the CHC, "the educational aspect would be the most important part of this…. A lot of people never knew, or have forgotten, the origin of some of our most important music in this country. Many of the songs we hold near and dear today are actually spirituals".
608:
to produce their album. Tillery produced, arranged, sang backing vocals and played percussion on the 1976 eponymous LP, which was the fledgling record label's third release. In addition to the LP, two singles were released as well. Like most Olivia recordings, the album contains several songs with
537:
who also played piano, organ and horns on selected songs. Tillery provided lead vocals and played percussion on the recording, which garnered some enthusiastic reviews but did not sell well. The album earned
Tillery two consecutive "Jammies" (Bay Area Jazz Awards) for Outstanding Female Vocalist.
1024:
particular kind of singer and someone who had a background in traditional music". She found that voice in 2003 in Lamont Van Hook, the group's first male performer, who brought an Al Green-like falsetto to the group's vocal arsenal. Van Hook had toured for several years as a background singer for
1015:
Tillery says that the CHC's music is 100 percent black, but "75 percent of the audience is white and 25 percent will be
African American or other…. It's a hard thing to explain. We deal with a lot of what is typically called 'slave music.' And I suppose that there are some people who just want to
931:
Her next step was to do more extensive research to gather materials to perform. She started by ordering as many recordings from the Library of Congress and the Smithsonian Institution as she could, but soon extended her research into multiple forms of black roots music, including spirituals, work
679:
In fall 1978, Olivia Records produced the "Varied Voices of Black Women" national tour in response to an all-white lineup of an earlier "Women on Wheels" tour, as well as to promote Olivia artists. The Varied Voices tour played in eight cities and featured Tillery, Mary Watkins, Gwen Avery, Vicki
1031:
The Cultural Heritage Choir has performed all across the United States and in 13 countries. The group has become "an institution at many folk festivals". Tillery has stated that "what I love most of all are international music festivals because they provide me with an opportunity to see and hear
912:
singing spirituals. Tillery said of that moment: "It practically lifted me out of my seat. I was thinking 'This is the new road. This is the new path. This is the new journey I'm going to take' ". After the music reduced her to tears, she declared to her cat Mimi that "I am going to pursue this
617:
as recording and mix engineer on the BeBe K'Roche recording. At the time, Stone was in the early stages of transitioning from male to female. Stone's presence as a transsexual in the Olivia collective caused an uproar in the late-1970s within segments of the lesbian-feminist community, and they
516:
which was not doing a very good job at providing benefits and protections for musicians. It was the beginning of a journey through consciousness-raising and political development for me". Tillery stayed with The Loading Zone a few years, but the lifestyle became "too much, too soon …. I kind of
1297:
Tillery was hired in 1992 as a special consultant to Redwood Records' New Spirituals Project, which each year commissioned a female composer to create a "new spiritual". Tillery sang with the Project every year in concerts held over the Thanksgiving weekend in Oakland, California. Some of the
1023:
It was Tillery's intention when she founded the choir that it remain all-female, although men appeared on the group's recordings. But Foster-Fiege left the band in 2002, and after many substitute singers performed with the group, Tillery said she was "looking for a particular kind of voice, a
1016:
forget that period of time and the events that occurred. However, I have found that the byproduct of slavery, the art that came out of that particularly dreadful time, to be absolutely stimulating and exciting. And sometimes I wonder why it is not as exciting to other African Americans".
685:
foremost a celebration of Black lesbian feminist identity and culture, it was also an attempt to broaden the white feminist community's understanding of feminist and lesbian identity…. Varied Voices was a watershed event in the history of black women and women-identified music". The film
569:
album, including on the hit single "Everybody's Everything" which debuted on the Billboard Hit 100 chart on October 16, 1971, peaked at number 12 and remained on the chart for a total of 10 weeks. She also sang backing vocals on the song "Everything's Coming Our Way" from the same album.
660:. Tillery was the lead producer, with co-producer credits to bassist Diane Lindsay and keyboardist/string and horn arranger Mary Watkins. It featured Tillery on lead and supporting vocals, drums and percussion, and marked the first time that Tillery, Watkins, and vocalist/vocal arranger
675:
is described as "characteristically jazz/rock fusion with her clean, funky drumming and excellent interplay between among bass, drums, and keyboards. Combined with the music is a message of lesbian strength, struggle and pride". The album earned Tillery a Bammie (Bay Area Music Award).
798:. The touring band included pianist Julie Homi, who performed in both the mainstream New York jazz scene as well as the women's music circuit. Tillery's May 3, 1985 performance at Boston's Strand Theater was especially significant because the show was opened by a then-little known
425:
album that Tillery enjoyed. At least six singers had auditioned for the job but the 19-year-old Tillery had an edge because she had phoned beforehand to make sure she was what the band was seeking. Years later, Loading Zone founder Paul Fauerso described the hiring of Tillery:
449:
Linda with the Loading Zone frequently played popular Bay Area Night Clubs like Keystone Berkeley, Frenche's in Hayward and The Odyssey Room in Sunnyvale. While The Loading Zone occasionally performed as headliners in concert venues, they were more well known as a popular
965:
The original group consisted of six women, but soon settled into a five-member voice and percussion ensemble featuring Tillery, Rhonda Benin, Elouise Burrell, Melanie DeMore, and Emma Jean Foster-Fiege, who all lived within a 15-mile radius of Tillery's Oakland home.
612:
Tillery joined the Olivia collective, which became "the pioneering label run by the lesbian-feminist collective that made a place for female musicians, engineers, and producers". Tillery and Olivia collective member (and later Olivia president) Judy Dlugacz recruited
809:
Throughout the 1980s and early 1990s, in addition to performing, recording, and producing albums within the women's music network, Tillery continued to record with mainstream performers. During this time frame, she provided backing vocals on recordings by artists
752:
During the 1980s, Tillery performed annually at NEWMR, the Northeast Women's Music Retreat, of which she said "that was the festival where I felt most at home". She has also performed several times at the National Women's Music Festival, as well as Wiminfest in
749:
by Tillery, stated: "The repertoire will draw from spirituals and gospel standards and the workshop will include a discussion of the cultural roots of gospel music. The music will be sung exactly as it is written (no gender substitutions of pronouns or names)".
1318:, and was revived in August 2007 for the finale of Jacob's Pillow Festival's 75th anniversary season. The 2007 performance included Tillery and members of the Cultural Heritage Choir, and portions of the dance were included on a DVD about the festival titled
4988:, 2012, DVD); Tillery is listed in credits as Featured Artist; includes a few short interview scenes with Tillery and some performance footage of the dance "Invisible Wings" for which Tillery was music director and Cultural Heritage Choir performed the music
1441:, Diane Lindsay and other musicians in a "Womanly Way Reunion Band" performance at the National Women's Music Festival. The reunion band then toured to celebrate the 40th anniversary of Tillery's Olivia Records album that featured the song "Womanly Way".
837:) and "Rhythmus 21" that both featured Tillery as a vocalist. During this time period, Linda also shared lead vocals with her younger brother Calvin Tillery in the house band at Slim's nightclub in San Francisco which was co-owned by rock/blues musician
856:
as vocalists, along with other instrumentalists recognizable to women's music audiences. Skin Tight's first performance was at the 1990 Association of Women's Music and Culture (AWMAC) conference in San Francisco, and they "brought the house down".
584:'s Gangster Choir. The "poet's band" had two distinct incarnations based on Hagedorn's residencies in San Francisco in the 1970s and New York City in the 1980s. Tillery was a member of the West Coast Gangster Choir's vocal trio, the Gangsterettes.
936:. Tillery gathered music from small churches, cotton fields and the "freedom music" of her ancestors. She performed research at the Schomberg Center for Research in Black Culture in New York, and was introduced to the ethnomusicology studies of
1032:
what's going on in the rest of the world....It's amazing how much music there is and most people don't get to hear or take the time to hear the stuff that doesn't get played on the radio unless they're tuned into some kind of network".
587:
Of this period in her career, Tillery said "Then my education as a hard-working singer began…. I was what I call a '9-to-5 musician' from '70 to '77. Played with a lot of bands, did a lot of club work, only the hours were 9 to 2".
391:
playing alto saxophone. Tillery says she was mesmerized by Redd and that experience enlightened her to "be able to play whatever instrument I chose. I wanted to sing, but not just as a centerpiece. I wanted to be a unique voice".
1230:. Of Tillery's contributions to Voicestra, McFerrin said in 2015: "If I was the heart of Voicestra, Linda was the soul". Tillery formally studied voice with McFerrin for several years, learning about vocal layering and dynamics.
716:
Tillery has referred to herself as the "queen mother" to women's music, to both deflect the tendency of some to look upon her as a sex object, as well as to recall the term's honorific association in some African cultures.
382:
in San Francisco. She was allowed to play the drum kit and other instruments such as the bassoon in school because her teacher recognized her superior musical abilities. Also around age 13, Tillery attended a picnic in
1062:
As of 2009, Linda Tillery and the Cultural Heritage Choir have released six albums, including two children's albums. All were produced or co-produced by Tillery, and she provided the majority of the song arrangements.
1562:
On September 2, 2023, Tillery celebrated her 75th birthday with a concert at The Freight and Salvage. Tillery performed two sets, one each with the Freedom Band and the Chocolate Psychedelic Band. The event was also
1534:
As she has aged, Tillery has been open about her health problems. She has had a stroke and a malignant abdominal tumor. She has had both knees replaced for which a benefit concert was held in June 2012 at Berkeley's
959:
After that revelatory evening via PBS and gathering initial material, Tillery approached a friend who directed a youth choir, as well as thirteen musician friends, and they put together a concert of spirituals in
928:. Of that recording, Tillery said "Even though I knew some of the songs and the sound of the music was familiar, I didn't realize there was a source for this…. I loved the music. I felt like I had been reborn".
1313:
in 1998 and was the result of three years of research and collaboration between Haigood, Tillery as musical director, and storyteller Diane Ferlatte. It tells the story of Jacob's Pillow as a stop on the
776:. Tickets to the two-show performance were sold-out two months prior to the evening to 5,400 women and 200 men, and Olivia released the concert as an LP in 1983, on their Second Wave subsidiary label.
490:. Of the gig with Big Brother, Tillery and the Loading Zone won over Joplin's fans so much that Joplin told others after the show that Tillery was never allowed again to be on the same bill with her.
6652:
725:
Although she ended her formal relationship with Olivia in 1979, Tillery remained an important figure in the women's music scene throughout the 1980s and into the 1990s. She has performed at many
355:" was particularly loved by Tillery and was the first song she memorized. Tillery claims that she learned how to read by looking at the labels from her parents' record collection. "Basie was on
713:, Tillery said "I'm so thankful for what Olivia did for me and for other women. Suddenly there was this feeling of hope that our lives could be lived safely in a relationship of our choosing."
508:
Tillery's tenure with The Loading Zone marked the beginning of her professional career. "Though it was at the height of the drug-crazed rock era, the members of the band had all turned to
833:
Also in the 1980s, Tillery began a twelve-year musical partnership with Ray Obiedo, an Oakland-based guitarist. Obiedo was the leader of two soul/jazz ensembles "Kick" (featuring a young
446:
Tillery recalled her audition day with humor. Loading Zone guitarist Steve Dowler went to Tillery's house to pick her up. "Her mother saw a hippie at the door and refused to let him in".
707:
was nine: me and eight white men; every other band I was in was me and six men, me and five men, me and four men. I had never worked with any women musicians". In a 2020 interview in
618:
threatened a boycott of Olivia products as a result. The Olivia collective defended Stone in multiple feminist publications, but after long debate, Stone left the collective in 1979.
6994:
1370:
In May 2005, Tillery and the Cultural Heritage Choir collaborated with Deborah Vaughan, founder and artistic director of Dimensions Dance Theater to create a performance called
629:. Released in 1977, this album also contained overt lesbian/feminist lyrics. In addition to producing, Tillery played drums and contributed supporting vocals to the recording.
1012:
interactive, I can do them with other people, they're not violent, they don't express destruction or disrespect of anyone or anything, and that's an unbeatable combination".
7469:
399:. She says her parents always wanted her to be a business major but she says she "got bored very quickly" with college. She dropped out to begin singing professionally.
1476:, as well as a member of the National Advisory Board for the Archives of African American Music & Culture in the Department of Folklore and Ethnomusicology at IU.
505:
in 1968 and sold about 100,000 copies. Critical reception was mixed, with many dismayed that the album "didn't come close to capturing the band's energy in concert".
277:
Tillery has been a professional musician for her entire adult life and has had a long career as a backing or supporting vocalist for mainstream artists as diverse as
230:(born September 2, 1948) is an American singer, percussionist, producer, songwriter, and music arranger. She began her professional singing career at age 19 with the
4954:, copyright Signifyin' Works, 1995; includes a brief singing scene with Tillery, a brief speaking role for Tillery, and she performs three songs on the soundtrack ("
5990:
848:
In the early 1990s, Tillery formed and played with the popular Bay Area all-woman Skin Tight Motown Revue band, an R&B/blues/pop outfit that featured Tillery,
7438:
826:. She was a mainstay in the Bay Area music scene, considered by many to be one of the area's "most revered vocalists since the 1960s". In an interview, musician
1551:
Group. She had bilateral carpal tunnel surgery and has back issues. She has used crutches since her knee surgery but views that with characteristic humor: if
7556:
7196:
250:
in 1977. In addition to performing, she was the producer on three of Olivia's first eight albums. Within the women's music genre, she has collaborated with
7671:
6207:
6814:
7746:
5334:
1759:
609:
overt lesbian and/or feminist lyrics, but unlike other early Olivia projects, the style of the music is R&B/funk/jazz and Latin-influenced rock.
309:
Tillery was born in 1948 to parents who migrated from Texas to San Francisco during World War II. She was born on the block of Fell Street where the
860:
In 1993, Tillery was among the performers who celebrated Olivia's 20th anniversary weekend in San Francisco, which coincided with the city's annual
7791:
7170:
1132:
32:
6511:
1555:
can "drag himself onstage on his crutches, sit down and play his ass off", then I can deal with my physical challenges as well. In July 2020, a
7776:
512:, were completely clean and sober, and were dealing with a lot of political issues that other musicians wouldn't tackle, like confronting the
7090:
5635:
Mockus, Martha (2007). "MeShell Ndegéocello: Musical Articulations of Black Feminism". In Acampora, Christa Davis; Cotten, Angela L. (eds.).
7063:
7796:
7676:
5582:
7117:
6581:
5085:
6671:
1527:
Tillery is openly lesbian. A 2015 news story identified her partner as Ann Jefferson, director of Community Life and Spiritual Care at
573:
During this time, Tillery was a member of the jazz fusion band Cesar 830, which recorded one album. She was also the lead vocalist for
7530:
6928:
7701:
1611:
1051:
372:
7781:
7731:
872:. The duo performed Tillery's song "Womanly Way", and later in the set Tillery was joined by other Olivia artists Dianne Davidson,
7477:
7385:
7771:
525:
As early as 1968, Tillery was performing as a solo artist around the Bay Area under the name Sweet Linda Divine. She signed with
7681:
4942:(written and performed by Kerrigan Black for Heebie Jeebie Music, 1993, VHS); Tillery is credited with "Narration of biography"
1184:
6953:
1468:
Putting her ethnomusicological research to work in educational settings, Tillery was a visiting scholar and taught classes at
1348:
Linda Tillery and the Cultural Heritage Choir were the artists-in-residence at the Cache Valley Arts Festival (Utah) in 2004.
7786:
6030:
5933:
5888:
5794:
5756:
5652:
5170:
916:
Around the same time, Tillery was in rehearsals for the play "Letters From a New England Negro", and the producer sent her a
830:
was asked about his favorite Bay Area musicians and he "instantly replied that Tillery was one of the best in the business".
783:
on her own independent 411 Records label and distributed by Redwood Records. Tillery was the LP's co-Executive producer with
7706:
6867:
1341:, influenced by the intermixing of African, Spanish, Italian, British, Polish, Russian, and native Argentinian cultures in
5309:
Roberts, Kathaleen (January 30, 2003). "Survival music: African-American History Month kicks off with songs of the soul".
4902:
3577:
3244:
2855:
2188:
888:
on keyboards (subbing for regular pianist Julie Homi), with Tillery, Vicki Randle, and Teresa Trull providing the vocals.
7751:
7741:
7721:
475:
4500:
1567:. She appeared in a wheelchair, and during a break between songs Tillery discussed her experiences with heart surgery.
730:
497:. Another critic called their music "a distinctive blend of garage rock, R&B, and jazz". Their debut album titled
379:
378:
Tillery is a self-taught singer, but her formal music education began at age 13 when she studied the classical bass at
7446:
5261:
7801:
7243:
6379:
5558:
5274:
1360:
1378:. "The city gets such a bad rap. Not enough is focused on what is positive in Oakland" said Vaughan about the work.
