525:
4040:, pp. 9–10. "(Cynthia) Baron characterizes studio acting as an eclectic mix of pragmatic acting strategies and guidelines that centered around three major concerns: the actor's adjustment from stage to screen, the development of 'silent thinking' as a way to help formulate appropriate reactions during shooting, and the building of a character through careful script analysis, extensive preparation, and dispassionate execution. She proposes that (s)tudio actors developed their craft, not by using a single method, but rather by drawing on a complex integration of techniques taken from silent films, theater, dance, modeling, vaudeville, and the theories of Constantin Stanislavski." Baron's list reads like a resume of Scott's.
830:
129:
451:
874:
340:
place. Scott has acknowledged that
Myerberg used her to keep Bankhead under control and that Bankhead was furious about the situation. Describing her own experience with Bankhead, Scott recalled, "She never spoke to me, except to bark out commands. Finally, one day, I'd had enough. I told her to say 'please,' and after that she did." During her eight months as the understudy, Scott never had an opportunity to substitute for Bankhead, as Scott's presence guaranteed Bankhead's. During her time with the production, Scott played the role of "Girl/Drum Majorette." The play ran from November 18, 1942, to September 25, 1943.
620:
963:
1563:, Scott was reported to have been infatuated with Presley. During a kissing scene, she playfully bit him on the cheek, leaving a red mark, which she called "just a little love nibble." The scene had to be reshot with the other side of his face to the camera. Scott's musical debut came to naught, however. Though Hal Wallis tried to get Scott's singing voice undubbed for the production, he was overruled by the studio heads, despite all of Scott's previous voice training. Production ran from late January 1957 to mid-March 1957.
1599:
984:(1951), she played Joan Willburn, a probation officer who sacrifices her fiancé to a scheming convict, Diane Stuart (Jane Greer). While Greer's beauty was toned down for the film, Scott's was not. As a result, critics were generally unconvinced that the leading man would choose the dowdy Diane over Joan. Most critics thought that Scott and Greer were miscast, and should have switched roles. Columnist Erskine Johnson wrote "Lizabeth Scott is on her second reach-for-the-handkerchief-Mabel picture for RKO."
31:
903:, who at the time was jailed at the local honor farm for a marijuana conviction—Mitchum was convicted January 10, 1949. It later was alleged that Hal Wallis was responsible for Scott's bowing out. Yet, Scott starred with Mitchum in a RKO film two years later. During this same period, the press reported rumors of Scott's stage fright. Scott later admitted to stage fright, explaining her absence during premieres of her films.
702:, Lizabeth Scott—each possessed a certain hardness, an invisible shield of attitude and defense, that suggested that times were getting serious and that comedy would not be able to handle all the issues... Just a few years earlier, Hollywood had been presenting the wisecracking platinum blonde, frank, sexy, self-actualizing. Now with the war, that insouciance had become hard-boiled.
1237:(1945), Scott's film debut, she recalled: "Being very young and naĂŻve at the time, I didn't know you weren't supposed to do such things, so I called him up and complained. I told him how hard everyone worked to make such a beautiful movie, and I couldn't understand how he could be so cruel. I must say he took it awfully well, and was very kind to me." Nonetheless, in his review of
1798:, spent a long time coaxing Scott out of retirement to fly to Malta for the shooting. Scott said that while she enjoyed Malta, she was not pleased that most of her footage was cut out—eight scenes in all. Hodges for his part reported that Scott was challenging to work with while shooting and struggled with nerves. Despite disagreements among the cast, crew, and past critics,
194:, the oldest of six children born to Mary Penyak and John Matzo (Ján Maco in Slovak). Several conflicting accounts have been given as to her parents' ethnic origins, with most mentioning English, Rusyn, Russian, and Ukrainian. The family lived in the Pine Brook section of Scranton, where her father owned Matzo Market. Scott characterized her father as a "lifelong
1650:. According to Mondo, Scott "introduced me to her fiance, Texas oil baron William Lafayette Dugger, Jr. He was in his late forties, of medium build, good-looking, with dark hair, a warm personality, and a strong handshake." Dugger described Scott as "A misunderstood soul searching for love. Her outward appearance is just a shell."
4568:, p. 223. Maureen O'Hara settled out-of-court on July 2, 1958. Errol Flynn settled July 8, 1958. Liberace settled on July 16, 1958. O'Hara, Flynn, and Liberace were only witnesses for the prosecution and not plaintiffs in the California trial. None of the other lawsuits—from Lizabeth Scott's to Maureen O'Hara's—ever went to trial.
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middle-level insurance investigator. He's tired of his job, spending time in his little office with a drab secretary. So I could have made a different picture, with a prettier girl than
Lizabeth Scott, and told the story of that girl, her problems, but that wasn't this movie. That would make it phony, if you cast it with
1126:. Scott played an heiress who inherits a haunted castle on Lost Island off the coast of Cuba. Though Scott had fond memories of working on the set in the years ahead, at the time of filming, she found it trying. Scott found Lewis' impersonations of her offensive, while a jealous Hal Wallis instructed director
1767:
gossip article, Scott remained active on the
Hollywood dating circuit, but the allegations continued to haunt her. A friend, David Patrick Columbia, commented: "One night driving her home from a party we'd been to, she remarked apropos of nothing we'd been talking about, 'and you know David, I am not
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further curtailed film production. Film historians generally agree that Scott's career essentially peaked between 1947 and 1949. By
February 1953, her stage fright was such that she even hid from friends. Scott did not renew her Paramount contract in February 1954, 18 months before "Lizabeth Scott in
400:
On August 30, 1943, Scott once again played Sabina when George was ill. Joe
Russell was in the Plymouth Theatre audience that night. Afterward, when a friend from California came to New York on one of his biannual visits to Broadway, Russell told him about Scott's performance. Russell's friend was an
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appeared, her career was already dormant. Scott had begun her career at a time when many established actors were away at war, giving then unknowns like Scott a chance at stardom. When the older stars returned, many of the newer stars faded away. In addition, the rise of television and the breakup of
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After shooting was completed, Scott walked away from film acting to try her hand at singing. The 14-year-relationship that began at the Stork Club in 1943 came to an end. With regard to Wallis, Scott knew the relationship was over—only Wallis remained in denial. After the death of his wife in 1962,
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began. It eventually involved over 200 actors, most of whom fled
California to avoid defense subpoenas. Rushmore, now the state's star witness, testified that the magazine knowingly published unverified allegations, despite its reputation for double-checking facts: "Some of the stories are true and
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Though relations between
Lancaster and Scott had previously been romantic, a falling out happened. Lancaster's behavior toward Scott was chilly, especially during one kissing scene, leaving Scott looking exasperated. By April 9, 1947, Lancaster tried to break his seven-year contract with Paramount.
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went nowhere. Since the magazine was domiciled in New York state, and Scott was a
California resident who had initiated the suit in her own state, Los Angeles Superior Court judge Leon T. David quashed Scott's suit on March 7, 1956, on the grounds that the magazine was not published in California.
1502:
According to
Rushmore, Harrison told the attorneys, "I'd go out of business if I printed the kind of stuff you guys want." Ronnie Quillan herself testified at the same trial that she had never verified the Scott story, thus not making the story "suit proof", but that Rushmore agreed to publish it
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bungalow at 8142 Laurel View Drive the previous autumn. Two female adults, one male adult, and a 17-year-old female were arrested on prostitution charges. The police found an address book with the names and telephone numbers of people active in the film industry, including two numbers allegedly
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for
Bankhead, despite Bankhead's protests. Bankhead had signed a contract forbidding an understudy for the Sabina role, which Myerberg breached by hiring Scott. Previously, Bankhead had controlled the production by not showing up for rehearsal. Now, Myerberg could simply put Scott in Bankhead's
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tribute to Wallis in 1987 and fondly recalled her time with him. In 2003, film historian Bernard F. Dick interviewed Scott for his biography of Wallis. The result was an entire chapter titled "Morning Star", in which the author observed Scott was still able to recite her opening monologue from
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I wanted Lizabeth Scott. I didn't want some blonde with big tits. You had to believe that this girl was real. Even if I took one of these over-sexed types who could not act, it would change how the Powell character is drawn into the affair. Remember the point of the script was that he's just a
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not to let the romantic scenes between Scott and Martin get too steamy. Despite Scott's best efforts, including making excuses for Lewis' behavior to the press, most of her scenes were cut. The film premiered the week of 28 May 1953 in Los Angeles. Despite the negative experience and reviews,
2124:, p. 71. "Among other performers to achieve national success are two actresses from Hollywood. Lizabeth Scott (born Emma Matzo), the daughter of Carpatho-Rusyn immigrants from Subcarpathian Rus', played the role of a sultry leading lady in several films during the late 1940s and early 1950s."
436:. Miriam Hopkins was ill. Scott sent Wallis her apologies, cancelling the interview. Scott recalled "On the train up to Boston, to replace Miss Hopkins, I decided I needed to make the name more of an attention-grabber. And that's when I decided to drop the 'E' from Elizabeth." In 1945,
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in March, catching Scott off-guard. Bankhead's final zinger to Scott was "You be as good as she (Hopkins) is." For a brief period, Scott understudied for Hopkins. While Scott liked Hopkins much more than Bankhead, she was still disappointed about being passed over for the Sabina role.
741:. He tested me with Burt; it was a wonderful test, but then Lizabeth Scott decided she wanted the role, and Lizabeth got whatever she wanted—from Hal Wallis! (Laughs) So, I got the second part instead." Douglas, while working with Lancaster on the film, commented:
432:—Scott had turned 21. By happenstance or design, Wallis was also at the club that night. Hoffman introduced Scott to Wallis, who arranged for an interview the following day. When Scott returned home, she found a telegram offering her the lead for the Boston run of
378:
Scott eventually quit in disappointment. Before quitting, Scott replaced Hopkins for one night. When Scott finally went on stage as Sabina, she was surprised by both the approval and fascination of the audience. Her replacement as understudy was another future
1756:. According to Bacharach: "She personified what I love about a woman, which is not too feminine but a little bit masculine. Just the strength and the coolness and the separation from the frilly woman who is always touching you and wanting something... I think
745:
Lizabeth Scott played the girl we were involved with in the movie. In real life, she was involved with Hal Wallis. This was a problem. Very often, she'd be in his office for a long time, emerge teary-eyed, and be difficult to work with for the rest of the
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depicts two separate story lines running in parallel—one dominated by Martha Ivers (Stanwyck) and the other by Antonia "Toni" Marachek (Scott). The Heflin character, Sam, is the connection between the story lines, which overlap only in the one scene where
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on 8 December 1946 as having said that he would never make another picture with producer Hal Wallis because Wallis wanted to reshoot scenes in this film for more close-ups of Lizabeth Scott; Milestone reportedly told Wallis to shoot them himself—which he
3805:, pp. 40–41. Film historians familiar with the novel usually surmised that the screenwriter, Irving Wallace, deliberately tailored the script to take advantage of Scott's noir typecasting. Scott's original character in the novel was a maternal type.
3554:
Bosley Crowther (January 29, 1951; accessed May 23, 2014), "The Dancing Years (1949) THE SCREEN IN REVIEW; 'The Company She Keeps,' With Lizabeth Scott Playing a Parole Officer, Arrives at Loew's Criterion At the Little Carnegie At the Stanley,"
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Scott tended toward secrecy about her personal relationships and publicly disparaged former dates who told all to the press. Once their date appears in the press, "the man goes off date list... I think," said Scott, "that gentlemen don't tell."