1325:
Tillery and Haigood with the Zaccho Dance Theater teamed up again on October 19, 2008 for a one-time performance of
7691:
7036:
4706:
1452:
teamed up in a "Bay Area funk supergroup" and appeared as festival headliners to celebrate the 50th anniversary of
513:
5410:
5387:
Hendricks, Marina (February 22, 2001). "Getting To The Roots: Tracing African-American Music Back To The Fields".
1081:, released in 1997 on the EarthBeat! label. Their next release on the same label was a 2001 live recording titled
7736:
7726:
7686:
7207:
1621:
7260:
6633:
6232:
Woehrle, Lori; Ruby, Jennie (September 30, 1984). "Southern Discomfort: Women, Music, Comedy, - and Politics?".
1422:
representing "ancient Greek mythology thrust upon the high seas of the African-American experience", written by
691:
documents the history of women's music, and includes a segment on the Varied Voices tour. In the film, musician
7711:
7696:
7609:
7499:
1686:"Linda Tillery Day" jointly declared by the cities of San Francisco, Oakland and Berkeley on September 29, 2023
1484:
1473:
1427:
726:
6841:
5707:
Pollock, Mary S. (1988). "The Politics of Women's Music: A Conversation with Linda Tillery and Mary Watkins".
1505:
Tillery was a presenter at the November 2009 "Reclaiming the Right to Rock Conference" at Indiana University.
1046:
From 2005–2007, Linda Tillery & The Cultural Heritage Choir with Black Voices (UK), composed and arranged
336:
1430:
in 2017. The initial run of the play was so successful that Cal Shakes reprised the production in fall 2018.
1223:
842:
396:
352:
5747:
Hayes, Eileen M. (2007). "Black Women and 'Women's Music'". In Hayes, Eileen M.; Williams, Linda F. (eds.).
5342:
968:
Cultural Heritage Choir (CHC) performances often feature the musicians wearing colorful robes and hats from
7766:
7716:
5923:
5784:
5548:
1631:
318:
1498:
In June 2003, Tillery gave the keynote speech at the Phenomenon of Singing International Symposium IV, in
371:'s big voice, going into her parents' acoustically-pleasing bathroom and trying to imitate Merman's song "
7411:
1330:
493:
The Loading Zone's style has been described as psychedelic soul, and they have been compared somewhat to
5644:
4978:, Woman Vision, 2002, DVD); includes multiple interview scenes with Tillery and some performance footage
4946:
1528:
1275:
7756:
7290:
McCoy, Brian (October 23, 2009). "Playing Catch Up With Mads Tolling, Ben Mercato and Linda Tillery".
6328:
Selvin, Joel (September 8, 1985). "Redwood Records: Feminist Disc Company Spins Local Success Story".
6055:
5020:
216:
7305:
Maeda, Sheri; Feld, Sarie (November 30, 1983). "Linda Tillery and Adrienne Torf: Looking at Issues".
7233:
4963:
1499:
1119:
The group issued two children's albums on the Music for Little People label. 1997 saw the release of
509:
73:
7557:"Singer and Activist Linda Tillery Is Back! Video From Celebration Marking Her Return to Performing"
1188:(1989). During her seven-year stint with Voicestra, she appeared on many television shows including
757:, Roadwork's Sisterfire festival in 1983, and at the first Southern Women's Music Festival in 1984.
335:. Tillery says her parents were terrible singers but they loved music and had a large collection of
7761:
7418:. Association for Library Service to Children, a division of the American Library Association. 1998
6454:
Kraisirideja, Sandra (February 4, 2004). "Heritage choir revives slave songs from America's past".
2150:"Special Kind of Love" (dance remix)/"Special Kind of Love" (radio remix)/"Secrets" (extended mix)
1670:
1645:
494:
322:
5583:"Tackling issues of race and identity, poets' voices speak loud and clear at Living Word Festival"
5207:
Zane, Maitland (October 24, 1997). "African-American History Provides Melody for Oakland Singer".
6789:
Armstrong Jr., Toni (September 1994). "Ten Years in the Lives of HOT WIRE's thirty cover girls".
6698:
4966:") with the Harriet Tubman Underground Freedom Train Singers. Distributed by California Newsreel.
4506:
3710:
1536:
1453:
1310:
1208:
925:
754:
417:
286:
5411:"Loading Zone Reloaded: Famed rock 'n' rhythm combo reunites after thirty years … for one night"
7666:
7261:"Cultivating Voice, Cultivating Culture: Music Education's Role in Promoting the Examined Life"
7020:
Smith, Patricia Beach (March 15, 2005). "Sacramento Philharmonic Plays Rainbow of Arlen Hits".
6765:(Valley rop ed.). Los Angeles, California. January 7, 1998. p. L.A. Life section, L6.
6371:
6274:
Kehrer, Lauron (Summer 2016). "Goldenrod Distribution and the Queer Failure of Women's Music".
1399:
1352:
941:
483:
5880:
5608:
Stryker, Susan (May 2016). "Another Dream of Common Language: An Interview with Sandy Stone".
944:. She also wanted to talk to the musicians themselves, so she travelled to the sea islands of
7618:
5828:
Clarke, Cheryl; Enszer, Julie R. (June 2015). "Introduction: Where Would I Be Without You?".
4532:
1253:
1219:
1214:
1190:
932:
songs, field hollers, and slave songs. This was the beginning of her career as a self-taught
384:
364:
290:
6128:
From the Liminal to the Land: Building Amazon Culture at the Michigan Womyn's Music Festival
4628:
649:. This song has been recognized by scholars as one of the first songs to directly challenge
7661:
4959:
4537:
3624:
3067:
2783:
2671:
2629:
1934:
1776:
1457:
1315:
1299:
1227:
1124:
949:
827:
614:
566:
7582:
1298:
commissioned works were later performed by other choirs across the country, including the
720:
8:
7636:
7622:
7235:
Blues Legacies and Black Feminism: Gertrude "Ma" Rainey, Bessie Smith, and Billie Holiday
6177:
2255:
1469:
1375:
961:
921:
881:
634:
459:
6614:
Freedman, Richard (August 7, 2003). "Vocalist bones up on return to Vallejo Jazz Fest".
864:
festivities. On Friday June 25, Tillery performed for the first time in ten years with
321:. Her mother (Eva L.) was a seamstress and later worked at a job pressing garments in a
7325:
6364:
6291:
6107:
5853:
5724:
5637:
5490:
5114:
4985:
4906:
3581:
3248:
2859:
2192:
985:
738:
467:
293:. In the early 1990s, she began exploring the roots music of enslaved Africans and the
6912:
Hutton, Mary Ellyn (February 6, 1997). "MUSE choir pours heart into 'new spiritual'".
1570:
Her younger brother Calvin Tillery is also a vocalist. They have recorded together on
1515:
From February 2013 to the present, she has been a visiting lecturer and artist at the
1472:
in 2009, as well as at Williams College. In 2011, Tillery was a research assistant at
395:
Tillery graduated from high school in 1966 and worked for a year while also attending
7646:
7239:
7171:"Berkeley Freight & Salvage celebrates 50th anniversary with free music festival"
6815:"Bay Area African American Women in Music: Eclecticism Remains Linda Tillery's Forte"
6582:"Cultural Identity and Creativity: Black Artists Discuss the Importance of Community"
6375:
6295:
6132:
6090:
Morris, Bonnie J. (1998). "In Their Own Voices: Oral Histories of Festival Artists".
6036:
6026:
5971:
5965:
5939:
5929:
5894:
5884:
5873:
5845:
5800:
5790:
5762:
5752:
5658:
5648:
5554:
5280:
5270:
4970:
4955:
4026:
1635:
1364:
1036:
760:
On November 26, 1982 Tillery was a member of the all-female band that performed with
687:
642:
431:
6995:"Grammy Nominee Linda Tillery To Direct Free Amazing Grace Choral Workshop Sept. 22"
6565:
Amirrezvani, Anita (November 24, 1995). "Scholar Pours Soul Into 'New Spirituals'".
6287:
4558:
645:. Tillery contributed the song "Don't Pray For Me" to the LP, which was composed by
442:. Her mother made her a floor-length ruffled red leather cape. It was very dramatic.
6283:
6099:
5857:
5837:
5716:
5639:
Unmaking Race, Remaking Soul: Transformative Aesthetics and the Practice of Freedom
5617:
5536:. Long Beach, California. November 23, 2011. p. Section Long Beach Jazz Music.
4934:
3812:
3635:
3430:
2770:
1680:
1488:
1265:
1202:
1196:
1102:
917:
799:
704:
597:
581:
546:
542:
408:
348:
294:
239:
235:
87:
6405:
5991:"'Our sound engineer got a death threat': how lesbian label Olivia shook up music"
5841:
7610:
Linda Tillery and the Cultural Heritage Choir website (archived 15 February 2017)
6747:(booklet). Linda Tillery and The Cultural Heritage Choir. Tuizer Music. BLHCD746.
6588:(Sunday ed.). San Francisco, California. p. Sunday Datebook section, 31
6260:
4511:
4459:
4070:
4015:
3995:
3738:
3652:
3502:
2657:
15th Anniversary Collection: Celebrating 15 Years of the Best in Children's Music
2525:
1540:
1449:
1338:
937:
933:
909:
897:
869:
834:
765:
692:
360:
251:
6653:"Deep Roots: Linda Tillery and the Cultural Heritage Choir Reach Back to Africa"
6472:
Armstrong Jr., Toni (January 1994). "Olivia Turns Twenty: Anniversary Weekend".
5053:
7614:
5225:
Saal, Mark (September 28, 2001). "Choir promises journey through black music".
4652:
4410:
4232:
4021:
3762:
3683:
3630:
3327:
2909:
2261:
1797:
1740:
1601:
1552:
1502:
titled "The Voice as an Instrument of Peace and Motivating Force for Justice".
1423:
1410:
Tillery collaborated with vocalist Molly Holm to create the music for the play
1395:
1179:
1086:
1071:
945:
873:
823:
819:
791:
garnered some radio airplay in major metropolitan areas such as San Francisco.
773:
605:
550:
422:
282:
278:
259:
255:
247:
187:
5451:
Lee, Wayne (October 2, 1987). "Singer Is Just One Step Out Of The Spotlight".
1676:
Women's Cancer Resource Center, San Francisco, Compassionate Healer Award 2015
1074:
describing the recording as "a truly landmark project with historical value".
7655:
6256:
6136:
6040:
5943:
5804:
5621:
4975:
4930:
4700:
4094:
3855:
3733:
3490:
3426:
2758:
1963:
1571:
1564:
1516:
1387:
1382:
1291:
1144:
1094:
905:
811:
803:
769:
761:
667:
574:
471:
455:
415:
and was looking for a new lead singer, so they placed a classified ad in the
356:
344:
310:
6678:(Valley Final ed.). San Jose, California. p. LifeStyle Section, 6D
5975:
5898:
5766:
5662:
5284:
2590:"Down the Line (Texas Prison Work Song)" (with The Cultural Heritage Choir)
339:
records. The music she heard as a young person in her household ranged from
6569:(Final ed.). Walnut Creek, California. p. Time Out section, TO27.
6126:
5849:
5471:"A Little Bit of Soul: Cultural Heritage Choir Brings Black Music to CSI".
4951:
4718:
4676:
4480:
3949:
3879:
3727:
3496:
3313:
2930:
1801:
1617:
1576:
1492:
1480:
1438:
1434:
1403:
1356:
1342:
1260:
1182:'s 10-person ensemble Voicestra, including performing on the soundtrack of
1164:
989:
977:
885:
865:
853:
849:
745:
709:
661:
656:
Later in 1977, Olivia Records released Tillery's second solo album, titled
646:
639:
622:
562:
487:
479:
435:
407:
Tillery first came to prominence as the lead singer in San Francisco group
368:
271:
92:
6551:. Lancaster, Pennsylvania. March 1, 2001. p. This Weekend section, 3.
6533:. Elgin, Illinois. January 20, 2003. p. Community Living section, C3.
6332:(Sunday ed.). San Francisco, California. p. Sunday Datebook, 55.
462:, and opened Bay Area shows for many other bands and performers including
6874:(Sunday ed.). San Francisco, California. p. Sunday Datebook, 35
6640:(Final ed.). Walnut Creek, California. p. Time Out section, C4.
4118:
3807:
3783:
3434:
3086:
1846:
1242:
1025:
815:
703:
because all of my experience up to that point had been working with men.
558:
502:
451:
412:
340:
331:
Neither of her parents were musicians, but she had two uncles who played
267:
174:
37:
Tillery (center) performing with The Cultural Heritage Choir in July 2008
7628:
1398:
was the first artist-in-residence at the prominent Bay Area music venue
1381:
In 2011, Tillery acted as musical director for a Bay Area production of
7642:
7507:
7143:
7070:(Valley Final ed.). San Jose, California. p. Eye Section, 21T
6157:
Armstrong, Toni L (January 31, 1992). "A World of Women at Wombstock".
6111:
5728:
5589:(Final ed.). San Francisco, California. p. Daily Notebook, E1
3925:
3658:
2987:
2246:
1722:
1548:
1544:
1445:
1090:
997:
838:
784:
721:
1980-early 1990s: More women's music, more session work, and club bands
681:
650:
554:
526:
439:
263:
182:
97:
7064:"Barbara Higbie, Laurie Lewis, Linda Tillery come together in concert"
5009:(Metro Final ed.). Sacramento, California. p. Explore, EX11.
1113:. In 2009, the Choir returned to self-publishing with the release of
7358:(Metro Final ed.). Sacramento, California. p. Ticket, TK16.
7238:(First Vintage Books ed.). New York: Vintage Books. p. ix.
6023:
Songs in Black and Lavender: Race, Sexual Politics, and Women's Music
4799:
3462:
3071:
2694:
2464:
1967:
1959:
1938:
1593:
Jammie (Bay Area Jazz Award) winner, Outstanding Female Vocalist for
1519:, where she conducts workshops on the Music of the African Diaspora.
1510:
Songs in Black and Lavender: Race, Sexual Politics, and Women's Music
1148:
1140:
1128:
1106:
993:
877:
861:
534:
325:
314:
102:
7354:
Barton, David (January 8, 1993). "Gay Acts Aim For Wider Audience".
6434:(Final ed.). Tampa, Florida. p. Friday Extra! Section, 14.
6430:
Ross, Curtis (June 25, 1999). "Traveling Man Scaggs Comes On Home".
6103:
5789:. Albany, New York: State University of New York Press. p. 28.
5720:
5005:
Carnes, Jim (August 18, 2008). "They'll Sing for Peace and Change".
3098:
Linda Tillery and the Cultural Heritage Choir, with various artists
7294:. Oakland, California. p. Oakland Jazz Music Examiner section.
5875:
Virtual Equality: The Mainstreaming of Gay & Lesbian Liberation
5532:"An afternoon with Linda Tillery and the Cultural Heritage Choir".
5367:
McLaughlin, Jeff (May 1, 1985). "Linda Tillery's 'healing music'".
1556:
1309:, with choreographer Joanna Haigood. The dance was commissioned by
734:
601:
231:
7024:(Metro Final ed.). Sacramento, California. p. Scene, E1.
5688:
Clark, Terri (November 30, 1978). "Linda Tillery: Feminist Funk".
5553:. Durham, North Carolina: Duke University Press. pp. 90–102.
1259:
Tillery performed on the soundtracks of several films by director
841:, who often sat in with the band. She was briefly a member of the
7632:
1419:
1351:
Tillery was the featured vocalist at a March 13, 2005 concert in
969:
463:
388:
5643:. Albany, New York: State University of New York Press. p.
5455:(Third ed.). Seattle, Washington. p. Tempo section, 5.
3440:
3085:
Musical direction and arrangements by Tillery; co-produced with
1876:
1539:
venue to help with her medical expenses, which featured artists
421:
stating "Wanted: One Soul Singer" which was also the title of a
7531:"Arhoolie Awards show honors Elvin Bishop, Linda Tillery, more"
7091:"Bold, Brilliant 'Black Odyssey' Lands at Cal Shakes in Orinda"
6960:. Pittsfield, Massachusetts. August 22, 2007. p. Best Bets
6916:(Final ed.). Cincinnati, Ohio. p. Living section, 1B.
6672:"Singer Tammi Brown infuses all her music with a gospel uplift"
6366:
Voices of Latin Rock: People and Events That Created This Sound
5751:. Urbana, Illinois: University of Illinois Press. p. 162.
5269:. Norwich, Vermont: New Victoria Publishers. pp. 114–119.
3515:"Womanly Way" (co-written with Mary Watkins and Diane Lindsay)
1098:
953:
920:
tape containing traditional black folk songs obtained from the
520:
332:
6282:(2). Urbana, Illinois: University of Illinois Press: 218–242.
5550:
Tropical Renditions: Making Musical Scenes in Filipino America
992:, percussion and dance. The instrumentation often consists of
794:
Tillery and band toured during 1985 to support the release of
744:
For several years at MichFest, Tillery also lead the festival
591:
6842:"Review/Film: The Self Stays Strong Amid Shades of Prejudice"
5925:
Acts of Gaiety: LGBT Performance and the Politics of Pleasure
4604:
3163:
1415:
1334:
1110:
1001:
981:
973:
580:
Another group with whom she performed during this period was
7118:"Don't Worry, McFerrin's Bay Area Legacy Stronger Than Ever"
6529:"Linda Tillery and Cultural Heritage Choir to sing at ECC".
6309:
Thomas, June (July 31, 1985). "Women's Music Branches Out".
6131:(Ph.D.). University of Maryland, College Park. p. 345.
1559:
account was set up to help with Tillery's medical expenses.
1355:
to celebrate the 100th anniversary of the birth of composer
347:
to rural and urban blues. By age 2, her favorite singer was
7369:
Becker, David (June 9, 2012). "Bay Area Jazz, June 11–17".
6821:. Vol. 51, no. 39. Oakland, California. p. 2
6728:"Fourth annual international arts festival opens in S.F.".
6370:(1st ed.). Milwaukee, Wisconsin: Hal Leonard. p.
6343:
Post, Laura (May 1990). "Two Roads to Solo Keyboard Work".
5341:. Juneau, Alaska. p. This Week section. Archived from
3110:
Musical direction by Tillery; co-produced with Leib Ostrow
1005:
6893:
Lee, Cherylene (September 1993). "New Growth at Redwood".
5211:(Final ed.). San Francisco, California. p. EB 3.
5028:
2754:
Love Is The Song We Sing (San Francisco Nuggets 1965-1970)
1580:(1975), and on Linda Tillery and the Freedom Band's album
1233:
Tillery has appeared in music videos for Bobby McFerrin's
298:
7386:"Bay Area arts: 7 cool things to do and see this weekend"
6929:"DANCE REVIEW; Hope and Sanctuary On a Torturous Journey"
5786:
The Disappearing L: Erasure of Lesbian Spaces and Culture
1512:
by Eileen M. Hayes (University of Illinois Press, 2010).
1287:
1168:
901:
474:, Cream at San Francisco's famed Winterland Ballroom and
6491:
Harper, Jorjet (May 1990). "The 1990 AWMAC Conference".
891:
772:
in New York City, to celebrate the tenth anniversary of
5262:"Linda Tillery: Big voice, solid roots, new spirituals"
2609:"Boll Weevil Blues" (with The Cultural Heritage Choir)
2245:"Hold It Up" (with Jeanette Lazam, Barbara B.G. Glass,
1612:
National Association of Independent Record Distributors
577:'s soul/funk/jazz/Latin band, appearing on two albums.
7043:. Hayward, California. p. Inside Bay Area section
5475:. Twin Falls, Idaho. April 1, 2005. p. Section C.
4940:
Tryin' To Get Home: A History of African American Song
2536:"Rock Island Line" (with The Cultural Heritage Choir)
779:
In 1985, Tillery released her third solo album titled
317:
whose first job after moving to California was at the
5928:. Ann Arbor, Michigan: University of Michigan Press.
4334:
backing vocals/body percussion/hand claps/tambourine
2813:"Shortnin' Bread" (with The Cultural Heritage Choir)
2017:
1035:
The Cultural Heritage Choir united with wall dancers
621:
Tillery's next job with Olivia Records was producing
7150:. Women in the Arts, National Women's Music Festival
3066:
Linda Tillery and the Cultural Heritage Choir, with
2171:
1788:
1989, reissued on CD in 1994 with stock number 2211
632:
Also in 1977, Olivia released the compilation album
6954:"Jacob's Pillow: 'Invisible Wings' to be performed"
6512:"2 Operatic Sopranos Keep the Spirit in Spirituals"
5879:. New York: Anchor Books (published 1995). p.
5109:
5107:
1337:and its blending of African rhythms with Argentine
6363:
6025:. Urbana, Illinois: University of Illinois Press.
5872:
5636:
5260:
3487:"What Are You Under" (co-written with Joe Rubino)
2332:Music Lovers Choice Vol. 5: Modern Soul & Jazz
1305:She created and performed the music for the dance
1248:In 1992, she recorded the soundtrack for the play
5489:Hannan, Ross; Arnold, Corry (December 10, 2010).
5086:"Acclaimed singer Linda Tillery takes on theater"
4933:, 1971); Tillery appears as the lead vocalist of
2800:Pickin' & Grinnin': Great Folk Songs for Kids
1508:Tillery wrote the foreword to the scholarly book
1333:. The performance celebrated the history of the
1048:A Long Way Home: Concertizing the Golden Triangle
411:starting in 1968. The band had just signed with
7653:
6458:. Escondido, California. p. Section: Music.
5104:
1133:Grammy Award for Best Musical Album for Children
6449:
6447:
6445:
6443:
6441:
2651:"Name Game" (with The Cultural Heritage Choir)
2596:Musicworks 75: On The Brink Of A New Millennium
2128:"Secrets" (radio mix)/"Secrets" (extended mix)
1320:Never Standing Still: Dancing at Jacob's Pillow
806:, who made her major-stage debut that evening.
541:Through much of the 1970s, Tillery worked as a
402:
6560:
6558:
6361:
5267:Backstage Pass: Interviews with Women in Music
3187:Linda Tillery and the Cultural Heritage Choir
3142:Linda Tillery and the Cultural Heritage Choir
3044:Linda Tillery and the Cultural Heritage Choir
3022:Linda Tillery and the Cultural Heritage Choir
363:". She had memorized Basie's arrangement of "
6788:
6784:
6782:
6780:
6778:
6776:
6774:
6772:
6471:
6467:
6465:
6060:GEMS (Gender, Education, Music & Society)
5362:
5360:
2561:Giggling & Laughing: Silly Songs for Kids
2521:Night Train: Classic Railroad Songs, Volume 3
1877:Linda Tillery and The Cultural Heritage Choir
1394:Also in 2011, multi-instrumentalist musician
876:, Nancy Vogl, Teresa Trull, Cris Williamson,
274:in 1997 for Best Musical Album for Children.
7476:. Parents' Choice Foundation. Archived from
7445:. Parents' Choice Foundation. Archived from
6983:. Placerville, California. October 17, 2008.
6627:
6625:
6542:
6540:
6453:
6438:
5827:
5518:(booklet). Columbia Records. 1998. KC 30595.
5488:
5382:
5380:
5378:
4982:Never Stand Still: Dancing at Jacob's Pillow
2794:"Willie and the Hand Jive" (with Taj Mahal)
1614:(NAIRD), Best Independent Music Award (1986)
565:and others. She sang backing vocals on the
549:and occasionally playing drums on albums by
521:1970-1977: Debut solo album and session work
454:for other big-name bands. They toured with
313:currently stands. Her father (Horace) was a
7672:20th-century African-American women singers
7088:
7082:
6808:
6806:
6804:
6609:
6607:
6605:
6603:
6564:
6555:
6231:
3560:
2719:Sweet Slumbers: Soothing Lullabies for Kids
2505:Sweet Slumbers: Soothing Lullabies for Kids
2084:"Good Day Sunshine"/"Same Time Same Place"
1374:, which celebrates the positive aspects of
1154:
845:and also performed with the Solid Senders.
592:1975-1979: Olivia Records and women's music
7635:
7621:
7168:
7037:"Artistic Director Celebrates Connections"
6769:
6462:
6199:
6150:
6098:(2). University of Nebraska Press: 53–71.
6085:
6083:
6081:
5778:
5776:
5749:Black Women and Music: More Than The Blues
5715:(1). University of Nebraska Press: 14–19.
5484:
5482:
5404:
5402:
5400:
5398:
5366:
5357:
5313:. Elgin, Illinois. p. Go section, D1.
5304:
5302:
5300:
5298:
5296:
5294:
5092:. San Francisco Chronicle. August 18, 2011
2735:Funk 80 Only The Best Rare Tracks Volume 2
2418:ESP DJ Classics Vol. 3: Feeling of Freedom
1773:Shake It To the One That You Love the Best
270:, and others. Tillery was nominated for a
31:
7747:Lowell High School (San Francisco) alumni
7304:
6756:
6754:
6622:
6537:
6509:
6503:
6205:
6175:
6169:
6156:
6056:"Sound Memories From A Recent Revolution"
6016:
6014:
6012:
5823:
5821:
5742:
5740:
5738:
5391:. Charleston, West Virginia. p. P1D.
5386:
5375:
5328:
5326:
5324:
5322:
5320:
5171:"Music: Linda Tillery sings her heritage"
5164:
5162:
5160:
5158:
5156:
2301:Timeless Records/Stomp Records (Germany)
1587:
1052:San Francisco International Arts Festival
7528:
7383:
7323:
7317:
7109:
7055:
6812:
6801:
6663:
6644:
6634:"Tillery's Still Motivated by the Music"
6631:
6613:
6600:
6355:
5970:(DVD). Woman Vision. 29:14 minutes in.
5683:
5681:
5679:
5527:
5525:
5466:
5464:
5462:
5154:
5152:
5150:
5148:
5146:
5144:
5142:
5140:
5138:
5136:
5115:"Grammy Award Results for Linda Tillery"
5080:
5078:
5076:
5074:
1302:and MUSE, The Cincinnati Women's Choir.
604:band BeBe K'Roche submitted her name to
7792:21st-century African-American musicians
7467:
7124:. Walnut Creek, California. p. 17T
7115:
7061:
6926:
6865:
6859:
6742:
6736:
6696:
6690:
6669:
6650:
6398:
6225:
6124:
6118:
6078:
6047:
5957:
5773:
5706:
5700:
5607:
5601:
5580:
5574:
5546:
5540:
5479:
5408:
5395:
5308:
5291:
2555:"Beans and Cornbread" (with Taj Mahal)
2542:A Child's Celebration of Silliest Songs
1433:In July 2017, Tillery reconnected with
7654:
7436:
7368:
7362:
7353:
7347:
7258:
7252:
7169:Harrington, Jim (September 17, 2018).
7034:
7028:
6946:
6911:
6905:
6839:
6751:
6510:Oestreich, James R. (March 19, 1990).
6490:
6484:
6423:
6336:
6327:
6321:
6308:
6302:
6273:
6267:
6250:
6244:
6206:Alexander, Elizabeth (June 27, 1983).
6089:
6053:
6009:
5921:
5915:
5818:
5782:
5735:
5634:
5628:
5581:Sanders, Joshunda (October 11, 2004).
5446:
5444:
5442:
5440:
5438:
5436:
5434:
5432:
5332:
5317:
5254:
5252:
5250:
5248:
5246:
5244:
5242:
5240:
5238:
5236:
5220:
5218:
5202:
5200:
5198:
5196:
5194:
5192:
5168:
5013:
5004:
2703:This Land Is Your Land: Songs of Unity
1444:In September 2018, Tillery and former
1359:. She was accompanied by the 71-piece
1185:Common Threads: Stories from the Quilt
373:There's No Business Like Show Business
7777:20th-century American women musicians
7529:McMullen, Randy (November 18, 2019).
7298:
7289:
7283:
7231:
7225:
7189:
7019:
7013:
6987:
6972:
6927:Dunning, Jennifer (August 27, 1998).
6579:
6573:
6522:
6092:Frontiers: A Journal of Women Studies
6020:
5746:
5709:Frontiers: A Journal of Women Studies
5687:
5676:
5522:
5459:
5133:
5071:
5048:
5046:
4998:
3461:"Remember the Ones" (co-written with
3227:
1290:specials with Bobby McFerrin and the
900:on her television, she came across a
892:1992-present: Cultural Heritage Choir
7412:"1998 Notable Children's Recordings"
7136:
7116:Gilbert, Andrew (November 9, 2017).
6886:
6732:. Oakland, California. May 15, 2007.
6670:Gilbert, Andrew (January 13, 2010).
6547:"Choir Celebrates A Rich Heritage".
6429:
6342:
5988:
5982:
5870:
5864:
5547:Balance, Christine Bacareza (2016).
5371:. Boston, Massachusetts. p. 78.
5333:Keeker, Korry (September 22, 2005).
5258:
5224:
5206:
4889:
3564:
3231:
3132:Produced and co-arranged by Tillery
2842:
2175:
2101:Radio station promo copy 7", 45 RPM
1463:
1237:(1990) and Big Bear-Earth Project's
529:and released her debut album titled
242:, with her second solo album titled
238:. She is recognized as a pioneer in
7797:21st-century African-American women
7677:20th-century American women singers
7384:McMullen, Randy (August 30, 2023).
7206:(16): 28. 2011–2012. Archived from
6892:
6813:Chambers, Ashley (March 23, 2015).
6632:Freedman, Rich (January 13, 2008).
6518:. New York. p. Review/Concert.
6362:McCarthy, Jim; Sansoe, Ron (2004).
5450:
5429:
5409:Gilbert, Andrew (August 13, 2008).
5233:
5215:
5189:
5169:Hamlin, Jesse (February 14, 2015).
4703:and Women's Voices for Peace Choir
4501:Four Chords & Several Years Ago
3680:(various artist compilation album)
3406:Linda Tillery and The Freedom Band
3384:Linda Tillery and The Freedom Band
3340:Linda Tillery and The Freedom Band
3293:Linda Tillery and The Freedom Band
3209:Linda Tillery and The Freedom Band
2838:
1819:
1085:that included guest appearances by
533:in 1970. The album was produced by
476:Big Brother and the Holding Company
13:
7089:D'Souza, Karen (August 18, 2017).
7062:Gilbert, Andrew (March 12, 2015).
6866:Whiting, Sam (November 19, 1995).
6580:Moore, Teresa (February 8, 1998).
5964:Mosbacher, Dee (director) (2002).
5610:TSQ: Transgender Studies Quarterly
5043:
2693:"Follow the Drinking Gourd" (with
2056:
2018:Linda Tillery and the Freedom Band
1367:" and "I Had Myself a True Love".
952:to find performers of traditional
14:
7813:
7603:
7259:Morton, Charlene A. (July 2003).
7001:. Logan, Utah. September 10, 2004
6840:Holden, Stephen (June 25, 1993).
6651:Gilbert, Andrew (June 22, 2006).
3199:Co-produced with Simon Monserrat
3056:Produced and arranged by Tillery
3034:Produced and arranged by Tillery
2920:all songs co-arranged by Tillery
2172:Various artist compilation albums
1363:on two seldom-sung Arlen songs, "
1361:Sacramento Philharmonic Orchestra
1178:Tillery was a founding member of
1131:, which was nominated for a 1998
1077:The Choir's second recording was
1070:was self-published in 1995, with
430:She said, 'I'm kind of big, like
16:American singer and percussionist
7702:Record producers from California
6054:Morris, Bonnie (November 2014).
4893:
4804:Stony Plain Recordings (Canada)
3963:drums/percussion/backing vocals
3568:
3312:"Freedom Time" (co-written with
3235:
2846:
2450:A Child's Celebration of Lullaby
2179:
1662:California Music Award nominee,
1522:
1250:Letters from a New England Negro
1163:In 1987, Tillery performed with
904:special featuring opera singers
514:American Federation of Musicians
7782:American women record producers
7732:LGBTQ people from San Francisco
7575:
7549:
7522:
7492:
7461:
7430:
7404:
7377:
7162:
6920:
6833:
6721:
6699:"Vancouver Folk Music Festival"
6288:10.5406/americanmusic.34.2.0218
5508:
3221:Co-produced with Camilo Landau
3177:Co-produced with Kit Higginson
2581:Festival Mundial (Netherlands)
1854:1968, reissued on CD 2001 (UK)
1655:Parent's Choice "Gold" winner,
1622:Best Musical Album for Children
1245:television commercial in 1990.
731:Michigan Womyn's Music Festival
7772:20th-century American drummers
7232:Davis, Angela Yvonne (1999) .
7035:Payton, Brenda (May 6, 2005).
5989:Male, Andrew (July 19, 2020).
2990:; producer on selected tracks
2619:First Experience Records (UK)
1690:
1485:San Francisco State University
1474:Indiana University Bloomington
1428:California Shakespeare Theater
1402:, and she invited her friends
466:on their first American tour,
1:
7682:20th-century American singers
6868:"Spirituals For Thanksgiving"
6263:. Second Wave Records. LF933.