1248:
Scott's style of acting, characteristic of other film actors of the 1940s—a cool, naturalistic underplay derived from multiple sources—was often deprecated by critics who preferred the more emphatic stage styles of the pre-film era or the later
205:, a local Catholic girls' school. She transferred to Scranton's Central High School, where she performed in several plays. After graduating, she spent the summer working with the Mae Desmond Players at a stock theater in the nearby community of
1241:(1948), he stated: "As the torch singer ... Lizabeth Scott has no more personality than a model in the window of a department store." He also wrote of "a frighteningly grotesque Lizabeth Scott, who is supposed to represent a cabaret singer" in
1538:—the final result was that Scott "has a vocal range of two octaves, A below C to High C," making Scott a mezzo-soprano. In July 1956, Johnson reported that Scott was under the management of Earl Mills, who also managed the singing career of
1258:
and a couple of pictures before that." Current film historians critical of Scott either repeat Bob Thomas' image of an ersatz Bacall, Bosley Crowther in describing Scott's acting as wooden, or a pastiche of actresses of the period, as did
863:
is a relatively 'unknown and unseen' noir and deserves this recognition, especially for its storyline, acting, and the incredible performance of Lizabeth Scott in the femme fatale role." At the end of 1948, Scott shifted dramatic gears in
1331:, whose face had a frozen quality and always looked half-asleep ... The dreamwalker seemed to mirror all our own fears. His (and her) numbness was the crazed underside of that cinematic energy in the wake of the (Second World) war."
1266:
Others, though, see Scott's acting in a different light. With the revival of interest in film noir and its corresponding acting style, beginning in the 1980s, Scott's reputation has risen among critics and film historians. In
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starring Scott, but he suddenly died on August 8, 1969. A handwritten codicil to his will leaving half his estate to his fiancée was contested by Dugger's sister, Sarah Dugger Schwartz. The will was judged invalid in 1971.
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poll voted her the seventh-most promising "star of tomorrow." Production ran 10 June–4 September 1946. It premiered in New York the week of 23 January 1947. Despite the initial positive publicity, the long-term effect of
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was the film of which Wallis was most proud, the films he watched repeatedly were those starring Lizabeth Scott. Even during his second marriage, Wallis continued to screen Scott's films at home, night after night.
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published the Scott story in the next issue. Under the byline of "Matt Williams", it was titled "Lizabeth Scott in the Call Girls' Call Book". In November 1955, at the age of 33, Scott again went to Britain to film
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997:
in his film debut) is a bookie who is the apparent target of a vengeful brother of a dead man whom Haley swindled. Originally, Burt Lancaster was cast as the leading man, but he refused to work with Scott again.
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replaced Mitchum. Scott was slated to play the club secretary. Then, she replaced Ball as leading lady. The reason for the role switch is unknown, though Ball never forgave Mature for his rudeness when they made
1431:
Instead of paying the magazine not to publish the article, Scott sued. On July 25, 1955, two months before the issue's printed publication date, and while the Marlene Dietrich issue was still on the newsstands,
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and Tallulah Bankhead, beginning with Bob Thomas' March 1945 comment about her screen test: "Her throaty voice may well make Lauren Bacall sound like a mezzo soprano." When the most prominent critic of the era,
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belonging to Scott. "HO 2-0064" had a Hollywood prefix and was the residential number of an elderly couple, Henry A. and Mamie R. Finke, of 4465 West 2nd Street, Los Angeles, while "BR 2-6111" belonged to the
4283:
Trulia (accessed May 23, 2014), "8142 Laurel View Dr Los Angeles, CA 90069 (Hollywood Hills)." Rushmore described the four-bedroom, two-story stucco residence, built in 1926, as a "swanky, four-story house."
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styles. Typical of the 1940s was Dick McCrone: "Miss Scott, who is an excellent clothes horse, rounds out the principals as Lancaster's moll. Otherwise, she's still the same frozen-face actress she was in
1074:(1951), another conventional noir. Irene Hayes (Scott) is caught up in a struggle between a big-city police captain (Robert Mitchum) and a local crime boss (Robert Ryan), who resembles the real-life
933:
By June 22, 1949, Scott reportedly recovered from her January episode and was to be lent by Hal Wallis to the Princeton Drama Festival. In July 1949, Scott returned to the stage in the title role of
855:, and Kristine Miller. This Hitchcock-like, black-and-white noir is widely considered Scott's best film and performance. But, the film was a box-office failure when it was released, and the producer
1189:, but she never appeared in it. As Scott put it: "out of the clear blue sky one morning, I woke and decided that I never wanted to make another film again. It was just a spark, I can't explain it."
954:
Finally, Scott decided to legalize her stage name. Having been known professionally as "Lizabeth Scott" for almost seven years, she legally changed her name from Emma Matzo on September 14, 1949.
367:
Rumors of an affair between the married Myerberg and the new understudy were rife. Scott has said that her fondest memory was of Myerberg telling her, "I love you," but the two eventually parted.
1809:
After that, Scott kept away from public view and declined most interview requests. From the 1970s on, she was engaged in real estate development and volunteer work for various charities, such as
546:(1946): "I will not be co-starred with any other person other than a recognized male or female star." Lawyers for Wallis and Stanwyck got to work, and eventually, the final billing ran Stanwyck,
4023:
Bosley Crowther (October 19, 1950; accessed May 23, 2014), "Dark City (1950) THE SCREEN IN REVIEW; Charlton Heston Makes His Film Debut in 'Dark City,' Feature at the Paramount Theatre,"
144:; September 29, 1922 – January 31, 2015) was an American actress, singer and model for the Walter Thornton Model Agency, known for her "smoky voice" and being "the most beautiful face of
1620:. Scott played the titular character, derived from a boyfriend's dialog: "She is a sleek, well-groomed tigress, a man-eating shark—an Amazon! She chews men up and spits them out." In a
1626:
episode, "Who Killed Cable Roberts?" (1963), she camped it up as the ungrieving widow of a celebrity big-game hunter. Much of her private time, though, was dedicated to classes at the
370:
The continuing feud between Myerberg and Bankhead worsened Bankhead's ulcer, leading her to not renew her contract. Anticipating Bankhead's move, Myerberg suddenly signed 39-year-old
3306:
A. W. (August 15, 1949; accessed May 23, 2014), "Too Late for Tears (1949) THE SCREEN IN REVIEW; 'Too Late for Tears', Adult and Suspenseful Adventure Film, Is New Bill at Mayfair",
1168:, feuding was reported between the two on the set. The film was a box-office failure. Eight months later in February 1954, Wallis and Scott parted ways. Scott was now a freelancer.
1490:. Since New York refused to let Brown extradite Harrison to California, Brown instead put Harrison's niece, Marjorie Meade, director of the Hollywood Research investigative arm of
4330:
1708:
In 1948, Burt Lancaster said of Scott: "Becoming her close friend... is a long stretch at hard labor." In the period between 1945 and the 1970s, the press reported Scott dating
509:. Wallis told Thomas, "Notice how her eyes are alive and sparkling... Once in a while she reads a line too fast, but direction will cure that. That voice makes her intriguing."
1696:
In later life, Wallis was reticent to talk on the subject of Scott, despite an unjealous Hyer urging him to include Scott and his other mistresses in his autobiography. Though
2042:(San Bernardino, California), p. 25. AP article gives Scott's birthplace as Dunmore, Pennsylvania, while Scott gives her birthplace as Scranton in the Langer video interview.
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485:'s International Pictures. She was rejected by both studios. Then she tested at Warner Bros., but this time around, Wallis' sister Minna Wallis arranged for film director
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224:
In 1939, with her father's help, the 17-year-old Scott moved to New York City, where she stayed at the Ferguson Residence for Women. In New York she was a model for the
1995:
1463:
Despite this setback, Giesler said that he would refile in New York. Lawsuits from other actors against the magazine were piling up. Meanwhile, Rushmore tried to get
751:
He claimed it violated a previous freelance deal, but added that he did not want to work with Scott anymore. Despite all the issues among the cast and past critics,
1520:
the Call Girls' Call Book" was published. Between the end of her contract and Rushmore's article, she had turned down numerous scripts, including a part in Wallis'
1218:
Though the public response to Scott was generally favorable during the Paramount years, the film critics were less so, repeatedly making unfavorable comparisons to
1038:(1948). Instead, she quit the production and audited two morning courses—philosophy and political science—for six weeks at the University of Southern California.
4471:, (New York City, New York), p. 4. In the table of contents, the article had the longer title of "Why Was Lizabeth Scott's Name in the Call Girls' Call Book?"
1675:, with recriminations on Wallis' part. After a few years, Wallis made an effort to revive the relationship with Scott by making her the leading lady opposite
1164:
was originally cast as Helen, but when Scott replaced Neal, Lancaster had to be replaced by Heston. Though Heston and Scott had previously worked together in
737:'s breakout role, but Scott, ever competitive with all other actresses, grabbed the role for herself. Miller later recalled, "(Wallis) planned to star me in
4008:
Bosley Crowther (January 22, 1948; accessed May 23, 2014), "ON THE SCREEN; ' I Walk Alone,' a Gangster Film, Starring Burt Lancaster, Opens at Paramount,"
1482:
chauffeur. When Harrison refused, Rushmore quit and flew to Los Angeles to meet with Scott's attorney, Jerry Giesler. Rushmore offered to testify against
2869:, pp. 103, 130. Lauren Bacall talked Hallis Wallis into hiring Douglas for his debut role. Bacall and Douglas used to date as teenagers in New York City.
1413:
managed "Carroll's", an upper-class, cabaret-type nightclub at 36 Rue de Ponthieu, Paris, France. It featured mainstream entertainers of the day such as
910:, in his "On Broadway" column for June 9, 1949, repeated a rumor of Scott's impending marriage to Mortimer Hall, CEO and president of radio station
603:
and do a promotional tour through the country. While Scott was still in Britain, shooting began on a new noir that Scott joined after she returned:
1741:
2316:(Scranton, Pennsylvania), p. 18. Store address is 1001 Capouse (Avenue). The grocery store was on the ground floor of the Matzos' two-story house.
1820:, Scott's seclusion was not total. She continued to date within a close circle of old Hollywood insiders. "One of her best friends was the singer
1580:, the 12 tracks are a mixture of torch songs and playful romantic ballads. Finally on April 23, 1958, Scott made her public singing debut on CBS'
1405:). He also wrote, of Scott's trip to Cannes: "In one jaunt to Europe, (Scott) headed straight for Paris and the left bank where she took up with
1005:. In another interview, she admitted almost joining a "cult" endorsed by Huxley, but did not due to the vow of poverty required. Huxley explored
2879:
1506:
In the wake of the sensational 1957 trial, Scott was forgotten by the media. Despite later claims that Scott's film career was ruined by the
1401:
The Rushmore article further stated that Scott spent her off-work hours with "Hollywood's weird society of baritone babes" (a euphemism for
428:, had befriended Scott and tried to introduce her to people who could help her. On September 29, 1943, Hoffman held a birthday party at the
5486:
5224:
Juile Miller (June 12, 2012; accessed May 23, 2014), "Chloë Grace Moretz on Her Carrie Remake and Being an Official 'Face of the Future,'"
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switchboard at 10201 West Pico Boulevard, Los Angeles. Scott did not work for 20th Century until 1956, when she took part in an episode of
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974:
Scott acted in four films in 1950. In a continuing effort to escape her femme fatale typecasting, Scott played another self-sacrificing
816:(1942). The 37-year-old Ball was in career slump at the time and had to take the secondary role meant for Scott. The final film, titled
5222:
2273:(Milwaukee, Wisconsin), p. 3. Interview repeats Paramount publicity about Scott's alleged "English father" and "White Russian" mother."
1409:, the city's most notorious Lesbian queen and the operator of a night club devoted exclusively to entertaining deviates like herself."
1300:
1646:, was announced after a two-year engagement. Months later, musician Rexino Mondo was helping Scott decorate her fiance's mansion on
5451:
5366:
364:
Broadway legend had it that Bankhead was being victimized by Scott, who supposedly was the basis for the fictional Eve Harrington.