5842:10.1080/10894160.2015.1028238
4992:
4657:Blue Grove Records (Austria)
4400:supporting vocals/hand claps
2670:"Shake A Tail Feather" (with
2638:A Child's Celebration of Soul
2106:"Womanly Way"/"Markin' Time"
1636:Notable Children's Recordings
1543:, the Wayne Wallace Quintet,
1224:Black Filmmakers Hall of Fame
1218:as well as concerts with the
1115:Still We Sing, Still We Rise.
1057:
843:ZaSu Pitts Memorial Orchestra
397:City College of San Francisco
367:" by age 4. She also admired
304:
7787:African-American songwriters
7373:. San Francisco, California.
5054:"Olivia Records Discography"
4533:Turtle Island String Quartet
4296:The Power Of My Love For You
3425:"MaracatĂş" (co-written with
3183:Still We Sing, Still We Rise
2463:"Singin' In My Heart" (with
2434:A Good Example of What It Is
2001:Still We Sing, Still We Rise
1958:(with Taj Mahal, Eric Bibb,
1669:Community Leadership Award,
1632:American Library Association
1414:, a modern-day retelling of
403:Late 1960s: The Loading Zone
291:Turtle Island String Quartet
7:
7707:Songwriters from California
7313:(10). Washington, D.C.: 22.
6901:(3). Chicago, Illinois: 28.
6872:The San Francisco Chronicle
6797:(3). Chicago, Illinois: 24.
6586:The San Francisco Chronicle
6499:(2). Chicago, Illinois: 34.
6480:(1). Chicago, Illinois: 24.
6351:(2). Chicago, Illinois: 28.
6330:The San Francisco Chronicle
6165:(1). Chicago, Illinois: 34.
6125:Kendall, Laurie J. (2006).
5587:The San Francisco Chronicle
5335:"Discovering Musical Roots"
5209:The San Francisco Chronicle
5177:. San Francisco, California
5175:The San Francisco Chronicle
2986:Executive co-producer with
2832:"Makin' Time (Volcov cut)"
1331:Pleasant Valley, California
1252:, written by poet/novelist
1241:(1990). She was also in a
1239:Will the Circle Be Unbroken
1139:with Taj Mahal, Eric Bibb,
802:undergraduate singer named
299:The Cultural Heritage Choir
10:
7818:
7752:Singers from San Francisco
7742:American LGBTQ songwriters
7722:American lesbian musicians
7392:. Walnut Creek, California
7097:. Walnut Creek, California
6317:(7). Washington, D.C.: 25.
6240:(8). Washington, D.C.: 15.
6176:Theophano, Teresa (2002).
5830:Journal of Lesbian Studies
5783:Morris, Bonnie J. (2016).
5696:(10). Washington, D.C.: 8.
2779:Rock & Roll Playground
2615:Simply Soul Flavas Part II
2371:Counterpoint Records (UK)
1529:Pacific School of Religion
1483:were guest lecturers at a
1171:production of the musical
980:, while performing songs,
896:In 1991 while Tillery was
596:Tillery was introduced to
353:That's All I Want From You
217:Tillery's archived website
7504:culturalheritagechoir.com
7265:The Phenomenon of Singing
7197:"National Advisory Board"
6763:Daily News of Los Angeles
6253:Meg/Cris at Carnegie Hall
6021:Hayes, Eileen M. (2010).
5997:(U.S. ed.). New York
4964:Lift Every Voice and Sing
3773:backup vocals/percussion
3678:Lights Out: San Francisco
3617:
3614:
3611:
3608:
3605:
3602:
3311:
3284:
3281:
3278:
3275:
3272:
3269:
2895:
2892:
2889:
2886:
2883:
2880:
2692:
2554:
2462:
2438:Higher Learning (Europe)
2379:
2309:
2225:
2222:
2219:
2216:
2213:
2078:
2075:
2072:
2069:
2066:
2063:
2033:
2030:
2027:
2024:
1892:
1889:
1886:
1883:
1835:
1832:
1829:
1826:
1711:
1708:
1705:
1702:
1517:San Francisco Jazz Center
671:, the style of the album
510:Transcendental Meditation
212:
208:
167:
157:
137:
111:
80:
74:San Francisco, California
57:
47:
42:
30:
23:
7802:American lesbian writers
7324:Williams, Carla (2002).
6743:Santana, Carlos (1995).
5622:10.1215/23289252-3334559
4984:(directed by Ron Honsa,
4885:
4648:Songs From The Southland
4618:percussion/cajon/djembe
3985:drums/supporting vocals
3893:drums/supporting vocals
3561:Guest appearance credits
3101:Music for Little People
3076:Music for Little People
2823:ESP DJ Classics (Japan)
2804:Music for Little People
2723:Music for Little People
2707:Music for Little People
2684:Music for Little People
2661:Music for Little People
2642:Music for Little People
2565:Music for Little People
2546:Music for Little People
2509:Music for Little People
2493:Music for Little People
2477:Music for Little People
2454:Music for Little People
2422:ESP DJ Classics (Japan)
1973:Music for Little People
1944:Music for Little People
1782:Music for Little People
1671:San Francisco Foundation
1479:She and fellow musician
1329:at Miraflores Winery in
1155:Expanding collaborations
495:Sly and the Family Stone
7692:American women drummers
7561:San Francisco Bay Times
7537:. Palo Alto, California
7468:Heffley, Laura (2000).
7439:"Shakin' A Tailfeather"
7437:Beavin, Kristi (1998).
6697:Gregory, Fiona (2002).
6659:. Monterey, California.
5121:. The Recording Academy
4947:Black is... Black Ain't
4848:Spruce and Maple Music
4507:Huey Lewis and the News
4322:The Washington Sisters
3875:The Ways A Woman Can Be
3711:Flying Dutchman Records
3381:"In Praise of Freedom"
2926:The Ways A Woman Can Be
2577:Festival Mundial Live 3
2390:Luv N' Haight/Ubiquity
2352:Line Records (Germany)
1794:Hills to Hollers: Live!
1695:
1537:The Freight and Salvage
1454:The Freight and Salvage
1276:Black is... Black Ain't
926:Smithsonian Institution
755:Albuquerque, New Mexico
727:women's music festivals
627:The Ways A Woman Can Be
418:San Francisco Chronicle
287:Huey Lewis and the News
195:Music for Little People
7737:American LGBTQ singers
7727:LGBTQ record producers
7687:American blues singers
7506:. 2013. Archived from
7371:San Francisco Examiner
7177:. San Jose, California
6745:Good Time, A Good Time
6657:Monterey County Weekly
6618:. Vallejo, California.
6251:Wilson, Susan (1983).
6208:"Sisterly Celebration"
5871:Vaid, Urvashi (1996).
5495:chickenonaunicycle.com
5058:queermusicheritage.com
4734:Family Groove Records
3414:Round Whirled Records
3403:"In the Name of Love"
3392:Round Whirled Records
3348:Round Whirled Records
3301:Round Whirled Records
3212:Round Whirled Records
3018:Good Time, A Good Time
2680:Brown Girl in the Ring
2628:"Love For Love" (with
2406:Wagram Music (France)
2320:Timeless Records (UK)
2044:Round Whirled Records
1899:Good Time, A Good Time
1588:Awards and recognition
1353:Sacramento, California
1151:was released in 1999.
1068:Good Time, A Good Time
942:Bernice Johnson Reagon
625:'s debut album titled
444:
351:, whose recording of "
319:Hunters Point Shipyard
43:Background information
7712:American soul singers
7697:American folk singers
6761:"Grammy Awards '98".
5922:Warner, Sara (2012).
5417:. Oakland, California
4960:We Shall Not Be Moved
4826:Stony Plain (Canada)
3869:drums/backing vocals
3476:Stony Plain (Canada)
3290:"Celebrate the King"
3062:Shakin' a Tailfeather
2739:U.K Records (France)
2473:Celebration of Family
2291:"Love and Happiness"
1931:Shakin' a Tailfeather
1650:Shakin' a Tailfeather
1640:Shakin' a Tailfeather
1626:Shakin' a Tailfeather
1327:It Takes Two To Tango
1286:She also appeared in
1254:Sherley Anne Williams
1215:Entertainment Tonight
1191:The Arsenio Hall Show
1169:National Public Radio
1121:Shakin' a Tailfeather
986:children's play songs
428:
385:Pittsburg, California
7510:on February 15, 2017
5259:Post, Laura (1997).
4907:adding missing items
4707:Telarc International
4538:Windham Hill Records
4485:Dancing Cat Records
3582:adding missing items
3437:, and Rhonda Benin)
3370:411/Redwood Records
3249:adding missing items
2977:411/Redwood Records
2860:adding missing items
2600:Musicworks (Canada)
2297:That's Timeless Soul
2272:"Don't Pray for Me"
2249:, and Anita Taylor)
2193:adding missing items
2156:411/Redwood Records
2136:411/Redwood Records
1602:Bay Area Music Award
1500:Newfoundland, Canada
1458:Berkeley, California
1426:and produced by the
1316:Underground Railroad
1300:Boys Choir of Harlem
1228:Tokyo Music Festival
828:Country Joe McDonald
729:including the first
297:, forming the group
7767:Lesbian songwriters
7717:CBS Records artists
6914:The Cincinnati Post
6730:The Oakland Tribune
6703:Canadian Folk Music
5534:Long Beach Examiner
5021:"Linda's Biography"
4780:Left Angle Records
4430:Singer In The Storm
4303:Heartlight Records
4256:Casselberry-DuPreé
3921:Imagine My Surprise
3688:Blue Thumb Records
3465:and Ulrika Ponten)
3145:EarthBeat! Records
3047:EarthBeat! Records
3012:Executive producer
3000:Casselberry-DuPreé
2489:Singin' In My Heart
2256:Lesbian Concentrate
1989:EarthBeat! Records
1919:EarthBeat! Records
1681:Arhoolie Foundation
1470:Stanford University
1376:Oakland, California
962:Oakland, California
922:Library of Congress
882:Lucie Blue Tremblay
635:Lesbian Concentrate
460:The Jeff Beck Group
228:Linda "Tui" Tillery
53:Linda Joyce Tillery
7474:parents-choice.org
7443:parents-choice.org
6999:The Herald Journal
6979:"Happens on the".
6638:Contra Costa Times
6567:Contra Costa Times
6516:The New York Times
6456:North County Times
5389:Charleston Gazette
4986:First Run Features
4905:; you can help by
4870:Dixiefrog Records
4757:Jackalope Records
4690:background vocals
4437:Chameleon Records
4340:With A Little Luck
4167:Cityscape Records
4138:Something To Go On
4084:supporting vocals
3697:background vocals
3672:background vocals
3580:; you can help by
3410:Celebrate the King
3388:Celebrate the King
3359:"I'm So Thankful"
3344:Celebrate the King
3297:Celebrate the King
3247:; you can help by
3228:Songwriter credits
3205:Celebrate the King
2858:; you can help by
2769:"The Bells" (with
2236:Any Woman's Blues
2191:; you can help by
2088:Sweet Linda Divine
2040:Celebrate the King
1718:Sweet Linda Divine
1595:Sweet Linda Divine
1582:Celebrate the King
1372:Spirits Uplifted I
1271:Fear of Disclosure
1194:, Johnny Carson's
739:Love and Happiness
531:Sweet Linda Divine
486:'s historic venue
380:Lowell High School
7583:"Roseland (1971)"
7148:www.wiaonline.org
7144:"Performers 2017"
6981:Mountain Democrat
6549:Lancaster New Era
6178:"Music Festivals"
6032:978-0-252-03514-2
5967:Radical Harmonies
5935:978-0-472-11853-3
5890:978-0-385-47299-9
5796:978-1-4384-6177-9
5758:978-0-252-03184-7
5654:978-0-7914-7161-6
5453:The Seattle Times
5227:Standard-Examiner
4971:Radical Harmonies
4956:We Shall Overcome
4923:
4922:
4883:
4882:
4772:Winter In America
4585:Sugar Mama Music
4259:Icebergg Records
4210:Sonny Padilla JR
4027:Cotillion Records
4000:Fabulous Records
3788:Pleiades Records
3663:Columbia Records
3598:
3597:
3558:
3557:
3265:
3264:
3225:
3224:
3123:Sugar Mama Music
3040:Front Porch Music
3003:Icebergg Records
2876:
2875:
2836:
2835:
2316:People Want Music
2278:Michigan Live '85
2232:Any Woman's Blues
2209:
2208:
2169:
2168:
2054:
2053:
2015:
2014:
1915:Front Porch Music
1874:
1873:
1864:Umbrella Records
1817:
1816:
1464:Activist educator
1450:Zigaboo Modeliste
1079:Front Porch Music
934:ethnomusicologist
688:Radical Harmonies
680:Randle, and poet
600:in 1975 when the
432:Big Mama Thornton
222:
221:
68:September 2, 1948
7809:
7639:
7625:
7598:
7597:
7595:
7593:
7579:
7573:
7572:
7570:
7568:
7553:
7547:
7546:
7544:
7542:
7526:
7520:
7519:
7517:
7515:
7496:
7490:
7489:
7487:
7485:
7480:on April 7, 2017
7465:
7459:
7458:
7456:
7454:
7449:on April 7, 2017
7434:
7428:
7427:
7425:
7423:
7408:
7402:
7401:
7399:
7397:
7381:
7375:
7374:
7366:
7360:
7359:
7351:
7345:
7344:
7342:
7340:
7330:
7326:"Music: Popular"
7321:
7315:
7314:
7302:
7296:
7295:
7292:Oakland Examiner
7287:
7281:
7280:
7278:
7276:
7256:
7250:
7249:
7229:
7223:
7222:
7220:
7218:
7213:on April 7, 2017
7212:
7201:
7193:
7187:
7186:
7184:
7182:
7175:The Mercury News
7166:
7160:
7159:
7157:
7155:
7140:
7134:
7133:
7131:
7129:
7113:
7107:
7106:
7104:
7102:
7086:
7080:
7079:
7077:
7075:
7059:
7053:
7052:
7050:
7048:
7041:The Daily Review
7032:
7026:
7025:
7017:
7011:
7010:
7008:
7006:
6991:
6985:
6984:
6976:
6970:
6969:
6967:
6965:
6950:
6944:
6943:
6941:
6939:
6924:
6918:
6917:
6909:
6903:
6902:
6890:
6884:
6883:
6881:
6879:
6863:
6857:
6856:
6854:
6852:
6837:
6831:
6830:
6828:
6826:
6810:
6799:
6798:
6786:
6767:
6766:
6758:
6749:
6748:
6740:
6734:
6733:
6725:
6719:
6718:
6716:
6714:
6694:
6688:
6687:
6685:
6683:
6667:
6661:
6660:
6648:
6642:
6641:
6629:
6620:
6619:
6611:
6598:
6597:
6595:
6593:
6577:
6571:
6570:
6562:
6553:
6552:
6544:
6535:
6534:
6526:
6520:
6519:
6507:
6501:
6500:
6488:
6482:
6481:
6469:
6460:
6459:
6451:
6436:
6435:
6427:
6421:
6420:
6418:
6416:
6402:
6396:
6395:
6390:
6388:
6369:
6359:
6353:
6352:
6340:
6334:
6333:
6325:
6319:
6318:
6306:
6300:
6299:
6271:
6265:
6264:
6248:
6242:
6241:
6229:
6223:
6222:
6220:
6218:
6203:
6197:
6196:
6194:
6192:
6182:
6173:
6167:
6166:
6154:
6148:
6147:
6145:
6143:
6122:
6116:
6115:
6087:
6076:
6075:
6073:
6071:
6051:
6045:
6044:
6018:
6007:
6006:
6004:
6002:
5986:
5980:
5979:
5961:
5955:
5954:
5952:
5950:
5919:
5913:
5912:
5907:
5905:
5878:
5868:
5862:
5861:
5825:
5816:
5815:
5813:
5811:
5780:
5771:
5770:
5744:
5733:
5732:
5704:
5698:
5697:
5685:
5674:
5673:
5671:
5669:
5642:
5632:
5626:
5625:
5616:(1–2): 294–305.