3888:
Louella O. Parsons (Thursday, April 15, 1954), "Richard Burton Due To Sign New Contract With 20th Century After Play In England,"
1593:
1566:
Undaunted by Paramount's refusal to let her singing be heard, Scott signed a recording contract with Vik Records (a subsidiary of
272:
and Eddie Garr. Landing her first professional job, she was billed as "Elizabeth Scott". The tour opened November 3, 1940, at the
1486:
in exchange for a job in Hollywood. Giesler rejected the offer. Then, Rushmore became a witness for California Attorney General
5481:
4551:
Bob Houser, (Saturday, August 10, 1957), "Actress 'Offered to Have Affair' to Get Hot Story: Tells Role of Cabot's Ex-Wife,"
1924:
1897:
148:
during the 1940s and 1950s". After understudying the role of Sabina in the original Broadway and Boston stage productions of
4978:
Howard C. Heyn (Sunday, November 28, 1948), "Lush, Sultry and Single," "The Salt Lake Tribune" (Salt Lake City, Utah), p. 75
3064:(Harrisburg, Pennsylvania), p. 4. Designed with little front and no back, Jean Louis called it his 1948 "umbilicalar model."
2297:
1987:
1840:
at the age of 93 on January 31, 2015. Until her death she had managed to make herself a year younger than she actually was.
583:, Scott recalled how strange it was to be in a film with Stanwyck and have only one brief scene together. The screenplay by
5511:
5506:
5466:
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1824:, and on very rare occasions, she could be spotted on his arm." Nor did she forget Hal Wallis. She appeared on stage at an
1534:
Erskine Johnson reported in January 1954 that Scott was being trained by Hollywood voice teacher Harriet Lee, and later by
1499:
some have nothing to back them up at all. Harrison many times overruled his libel attorneys and went ahead on something."
947:, on the campus of Princeton University, New Jersey. The press reported: "Folks who expected fireworks when Liz Scott and
4869:
2189:
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4236:
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Several books have claimed that prior to her relationship with Dugger, Scott was a mistress of renowned film producer
5501:
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5471:
2288:(New York City, New York). Obituary repeats 1940s Paramount publicity: "She was born ... to English–Russian parents."
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2209:
1627:
4021:
3335:
Louella O. Parsons (Friday, January 28, 1949), "Robert Donat Agrees To Come To US, Gets Top Role In Broadway Show",
1960:
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492:
Hal Wallis saw Scott's test and recognized her potential. At the age of 22, Scott's film debut was the comedy-drama
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268:, stars of the original Broadway production. She was assigned to one of three road companies, Scott's being led by
195:
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University of the Arts lauds Mae Desmond: A new musical will address the life of a Queen Village theatrical legend
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at a private reception at the Los Angeles County Museum of Art. Yet, conversely, Scott was a friend and reader of
5496:
5456:
2284:
AP (February 7, 2015; accessed February 8, 2015), "Lizabeth Scot, Sultry '40s, '50s Film Noir Star, Dies at 92,"
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Robert D. McFadden (February 6, 2015; accessed February 7, 2015), "Lizabeth Scott, Film Noir Siren, Dies at 92,"
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202:
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in all but three. In addition to stage and radio, she appeared on television from the late 1940s to early 1970s.
2747:
Eileen Creelman (June 26, 1945), "Lizabeth Scott, of the Tawny Hair and Deep Voice, Talks of 'You Came Along,'"
1307:—all the fluff and exotic pastry that Hollywood could produce—appeared a very odd animal, the dreamwalker, like
1112:
Later that spring, Scott returned to her beginnings as a comedian when she began work on her first comedy noir,
2523:
Victor Gunson (November 7, 1946), "Treason? Film Actress Lizabeth Scott Thinks N.Y. Glamorous, Not Hollywood,"
2070:
595:
In June 1946, Scott gained the distinction of being the first Hollywood star to visit Britain since the end of
4536:
3145:
Westerns Women: Interviews With 50 Leading Ladies Of Movie And Television Westerns From The 1930s To The 1960s
575:
Wallis ended up adding extra footage of Scott at the expense of Stanwyck's screen time, which later led to a
1013:, beliefs which Scott also professed in interviews. During Scott's spiritual search, she eventually met the
3642:
128:
1503:
anyway. However, a mistrial was declared on October 1, 1957, when the jury could not agree on a verdict.
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crossed paths at the Princeton Drama Festival were vastly disappointed. It was all sweetness and light."
389:. When Michael Myerberg pulled Grahame from the play for another experimental production in Philadelphia—
273:
4791:
Paul Derrick (CreateSpace Independent Publishing Platform, August 7, 2013), "Who Killed Cable Roberts?"
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3758:
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1425:, who happened to be the subject of "The Untold Story of Marlene Dietrich" in the then current issue of
2887:
1526:(1955). Instead of reinventing herself as Bacall did, returning to Broadway, Scott chose another path.
1181:
1127:
651:'s on the film's lobby posters and in advertisements. Most often portrayed in publicity stills was the
605:
296:
206:
162:
4743:
829:
1394:
1043:
332:
4270:
Shocking True Story: The Rise and Fall of Confidential, "America's Most Scandalous Scandal Magazine"
4172:
Film Noir FAQ: All That's Left to Know About Hollywood's Golden Age of Dames, Detectives, and Danger
4146:
Film Noir FAQ: All That's Left to Know About Hollywood's Golden Age of Dames, Detectives, and Danger
2094:
Walter Dushnyck, Nicholas L. Chirovsky (Ukrainian Congress Committee of America, November 1, 1991),
3682:
Erskine Johnson (Monday, November 27, 1950), "Liz Gets Lots Of Color Doing Her First Horse Opera,"
3517:(New Castle, Pennsylvania), p. 19. Date of name change is given here as Thursday, October 20, 1949.
2247:(New York City, New York). Obituary describes her as "one of six children of Ukrainian immigrants".
2056:
Janice H. McElroy (Pennsylvania Division, American Association of University Women, June 1, 1983),
1837:
1813:
and the Ancient Arts Council of the Los Angeles County Museum of Art, where she was a major donor.
1535:
1114:
866:
225:
3948:
Betty Gose (Wednesday, February 12, 1947), "Blonde Makes Trouble For Bogart in 'Dead Reckoning',"
1057:(1952) is set in the 1860s, starring Scott as Chris, the only member of her family to survive the
1047:(1951), Scott portrayed Brandy Kirby, a socialite who seduces a gambler, Michael "Lefty" Farrell (
859:
was forced into bankruptcy. Decades later, one film historian reported the film's staying power: "
5417:
4680:
Erskine Johnson (Monday, January 11, 1954), "Lizabeth Scott Develops La Dietrich Singing Style,"
2883:
1825:
1410:
1406:
1375:
873:
818:
450:
234:
77:
4663:
Erskine Johnson (Thursday, November 17, 1955), "Lanza Sings Two Hours In Next Film, "Serenade,"
3644:
David Patrick Columbia (February 10. 2015; accessed February 11, 2015), "Remembering Lizabeth,"
3470:
Louella O. Parsons (Wednesday, June 22, 1949), "Sweet Judy Garland May Be Ready Soon For Work,"
1090:. While Irene Hayes was thought to be modeled on the smoky-voiced Hill, Scott denied the rumor.
5256:
Mystery, Suspense, Film Noir and Detective Movies on DVD: A Guide to the Best in Cinema Thrills
5115:
Ed Sullivan (Monday, November 19, 1951), "Men and Maids, and Stuff. RCA engineering geniuses,"
1844:
1685:(1957). Wallis thought it might be his last chance to offer Scott a starring role in anything.
1681:
1547:
1522:
1451:
1200:
1194:
1176:
1144:(1953), Scott played a decadent heiress who tries to dominate a poor but idealistic physician (
1070:
895:(1949). She immediately quit after three days of production. According to Scott's replacement,
852:
640:
442:
claimed that Scott had dropped the "E" as a patriotic wartime gesture "to conserve newsprint."
424:
310:. It was her first starring role, but no drama critic reviewed the play. But the producer of a
256:
191:
58:
4620:
Erskine Johnson (Thursday, January 10, 1946), "Ingrid Bergman And Milland In Top Film Spots,"
1914:
1887:
1740:, Anson Bond of the clothing store chain family, Seymour Bayer of the pharmaceutical family,
989:
980:
657:
506:
323:
150:
3143:
Boyd Magers, Michael G. Fitzgerald (McFarland & Company, June 2004), "Kristine Miller,"
2497:
Anonymous (Sunday, August 26, 1945), "Nickname Sticks: Lizabeth Succumbs To Hollywood Fad,"
1760:
had that kind of quality." In 1953, Scott was briefly engaged to architect John C. Lindsey.
1343:, Scott reprised her film roles in abridged radio versions. Typical were her appearances on
619:
5446:
5441:
3993:
Bosley Crowther (July 5, 1945; accessed March 23, 2015), "The Screen; A Story Initiative,"
2827:
2815:
2454:
Ray Peacock (Friday, May 22, 1942), "Vaudeville's Back But Sh-h-h! It's Only Been Hiding,"
1745:
1296:
1172:
261:
239:
8:
5293:
Michael Bowlin (Sunday, July 2, 1989), "Actress Lizabeth Scott doesn't give interviews,"
4871:
Anonymous (accessed May 23, 2014), "Lizabeth Scott v. Sarah Dugger Schwartz (05/05/71),"
2953:
Anonymous (Sunday, November 18, 1951), "Lizabeth Scott Goes To England For Triple Role,"
2721:
Anonymous (August 15, 1943), "Myerberg 'Snatches' Gladys George Under Hollywood's Nose,"
2299:
Anonymous (March 16, 2015; accessed March 23, 2015), "Lizabeth Scott, actress—obituary,"
1940:
1340:
1304:
1053:
939:
760:
678:
wrote of a new type of Hollywood actress who began to appear on screen during the 1940s:
343:
The rivalry between the two actresses is cited as an alternative to the Martina Lawrence-
218:
4391:
Contemporary Black Biography: Profiles from the International Black Community, Volume 16
2426:
1458:
The next spring, despite Giesler's reassurances to the press, the legal efforts against
1383:
sent a copy of the story to Scott. What Scott read was that a police raid occurred on a
1138:
In April 1953, the 30-year-old Scott made her last film under contract to Paramount. In
554:
in second place, but Wallis' interest in promoting Scott was obsessive. The AFI page on
198:", which influenced her capitalistic views. The love of music influenced Scott's voice.
5102:
Hedda Hopper (Monday, October 1, 1951), "Lizabeth Scott To Wear 3 'Faces' In Picture,"
1810:
1671:
1229:
1140:
1058:
1029:
962:
843:
467:
214:
174:
4307:
Anonymous (accessed May 23, 2014), "Old Telephone Exchange Names Los Angeles County,"
2781:, p. 392. According to Sobol, Hoffman arranged for Hal Wallis to be at the Stork Club.
706:
This "hard-boiled" quality appeared in Scott's two previous films and was repeated in
246:, from which she derived the stage name "Elizabeth Scott." She later dropped the "E".
5426:
4763:
Anonymous (accessed May 23, 2014), "Lizabeth Scott With Henri René And His Orchestra—
2205:
2185:
1920:
1893:
1539:
1475:
1345:
1175:. Though she left for London immediately after the festival, her visit to France had
1048:
948:
631:
478:
353:
344:
328:
5183:(Bristol, Pennsylvania), p. 8. Herzfeld was an owner of Yonkers Raceway in New York.
4402:
Robert L. Griere (Saturday, August 3, 1963), "Eat in Paris And Swoon With Delight,"
4321:
FamilySearch (accessed May 23, 2014), "Henry A. Finke, 'United States Census, 1940'"
4305:
2303:(London, England). "Her father's family originated from Sussex (county, England)..."
2160:
1065:
was the second of Scott's three Westerns, though the only traditional non-noir one.
3374:
AP (Monday, January 10, 1949), "Mitchum, Movie Star, Convicted on Narcotic Count,"
2804:
2725:(Brooklyn, New York), p. 31. George took over as Sabina on Monday, August 16, 1943.
2221:
1778:
1647:
1610:
In the 1960s, Scott continued to guest-star on television, including an episode of
1576:
1479:
1422:
1389:
1206:
1100:
1034:
944:
899:, Scott quit because she was concerned about being associated with the leading man
758:
Scott played her third and last ingénue in the second favorite among her own films—
537:
438:
311:
229:
3978:
Bob Thomas (Friday, March 16, 1945), "Hollywood—It Takes A Spark To Make A Star,"
3229:
Robert Porfirio, Alain Silver, James Ursini (Limelight Editions, August 1, 2004),
1598:
769:
4319:
3862:
Erskine Johnson (Thursday, February 18, 1954), "Robert Donat Refuses To Retire,"
3350:
Ramon Novarro: A Biography of the Silent Film Idol, 1899–1968; With a Filmography
2617:
Bruce Kirle (Southern Illinois University Press; 1st edition, October 24, 2005),
1821:
1753:
1384:
1224:
1145:
1087:
1022:
994:
907:
734:
717:
648:
563:
318:
4223:
Anonymous (accessed May 26, 2014), "Radio Broadcast Log Of: Lux Radio Theatre,"
3776:
Carole Langer (Soapbox & Praeses Productions, 1996; accessed May 23, 2014),
3623:
Carole Langer (Soapbox & Praeses Productions, 1996; accessed May 23, 2014),
3417:
Carole Langer (Soapbox & Praeses Productions, 1996; accessed May 23, 2014),
3216:
Burt Prelutsky (CreateSpace Independent Publishing Platform, November 3, 2012),
2928:
Carole Langer (Soapbox & Praeses Productions, 1996; accessed May 23, 2014),
2853:
Burt Prelutsky (CreateSpace Independent Publishing Platform, November 3, 2012),
2630:
Burt Prelutsky (CreateSpace Independent Publishing Platform, November 3, 2012),
2412:
Burt Prelutsky (CreateSpace Independent Publishing Platform, November 3, 2012),
2328:
Burt Prelutsky (CreateSpace Independent Publishing Platform, November 3, 2012),
2256:
Carole Langer (Soapbox & Praeses Productions, 1996; accessed May 23, 2014),
2026:
Carole Langer (Soapbox & Praeses Productions, 1996; accessed May 23, 2014),
1418:
295:
Scott then returned to New York in 1942, where she starred as Sadie Thompson in
4948:
Charles Higham (University of Wisconsin Press, 1st edition, October 27, 2009),
4376:
Matt Williams (September 1955), "Lizabeth Scott in the Call Girls' Call Book,"
4345:
Matt Williams (September 1955), "Lizabeth Scott in the Call Girls' Call Book,"
4221:
3594:
Frank Neill (Tuesday, May 16, 1950), "No. 1 Bachelor Girl Talks on Smooching,"
1749:
1729:
1725:
1717:
1666:
1359:
1292:
1288:
1105:
978:-like character before reverting to her usual torch singer/socialite roles. In
919:
900:
856:
790:
778:
713:
494:
386:
371:
210:
5407:
3699:
AP (Thursday, June 29, 1950) "Actress Lizabeth Scott Takes University Study,"
1574:
and his orchestra in Hollywood on October 28, 29, and 30, 1957. Simply titled
470:
of Famous Artists Corporation. In a telegram to Scott, he asked her to take a
5435:
4360:
Pacific Telephone & Telegraph Company (May 1956, accessed May 23, 2014),
4332:
Pacific Telephone & Telegraph Company (May 1956, accessed May 23, 2014),
3539:
Paul Donnelley (Omnibus Press, 3rd edition, November 1, 2005), "Jane Greer,"
3526:
AP (Thursday, September 15, 1949), "Emma Matzo—She's Really Lizabeth Scott,"
2819:
2341:
Anonymous (Saturday, June 3, 1933), "Marywood Seminary Pupils Give Recital,"
1787:
1783:
1737:
1721:
1676:
1662:
1617:
1552:
1516:
1433:
1324:
1276:
1272:
1250:
1219:
1161:
1083:
1006:
1002:
934:
891:
885:
On Tuesday, January 25, 1949, Scott collapsed and went into hysterics on the
806:
720:
as well. Scott again starred with Lancaster, Corey, and Douglas, in Wallis's
695:
635:
584:
482:
474:. He invited her to come to Los Angeles and stay at the Beverly Hills Hotel.
406:
394:
359:
289:
5068:
Dorothy Kilgallen (Thursday, November 30, 1950), "Broadway Bulletin Board,"
4609:
Gay L.A.: A History of Sexual Outlaws, Power Politics, and Lipstick Lesbians
4240:
2578:
George Jean Nathan (Ulan Press, reprint of 1943 edition, October 28, 2012),
2368:
Anonymous (Thursday, May 18, 1939), "News and Comment Of Stage and Screen,"
2137:, p. 519. The father is described as English-born and the mother as Russian.
1571:
691:
655:
gown-and-glove outfit she wore in the nightclub scene. In September 1946, a
5309:
Pat Barham (Thursday, December 5, 1974), "What's A Celebrity? Here's One,"
2810:
1757:
1744:, Marquess of Milford Haven, race-track owner Gerald "Jerry" Herzfeld, and
1556:
1379:, developed an exposé on Scott in late 1954. Despite the lack of evidence,
1328:
1316:
1260:
1149:
1075:
975:
802:
722:
683:
596:
551:
402:
381:
307:
285:
265:
179:
30:
5132:
INS (Wednesday, May 6, 1953), "Bachelor-Girl Lizabeth Scott Finds A Man,"
4696:
Steven H. Scheuer (April 29, 1958), "Jane Powell Tells Of First Picture,"
4538:
Larry Harnisch (May 15, 2007; accessed March 1, 2015), "Hollywood madam,"
4510:
Sam Kashner, Jennifer MacNair (W. W. Norton & Company, May 17, 2003),
4292:
AP (Saturday, October 2, 1954), "Juvenile, 3 Others Nabbed in Vice Raid,"
4107:
Edith Head: The Fifty-year Career of Hollywood's Greatest Costume Designer
3431:
Anonymous (accessed May 23, 2014), "Mortimer W. Hall Obituary," Legacy.com
2734:
Anonymous (August 31, 1943), "The 'Skin of Our Teeth' Stars Out of Cast,"
1889:
Resting Places: The Burial Sites of More Than 14,000 Famous Persons, 3d ed
1542:. Scott was planning to debut as a torch singer on the nightclub circuit.
826:
review was uncommonly positive, though dismissive of Scott's performance.
5380:
5269:
Film Noir Reader 3: Interviews with Filmmakers of the Classic Noir Period
3920:
Film Noir Reader 3: Interviews with Filmmakers of the Classic Noir Period
3669:
Anonymous (Sunday, May 14, 1950), "Liz Scott To Play On Summer Circuit,"
3231:
Film Noir Reader 3: Interviews with Filmmakers of the Classic Noir Period
1817:
1795:
1713:
1709:
1690:
1639:
1414:
1312:
1284:
1280:
1160:
This film was Hal Wallis' last attempt to pair Burt Lancaster and Scott.
1123:
1119:
1095:
822:(1949), received a generally negative response when it was released. The
765:
708:
699:
675:
471:
281:
269:
243:
168:
5267:
Robert Porfirio (Limelight Editions, August 1, 2004), "Lizabeth Scott,"
4911:
Eighty Odd Years in Hollywood: Memoir of a Career in Film and Television
4523:
INS (Wednesday, August 7, 1957), "Lawyer Opens Trial Of Two Magazines,"
2565:
Thornton Wilder (Samuel French, first acting edition, January 1, 1944),
2150:, p. 96. John Matzo is described as Italian and Mary Matzo as Slovakian.
5422:
4730:
Hal Kanter (McFarland & Company, reprint edition, April 30, 2013),
4441:
Kenneth G. McLain (July 1955), "The Untold Story of Marlene Dietrich",
4415:
Serge Guilbaut (Museu Dart Contemporani de Barcelona, March 15, 2008),
1567:
1308:
1014:
923:
915:
896:
848:
794:
786:
687:
652:
547:
486:
429:
336:
300:
254:
In late 1940, an 18-year-old Scott auditioned for the national tour of
4170:
David J. Hogan (Applause Theatre & Cinema Books, April 15, 2013),
4144:
David J. Hogan (Applause Theatre & Cinema Books, April 15, 2013),
5326:
Carol Thornton (Sunday, June 10, 1973), "A Circus for Project Hope,"
5085:
Dorothy Kilgallen (Saturday, January 6, 1951), "Gossip a la Gotham,"
4417:
Be-Bomb: The Transatlantic War of Images and All That Jazz. 1946–1956
2312:
Alfred N. Hare (Thursday, June 28, 1934), "Mercantile Appraisement,"
2260:. Scott described herself in the interview as having "Russian blood."
1733:
1638:
In May 1969, the wedding of Scott to oil executive William Dugger of
1487:
1320:
729:
More drama occurred behind the scenes of the film, originally titled
580:
277:
145:
5038:
Dorothy Kilgallen (Wednesday, March 29, 1950), "Voice Of Broadway,"
4883:
Edward Bunker (St. Martin's Griffin, 1st edition, August 18, 2001),
3965:
Rebel Hope (Sunday, March 2, 1947), "Week's Screen Menu Is Varied,"
1001:
In a May interview, Scott said she was reading the entire oeuvre of
3159:
Kirk Douglas (Simon & Schuster, 1st edition, August 15, 1988),
2643:
Tallulah Bankhead (University Press of Mississippi, July 7, 2004),
2552:
Dorothy Kilgallen (Thursday, June 24, 1943), "The $ 64 Questions,"
2111:
p. 273. Spicer says "Born Emma Matzo to Slovakian parents ..."
1791:
1689:
Wallis went into a depression and became a recluse before marrying
1179:. Later that month, it was announced that she would be the host of
1018:
348:
5352:
Bernard F. Dick (The University Press of Kentucky, May 21, 2004),
4922:
Bernard F. Dick (The University Press of Kentucky, May 21, 2004),
4804:
Bernard F. Dick (The University Press of Kentucky, May 21, 2004),
4633:
Bernard F. Dick (The University Press of Kentucky, May 21, 2004),
4268:
Henry E. Scott (Pantheon, 1st reprint edition, January 19, 2010),
4118:
Dan Callahan (University Press of Mississippi, February 3, 2012),
4094:
100 Great Film Performances You Should Remember—But Probably Don't
3047:
Bernard F. Dick (The University Press of Kentucky, May 21, 2004),
2865:
Bernard F. Dick (The University Press of Kentucky, May 21, 2004),
2790:
Bernard F. Dick (The University Press of Kentucky, May 21, 2004),
2182:
Our People: Carpatho-Rusyns and Their Descendants in North America
2146:
Bernard F. Dick (The University Press of Kentucky, May 21, 2004),
2122:
Our people: Carpatho-Rusyns and their descendants in North America
1028:. Later in 1950, Scott was cast to do the summer-stock version of
914:. Scott and Hall later broke up. (Hall eventually married actress
5237:
Dorothy Kilgallen (Friday, July 17, 1953), "Jottings in Pencil,"
4564:
Darden Asbury Pyron (University Of Chicago Press, June 1, 2001),
3513:
INS (Friday, October 21, 1949), "Lizabeth Scott Her Legal Name,"
2071:"Movie Star's Father Dies: John Matzo, Scranton, Is Heart Victim"
1402:
1025:
1010:
3619:
3617:
2855:
Sixty Seven Conservatives You Should Meet Before You Die, p. 467
1776:
Scott made her final film appearance in her second comedy noir,
1496:
The People of the State of California v. Robert Harrison, et al.