5605:
5599:
5598:
5596:
5594:
5578:
5572:
5571:
5569:
5567:
5544:
5538:
5537:
5529:
5520:
5519:
5512:
5506:
5505:
5503:
5501:
5486:
5477:
5476:
5468:
5457:
5456:
5448:
5427:
5426:
5424:
5422:
5415:East Bay Express
5406:
5393:
5392:
5384:
5373:
5372:
5364:
5355:
5354:
5352:
5350:
5345:on April 7, 2017
5330:
5315:
5314:
5306:
5289:
5288:
5264:
5256:
5231:
5230:
5222:
5213:
5212:
5204:
5187:
5186:
5184:
5182:
5166:
5131:
5130:
5128:
5126:
5111:
5102:
5101:
5099:
5097:
5082:
5069:
5068:
5066:
5064:
5050:
5041:
5040:
5038:
5036:
5031:on April 7, 2017
5027:. Archived from
5025:lindatillery.net
5017:
5011:
5010:
5002:
4935:The Loading Zone
4918:
4915:
4897:
4896:
4890:
4879:featured vocals
4835:featured vocals
4789:featured vocals
4123:Morocco Records
4069:Meg Christian /
4065:At Carnegie Hall
3945:Something Moving
3930:Redwood Records
3836:Mercury Records
3813:Nemperor Records
3636:Columbia Records
3600:
3599:
3593:
3590:
3572:
3571:
3565:
3431:Giovanni Hidalgo
3273:Album artist(s)
3267:
3266:
3260:
3257:
3239:
3238:
3232:
3138:Say Yo' Business
2884:Album artist(s)
2878:
2877:
2871:
2868:
2850:
2849:
2843:
2839:Producer credits
2826:<unknown>
2771:The Loading Zone
2742:<unknown>
2444:<unknown>
2342:<unknown>
2211:
2210:
2204:
2201:
2183:
2182:
2176:
2098:<unknown>
2061:
2060:
2022:
2021:
1985:Say Yo' Business
1881:
1880:
1842:The Loading Zone
1824:
1823:
1820:The Loading Zone
1700:
1699:
1679:Arhoolie Award,
1664:Say Yo' Business
1541:Tuck & Patti
1266:Color Adjustment
1203:CBS This Morning
1197:The Tonight Show
1135:. The recording
1103:Kelly Joe Phelps
1083:Say Yo' Business
800:Tufts University
705:The Loading Zone
643:anti-gay crusade
582:Jessica Hagedorn
543:session musician
501:was released on
499:The Loading Zone
409:The Loading Zone
349:Dinah Washington
295:African diaspora
236:The Loading Zone
160:
71:
67:
65:
50:
35:
21:
20:
7817:
7816:
7812:
7811:
7810:
7808:
7807:
7806:
7762:Lesbian singers
7652:
7651:
7631:discography at
7606:
7601:
7591:
7589:
7581:
7580:
7576:
7566:
7564:
7555:
7554:
7550:
7540:
7538:
7527:
7523:
7513:
7511:
7498:
7497:
7493:
7483:
7481:
7466:
7462:
7452:
7450:
7435:
7431:
7421:
7419:
7410:
7409:
7405:
7395:
7393:
7382:
7378:
7367:
7363:
7352:
7348:
7338:
7336:
7328:
7322:
7318:
7303:
7299:
7288:
7284:
7274:
7272:
7257:
7253:
7246:
7230:
7226:
7216:
7214:
7210:
7199:
7195:
7194:
7190:
7180:
7178:
7167:
7163:
7153:
7151:
7142:
7141:
7137:
7127:
7125:
7114:
7110:
7100:
7098:
7087:
7083:
7073:
7071:
7060:
7056:
7046:
7044:
7033:
7029:
7018:
7014:
7004:
7002:
6993:
6992:
6988:
6978:
6977:
6973:
6963:
6961:
6958:Berkshire Eagle
6952:
6951:
6947:
6937:
6935:
6925:
6921:
6910:
6906:
6891:
6887:
6877:
6875:
6864:
6860:
6850:
6848:
6838:
6834:
6824:
6822:
6811:
6802:
6787:
6770:
6760:
6759:
6752:
6741:
6737:
6727:
6726:
6722:
6712:
6710:
6695:
6691:
6681:
6679:
6668:
6664:
6649:
6645:
6630:
6623:
6612:
6601:
6591:
6589:
6578:
6574:
6563:
6556:
6546:
6545:
6538:
6528:
6527:
6523:
6508:
6504:
6489:
6485:
6470:
6463:
6452:
6439:
6428:
6424:
6414:
6412:
6404:
6403:
6399:
6386:
6384:
6382:
6360:
6356:
6341:
6337:
6326:
6322:
6307:
6303:
6272:
6268:
6261:Cris Williamson
6255:(liner notes).
6249:
6245:
6230:
6226:
6216:
6214:
6212:Washington Post
6204:
6200:
6190:
6188:
6180:
6174:
6170:
6155:
6151:
6141:
6139:
6123:
6119:
6104:10.2307/3347157
6088:
6079:
6069:
6067:
6052:
6048:
6033:
6019:
6010:
6000:
5998:
5987:
5983:
5963:
5962:
5958:
5948:
5946:
5936:
5920:
5916:
5903:
5901:
5891:
5869:
5865:
5826:
5819:
5809:
5807:
5797:
5781:
5774:
5759:
5745:
5736:
5721:10.2307/3345934
5705:
5701:
5686:
5677:
5667:
5665:
5655:
5633:
5629:
5606:
5602:
5592:
5590:
5579:
5575:
5565:
5563:
5561:
5545:
5541:
5531:
5530:
5523:
5514:
5513:
5509:
5499:
5497:
5487:
5480:
5470:
5469:
5460:
5449:
5430:
5420:
5418:
5407:
5396:
5385:
5376:
5365:
5358:
5348:
5346:
5331:
5318:
5307:
5292:
5277:
5257:
5234:
5223:
5216:
5205:
5190:
5180:
5178:
5167:
5134:
5124:
5122:
5113:
5112:
5105:
5095:
5093:
5084:
5083:
5072:
5062:
5060:
5052:
5051:
5044:
5034:
5032:
5019:
5018:
5014:
5003:
4999:
4995:
4919:
4913:
4910:
4894:
4888:
4813:backing vocals
4766:backing vocals
4754:The Ruminators
4743:backing vocals
4666:backing vocals
4548:backing vocals
4528:By The Fireside
4522:backing vocals
4512:Elektra Records
4494:backing vocals
4460:Polydor Records
4362:Don't Hold Back
4356:backing vocals
4344:Deidre McCalla
4312:backing vocals
4290:backing vocals
4246:backing vocals
4222:backing vocals
4199:backing vocals
4190:Credit Records
4176:backing vocals
4132:backing vocals
4071:Cris Williamson
4059:backing vocals
4037:backing vocals
4009:backing vocals
3996:June Millington
3969:Let It Be Known
3739:Mercury Records
3646:backing vocals
3594:
3588:
3585:
3569:
3563:
3503:Mercury Records
3261:
3255:
3252:
3236:
3230:
2872:
2866:
2863:
2847:
2841:
2697:and Taj Mahal)
2526:Rounder Records
2386:California Soul
2380:"Freedom Time"
2355:LICD 9.00621 J
2205:
2199:
2196:
2180:
2174:
2059:
2057:Singles and EPs
2020:
1879:
1822:
1760:Redwood Records
1698:
1693:
1673:, 2014 and 2015
1648:"Gold" winner,
1646:Parents' Choice
1590:
1525:
1466:
1456:music venue in
1307:Invisible Wings
1157:
1066:Their debut CD
1060:
938:Eileen Southern
910:Kathleen Battle
898:channel surfing
894:
870:Zellerbach Hall
766:Cris Williamson
723:
693:June Millington
638:in response to
594:
523:
405:
359:. Dinah was on
307:
252:June Millington
225:
204:
158:
153:
133:
107:
72:
69:
63:
61:
48:
38:
26:
17:
12:
11:
5:
7815:
7805:
7804:
7799:
7794:
7789:
7784:
7779:
7774:
7769:
7764:
7759:
7754:
7749:
7744:
7739:
7734:
7729:
7724:
7719:
7714:
7709:
7704:
7699:
7694:
7689:
7684:
7679:
7674:
7669:
7664:
7650:
7649:
7640:
7626:
7612:
7605:
7604:External links
7602:
7600:
7599:
7574:
7548:
7535:The Daily News
7521:
7491:
7460:
7429:
7403:
7390:East Bay Times
7376:
7361:
7356:Sacramento Bee
7346:
7316:
7297:
7282:
7251:
7244:
7224:
7188:
7161:
7135:
7122:East Bay Times
7108:
7095:East Bay Times
7081:
7054:
7027:
7022:Sacramento Bee
7012:
6986:
6971:
6945:
6933:New York Times
6919:
6904:
6885:
6858:
6846:New York Times
6832:
6800:
6768:
6750:
6735:
6720:
6689:
6662:
6643:
6621:
6599:
6572:
6554:
6536:
6521:
6502:
6483:
6461:
6437:
6422:
6397:
6380:
6354:
6335:
6320:
6301:
6276:American Music
6266:
6243:
6224:
6198:
6168:
6149:
6117:
6077:
6046:
6031:
6008:
5981:
5956:
5934:
5914:
5910:linda tillery.
5889:
5863:
5836:(3): 275–289.
5817:
5795:
5772:
5757:
5734:
5699:
5675:
5653:
5627:
5600:
5573:
5559:
5539:
5521:
5507:
5491:"Loading Zone"
5478:
5473:The Times-News
5458:
5428:
5394:
5374:
5356:
5316:
5290:
5275:
5232:
5229:. Ogden, Utah.
5214:
5188:
5132:
5103:
5070:
5042:
5012:
5007:Sacramento Bee
4996:
4994:
4991:
4990:
4989:
4979:
4967:
4943:
4937:
4921:
4920:
4900:
4898:
4887:
4884:
4881:
4880:
4877:
4874:
4871:
4868:
4865:
4859:
4858:
4855:
4852:
4849:
4846:
4843:
4837:
4836:
4833:
4830:
4827:
4824:
4821:
4815:
4814:
4811:
4808:
4805:
4802:
4797:
4791:
4790:
4787:
4784:
4781:
4778:
4775:
4768:
4767:
4764:
4761:
4758:
4755:
4752:
4745:
4744:
4741:
4738:
4735:
4732:
4729:
4723:
4722:
4715:
4712:
4709:
4704:
4698:
4692:
4691:
4688:
4685:
4682:
4679:
4674:
4668:
4667:
4664:
4661:
4658:
4655:
4653:Hans Theessink
4650:
4644:
4643:
4640:
4637:
4634:
4631:
4626:
4620:
4619:
4616:
4613:
4610:
4607:
4602:
4596:
4595:
4594:backup vocals
4592:
4589:
4586:
4583:
4580:
4574:
4573:
4570:
4567:
4564:
4563:Bembe Records
4561:
4559:Rebeca MauleĂłn
4556:
4550:
4549:
4546:
4543:
4542:01934 11175-2
4540:
4535:
4530:
4524:
4523:
4520:
4517:
4514:
4509:
4504:
4496:
4495:
4492:
4489:
4488:08022-38024-2
4486:
4483:
4478:
4472:
4471:
4468:
4465:
4464:314 513 197-2
4462:
4457:
4454:
4448:
4447:
4444:
4441:
4438:
4435:
4432:
4426:
4425:
4422:
4419:
4416:
4413:
4411:Bobby McFerrin
4408:
4406:Medicine Music
4402:
4401:
4398:
4395:
4392:
4389:
4386:
4380:
4379:
4376:
4373:
4370:
4367:
4364:
4358:
4357:
4354:
4351:
4348:
4345:
4342:
4336:
4335:
4332:
4329:
4326:
4323:
4320:
4314:
4313:
4310:
4307:
4304:
4301:
4298:
4292:
4291:
4288:
4285:
4282:
4279:
4276:
4270:
4269:
4268:vocal support
4266:
4263:
4260:
4257:
4254:
4248:
4247:
4244:
4241:
4238:
4235:
4233:Deidre McCalla
4230:
4228:Don't Doubt It
4224:
4223:
4220:
4217:
4214:
4211:
4208:
4205:It's Your Body
4201:
4200:
4197:
4194:
4191:
4188:
4185:
4178:
4177:
4174:
4171:
4168:
4165:
4164:Diane Lindsay
4162:
4156:
4155:
4152:
4149:
4146:
4143:
4140:
4134:
4133:
4130:
4127:
4124:
4121:
4116:
4110:
4109:
4106:
4103:
4100:
4097:
4092:
4086:
4085:
4082:
4079:
4076:
4073:
4067:
4061:
4060:
4057:
4054:
4051:
4048:
4045:
4039:
4038:
4035:
4032:
4029:
4024:
4022:Stacy Lattisaw
4019:
4011:
4010:
4007:
4004:
4001:
3998:
3993:
3987:
3986:
3983:
3980:
3977:
3974:
3971:
3965:
3964:
3961:
3958:
3955:
3952:
3947:
3941:
3940:
3937:
3934:
3931:
3928:
3923:
3917:
3916:
3913:
3910:
3907:
3904:
3901:
3895:
3894:
3891:
3888:
3885:
3882:
3877:
3871:
3870:
3867:
3864:
3861:
3858:
3853:
3851:Face The Music
3847:
3846:
3843:
3840:
3837:
3834:
3833:Coke Escovedo
3831:
3825:
3824:
3821:
3818:
3815:
3810:
3805:
3799:
3798:
3795:
3792:
3789:
3786:
3781:
3775:
3774:
3771:
3768:
3765:
3763:Olivia Records
3760:
3759:Be Be K'Roche
3757:
3751:
3750:
3747:
3744:
3741:
3736:
3731:
3723:
3722:
3719:
3716:
3713:
3708:
3705:
3699:
3698:
3695:
3692:
3689:
3686:
3684:Tower of Power
3681:
3674:
3673:
3670:
3667:
3664:
3661:
3656:
3648:
3647:
3644:
3641:
3638:
3633:
3628:
3620:
3619:
3616:
3613:
3610:
3607:
3604:
3596:
3595:
3575:
3573:
3562:
3559:
3556:
3555:
3552:
3549:
3546:
3541:
3540:Linda Tillery
3538:
3534:
3533:
3530:
3527:
3524:
3519:
3518:Linda Tillery
3516:
3512:
3511:
3508:
3505:
3500:
3493:
3488:
3484:
3483:
3480:
3477:
3474:
3469:
3466:
3458:
3457:
3454:
3451:
3448:
3443:
3438:
3433:, Joey Blake,
3422:
3421:
3418:
3415:
3412:
3407:
3404:
3400:
3399:
3396:
3393:
3390:
3385:
3382:
3378:
3377:
3374:
3371:
3368:
3363:
3362:Linda Tillery
3360:
3356:
3355:
3352:
3349:
3346:
3341:
3337:
3336:
3333:
3330:
3325:
3320:
3319:Linda Tillery
3317:
3309:
3308:
3305:
3302:
3299:
3294:
3291:
3287:
3286:
3283:
3280:
3277:
3274:
3271:
3263:
3262:
3242:
3240:
3229:
3226:
3223:
3222:
3219:
3216:
3213:
3210:
3207:
3201:
3200:
3197:
3194:
3191:
3188:
3185:
3179:
3178:
3175:
3172:
3169:
3166:
3161:
3155:
3154:
3152:
3149:
3146:
3143:
3140:
3134:
3133:
3130:
3127:
3124:
3121:
3118:
3112:
3111:
3108:
3105:
3102:
3099:
3096:
3090:
3089:
3083:
3080:
3077:
3074:
3064:
3058:
3057:
3054:
3051:
3048:
3045:
3042:
3036:
3035:
3032:
3029:
3026:
3023:
3020:
3014:
3013:
3010:
3007:
3004:
3001:
2998:
2992:
2991:
2984:
2981:
2978:
2975:
2974:Linda Tillery
2972:
2966:
2965:
2963:
2960:
2957:
2954:
2953:Linda Tillery
2951:
2945:
2944:
2942:
2939:
2936:
2933:
2928:
2922:
2921:
2918:
2915:
2912:
2907:
2906:Be Be K'Roche
2904:
2898:
2897:
2894:
2891:
2888:
2885:
2882:
2874:
2873:
2853:
2851:
2840:
2837:
2834:
2833:
2830:
2827:
2824:
2821:
2815:
2814:
2811:
2808:
2805:
2802:
2796:
2795:
2792:
2789:
2786:
2781:
2775:
2774:
2767:
2764:
2761:
2756:
2750:
2749:
2748:"Count On Me"
2746:
2743:
2740:
2737:
2731:
2730:
2727:
2724:
2721:
2715:
2714:
2711:
2708:
2705:
2699:
2698:
2691:
2688:
2685:
2682:
2676:
2675:
2668:
2665:
2662:
2659:
2653:
2652:
2649:
2646:
2643:
2640:
2634:
2633:
2626:
2623:
2620:
2617:
2611:
2610:
2607:
2604:
2601:
2598:
2592:
2591:
2588:
2585:
2582:
2579:
2573:
2572:
2569:
2566:
2563:
2557:
2556:
2553:
2550:
2547:
2544:
2538:
2537:
2534:
2531:
2528:
2523:
2517:
2516:
2513:
2510:
2507:
2501:
2500:
2497:
2494:
2491:
2485:
2484:
2481:
2478:
2475:
2469:
2468:
2461:
2458:
2455:
2452:
2446:
2445:
2442:
2439:
2436:
2430:
2429:
2426:
2423:
2420:
2414:
2413:
2410:
2407:
2404:
2398:
2397:
2394:
2391:
2388:
2382:
2381:
2378:
2375:
2372:
2369:
2363:
2362:
2359:
2356:
2353:
2350:
2348:Der Sampler 31
2344:
2343:
2340:
2337:
2336:Technics (UK)
2334:
2328:
2327:
2324:
2321:
2318:
2312:
2311:
2308:
2305:
2304:TLCD 9.00422E
2302:
2299:
2293:
2292:
2289:
2286:
2283:
2280:
2274:
2273:
2270:
2267:
2264:
2259:
2251:
2250:
2243:
2240:
2237:
2234:
2228:
2227:
2226:Song title(s)
2224:
2221:
2218:
2215:
2207:
2206:
2186:
2184:
2173:
2170:
2167:
2166:
2163:
2160:
2157:
2154:
2151:
2147:
2146:
2143:
2140:
2137:
2134:
2129:
2125:
2124:
2121:
2118:
2115:
2112:
2107:
2103:
2102:
2099:
2096:
2093:
2090:
2085:
2081:
2080:
2077:
2074:
2071:
2068:
2065:
2064:Song title(s)
2058:
2055:
2052:
2051:
2048:
2045:
2042:
2036:
2035:
2032:
2029:
2026:
2019:
2016:
2013:
2012:
2009:
2006:
2003:
1997:
1996:
1993:
1990:
1987:
1981:
1980:
1977:
1974:
1971:
1952:
1951:
1948:
1945:
1942:
1927:
1926:
1923:
1920:
1917:
1911:
1910:
1907:
1904:
1901:
1895:
1894:
1891:
1888:
1885:
1878:
1875:
1872:
1871:
1868:
1865:
1862:
1856:
1855:
1852:
1849:
1844:
1838:
1837:
1834:
1831:
1828:
1821:
1818:
1815:
1814:
1811:
1808:
1805:
1798:Barbara Higbie
1790:
1789:
1786:
1783:
1780:
1769:
1768:
1765:
1762:
1756:
1750:
1749:
1746:
1743:
1741:Olivia Records
1738:
1732:
1731:
1728:
1725:
1720:
1714:
1713:
1710:
1707:
1704:
1697:
1694:
1692:
1689:
1688:
1687:
1684:
1677:
1674:
1667:
1660:
1653:
1643:
1629:
1615:
1609:
1598:
1589:
1586:
1553:Itzhak Perlman
1524:
1521:
1465:
1462:
1424:Marcus Gardley
1396:Barbara Higbie
1365:A Sleepin' Bee
1311:Jacob's Pillow
1209:The Today Show
1180:Bobby McFerrin
1156:
1153:
1087:Wilson Pickett
1072:Carlos Santana
1059:
1056:
988:, folk tales,
946:South Carolina
893:
890:
874:Deidre McCalla
820:Bobby McFerrin
774:Olivia Records
722:
719:
640:Anita Bryant's
606:Olivia Records
593:
590:
547:backing vocals
522:
519:
472:Sam & Dave
423:Johnnie Taylor
404:
401:
387:where she saw
365:April in Paris
306:
303:
283:Bobby McFerrin
260:Barbara Higbie
256:Deidre McCalla
248:Olivia Records
224:Musical artist
223:
220:
219:
214:
210:
209:
206:
205:
203:
202:
199:
196:
193:
190:
185:
180:
177:
171:
169:
165:
164:
161:
155:
154:
152:
151:
148:
145:
141:
139:
135:
134:
132:
131:
128:
125:
122:
119:
115:
113:
109:
108:
106:
105:
100:
95:
90:
84:
82:
78:
77:
59:
55:
54:
51:
45:
44:
40:
39:
36:
28:
27:
24:
15:
9:
6:
4:
3:
2:
7814:
7803:
7800:
7798:
7795:
7793:
7790:
7788:
7785:
7783:
7780:
7778:
7775:
7773:
7770:
7768:
7765:
7763:
7760:
7758:
7757:Women's music
7755:
7753:
7750:
7748:
7745:
7743:
7740:
7738:
7735:
7733:
7730:
7728:
7725:
7723:
7720:
7718:
7715:
7713:
7710:
7708:
7705:
7703:
7700:
7698:
7695:
7693:
7690:
7688:
7685:
7683:
7680:
7678:
7675:
7673:
7670:
7668:
7667:Living people
7665:
7663:
7660:
7659:
7657:
7648:
7644:
7643:Linda Tillery
7641:
7638:
7634:
7630:
7629:Linda Tillery
7627:
7624:
7620:
7616:
7615:Linda Tillery
7613:
7611:
7608:
7607:
7588:
7584:
7578:
7562:
7558:
7552:
7536:
7532:
7525:
7509:
7505:
7501:
7495:
7479:
7475:
7471:
7470:"Hippity Hop"
7464:
7448:
7444:
7440:
7433:
7417:
7413:
7407:
7391:
7387:
7380:
7372:
7365:
7357:
7350:
7334:
7327:
7320:
7312:
7308:
7307:Off Our Backs
7301:
7293:
7286:
7270:
7266:
7262:
7255:
7247:
7245:0-679-77126-3
7241:
7237:
7236:
7228:
7209:
7205:
7198:
7192:
7176:
7172:
7165:
7149:
7145:
7139:
7123:
7119:
7112:
7096:
7092:
7085:
7069:
7065:
7058:
7042:
7038:
7031:
7023:
7016:
7000:
6996:
6990:
6982:
6975:
6959:
6955:
6949:
6934:
6930:
6923:
6915:
6908:
6900:
6896:
6889:
6873:
6869:
6862:
6847:
6843:
6836:
6820:
6816:
6809:
6807:
6805:
6796:
6792:
6785:
6783:
6781:
6779:
6777:
6775:
6773:
6764:
6757:
6755:
6746:
6739:
6731:
6724:
6708:
6704:
6700:
6693:
6677:
6673:
6666:
6658:
6654:
6647:
6639:
6635:
6628:
6626:
6617:
6610:
6608:
6606:
6604:
6587:
6583:
6576:
6568:
6561:
6559:
6550:
6543:
6541:
6532:
6525:
6517:
6513:
6506:
6498:
6494:
6487:
6479:
6475:
6468:
6466:
6457:
6450:
6448:
6446:
6444:
6442:
6433:
6432:Tampa Tribune
6426:
6411:
6407:
6401:
6394:
6383:
6381:0-634-08061-X
6377:
6373:
6368:
6367:
6358:
6350:
6346:
6339:
6331:
6324:
6316:
6312:
6311:Off Our Backs
6305:
6297:
6293:
6289:
6285:
6281:
6277:
6270:
6262:
6258:
6257:Meg Christian
6254:
6247:
6239:
6235:
6234:Off Our Backs
6228:
6213:
6209:
6202:
6186:
6179:
6172:
6164:
6160:
6153:
6138:
6134:
6130:
6129:
6121:
6113:
6109:
6105:
6101:
6097:
6093:
6086:
6084:
6082:
6065:
6061:
6057:
6050:
6042:
6038:
6034:
6028:
6024:
6017:
6015:
6013:
5996:
5992:
5985:
5977:
5973:
5969:
5968:
5960:
5945:
5941:
5937:
5931:
5927:
5926:
5918:
5911:
5900:
5896:
5892:
5886:
5882:
5877:
5876:
5867:
5859:
5855:
5851:
5847:
5843:
5839:
5835:
5831:
5824:
5822:
5806:
5802:
5798:
5792:
5788:
5787:
5779:
5777:
5768:
5764:
5760:
5754:
5750:
5743:
5741:
5739:
5730:
5726:
5722:
5718:
5714:
5710:
5703:
5695:
5691:
5690:Off Our Backs
5684:
5682:
5680:
5664:
5660:
5656:
5650:
5646:
5641:
5640:
5631:
5623:
5619:
5615:
5611:
5604:
5588:
5584:
5577:
5562:
5560:9780822360018
5556:
5552:
5551:
5543:
5535:
5528:
5526:
5517:
5511:
5496:
5492:
5485:
5483:
5474:
5467:
5465:
5463:
5454:
5447:
5445:
5443:
5441:
5439:
5437:
5435:
5433:
5416:
5412:
5405:
5403:
5401:
5399:
5390:
5383:
5381:
5379:
5370:
5363:
5361:
5344:
5340:
5339:Juneau Empire
5336:
5329:
5327:
5325:
5323:
5321:
5312:
5305:
5303:
5301:
5299:
5297:
5295:
5286:
5282:
5278:
5276:0-934678-84-7
5272:
5268:
5263:
5255:
5253:
5251:
5249:
5247:
5245:
5243:
5241:
5239:
5237:
5228:
5221:
5219:
5210:
5203:
5201:
5199:
5197:
5195:
5193:
5176:
5172:
5165:
5163:
5161:
5159:
5157:
5155:
5153:
5151:
5149:
5147:
5145:
5143:
5141:
5139:
5137:
5120:
5116:
5110:
5108:
5091:
5087:
5081:
5079:
5077:
5075:
5059:
5055:
5049:
5047:
5030:
5026:
5022:
5016:
5008:
5001:
4997:
4987:
4983:
4980:
4977:
4976:Dee Mosbacher
4974:(directed by
4973:
4972:
4968:
4965:
4961:
4957:
4953:
4950:(directed by
4949:
4948:
4944:
4941:
4938:
4936:
4932:
4931:Fredric Hobbs
4929:(directed by
4928:
4925:
4924:
4917:
4908:
4904:
4901:This list is
4899:
4892:
4891:
4878:
4875:
4872:
4869:
4866:
4864:
4861:
4860:
4856:
4853:
4850:
4847:
4844:
4842:
4841:Kindred Lines
4839:
4838:
4834:
4831:
4828:
4825:
4822:
4820:
4817:
4816:
4812:
4809:
4806:
4803:
4801:
4798:
4796:
4793:
4792:
4788:
4785:
4782:
4779:
4776:
4773:
4770:
4769:
4765:
4762:
4759:
4756:
4753:
4750:
4747:
4746:
4742:
4739:
4736:
4733:
4730:
4728:
4725:
4724:
4720:
4717:vocals (with
4716:
4713:
4710:
4708:
4705:
4702:
4701:Maria Muldaur
4699:
4697:
4694:
4693:
4689:
4686:
4683:
4680:
4678:
4675:
4673:
4670:
4669:
4665:
4662:
4659:
4656:
4654:
4651:
4649:
4646:
4645:
4641:
4638:
4635:
4632:
4630:
4627:
4625:
4622:
4621:
4617:
4614:
4611:
4608:
4606:
4603:
4601:
4598:
4597:
4593:
4590:
4587:
4584:
4581:
4579:
4576:
4575:
4571:
4568:
4565:
4562:
4560:
4557:
4555:
4552:
4551:
4547:
4544:
4541:
4539:
4536:
4534:
4531:
4529:
4526:
4525:
4521:
4518:
4515:
4513:
4510:
4508:
4505:
4503:
4502:
4498:
4497:
4493:
4490:
4487:
4484:
4482:
4479:
4477:
4474:
4473:
4469:
4466:
4463:
4461:
4458:
4455:
4453:
4450:
4449:
4445:
4442:
4439:
4436:
4433:
4431:
4428:
4427:
4423:
4420:
4417:
4414:
4412:
4409:
4407:
4404:
4403:
4399:
4396:
4393:
4390:
4388:Hunter Davis
4387:
4385:
4382:
4381:
4377:
4374:
4371:
4368:
4365:
4363:
4360:
4359:
4355:
4352:
4349:
4346:
4343:
4341:
4338:
4337:
4333:
4330:
4327:
4325:SHSAWA Music
4324:
4321:
4319:
4316:
4315:
4311:
4308:
4305:
4302:
4300:Susan Savell
4299:
4297:
4294:
4293:
4289:
4286:
4283:
4280:
4278:Hunter Davis
4277:
4275:
4272:
4271:
4267:
4264:
4261:
4258:
4255:
4253:
4250:
4249:
4245:
4242:
4239:
4236:
4234:
4231:
4229:
4226:
4225:
4221:
4218:
4215:
4212:
4209:
4206:
4203:
4202:
4198:
4195:
4192:
4189:
4186:
4183:
4180:
4179:
4175:
4172:
4169:
4166:
4163:
4161:
4158:
4157:
4153:
4150:
4147:
4144:
4141:
4139:
4136:
4135:
4131:
4128:
4125:
4122:
4120:
4117:
4115:
4112:
4111:
4107:
4104:
4101:
4099:EsGo Records
4098:
4096:
4095:Pete Escovedo
4093:
4091:
4088:
4087:
4083:
4080:
4077:
4074:
4072:
4068:
4066:
4063:
4062:
4058:
4055:
4052:
4050:Gayleo Music
4049:
4046:
4044:
4043:Night Rainbow
4041:
4040:
4036:
4033:
4030:
4028:
4025:
4023:
4020:
4018:
4017:
4013:
4012:
4008:
4005:
4002:
3999:
3997:
3994:
3992:
3989:
3988:
3984:
3981:
3978:
3975:
3973:Teresa Trull
3972:
3970:
3967:
3966:
3962:
3959:
3956:
3953:
3951:
3948:
3946:
3943:
3942:
3938:
3935:
3932:
3929:
3927:
3924:
3922:
3919:
3918:
3914:
3911:
3908:
3905:
3902:
3900:
3897:
3896:
3892:
3889:
3886:
3883:
3881:
3878:
3876:
3873:
3872:
3868:
3865:
3862:
3859:
3857:
3856:Meg Christian
3854:
3852:
3849:
3848:
3844:
3841:
3838:
3835:
3832:
3830:
3829:Disco Fantasy
3827:
3826:
3822:
3819:
3816:
3814:
3811:
3809:
3806:
3804:
3801:
3800:
3796:
3793:
3790:
3787:
3785:
3782:
3780:
3777:
3776:
3772:
3769:
3766:
3764:
3761:
3758:
3756:
3755:Be Be K'Roche
3753:
3752:
3748:
3745:
3742:
3740:
3737:
3735:
3734:Coke Escovedo
3732:
3730:
3729:
3725:
3724:
3720:
3717:
3714:
3712:
3709:
3706:
3704:
3701:
3700:
3696:
3693:
3690:
3687:
3685:
3682:
3679:
3676:
3675:
3671:
3668:
3665:
3662:
3660:
3657:
3655:
3654:
3650:
3649:
3645:
3642:
3639:
3637:
3634:
3632:
3629:
3627:
3626:
3622:
3621:
3615:Release year
3612:Stock number
3609:Record label
3601:
3592:
3583:
3579:
3576:This list is
3574:
3567:
3566:
3553:
3550:
3547:
3545:
3544:Linda Tillery
3542:
3539:
3536:
3535:
3531:
3528:
3525:
3523:
3522:Linda Tillery
3520:
3517:
3514:
3513:
3509:
3506:
3504:
3501:
3499:
3498:
3494:
3492:
3491:Coke Escovedo
3489:
3486:
3485:
3481:
3478:
3475:
3473:
3470:
3467:
3464:
3460:
3459:
3455:
3452:
3449:
3447:
3444:
3442:
3439:
3436:
3432:
3428:
3427:Airto Moreira
3424:
3423:
3419:
3416:
3413:
3411:
3408:
3405:
3402:
3401:
3397:
3394:
3391:
3389:
3386:
3383:
3380:
3379:
3375:
3372:
3369:
3367:
3364:
3361:
3358:
3357:
3353:
3350:
3347:
3345:
3342:
3339:
3338:
3334:
3331:
3329:
3326:
3324:
3323:Linda Tillery
3321:
3318:
3315:
3310:
3306:
3303:
3300:
3298:
3295:
3292:
3289:
3288:
3285:Release year
3282:Stock number
3279:Record label
3268:
3259:
3250:
3246:
3243:This list is
3241:
3234:
3233:
3220:
3217:
3214:
3211:
3208:
3206:
3203:
3202:
3198:
3195:
3192:
3190:Tuizer Music
3189:
3186:
3184:
3181:
3180:
3176:
3173:
3170:
3167:
3165:
3162:
3160:
3157:
3156:
3153:
3150:
3147:
3144:
3141:
3139:
3136:
3135:
3131:
3128:
3125:
3122:
3119:
3117:
3114:
3113:
3109:
3106:
3103:
3100:
3097:
3095:
3092:
3091:
3088:
3084:
3081:
3078:
3075:
3073:
3069:
3065:
3063:
3060:
3059:
3055:
3052:
3049:
3046:
3043:
3041:
3038:
3037:
3033:
3030:
3027:
3025:Tuizer Music
3024:
3021:
3019:
3016:
3015:
3011:
3008:
3005:
3002:
2999:
2997:
2994:
2993:
2989:
2985:
2982:
2979:
2976:
2973:
2971:
2968:
2967:
2964:
2961:
2958:
2955:
2952:
2950:
2949:Linda Tillery
2947:
2946:
2943:
2940:
2937:
2934:
2932:
2929:
2927:
2924:
2923:
2919:
2916:
2913:
2911:
2908:
2905:
2903:
2902:Be Be K'Roche