922:, who looked similar to Scott; divorced Roman; and then married
4182:
Foster Hirsch (Da Capo Press, 2nd edition, November 25, 2008),
3803:
Hardboiled in Hollywood: Five Black Mask Writers and the Movies
3278:
Ball of Fire: The Tumultuous Life and Comic Art of Lucille Ball
2823:
2619:
Unfinished Show Business: Broadway Musicals as Works-in-process
2388:
768:
and Jane Wyatt as a middle-aged couple growing apart. Director
505:, Hal Wallis showed Scott's screen test to Hollywood columnist
466:
photographic spread, which was allegedly admired by film agent
5179:
Earl Wilson, "Not For Us To Say," (Thursday, April 24, 1958),
4935:
Hal B. Wallis, Charles Higham (Macmillan, September 1, 1980),
3387:
Lee Server (St. Martin's Press, 1st edition, March 20, 2001),
3348:
Allan R. Ellenberger (McFarland & Company, October 2000),
3318:
3316:
2840:
J. D. Spiro (September 11, 1949), "Lizabeth Is So Different,"
2269:
J. D. Spiro (September 11, 1949), "Lizabeth Is So Different,"
2120:
Paul R. Magocsi (The Multicultural Society of Ontario, 1984),
1961:"Lizabeth Scott dies at 92; sultry leading woman of film noir"
4480:
UP (Thursday, March 8, 1956), "Court Quashes Actress' Suit,"
4372:
4370:
4105:
Jay Jorgensen (Running Press, 1st edition, October 5, 2010),
3614:
3607:
David Ragan (Prentice Hall, July 1, 1985), "Lizabeth Scott,"
3322:
Ronald Schwartz (McFarland & Company, November 6, 2013),
3212:
3210:
3208:
3117:
Ronald Schwartz (McFarland & Company, November 6, 2013),
2669:
Eric Braun (Reynolds & Hearn, 2nd edition, May 1, 2007),
2591:
Sam Stagg (St. Martin's Press, 1st edition, March 18, 2000),
2535:
2533:
1643:
1275:
described this style as "dreamwalking": "And then, among the
993:(1950), a traditional film noir. Her boyfriend, Danny Haley (
647:
At the age of 24, Scott's billing and portrait were equal to
4817:
Jack O'Brian (Thursday, May 15, 1969), "Voice of Broadway,"
3912:
3788:
William Schoell (Taylor Trade Publishing, October 1, 1999),
3104:
Kevin Starr (Oxford University Press, USA, August 7, 2003),
2682:
Karen Burroughs Hannsberry (McFarland & Company, 1998),
2441:
Karen Burroughs Hannsberry (McFarland & Company, 1998),
644:(1947). As a result, Scott was borrowed from Hal B. Wallis.
5280:
Steven Paul Davies (Batsford, 1st edition, March 1, 2003),
3313:
3060:
Erskine Johnson (Saturday, July 27, 1946), "In Hollywood,"
1654:
1086:, and mistress of Siegel's, denied having any knowledge of
911:
666:
was to typecast the former comedian for her entire career.
335:. Impressed by Scott's Sadie Thompson, he hired her as the
4972:
4614:
4367:
3742:
Paul Leggett (McFarland & Company, January 15, 2002),
3638:
3636:
3634:
3632:
3205:
2766:
Broadway: Its History, People, and Places: an Encyclopedia
2530:
2428:
Photoplay Combined with Movie Mirror 1945-12: Vol 28 Iss 1
1942:
Photoplay Combined with Movie Mirror 1945-12: Vol 28 Iss 1
4909:
John Meredyth Lucas (McFarland & Company, May 2004),
4896:
Shirley MacLaine (Bantam, 1st edition, October 1, 1991),
4210:
Movieland: Hollywood and the Great American Dream Culture
4197:
Movieland: Hollywood and the Great American Dream Culture
3440:
Walter Winchell (Thursday, June 9, 1949), "On Broadway,"
3000:
John Kobal (Berkley, reissue edition, December 1, 1983),
1669:. Wallis had a falling out with Scott around the time of
1186:
886:
422:
Irving Hoffman, a New York press agent and columnist for
4781:
Adventures in Paradise: Season 1, Episode 23, The Amazon
3925:
3218:
Sixty Seven Conservatives You Should Meet Before You Die
3106:
Embattled Dreams: California in War and Peace, 1940–1950
3030:
Dan Walker (Thursday, June 13, 1946), "Gotham Gazette,"
2695:
Laura Wagner (McFarland & Company, September 2004),
2632:
Sixty Seven Conservatives You Should Meet Before You Die
2414:
Sixty Seven Conservatives You Should Meet Before You Die
2356:
Joseph Myers (January 26, 2012; accessed May 23, 2014),
2330:
Sixty Seven Conservatives You Should Meet Before You Die
1806:, is considered an artistic success by film historians.
1436:, Scott's lawyer, initiated a $ 2.5 million libel suit.
4830:
Walter Winchell (Friday, May 20, 1966), "On Broadway,"
3629:
3363:
Early Film Noir: Greed, Lust and Murder Hollywood Style
3324:
Houses of Noir: Dark Visions from Thirteen Film Studios
3119:
Houses of Noir: Dark Visions from Thirteen Film Studios
2764:
Ken Bloom (Routledge, 2nd edition, November 11, 2003),
2708:
Anonymous (September 18, 1943), "Out-of-Town Opening,"
2467:
Anonymous (May 16, 1941), "'Hellzapoppin' In Chicago,"
2375:
2202:
The Carpatho-Rusyn Americans (Peoples of North America)
1373:
Howard Rushmore, editor of scandal and gossip magazine
682:
The stars emerging in 1940, by contrast—Rita Hayworth,
3972:
3959:
3942:
2940:
UP (Thursday, June 27, 1946), "It's Tough In London,"
1068:
Scott played her fourth and last torch-singer role in
317:
Myerberg had just moved an experimental production of
4594:
Bonnie Zimmerman, ed. (Routledge, December 1, 1999),
4512:
The Bad & the Beautiful: Hollywood in the Fifties
3361:
William Hare (McFarland & Company, August 2003),
3291:
H. H. T. (October 13, 1949; accessed May 23, 2014), "
3198:
John Reid (Lulu.com, June 28, 2004), "I Walk Alone,"
292:
during her 18-month tour of 63 cities across the US.
5339:
AP (Tuesday, July 20, 1976), "Pennsylvania People,"
3570:
Your Colossal Main Feature Plus Full Support Program
3200:
Hollywood Classic Movies 1: New Light on Movie Bests
2038:
AP (Friday, October 21, 1949), "Star Changes Name,"
1156:, was more nuanced than the linear morality play of
733:
The Kay Lawrence role was originally intended to be
5209:Burt Bacharach (Harper, 1st edition, May 7, 2013),
3875:Anonymous (Sunday, April 11, 1954), "Wading Star,"
3155:
3153:
2408:
2406:
2404:
2324:
2322:
2098:, p. 331. Scott is described as Carpatho-Ukrainian.
1912:
726:(1948), a noirish story of betrayal and vengeance.
517:
385:, 19-year-old Gloria Hallward, soon to be known as
3801:David E. Wilt (Popular Press 1, January 1, 1991),
3656:George H. Smith (Prometheus Books, June 1, 1990),
2058:Our Hidden Heritage: Pennsylvania Women in History
1093:Scott returned to Britain in October 1951 to film
579:between Stanwyck and Wallis. Concerning her first
540:, in a letter, objected to Scott's top billing in
5254:John Howard Reid (lulu.com, September 27, 2009),
4264:
4262:
4133:In a Lonely Street: Film Noir, Genre, Masculinity
4092:John DiLeo (Limelight Editions, August 1, 2004),
4079:Brian W. Fairbanks (Lulu.com, October 28, 2005),
4038:The Actress: Hollywood Acting and the Female Star
3714:American Gangsters, Then and Now: An Encyclopedia
3611:, p. 192. Ragan describes the cult as "Danteism."
3400:Dorothy Kilgallen (Thursday, February 24, 1949),
2777:Louis Sobol (Crown Publishers, January 1, 1968),
2107:Andrew Spicer (Scarecrow Press, March 19, 2010),
1982:
1980:
1510:scandal, by the time the September 1955 issue of
1353:with Van Johnson in the Robert Cummings role and
755:is usually now judged to be a film noir classic.
599:. She was there to attend the London premiere of
5433:
5282:Get Carter and Beyond: The Cinema of Mike Hodges
5004:Erskine Johnson (Wednesday, November 20, 1946),
4981:
3453:Louella Parsons (Wednesday, December 28, 1955),
3150:
2676:
2435:
2401:
2319:
1794:of noir cliches. The director and screenwriter,
260:. From several hundred women, she was chosen by
5145:Dorothy Kilgallen (Tuesday, January 20, 1953),
5051:Dorothy Kilgallen (Tuesday, October 24, 1950),
4577:Dorothy Kilgallen (Thursday, August 22, 1957),
4430:Transport Salaried Staff Journal, Volumes 60-61
2671:Frightening the Horses: Gay Icons of the Cinema
2541:Tallulah!: The Life and times of a Leading Lady
2480:Erskine Johnson (Wednesday, January 10, 1945),
5162:Walter Winchell (Wednesday, January 4, 1956),
4950:In and Out of Hollywood: A Biographer's Memoir
4692:
4690:
4646:Erskine Johnson (Tuesday, February 24, 1953),
4596:Encyclopedia of Lesbian Histories and Cultures
4493:Neal Gabler (April 2003), "The Scandalmonger:
4259:
3754:
3752:
3080:
1977:
190:Emma Matzo (Ema Macová in Slovak) was born in
4937:Starmaker: the autobiography of Hal B. Wallis
4454:James Robert Parish (Arlington House, 1972),
4068:Bogart: A Definitive Study of His Film Career
3907:The Daily Journal-Gazette and Commercial-Star
3568:John Howard Reid (Lulu.com, March 23, 2005),
3483:James Robert Parish (Arlington House, 1972),
3134:, The Courier-Gazette (McKinney, Texas), p. 2
3041:
2539:Joel Lobenthal (It Books, October 26, 2004),
2394:James Robert Parish (Arlington House, 1972),
2133:James Robert Parish (Arlington House, 1972),
2052:
2050:
2048:
2022:
2020:
2018:
2016:
2014:
2012:
1833:, which she had learned six decades earlier.
1078:. The film was released two months after the
4987:Gene Hansaker (Tuesday, February 26, 1946),
4445:(New York City, New York), pp. 22–25, 56, 58
4131:Frank Krutnik (Routledge, August 24, 1991),
4036:Karen Hollinge (Routledge, April 21, 2006),
3901:Erskine Johnson (Thursday, April 29, 1954),
3712:Nate Hendley (ABC-CLIO, December 23, 2009),
3411:
1885:
1417:and was devoted exclusively to entertaining
987:Scott played her third torch-singer role in
5153:(Franklin and Oil City, Pennsylvania), p. 4
4779:20th Century Fox Studios (March 21, 1960),
4687:
4208:Jerome Charyn (NYU Press, August 1, 1996),
4195:Jerome Charyn (NYU Press, August 1, 1996),
3845:Erskine Johnson, (Saturday, June 6, 1953),
3749:
3581:Kate Buford (Da Capo Press, May 22, 2001),
3259:Erskine Johnson (Tuesday, August 3, 1948),
3185:Kate Buford (Da Capo Press, May 22, 2001),
2924:
2922:
2656:David Bret (Robson Books, September 1998),
2381:David Ragan (Prentice Hall, July 1, 1985),
2075:Wilkes-Barre Times Leader, the Evening News
1148:). The source material for the screenplay,
781:, a type like that. I needed somebody real.
4732:So Far, So Funny: My Life in Show Business
4713:Erskine Johnson (Thursday, July 5, 1946),
3931:Virginia Vale (Thursday, August 8, 1946),
3918:Robert Porfirio (2002), "Lizabeth Scott,"
3496:Erskine Johnson (Saturday, July 9, 1949),
3402:Voice Of Broadway: Broadway Bulletin Board
3130:Todd Johnson (Friday, December 13, 1946),
2045:
2009:
1665:, who at that time was married to actress
1494:on trial. On August 7, 1957, the trial of
1357:. Scott was also a guest host/narrator on
841:Scott played the ultimate femme fatale in
314:play, Michael Myerberg, did see the show.