2900:
2899:
2893:Release year
2890:Stock number
2887:Record label
2879:
2870:
2861:
2857:
2854:This list is
2852:
2845:
2844:
2831:
2828:
2825:
2822:
2820:
2817:
2816:
2812:
2809:
2806:
2803:
2801:
2798:
2797:
2793:
2790:
2787:
2785:
2784:Putumayo Kids
2782:
2780:
2777:
2776:
2772:
2768:
2765:
2762:
2760:
2759:Rhino Records
2757:
2755:
2752:
2751:
2747:
2744:
2741:
2738:
2736:
2733:
2732:
2728:
2725:
2722:
2720:
2717:
2716:
2712:
2709:
2706:
2704:
2701:
2700:
2696:
2689:
2686:
2683:
2681:
2678:
2677:
2673:
2669:
2666:
2663:
2660:
2658:
2655:
2654:
2650:
2647:
2644:
2641:
2639:
2636:
2635:
2631:
2627:
2624:
2621:
2618:
2616:
2613:
2612:
2608:
2605:
2602:
2599:
2597:
2594:
2593:
2589:
2586:
2583:
2580:
2578:
2575:
2574:
2570:
2567:
2564:
2562:
2559:
2558:
2551:
2548:
2545:
2543:
2540:
2539:
2535:
2532:
2529:
2527:
2524:
2522:
2519:
2518:
2514:
2511:
2508:
2506:
2503:
2502:
2498:
2495:
2492:
2490:
2487:
2486:
2482:
2479:
2476:
2474:
2471:
2470:
2466:
2459:
2456:
2453:
2451:
2448:
2447:
2443:
2440:
2437:
2435:
2432:
2431:
2427:
2425:ESP-DJCD-003
2424:
2421:
2419:
2416:
2415:
2411:
2408:
2405:
2403:
2400:
2399:
2395:
2392:
2389:
2387:
2384:
2383:
2376:
2373:
2370:
2368:
2365:
2364:
2360:
2357:
2354:
2351:
2349:
2346:
2345:
2341:
2338:
2335:
2333:
2330:
2329:
2325:
2322:
2319:
2317:
2314:
2313:
2306:
2303:
2300:
2298:
2295:
2294:
2290:
2287:
2284:
2282:August Night
2281:
2279:
2276:
2275:
2271:
2268:
2265:
2263:
2260:
2258:
2257:
2253:
2252:
2248:
2244:
2241:
2238:
2235:
2233:
2230:
2229:
2223:Release year
2220:Stock number
2217:Record label
2212:
2203:
2194:
2190:
2187:This list is
2185:
2178:
2177:
2164:
2161:
2158:
2155:
2152:
2149:
2148:
2144:
2141:
2138:
2135:
2133:
2130:
2127:
2126:
2122:
2119:
2116:
2113:
2111:
2110:Linda Tillery
2108:
2105:
2104:
2100:
2097:
2094:
2091:
2089:
2086:
2083:
2082:
2076:Release year
2073:Stock number
2070:Record label
2062:
2049:
2046:
2043:
2041:
2038:
2037:
2034:Release year
2031:Stock number
2028:Record label
2023:
2010:
2007:
2005:Tuizer Music
2004:
2002:
1999:
1998:
1994:
1991:
1988:
1986:
1983:
1982:
1978:
1975:
1972:
1969:
1965:
1964:Maria Muldaur
1961:
1957:
1954:
1953:
1949:
1946:
1943:
1940:
1936:
1932:
1929:
1928:
1924:
1921:
1918:
1916:
1913:
1912:
1908:
1905:
1903:Tuizer Music
1902:
1900:
1897:
1896:
1893:Release year
1890:Stock number
1887:Record label
1882:
1869:
1866:
1863:
1861:
1858:
1857:
1853:
1850:
1848:
1845:
1843:
1840:
1839:
1836:Release year
1833:Stock number
1830:Record label
1825:
1812:
1809:
1806:
1803:
1799:
1795:
1792:
1791:
1787:
1784:
1781:
1778:
1774:
1771:
1770:
1766:
1763:
1761:
1757:
1755:
1752:
1751:
1747:
1744:
1742:
1739:
1737:
1736:Linda Tillery
1734:
1733:
1729:
1726:
1724:
1721:
1719:
1716:
1715:
1712:Release year
1709:Stock number
1706:Record label
1701:
1685:
1682:
1678:
1675:
1672:
1668:
1665:
1661:
1658:
1654:
1651:
1647:
1644:
1641:
1637:
1633:
1630:
1627:
1623:
1619:
1616:
1613:
1610:
1607:
1606:Linda Tillery
1604:) winner for
1603:
1599:
1596:
1592:
1591:
1585:
1583:
1579:
1578:
1573:
1572:Coke Escovedo
1568:
1566:
1565:live-streamed
1560:
1558:
1554:
1550:
1546:
1542:
1538:
1532:
1530:
1523:Personal life
1520:
1518:
1513:
1511:
1506:
1503:
1501:
1496:
1494:
1490:
1489:women's music
1486:
1482:
1477:
1475:
1471:
1461:
1459:
1455:
1451:
1447:
1442:
1440:
1436:
1431:
1429:
1425:
1421:
1417:
1413:
1412:black odyssey
1408:
1405:
1401:
1397:
1392:
1390:
1389:
1388:Seven Guitars
1384:
1383:August Wilson
1379:
1377:
1373:
1368:
1366:
1362:
1358:
1354:
1349:
1346:
1344:
1340:
1339:milonga music
1336:
1332:
1328:
1323:
1321:
1317:
1312:
1308:
1303:
1301:
1295:
1293:
1292:Kenny Loggins
1289:
1284:
1282:
1278:
1277:
1272:
1268:
1267:
1262:
1257:
1255:
1251:
1246:
1244:
1240:
1236:
1231:
1229:
1225:
1222:, and at the
1221:
1217:
1216:
1211:
1210:
1205:
1204:
1199:
1198:
1193:
1192:
1187:
1186:
1181:
1176:
1174:
1170:
1166:
1161:
1152:
1150:
1146:
1145:Maria Muldaur
1142:
1138:
1134:
1130:
1126:
1122:
1117:
1116:
1112:
1108:
1104:
1100:
1096:
1095:Richie Havens
1092:
1088:
1084:
1080:
1075:
1073:
1069:
1064:
1055:
1053:
1049:
1044:
1042:
1041:I'll Fly Away
1038:
1033:
1029:
1027:
1021:
1017:
1013:
1009:
1007:
1003:
999:
995:
991:
990:field hollers
987:
983:
979:
975:
971:
966:
963:
957:
955:
951:
947:
943:
939:
935:
929:
927:
923:
919:
914:
911:
907:
906:Jessye Norman
903:
899:
889:
887:
883:
879:
875:
871:
867:
863:
858:
855:
851:
846:
844:
840:
836:
831:
829:
825:
821:
817:
813:
812:Pete Escovedo
807:
805:
804:Tracy Chapman
801:
797:
792:
790:
786:
782:
777:
775:
771:
770:Carnegie Hall
767:
763:
762:Meg Christian
758:
756:
750:
747:
742:
741:" to the LP.
740:
736:
732:
728:
718:
714:
712:
711:
706:
701:
700:Linda Tillery
697:
694:
690:
689:
683:
677:
674:
673:Linda Tillery
670:
669:
668:off our backs
663:
659:
658:Linda Tillery
654:
652:
648:
644:
641:
637:
636:
630:
628:
624:
619:
616:
610:
607:
603:
599:
598:Women's music
589:
585:
583:
578:
576:
575:Coke Escovedo
571:
568:
564:
560:
556:
552:
548:
544:
539:
536:
532:
528:
518:
515:
511:
506:
504:
500:
496:
491:
489:
485:
481:
477:
473:
469:
465:
461:
457:
456:Vanilla Fudge
453:
447:
443:
441:
437:
433:
427:
424:
420:
419:
414:
410:
400:
398:
393:
390:
386:
381:
376:
374:
370:
366:
362:
358:
354:
350:
346:
345:Sarah Vaughan
342:
338:
334:
329:
327:
324:
320:
316:
312:
311:SFJAZZ Center
302:
300:
296:
292:
288:
284:
280:
275:
273:
269:
265:
261:
257:
253:
249:
245:
244:Linda Tillery
241:
240:women's music
237:
233:
229:
218:
215:
211:
207:
201:Round Whirled
200:
197:
194:
191:
189:
186:
184:
181:
178:
176:
173:
172:
170:
166:
162:
156:
149:
146:
143:
142:
140:
136:
129:
126:
123:
120:
117:
116:
114:
110:
104:
101:
99:
96:
94:
91:
89:
86:
85:
83:
79:
75:
70:(age 76)
60:
56:
52:
46:
41:
34:
29:
25:Linda Tillery
22:
19:
7590:. Retrieved
7586:
7577:
7565:. Retrieved
7560:
7551:
7539:. Retrieved
7534:
7524:
7512:. Retrieved
7508:the original
7503:
7494:
7482:. Retrieved
7478:the original
7473:
7463:
7451:. Retrieved
7447:the original
7442:
7432:
7420:. Retrieved
7415:
7406:
7394:. Retrieved
7389:
7379:
7370:
7364:
7355:
7349:
7337:. Retrieved
7332:
7319:
7310:
7306:
7300:
7291:
7285:
7273:. Retrieved
7268:
7264:
7254:
7234:
7227:
7215:. Retrieved
7208:the original
7203:
7191:
7179:. Retrieved
7174:
7164:
7152:. Retrieved
7147:
7138:
7126:. Retrieved
7121:
7111:
7099:. Retrieved
7094:
7084:
7072:. Retrieved
7068:Mercury News
7067:
7057:
7045:. Retrieved
7040:
7030:
7021:
7015:
7003:. Retrieved
6998:
6989:
6980:
6974:
6962:. Retrieved
6957:
6948:
6938:December 15,
6936:. Retrieved
6932:
6922:
6913:
6907:
6898:
6894:
6888:
6876:. Retrieved
6871:
6861:
6849:. Retrieved
6845:
6835:
6823:. Retrieved
6819:Oakland Post
6818:
6794:
6790:
6762:
6744:
6738:
6729:
6723:
6711:. Retrieved
6706:
6702:
6692:
6680:. Retrieved
6676:Mercury News
6675:
6665:
6656:
6646:
6637:
6616:Times-Herald
6615:
6590:. Retrieved
6585:
6575:
6566:
6548:
6531:Courier News
6530:
6524:
6515:
6505:
6496:
6492:
6486:
6477:
6473:
6455:
6431:
6425:
6413:. Retrieved
6409:
6406:"Ray Obiedo"
6400:
6392:
6385:. Retrieved
6365:
6357:
6348:
6344:
6338:
6329:
6323:
6314:
6310:
6304:
6279:
6275:
6269:
6252:
6246:
6237:
6233:
6227:
6217:September 4,
6215:. Retrieved
6211:
6201:
6191:February 16,
6189:. Retrieved
6184:
6171:
6162:
6158:
6152:
6142:February 16,
6140:. Retrieved
6127:
6120:
6095:
6091:
6070:February 16,
6068:. Retrieved
6063:
6059:
6049:
6022:
5999:. Retrieved
5995:The Guardian
5994:
5984:
5966:
5959:
5947:. Retrieved
5924:
5917:
5909:
5902:. Retrieved
5874:
5866:
5833:
5829:
5808:. Retrieved
5785:
5748:
5712:
5708:
5702:
5693:
5689:
5666:. Retrieved
5638:
5630:
5613:
5609:
5603:
5591:. Retrieved
5586:
5576:
5564:. Retrieved
5549:
5542:
5533:
5515:
5510:
5498:. Retrieved
5494:
5472:
5452:
5419:. Retrieved
5414:
5388:
5369:Boston Globe
5368:
5347:. Retrieved
5343:the original
5338:
5311:Courier News
5310:
5266:
5226:
5208:
5179:. Retrieved
5174:
5123:. Retrieved
5118:
5096:December 15,
5094:. Retrieved
5089:
5061:. Retrieved
5057:
5035:November 14,
5033:. Retrieved
5029:the original
5024:
5015:
5006:
5000:
4981:
4969:
4952:Marlon Riggs
4945:
4939:
4926:
4911:
4863:Global Griot
4862:
4840:
4819:Blues People
4818:
4795:Jericho Road
4794:
4771:
4748:
4731:HE3 Project
4726:
4719:Bonnie Raitt
4695:
4677:Vicki Randle
4671:
4647:
4623:
4599:
4577:
4553:
4527:
4499:
4481:Keola Beamer
4475:
4451:
4429:
4405:
4383:
4361:
4339:
4317:
4295:
4273:
4251:
4227:
4213:Uno Records
4204:
4181:
4159:
4137:
4113:
4089:
4064:
4047:Gayle Marie
4042:
4016:Sneakin' Out
4014:
3990:
3968:
3950:Mary Watkins
3944:
3920:
3906:LAX Records
3898:
3880:Teresa Trull
3874:
3850:
3845:lead vocals
3828:
3802:
3778:
3754:
3749:lead vocals
3726:
3702:
3677:
3651:
3623:
3603:Album title
3586:
3543:
3537:"Wonderful"
3521:
3495:
3472:Blues People
3471:
3445:
3409:
3387:
3365:
3343:
3322:
3314:Mary Watkins
3296:
3276:Album title
3253:
3204:
3182:
3158:
3137:
3115:
3093:
3061:
3039:
3017:
2995:
2969:
2948:
2931:Teresa Trull
2925:
2901:
2881:Album title
2864:
2819:Volcov Edits
2818:
2799:
2778:
2753:
2734:
2718:
2702:
2679:
2656:
2637:
2614:
2595:
2584:AMR 9099503
2576:
2560:
2541:
2520:
2504:
2488:
2472:
2449:
2433:
2417:
2401:
2385:
2367:Freedom Time
2366:
2347:
2331:
2315:
2296:
2277:
2254:
2231:
2214:Album title
2197:
2165:12", 45 RPM
2153:<n/a>
2131:
2109:
2087:
2067:Album title
2039:
2025:Album title
2000:
1984:
1955:
1930:
1914:
1898:
1884:Album title
1859:
1841:
1827:Album title
1802:Laurie Lewis
1793:
1772:
1753:
1735:
1717:
1703:Album title
1663:
1656:
1649:
1639:
1625:
1618:Grammy Award
1605:
1594:
1581:
1575:
1569:
1561:
1533:
1526:
1514:
1509:
1507:
1504:
1497:
1493:Angela Davis
1481:Teresa Trull
1478:
1467:
1443:
1439:Vicki Randle
1435:Mary Watkins
1432:
1411:
1409:
1404:Laurie Lewis
1393:
1386:
1380:
1371:
1369:
1357:Harold Arlen
1350:
1347:
1343:Buenos Aires
1326:
1324:
1319:
1306:
1304:
1296:
1285:
1280:
1279:(1994), and
1274:
1270:
1264:
1261:Marlon Riggs
1258:
1249:
1247:
1238:
1234:
1232:
1213:
1207:
1201:
1195:
1189:
1183:
1177:
1172:
1167:in the live
1165:Danny Glover
1162:
1158:
1136:
1120:
1118:
1114:
1082:
1078:
1076:
1067:
1065:
1061:
1047:
1045:
1040:
1034:
1030:
1022:
1018:
1014:
1010:
978:Sierra Leone
967:
958:
930:
915:
895:
886:Bonnie Hayes
866:Mary Watkins
859:
854:Teresa Trull
850:Vicki Randle
847:
832:
808:
795:
793:
788:
780:
778:
759:
751:
746:gospel choir
743:
724:
715:
710:The Guardian
708:
699:
698:
686:
678:
672:
666:
662:Vicki Randle
657:
655:
647:Mary Watkins
633:
631:
626:
623:Teresa Trull
620:
611:
595:
586:
579:
572:
563:Teresa Trull
540:
530:
524:
507:
498:
492:
488:The Fillmore
480:Janis Joplin
448:
445:
429:
416:
406:
394:
377:
369:Ethel Merman
330:
308:
276:
272:Grammy Award
246:released on
243:
227:
226:
163:1968–present
159:Years active
18:
7662:1948 births
7541:December 1,
7484:January 19,
7453:January 19,
7422:January 19,
7335:. glbtq.com
7204:Liner Notes
7181:December 1,
7128:December 1,
7101:December 1,
6410:dcbebop.com
6187:. glbtq.com
5949:February 7,
5904:February 7,
5810:February 7,
5516:Santana III
5500:January 30,
5421:January 27,
5349:January 30,
5181:January 22,
4873:DFGCD 8810
4857:percussion
4777:Bill Ortiz
4727:Chapter Two
4696:Yes We Can!