29:
5408:Lizabeth Scott 1996 Interview Part 1 of 8
5295:I Wonder What Happened To ... ?
5211:Anyone Who Had a Heart: My Life and Music
5192:Lee Mortimer (Friday, February 3, 1961),
4607:Lillian Faderman, Stuart Timmons (2006),
4049:Dick McCrone (Friday, January 23, 1948),
3814:Anonymous (Saturday, December 30, 1950),
3778:Lizabeth Scott 1996 Interview Part 4 of 8
3770:
3744:Terence Fisher: Horror, Myth and Religion
3625:Lizabeth Scott 1996 Interview Part 8 of 8
3541:Fade to Black: A Book of Movie Obituaries
3419:Lizabeth Scott 1996 Interview Part 7 of 8
3013:Erskine Johnson (Tuesday, July 2, 1946),
2930:Lizabeth Scott 1996 Interview Part 2 of 8
2697:Killer Tomatoes: Fifteen Tough Film Dames
2258:Lizabeth Scott 1996 Interview Part 5 of 8
2028:Lizabeth Scott 1996 Interview Part 1 of 8
1879:
793:would star in a football-themed story by
772:explained his reasons for casting Scott:
716:in the second noir filmed in color and a
2966:Hedda Hopper (Saturday, June 15, 1946),
2919:
1597:
961:
872:
828:
618:
523:
449:
4856:Rexino Mondo (iUniverse, May 4, 2010),
4843:Rexino Mondo (iUniverse, May 4, 2010),
4159:Film Noir: Reflections in a Dark Mirror
4157:Bruce Crowther (Columbus Books, 1988),
3725:Erskine Johnson (Monday, May 7, 1951),
2908:Jimmie Fidler (Sunday, July 14, 1946),
2872:
2809:
2580:The Theatre Book of the Year, 1942–1943
2556:, Times Herald (Olean, New York), p. 13
2222:"List of Famous Rusyn-Americans online"
2114:
1916:Obituaries in the Performing Arts, 2015
1192:Regardless, she made three more films:
16:American actress and singer (1922–2015)
5434:
5021:Jack Lait (Tuesday, August 19, 1947),
4389:Shirelle Phelps (Gale, Nov 21, 1997),
4184:The Dark Side of the Screen: Film Noir
3242:Hedda Hopper (Saturday, May 1, 1948),
1958:
1906:
550:, and Scott at the top, with newcomer
3658:Atheism, Ayn Rand, and Other Heresies
1913:Harris M. Lentz III (30 March 2016).
1213:
1185:, a travelogue television series for
1135:remains Scott's third favorite film.
178:(1949). Of her 22 films, she was the
4428:Anonymous (Gray's Inn Press, 1963),
4362:Los Angeles Street Address Directory
4334:Los Angeles Street Address Directory
3853:(Statesville, North Carolina), p. 16
3790:Martini Man: The Life of Dean Martin
3389:Robert Mitchum: "Baby I Don't Care,"
3174:The Cinema History of Burt Lancaster
2658:Tallulah Bankhead: A Scandalous Life
2161:"Famous Rusyn-Americans. Emma Matzo"
1988:"Lizabeth Scott, actress - obituary"
1954:
1952:
1752:dated Scott during his breakup with
1545:Scott re-emerged from retirement in
1478:allegedly having an affair with her
638:for the role, but she was busy with
306:which ran on the then equivalent of
5487:Paramount Pictures contract players
5410:, Soapbox & Praeses Productions
4120:Barbara Stanwyck: The Miracle Woman
4066:Terence Pettigrew (Proteus, 1981),
3172:David Fury (Artist's Press, 1989),
2983:Anonymous (Sunday, June 23, 1946),
2968:Hedda Hopper's Looking at Hollywood
2109:Historical Dictionary of Film Noir,
1720:, plastic surgeon Gregory Pollock,
1271:his personal history of Hollywood,
785:In May 1948, it was announced that
393:— no understudy was available when
357:(1946), the basis of the 1950 film
13:
5492:Actors from Scranton, Pennsylvania
5330:(Van Nuys, California), pp. 41, 43
5029:(Burlington, North Carolina), p. 4
4296:(San Bernardino, California), p. 2
3444:(Burlington, North Carolina), p. 4
2880:"The Strange Love of Martha Ivers"
2512:Hal Wallis: Producer to the Stars,
1857:Lizabeth Scott on screen and stage
1847:at 1624 Vine Street in Hollywood.
1171:In April 1954, Scott attended the
512:
14:
5523:
5401:
5354:Hal Wallis: Producer to the Stars
5245:(Greenville, Pennsylvania), p. 11
4969:(Canonsburg, Pennsylvania), p. 19
4924:Hal Wallis: Producer to the Stars
4806:Hal Wallis: Producer to the Stars
4671:(Gastonia, North Carolina), p. 25
4635:Hal Wallis: Producer to the Stars
4555:(Long Beach, California), pp. 1–2
4501:(New York City, New York), p. 202
4406:(Pittsburgh, Pennsylvania), p. 13
4380:(New York City, New York), pp. 33
4057:(Harrisburg, Pennsylvania), p. 11
3851:Statesville Record & Landmark
3733:(Portsmouth, New Hampshire), p. 7
3267:(Portsmouth, New Hampshire), p. 8
3250:(Harrisburg, Pennsylvania), p. 11
3049:Hal Wallis: Producer to the Stars
2867:Hal Wallis: Producer to the Stars
2792:Hal Wallis: Producer to the Stars
2431:. MacFadden Publishing Inc. 1945.
2372:(Fitchburg, Massachusetts), p. 11
2148:Hal Wallis: Producer to the Stars
2096:The Ukrainian Heritage in America
1949:
1945:. MacFadden Publishing Inc. 1945.
1843:Lizabeth Scott has a star on the
1653:Dugger planned to make a film in
1628:University of Southern California
1570:). Scott recorded her album with
612:
5373:
5359:
5346:
5333:
5320:
5303:
5287:
5274:
5261:
5248:
5231:
5216:
5203:
5186:
5173:
5156:
5139:
5126:
5109:
5096:
5093:(Greenville, Pennsylvania), p. 4
5079:
5062:
5045:
5032:
5015:
4998:
4955:
4942:
4929:
4916:
4903:
4890:
4877:
4863:
4850:
4837:
4824:
4811:
4798:
4785:
4773:
4755:
4737:
4724:
4707:
4674:
4657:
4640:
4627:
4601:
4588:
4571:
4558:
4545:
4530:
4517:
4504:
4487:
4474:
4461:
4448:
4435:
4422:
4409:
4396:
4383:
4352:
4349:(New York City, New York), p. 32
4339:
4324:
4313:
4299:
4286:
4275:
4237:"Family Theater .. Episodic log"
4229:
4215:
4202:
4189:
4176:
4164:
4151:
4138:
4125:
4112:
4099:
4086:
4073:
4060:
4043:
4030:
4015:
4000:
3985:
3895:
3882:
3869:
3856:
3839:
3825:
3808:
3795:
3782:
3736:
3719:
3706:
3693:
3676:
3663:
3650:
3601:
3598:(Bakersfield, California), p. 16
3588:
3583:Burt Lancaster: An American Life
3575:
3562:
3546:
3533:
3520:
3507:
3490:
3477:
3474:(Bakersfield, California), p. 18
3464:
3447:
3434:
3423:
3408:(Greenville, Pennsylvania), p. 9
3187:Burt Lancaster: An American Life
2974:(Harrisburg, Pennsylvania) p. 21
2755:(New York City, New York), p. 13
2738:(New York City, New York), p. 20
2712:(New York City, New York), p. 25
1868:Pin-ups of Yank, the Army Weekly
1633:
1439:
906:During Scott's recovery period,
543:The Strange Love of Martha Ivers
530:The Strange Love of Martha Ivers
519:The Strange Love of Martha Ivers
417:
401:up-and-coming film producer for
157:The Strange Love of Martha Ivers
127:
5452:20th-century American actresses
5059:(Pottstown, Pennsylvania), p. 4
3933:Star Dust: Stage, Screen, Radio
3504:(Franklin, Pennsylvania), p. 18
3394:
3381:
3368:
3355:
3342:
3329:
3298:
3283:
3270:
3253:
3236:
3223:
3192:
3179:
3166:
3137:
3124:
3111:
3098:
3067:
3054:
3024:
3007:
2994:
2977:
2960:
2947:
2934:
2902:
2859:
2847:
2834:
2797:
2784:
2771:
2758:
2741:
2728:
2715:
2702:
2689:
2663:
2650:
2637:
2624:
2611:
2604:Mary Orr, "The Wisdom of Eve,"
2598:
2585:
2572:
2559:
2546:
2517:
2504:
2491:
2474:
2471:(Benton Harbor, Michigan), p. 7
2461:
2448:
2419:
2362:
2348:
2335:
2306:
2291:
2276:
2263:
2250:
2235:
2214:
2194:
2184:. Bolchazy-Carducci Publisher.
2174:
2153:
2140:
2127:
2101:
2088:
1998:from the original on 2022-03-02
1886:Scott Wilson (19 August 2016).
1816:Unlike her favorite colleague,
1366:
623:Scott in a publicity still for
566:is quoted in an article in the
412:
154:, she emerged in such films as
5343:(Indiana, Pennsylvania), p. 31
4961:UP (Thursday, April 1, 1948),
4885:Education of a Felon: A Memoir
4081:The Late Show—Writings on Film
3866:(Rhinelander, Wisconsin), p. 6
3378:(Rhinelander, Wisconsin), p. 1
3021:(Rhinelander, Wisconsin), p. 4
2345:(Scranton, Pennsylvania), p. 6
2063:
2032:
1933:
1850:
1771:
1:
5482:American television actresses
5367:"Los Angeles Review of Books"
5106:(Salt Lake City, Utah), p. 29
4745:AFI (accessed May 23, 2014),
4682:The Fresno Bee The Republican
4467:Anonymous, (September 1955),
4294:The San Bernardino County Sun
3833:AFI (accessed May 23, 2014),
3822:(Hanover, Pennsylvania), p. 4
3760:AFI (accessed May 23, 2014),
3673:(Cumberland, Maryland), p. 24
3337:The Fresno Bee The Republican
3088:AFI (accessed May 23, 2014),
2808:, November 5, 1945, cited in
2684:Femme Noir: Bad Girls of Film
2608:, May 1946, pp. 72–75, 191–95
2501:(Salt Lake City, Utah), p. 41
2488:(Salt Lake City, Utah), p. 12
2458:(East Liverpool, Ohio), p. 19
2443:Femme Noir: Bad Girls of Film
2204:, .Chelsea House Pub , 1989.
2040:The San Bernardino County Sun
1873:
1587:
1099:(1952), a noir that presages
833:Arthur Kennedy with Scott in
669:
477:Her first screen test was at
445:
221:, but quit after six months.
185:
4654:(Panama City, Florida), p. 2
3690:(Harrisburg, Illinois), p. 4
2844:(Milwaukee, Wisconsin), p. 3
2779:The Longest Street: A Memoir
1959:Colker, David (2015-02-06).
1616:, "The Amazon" (1960), with
1471:to run a story about former
870:which was released in 1950.
217:. That autumn, she attended
7:
5512:21st-century American women
5507:Catholics from Pennsylvania
5467:Actresses from Pennsylvania
5200:(Logansport, Indiana), p. 4
5170:(Logansport, Indiana), p. 4
4684:(Fresno, California), p. 20
3596:The Bakersfield Californian
3472:The Bakersfield Californian
3295:(1949) At Loew's Criterion"
2944:(Waukesha, Wisconsin), p. 1
1861:
536:Later in 1946, 37-year-old
10:
5528:
4995:(Ironwood, Michigan), p. 7
4624:(Freeport, Illinois), p. 7
4252:OTR (accessed May, 2014),
3982:(Big Spring, Texas), p. 14
3864:The Rhinelander Daily News
3376:The Rhinelander Daily News
3339:(Fresno, California), p. 9
3019:The Rhinelander Daily News
2910:Jimmie Fidler In Hollywood
2645:Tallulah: My Autobiography
2593:All About "All About Eve,"
1919:. McFarland. p. 316.
1892:. McFarland. p. 671.
1854:
1591:
5300:(Kerrville, Texas), p. 50
5228:(New York City, New York)
5198:Logansport Pharos-Tribune
5181:The Bristol Daily Courier
5168:Logansport Pharos-Tribune
5076:, (Mansfield, Ohio), p. 4
4821:(Anderson, Indiana), p. 5
4721:(Utah County, Utah), p. 4
4622:Freeport Journal-Standard
4566:Liberace: An American Boy
4542:(Los Angeles, California)
4527:(Anderson, Indiana), p. 3
4027:(New York City, New York)
4012:(New York City, New York)
3997:(New York City, New York)
3909:(Mattoon, Illinois), p. 3
3890:Lubbock Morning Avalanche
3559:(New York City, New York)
3461:(Corsicana, Texas), p. 10
3310:(New York City, New York)
3038:, (Massillon, Ohio), p. 4
2916:(Joplin, Missouri), p. 28
2749:Picture Plays and Players
1559:. During the shooting of
1395:The 20th Century Fox Hour
1109:(1958) by several years.
1051:), into joining a caper.
847:(1948), with Don DeFore,
209:. She then worked at the
126:
121:
113:
93:
85:
66:
40:
28:
21:
5502:Pennsylvania Republicans
5477:American stage actresses
5472:American radio actresses
5123:(Harlingen, Texas), p. 4
5042:(Olean, New York), p. 17
4858:The Immigrants' Daughter
4845:The Immigrants' Daughter
4834:(Mansfield, Ohio), p. 33
4751:Catalog of Feature Films
4484:(Pocatello, Idaho), p. 9
3980:Big Spring Weekly Herald
3956:(Amarillo, Texas), p. 19
3954:The Amarillo Globe-Times
3879:(Mansfield, Ohio), p. 11
3766:Catalog of Feature Films
3530:(Tucson, Arizona), p. 13
3094:Catalog of Feature Films
3075:Dunkirk Evening Observer
3073:UP (September 6, 1946),
2723:The Brooklyn Daily Eagle
2510:Bernard F. Dick (2004),
1838:congestive heart failure
1536:Lillian Rosedale Goodman
1529:
1421:. One of the owners was
1334:
957:
249:
5462:American film actresses
5418:American Film Institute
5136:(Lubbock, Texas), p. 27
5134:Lubbock Evening Journal
4819:Anderson Daily Bulletin
4704:(Troy, New York), p. 27
4652:Panama City News-Herald
4525:Anderson Daily Bulletin
3969:(Abilene, Texas), p. 81
3892:(Lubbock, Texas), p. 11
3703:(Tucson, Arizona), p. 9
3671:Cumberland Sunday Times
3036:The Evening Independent
2989:Denton Record-Chronicle
2884:American Film Institute
2383:Movie Stars of the '40s
2343:The Scranton Republican
2314:The Scranton Republican
2084:– via Newspapers.
2077:. 1968-11-11. p. 6
1826:American Film Institute
1233:, gave a bad review of
1177:unforeseen consequences
501:During the shooting of
397:took over for Hopkins.
138:Lizabeth Virginia Scott
78:Los Angeles, California
5497:California Republicans
5457:American female models
5385:Hollywood Walk of Fame
5164:Broadway and Elsewhere
5074:Mansfield News-Journal
5023:Broadway And Elsewhere
4456:The Paramount Pretties
4404:The Pittsburgh Courier
4225:Audio Classics Archive
3950:Scenes From The Cinema
3609:Movie Stars of the 40s
3485:The Paramount pretties
2991:(Denton, Texas), p. 11
2955:The Brownsville Herald
2942:Waukesha Daily Freeman
2396:The Paramount Pretties
2135:The Paramount Pretties
1845:Hollywood Walk of Fame
1613:Adventures in Paradise
1607:
1327:, Lizabeth Scott, and
971:
882:
838:
783:
748:
712:(1947), starring with
704:
641:The Lady from Shanghai
628:
592:Martha and Toni meet.
573:
568:Los Angeles Sun Mirror
533:
459:
425:The Hollywood Reporter
331:from New Haven to the
192:Scranton, Pennsylvania
59:Scranton, Pennsylvania
5194:New York Confidential
5104:The Salt Lake Tribune
4793:Burkes Law Case Files
4540:The Los Angeles Times
3967:Abilene Reporter-News
3731:The Portsmouth Herald
3646:New York Social Diary
3276:Stefan Kanfe (2007),
3265:The Portsmouth Herald
2842:The Milwaukee Journal
2828:Harper & Brothers
2567:The Skin of Our Teeth
2554:The Voice Of Broadway
2499:The Salt Lake Tribune
2486:The Salt Lake Tribune
2271:The Milwaukee Journal
1831:The Skin of Our Teeth
1601:
981:The Company She Keeps
965:
926:, Scott's co-star in
876:
832:
774:
743:
680:
658:Motion Picture Herald
622:
560:
527:
453:
434:The Skin of Our Teeth
324:The Skin of Our Teeth
266:Harold "Chic" Johnson
151:The Skin of Our Teeth
5369:. 29 September 2021.
5317:(Provo, Utah), p. 40
5311:Pat Barham's Showbiz
5027:The Daily Times-News
5012:(Pampa, Texas), p. 6
4993:Ironwood Daily Globe
4669:The Gastonia Gazette
4665:Erskine In Hollywood
3939:(Terril, Iowa), p. 7
3701:Tucson Daily Citizen
3528:Tucson Daily Citizen
3442:The Daily Times-News
2972:Harrisburg Telegraph
2957:(Brownsville, Texas)
2525:Beaver Valley Times,
1173:Cannes Film Festival
797:, originally titled
634:originally intended
462:Scott appeared in a
240:Mary, Queen of Scots
5341:The Indiana Gazette
5298:The Kerrville Times
5121:Valley Morning Star
5117:Little Old New York
4898:Dance While You Can
4585:(Dover, Ohio), p. 6
4482:Idaho State Journal
4309:Los Angeles Almanac
3903:Man-About Hollywood
3498:Johnson's Hollywood
3459:Corsicana Daily Sun
2985:Hollywood Spot News
2224:. September 5, 2018
1802:, as with the 1949
1341:Golden Age of Radio
1293:Brazilian Bombshell
1158:Bad For Each Other.
805:replaced Greer and
288:and other types of
228:agency. Scott read
4583:The Daily Reporter
4497:Reign of Terror,"
4256:, "Old Time Radio"
4025:The New York Times
4010:The New York Times
3995:The New York Times
3835:Bad for Each Other
3688:The Daily Register
3557:The New York Times
2469:The News-Palladium
2456:The Evening Review
2370:Fitchburg Sentinel
1804:Too Late for Tears
1782:(1972), alongside
1672:Bad for Each Other
1608:
1488:Edmund "Pat" Brown
1230:The New York Times
1214:Critical reception
1141:Bad for Each Other
1059:American Civil War
1030:Tennessee Williams
972:
883:
861:Too Late for Tears
844:Too Late for Tears
839:
835:Too Late for Tears
629:
534:
460:
215:Abingdon, Virginia
175:Too Late for Tears
55:September 29, 1922
5239:Voice Of Broadway
5147:Voice of Broadway
5087:Voice Of Broadway
5070:Voice of Broadway
5057:Pottstown Mercury
5053:Voice of Broadway
4051:HomeTown Fan Fare
3937:The Terril Record
1965:Los Angeles Times
1926:978-0-7864-7667-1
1899:978-1-4766-2599-7
1742:David Mountbatten
1540:Dorothy Dandridge
1476:Eleanor Roosevelt
1346:Lux Radio Theatre
1080:Kefauver hearings
949:Tallulah Bankhead
813:Seven Days' Leave
354:The Wisdom of Eve
345:Elisabeth Bergner
329:Tallulah Bankhead
203:Marywood Seminary
135:
134:
114:Years active
5519:
5396:
5395:
5393:
5392:
5381:"Lizabeth Scott"
5377:
5371:
5370:
5363:
5357:
5350:
5344:
5337:
5331:
5324:
5318:
5315:The Daily Herald
5307:
5301:
5291:
5285:
5278:
5272:
5265:
5259:
5252:
5246:
5243:The Record-Argus
5235:
5229:
5220:
5214:
5207:
5201:
5190:
5184:
5177:
5171:
5160:
5154:
5143:
5137:
5130:
5124:
5113:
5107:
5100:
5094:
5091:The Record-Argus
5083:
5077:
5066:
5060:
5049:
5043:
5036:
5030:
5019:
5013:
5010:Pampa Daily News
5002:
4996:
4985:
4979:
4976:
4970:
4959:
4953:
4946:
4940:
4933:
4927:
4920:
4914:
4907:
4901:
4894:
4888:
4881:
4875:
4867:
4861:
4854:
4848:
4841:
4835:
4828:
4822:
4815:
4809:
4802:
4796:
4789:
4783:
4777:
4771:
4759:
4753:
4741:
4735:
4728:
4722:
4715:Hollywood Today!
4711:
4705:
4694:
4685:
4678:
4672:
4661:
4655:
4644:
4638:
4631:
4625:
4618:
4612:
4605:
4599:
4592:
4586:
4575:
4569:
4562:
4556:
4549:
4543:
4534:
4528:
4521:
4515:
4508:
4502:
4491:
4485:
4478:
4472:
4465:
4459:
4452:
4446:
4439:
4433:
4426:
4420:
4413:
4407:
4400:
4394:
4387:
4381:
4374:
4365:
4356:
4350:
4343:
4337:
4328:
4322:
4317:
4311:
4303:
4297:
4290:
4284:
4279:
4273:
4266:
4257:
4251:
4249:
4248:
4239:. Archived from
4233:
4227:
4219:
4213:
4206:
4200:
4193:
4187:
4180:
4174:
4168:
4162:
4155:
4149:
4142:
4136:
4129:
4123:
4116:
4110:
4103:
4097:
4090:
4084:
4077:
4071:
4064:
4058:
4055:The Evening News
4047:
4041:
4034:
4028:
4019:
4013:
4004:
3998:
3989:
3983:
3976:
3970:
3963:
3957:
3946:
3940:
3929:
3923:
3916:
3910:
3899:
3893:
3886:
3880:
3873:
3867:
3860:
3854:
3843:
3837:
3829:
3823:
3812:
3806:
3799:
3793:
3786:
3780:
3774:
3768:
3756:
3747:
3740:
3734:
3723:
3717:
3710:
3704:
3697:
3691:
3680:
3674:
3667:
3661:
3654:
3648:
3640:
3627:
3621:
3612:
3605:
3599:
3592:
3586:
3579:
3573:
3566:
3560:
3550:
3544:
3537:
3531:
3524:
3518:
3511:
3505:
3494:
3488:
3481:
3475:
3468:
3462:
3451:
3445:
3438:
3432:
3427:
3421:
3415:
3409:
3406:The Record-Argus
3398:
3392:
3385:
3379:
3372:
3366:
3359:
3353:
3346:
3340:
3333:
3327:
3320:
3311:
3302:
3296:
3287:
3281:
3274:
3268:
3257:
3251:
3248:The Evening News
3240:
3234:
3227:
3221:
3214:
3203:
3196:
3190:
3183:
3177:
3170:
3164:
3161:The Ragman's Son
3157:
3148:
3141:
3135:
3128:
3122:
3115:
3109:
3102:
3096:
3084:
3078:
3071:
3065:
3062:The Evening News
3058:
3052:
3045:
3039:
3028:
3022:
3011:
3005:
2998:
2992:
2981:
2975:
2964:
2958:
2951:
2945:
2938:
2932:
2926:
2917:
2906:
2900:
2899:
2897:
2895:
2886:. Archived from
2876:
2870:
2863:
2857:
2851:
2845:
2838:
2832:
2831:
2805:The New Republic
2801:
2795:
2788:
2782:
2775:
2769:
2762:
2756:
2753:The New York Sun
2745:
2739:
2732:
2726:
2719:
2713:
2706:
2700:
2693:
2687:
2680:
2674:
2667:
2661:
2654:
2648:
2641:
2635:
2628:
2622:
2615:
2609:
2602:
2596:
2589:
2583:
2576:
2570:
2563:
2557:
2550:
2544:
2537:
2528:
2521:
2515:
2508:
2502:
2495:
2489:
2478:
2472:
2465:
2459:
2452:
2446:
2439:
2433:
2432:
2423:
2417:
2410:
2399:
2392:
2386:
2379:
2373:
2366:
2360:
2352:
2346:
2339:
2333:
2326:
2317:
2310:
2304:
2295:
2289:
2280:
2274:
2267:
2261:
2254:
2248:
2239:
2233:
2232:
2230:
2229:
2218:
2212:
2200:Magocsi, Paul R.