4609:Diaphonica
4582:Gwen Avery
4476:Wooden Boat
4434:Holly Near
4366:Holly Near
4318:Understated
4216:UNO-585-12
4193:credit 001
4182:Restitution
4142:Nancy Vogl
3903:Giants (3)
3839:SRM-1-1132
3808:Lenny White
3784:Margie Adam
3743:SRM-1-1041
3715:BDL 1-0830
3625:Santana III
3507:SRM-1-1041
3435:Mickey Hart
3270:Song title
3168:Diaphonica
3120:Gwen Avery
3094:Hippity Hop
3087:Leib Ostrow
2145:7", 45 RPM
2123:7", 45 RPM
1956:Hippity Hop
1860:One for All
1847:RCA Records
1723:CBS Records
1691:Discography
1657:Hippity Hop
1243:Burger King
1220:Boston Pops
1137:Hippity Hop
1039:to perform
1026:Rod Stewart
998:tambourines
615:Sandy Stone
567:Santana III
559:Lenny White
527:CBS Records
503:RCA Records
484:Bill Graham
468:Jethro Tull
452:opening act
413:RCA Records
341:Count Basie
268:Margie Adam
192:411/Redwood
138:Instruments
112:Occupations
7656:Categories
7567:October 3,
6066:(8): 14–18
5119:grammy.com
5063:August 19,
4993:References
4914:April 2017
4903:incomplete
4867:Eric Bibb
4845:T Sisters
4829:SPCD 1379
4823:Eric Bibb
4807:SPCD 1370
4760:JKLP 1266
4749:Is It True
4681:Wolf Moon
4672:Sleep City
4624:Mondo Head
4578:Sugar Mama
4554:Round Trip
4328:SHSA221CD
4187:Rob Banks
4119:Tiggi Clay
4114:Tiggi Clay
4090:The Island
3926:Holly Near
3779:Songwriter
3707:Cesar 830
3659:Boz Scaggs
3606:Artist(s)
3589:April 2017
3578:incomplete
3479:SPCD 1379
3468:Eric Bibb
3446:Mondo Head
3256:April 2017
3245:incomplete
3116:Sugar Mama
2988:Ray Obiedo
2867:April 2017
2856:incomplete
2807:R2 522898
2788:PUT 302-2
2763:R2 165564
2726:R2 524464
2568:R2 524463
2512:R2 524464
2402:Soul Divas
2310:"Secrets"
2247:Pat Parker
2189:incomplete
1810:CD8-22203
1807:Slow Baby
1549:Ray Obiedo
1547:, and the
1545:Faye Carol
1491:taught by
1281:No Regrets
1235:The Garden
1226:, and the
1091:Laura Love
1058:Recordings
994:hand drums
839:Boz Scaggs
816:Tiggi Clay
785:Ray Obiedo
737:hit song "
682:Pat Parker
651:homophobia
555:Boz Scaggs
545:providing
478:featuring
440:Winterland
305:Early life
264:Holly Near
234:rock band
198:EarthBeat!
150:percussion
127:songwriter
64:1948-09-02
49:Birth name
7396:August 4,
7271:: 118–124
6964:March 30,
6825:March 30,
6713:March 29,
6415:March 31,
6387:March 31,
6296:193493400
6137:155857836
6041:437115733
6001:August 2,
5944:793221915
5805:944179335
5593:March 31,
5566:March 31,
4851:SMM 1010
4800:Eric Bibb
4711:CD-83672
4684:WMR65410
4612:DPCD2002
4440:D4-74832
4418:E4-92048
4252:City Down
3991:Heartsong
3909:MCA 3188
3691:BTS 6004
3666:PC 31384
3640:KC 30595
3463:Eric Bibb
3171:DPCD2002
3148:R2 76762
3104:R2 75951
3079:R2 72940
3072:Eric Bibb
3068:Taj Mahal
3050:R2 72881
3028:BLHCD746
2996:City Down
2710:R2 78142
2695:Eric Bibb
2687:R2 74283
2672:Taj Mahal
2664:R2 79797
2645:R2 79962
2630:Claytoven
2549:R2 75953
2496:R2 78292
2480:R2 78932
2465:Eric Bibb
2457:R2 72935
2441:AVL97276
2200:June 2020
2092:Columbia
1992:R2 76762
1976:R2 75951
1968:Shinehead
1960:Sheila E.
1939:Eric Bibb
1935:Taj Mahal
1922:R2 72881
1906:BLHCD746
1851:LSP 3959
1777:Taj Mahal
1620:nominee,
1574:'s album
1487:class on
1149:Shinehead
1141:Sheila E.
1129:Eric Bibb
1125:Taj Mahal
1107:Eric Bibb
1037:Bandaloop
878:Tret Fure
862:Gay pride
835:Sheila E.
535:Al Kooper
326:sweatshop
323:Chinatown
315:carpenter
7619:AllMusic
7592:April 3,
7587:imdb.com
7514:April 5,
7339:April 3,
7275:April 4,
7217:April 4,
7154:April 4,
7074:April 3,
7047:April 4,
7005:April 1,
6895:Hot Wire
6878:April 1,
6851:April 3,
6791:Hot Wire
6682:April 5,
6592:April 4,
6493:Hot Wire
6474:Hot Wire
6393:tillery.
6345:Hot Wire
6159:Hot Wire
5976:53071762
5899:32468601
5850:26075683
5767:70284411
5668:March 3,
5663:72699085
5285:36246096
5125:June 17,
4962:", and "
4927:Roseland
4737:FG-4000
4660:BG-0061
4636:WK56111
4633:Red Ink
4600:The Vine
4588:ATGASM1
4516:61500-2
4456:Santana
4415:EMI USA
4391:Redwood
4369:Redwood
4281:Redwood
4262:ICE 215
4148:RR 3000
4145:Redwood
4031:90002-1
3957:BLF 919
3803:Big City
3453:WK56111
3450:Red Ink
3417:RWR0042
3395:RWR0042
3373:BLF 736
3351:RWR0042
3304:RWR0042
3215:RWR0042
3159:The Vine
3126:ATGASM1
3006:ICE 215
2980:BLF 736
2896:Note(s)
2622:FER CD2
2530:CD 1144
2409:3135302
2393:LHCD039
2374:CDCR004
2361:"Fever"
2339:TCD 005
2239:AWB-415
2159:BLF-939
2139:BLF 777
2095:4-44954
2079:Note(s)
2047:RWR0042
1947:RS72940
1785:MLP-661
1764:BLF 736
1727:CS 9771
1600:Bammie (
1584:(2012).
1557:GoFundMe
1448:drummer
1385:'s play
1322:(2012).
1283:(1993).
1273:(1992),
1269:(1992),
924:and the
918:cassette
913:music".
735:Al Green
602:Bay Area
289:and the
232:Bay Area
179:Umbrella
130:arranger
124:producer
121:musician
7633:Discogs
7416:ala.org
6709:(2): 31
6112:3347157
5858:1374176
5729:3345934
4783:LAR006
4572:vocals
4470:vocals
4452:Milagro
4446:vocals
4424:vocals
4394:RR8803
4378:vocals
4372:RR 413
4350:LF 953
4347:Olivia
4306:HR 325
4284:RR8601
4274:Harmony
4240:LF 939
4237:Olivia
4170:CS1111
4160:Open Up
4154:vocals
4126:6067CL
4108:vocals
4102:EG 001
4075:Olivia
4053:GM 001
3976:Olivia
3954:Olivia
3933:RR 401
3915:vocals
3887:LF 910
3884:Olivia
3860:Olivia
3823:vocals
3817:NE 441
3791:HB2747
3721:vocals
3653:My Time
3631:Santana
3551:BLF917
3548:Olivia
3529:BLF917
3526:Olivia
3366:Secrets
3332:BLF917
3193:CHC 09
2970:Secrets
2959:BLF917
2956:Olivia
2938:LF 910
2935:Olivia
2285:MF 010
2132:Secrets
2117:BLF918
2114:Olivia
2008:CHC 09
1754:Secrets
1745:BLF917
1420:Odyssey
1400:Yoshi's
1173:Jukebox
970:Nigeria
956:music.
950:Georgia
824:Santana
796:Secrets
789:Secrets
781:Secrets
551:Santana
464:The Who
389:Vi Redd
361:Mercury
279:Santana
213:Website
88:R&B
7563:. 2023
7242:
6378:
6294:
6135:
6110:
6039:
6029:
5974:
5942:
5932:
5897:
5887:
5856:
5848:
5803:
5793:
5765:
5755:
5727:
5661:
5651:
5557:
5283:
5273:
5090:SFGate
4642:voice
4078:LF933
4003:LF929
3979:LF923
3939:drums
3899:Giants
3863:LF913
3797:drums
3767:LF906
3328:Olivia
2914:LF906
2910:Olivia
2603:MW 75
2323:PWM 1
2266:LF915
2262:Olivia
1933:(with
1796:(with
1775:(with
1683:, 2019
1666:, 2003
1659:, 2000
1652:, 1998
1642:, 1998
1628:, 1998
1608:(1977)
1597:(1970)
1446:Meters
1294:band.
1212:, and
1147:, and
1099:Odetta
1002:gourds
982:chants
954:Gullah
880:, and
822:, and
337:78 rpm
333:cornet
188:Olivia
168:Labels
144:Vocals
118:Singer
93:gospel
81:Genres
76:, U.S.
7500:"bio"
7333:GLBTQ
7329:(PDF)
7211:(PDF)
7200:(PDF)
6292:S2CID
6185:GLBTQ
6181:(PDF)
6108:JSTOR
5854:S2CID
5725:JSTOR
4886:Films
4876:2018
4854:2014
4832:2014
4810:2013
4786:2012
4774:(EP)
4763:2011
4751:(EP)
4740:2010
4714:2008
4687:2006
4663:2003
4639:2002
4615:2002
4605:Kitka
4591:2000
4569:1999
4566:2023
4545:1995
4519:1994
4491:1994
4467:1992
4443:1990
4421:1990
4397:1988
4375:1987
4353:1987
4331:1987
4309:1986
4287:1986
4265:1986
4243:1985
4219:1985
4207:(EP)
4196:1984
4184:(EP)
4173:1984
4151:1984
4129:1984
4105:1983
4081:1983
4056:1982
4034:1982
4006:1981
3982:1980
3960:1978
3936:1978
3912:1978
3890:1977
3866:1977
3842:1977
3820:1977
3794:1976
3770:1976
3746:1975
3718:1975
3703:Cesar
3694:1972
3669:1972
3643:1971
3618:Role
3554:1977
3532:1977
3510:1975
3482:2014
3456:2002
3420:2012
3398:2012
3376:1985
3354:2012
3335:1977
3307:2012
3218:2012
3196:2009
3174:2002
3164:Kitka
3151:2001
3129:2000
3107:1999
3082:1997
3053:1997
3031:1995
3009:1986
2983:1985
2962:1977
2941:1977
2917:1976
2829:2010
2810:2010
2791:2010
2766:2007
2745:2007
2729:2010
2713:2002
2690:2001
2667:2000
2648:2000
2625:1999
2606:1999
2587:1999
2571:2010
2552:1999
2533:1998
2515:2010
2499:2002
2483:2001
2460:1997
2428:2009
2412:2008
2396:2002
2377:1997
2358:1989
2326:1989
2307:1988
2288:1986
2269:1977
2242:1976
2162:1986
2142:1985
2120:1978
2050:2012
2011:2009
1995:2001
1979:1999
1950:1997
1925:1997
1909:1995
1870:1970
1813:2012
1767:1985
1748:1977
1730:1970
1416:Homer
1335:tango
1123:with
1111:Kitka
1006:bells
974:Ghana
436:Cream
357:Verve
147:drums
7647:IMDb
7594:2017
7569:2023
7543:2019
7516:2017
7486:2017
7455:2017
7424:2017
7398:2023
7341:2017
7277:2017
7240:ISBN
7219:2017
7183:2019
7156:2017
7130:2019
7103:2019
7076:2017
7049:2017
7007:2017
6966:2017
6940:2014
6880:2017
6853:2017
6827:2017
6715:2017
6684:2017
6594:2017
6417:2017
6389:2017
6376:ISBN
6259:and
6219:2023
6193:2017
6144:2017
6133:OCLC
6072:2017
6037:OCLC
6027:ISBN
6003:2020
5972:OCLC
5951:2017
5940:OCLC
5930:ISBN
5906:2017
5895:OCLC
5885:ISBN
5881:1999
5846:PMID
5812:2017
5801:OCLC
5791:ISBN
5763:OCLC
5753:ISBN
5670:2021
5659:OCLC
5649:ISBN
5595:2017
5568:2017
5555:ISBN
5502:2017
5423:2017
5351:2017
5281:OCLC
5271:ISBN
5183:2017
5127:2017
5098:2014
5065:2016
5037:2022
4958:", "
4629:KodĹŤ
4384:Torn
3728:Coke
3497:Coke
3441:KodĹŤ
3070:and
1937:and
1867:101
1800:and
1758:411/
1696:Solo
1577:Coke
1127:and
1109:and
1050:for
976:and
948:and
940:and
908:and
852:and
764:and
458:and
343:and
98:folk
58:Born
7645:at
7617:at
6284:doi
6100:doi
5838:doi
5717:doi
5618:doi
4909:.
3584:.
3251:.
2862:.
2195:.
1418:'s
1288:VH1
902:PBS
868:at
768:at
482:at
438:at
375:".
183:CBS
175:RCA
103:pop
7658::
7585:.
7559:.
7533:.
7502:.
7472:.
7441:.
7414:.
7388:.
7331:.
7311:13
7309:.
7267:.
7263:.
7202:.
7173:.
7146:.
7120:.
7093:.
7066:.
7039:.
6997:.
6956:.
6931:.
6897:.
6870:.
6844:.
6817:.
6803:^
6795:10
6793:.
6771:^
6753:^
6707:36
6705:.
6701:.
6674:.
6655:.
6636:.
6624:^
6602:^
6584:.
6557:^
6539:^
6514:.
6495:.
6478:10
6476:.
6464:^
6440:^
6408:.
6391:.
6374:.
6372:44
6347:.
6315:15
6313:.
6290:.
6280:34
6278:.
6238:14
6236:.
6210:.
6183:.
6161:.
6106:.
6096:19
6094:.
6080:^
6062:.
6058:.
6035:.
6011:^
5993:.
5938:.
5908:.
5893:.
5883:.
5852:.
5844:.
5834:19
5832:.
5820:^
5799:.
5775:^
5761:.
5737:^
5723:.
5713:10
5711:.
5692:.
5678:^
5657:.
5647:.
5645:88
5612:.
5585:.
5524:^
5493:.
5481:^
5461:^
5431:^
5413:.
5397:^
5377:^
5359:^
5337:.
5319:^
5293:^
5279:.
5265:.
5235:^
5217:^
5191:^
5173:.
5135:^
5117:.
5106:^
5088:.
5073:^
5056:.
5045:^
5023:.
4721:)
3429:,
3316:)
2773:)
2674:)
2632:)
2467:)
1970:)
1966:,
1962:,
1941:)
1804:)
1779:)
1638:,
1634:,
1624:,
1531:.
1495:.
1460:.
1437:,
1391:.
1345:.
1263::
1256:.
1206:,
1200:,
1175:.
1143:,
1105:,
1101:,
1097:,
1093:,
1089:,
1054:.
1004:,
1000:,
996:,
984:,
972:,
818:,
814:,
653:.
561:,
557:,
553:,
470:,
328:.
301:.
285:,
281:,
266:,
262:,
258:,
254:,
66:)
7596:.
7571:.
7545:.
7518:.
7488:.
7457:.
7426:.
7400:.
7343:.
7279:.
7269:4
7248:.
7221:.
7185:.
7158:.
7132:.
7105:.
7078:.
7051:.
7009:.
6968:.
6942:.
6899:9
6882:.
6855:.
6829:.
6717:.
6686:.
6596:.
6497:6
6419:.
6349:6
6298:.
6286::
6221:.
6195:.
6163:8
6146:.
6114:.
6102::
6074:.
6064:7
6043:.
6005:.
5978:.
5953:.
5860:.
5840::
5814:.
5769:.
5731:.
5719::
5694:8
5672:.
5624:.
5620::
5614:3
5597:.
5570:.
5504:.
5425:.
5353:.
5287:.
5185:.
5129:.
5100:.
5067:.
5039:.
4916:)
4912:(
3591:)
3587:(
3258:)
3254:(
2869:)
2865:(
2202:)
2198:(
62:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.