2198:
2192:
2180:Magocsi, Paul R.
2178:
2172:
2171:
2169:
2168:
2157:
2151:
2144:
2138:
2131:
2125:
2118:
2112:
2105:
2099:
2092:
2086:
2085:
2083:
2082:
2067:
2061:
2054:
2043:
2036:
2030:
2024:
2007:
2006:
2004:
2003:
1984:
1975:
1974:
1972:
1971:
1956:
1947:
1946:
1937:
1931:
1930:
1910:
1904:
1903:
1883:
1748:, among others.
1746:Eddie Sutherland
1648:Mulholland Drive
1480:African-American
1444:In retaliation,
1423:Marlene Dietrich
1390:20th Century Fox
1101:Alfred Hitchcock
1035:Summer and Smoke
945:McCarter Theatre
538:Barbara Stanwyck
489:to coach Scott.
439:The New Republic
351:'s short story,
333:Plymouth Theatre
262:John "Ole" Olsen
235:Mary of Scotland
230:Maxwell Anderson
219:Marywood College
131:
86:Other names
73:
70:January 31, 2015
54:
52:
33:
19:
18:
5527:
5526:
5522:
5521:
5520:
5518:
5517:
5516:
5432:
5431:
5404:
5399:
5390:
5388:
5379:
5378:
5374:
5365:
5364:
5360:
5351:
5347:
5338:
5334:
5325:
5321:
5308:
5304:
5292:
5288:
5279:
5275:
5266:
5262:
5253:
5249:
5236:
5232:
5221:
5217:
5208:
5204:
5191:
5187:
5178:
5174:
5161:
5157:
5151:The News-Herald
5144:
5140:
5131:
5127:
5114:
5110:
5101:
5097:
5084:
5080:
5067:
5063:
5050:
5046:
5037:
5033:
5020:
5016:
5003:
4999:
4986:
4982:
4977:
4973:
4967:The Daily Notes
4960:
4956:
4947:
4943:
4934:
4930:
4921:
4917:
4908:
4904:
4895:
4891:
4882:
4878:
4868:
4864:
4855:
4851:
4842:
4838:
4829:
4825:
4816:
4812:
4803:
4799:
4790:
4786:
4778:
4774:
4760:
4756:
4742:
4738:
4729:
4725:
4712:
4708:
4702:The Troy Record
4695:
4688:
4679:
4675:
4662:
4658:
4645:
4641:
4632:
4628:
4619:
4615:
4606:
4602:
4593:
4589:
4576:
4572:
4563:
4559:
4550:
4546:
4535:
4531:
4522:
4518:
4509:
4505:
4492:
4488:
4479:
4475:
4466:
4462:
4453:
4449:
4440:
4436:
4427:
4423:
4414:
4410:
4401:
4397:
4388:
4384:
4375:
4368:
4357:
4353:
4344:
4340:
4329:
4325:
4318:
4314:
4304:
4300:
4291:
4287:
4280:
4276:
4267:
4260:
4246:
4244:
4235:
4234:
4230:
4220:
4216:
4207:
4203:
4194:
4190:
4181:
4177:
4169:
4165:
4156:
4152:
4143:
4139:
4130:
4126:
4117:
4113:
4104:
4100:
4091:
4087:
4078:
4074:
4065:
4061:
4048:
4044:
4035:
4031:
4020:
4016:
4005:
4001:
3990:
3986:
3977:
3973:
3964:
3960:
3947:
3943:
3930:
3926:
3917:
3913:
3900:
3896:
3887:
3883:
3874:
3870:
3861:
3857:
3844:
3840:
3830:
3826:
3820:The Evening Sun
3813:
3809:
3800:
3796:
3787:
3783:
3775:
3771:
3757:
3750:
3741:
3737:
3724:
3720:
3711:
3707:
3698:
3694:
3681:
3677:
3668:
3664:
3655:
3651:
3641:
3630:
3622:
3615:
3606:
3602:
3593:
3589:
3580:
3576:
3567:
3563:
3551:
3547:
3538:
3534:
3525:
3521:
3515:New Castle News
3512:
3508:
3502:The News-Herald
3495:
3491:
3482:
3478:
3469:
3465:
3452:
3448:
3439:
3435:
3428:
3424:
3416:
3412:
3399:
3395:
3386:
3382:
3373:
3369:
3360:
3356:
3347:
3343:
3334:
3330:
3321:
3314:
3303:
3299:
3288:
3284:
3275:
3271:
3258:
3254:
3241:
3237:
3228:
3224:
3215:
3206:
3197:
3193:
3184:
3180:
3171:
3167:
3158:
3151:
3142:
3138:
3129:
3125:
3116:
3112:
3103:
3099:
3085:
3081:
3072:
3068:
3059:
3055:
3046:
3042:
3029:
3025:
3012:
3008:
2999:
2995:
2982:
2978:
2965:
2961:
2952:
2948:
2939:
2935:
2927:
2920:
2907:
2903:
2893:
2891:
2878:
2877:
2873:
2864:
2860:
2852:
2848:
2839:
2835:
2802:
2798:
2789:
2785:
2776:
2772:
2763:
2759:
2746:
2742:
2733:
2729:
2720:
2716:
2707:
2703:
2694:
2690:
2681:
2677:
2668:
2664:
2655:
2651:
2642:
2638:
2629:
2625:
2616:
2612:
2603:
2599:
2590:
2586:
2577:
2573:
2564:
2560:
2551:
2547:
2538:
2531:
2522:
2518:
2509:
2505:
2496:
2492:
2479:
2475:
2466:
2462:
2453:
2449:
2440:
2436:
2425:
2424:
2420:
2411:
2402:
2393:
2389:
2380:
2376:
2367:
2363:
2353:
2349:
2340:
2336:
2327:
2320:
2311:
2307:
2296:
2292:
2281:
2277:
2268:
2264:
2255:
2251:
2240:
2236:
2227:
2225:
2220:
2219:
2215:
2199:
2195:
2179:
2175:
2166:
2164:
2163:. June 10, 2012
2159:
2158:
2154:
2145:
2141:
2132:
2128:
2119:
2115:
2106:
2102:
2093:
2089:
2080:
2078:
2069:
2068:
2064:
2055:
2046:
2037:
2033:
2025:
2010:
2001:
1999:
1986:
1985:
1978:
1969:
1967:
1957:
1950:
1939:
1938:
1934:
1927:
1911:
1907:
1900:
1884:
1880:
1876:
1864:
1859:
1853:
1822:Michael Jackson
1790:in a nostalgic
1774:
1754:Angie Dickinson
1636:
1596:
1590:
1532:
1523:The Rose Tattoo
1469:Robert Harrison
1442:
1385:Hollywood Hills
1371:
1337:
1225:Bosley Crowther
1216:
1146:Charlton Heston
1128:George Marshall
1088:organized crime
995:Charlton Heston
960:
908:Walter Winchell
735:Kristine Miller
672:
649:Humphrey Bogart
617:
564:Lewis Milestone
522:
515:
513:Paramount years
468:Charles Feldman
448:
420:
415:
319:Thornton Wilder
274:Shubert Theatre
252:
238:, a play about
226:Walter Thornton
201:Scott attended
188:
109:
89:Elizabeth Scott
81:
80:, United States
75:
71:
62:
61:, United States
56:
50:
48:
47:
46:
36:
24:
17:
12:
11:
5:
5525:
5515:
5514:
5509:
5504:
5499:
5494:
5489:
5484:
5479:
5474:
5469:
5464:
5459:
5454:
5449:
5444:
5430:
5429:
5423:Lizabeth Scott
5420:
5414:Lizabeth Scott
5411:
5403:
5402:External links
5400:
5398:
5397:
5372:
5358:
5345:
5332:
5319:
5302:
5286:
5273:
5260:
5247:
5230:
5215:
5202:
5185:
5172:
5155:
5138:
5125:
5108:
5095:
5078:
5061:
5044:
5031:
5014:
4997:
4980:
4971:
4954:
4941:
4928:
4915:
4902:
4889:
4876:
4862:
4849:
4836:
4823:
4810:
4797:
4784:
4772:
4754:
4736:
4723:
4706:
4686:
4673:
4656:
4639:
4626:
4613:
4600:
4587:
4570:
4557:
4544:
4529:
4516:
4503:
4495:Confidential's
4486:
4473:
4460:
4447:
4434:
4421:
4408:
4395:
4382:
4366:
4351:
4338:
4323:
4312:
4298:
4285:
4274:
4258:
4254:Family Theater
4228:
4214:
4201:
4188:
4175:
4163:
4150:
4137:
4124:
4111:
4098:
4085:
4072:
4059:
4042:
4029:
4014:
3999:
3984:
3971:
3958:
3941:
3924:
3911:
3894:
3881:
3868:
3855:
3838:
3824:
3807:
3794:
3781:
3769:
3748:
3735:
3718:
3705:
3692:
3675:
3662:
3649:
3628:
3613:
3600:
3587:
3574:
3561:
3545:
3532:
3519:
3506:
3489:
3476:
3463:
3446:
3433:
3422:
3410:
3393:
3380:
3367:
3354:
3341:
3328:
3312:
3308:New York Times
3297:
3282:
3269:
3252:
3235:
3222:
3204:
3191:
3178:
3165:
3149:
3136:
3123:
3110:
3097:
3090:Dead Reckoning
3079:
3066:
3053:
3040:
3032:Along Broadway
3023:
3006:
2993:
2976:
2959:
2946:
2933:
2918:
2901:
2871:
2858:
2846:
2833:
2796:
2783:
2770:
2757:
2740:
2727:
2714:
2701:
2688:
2675:
2662:
2649:
2636:
2623:
2610:
2597:
2584:
2571:
2558:
2545:
2529:
2516:
2503:
2490:
2473:
2460:
2447:
2434:
2418:
2400:
2387:
2374:
2361:
2347:
2334:
2318:
2305:
2290:
2286:New York Times
2275:
2262:
2249:
2245:New York Times
2234:
2213:
2193:
2190:978-0865166110
2173:
2152:
2139:
2126:
2113:
2100:
2087:
2062:
2044:
2031:
2008:
1994:. 2015-03-16.
1976:
1948:
1932:
1925:
1905:
1898:
1877:
1875:
1872:
1871:
1870:
1863:
1860:
1855:Main article:
1852:
1849:
1836:Scott died of
1773:
1770:
1750:Burt Bacharach
1730:Philip Cochran
1726:William Dozier
1718:Helmut Dantine
1667:Louise Fazenda
1635:
1632:
1592:Main article:
1589:
1586:
1582:The Big Record
1531:
1528:
1441:
1438:
1370:
1365:
1360:Family Theater
1351:You Came Along
1336:
1333:
1235:You Came Along
1215:
1212:
1182:High Adventure
1049:Edmond O'Brien
959:
956:
920:Rosemarie Bowe
901:Robert Mitchum
857:Hunt Stromberg
853:Arthur Kennedy
824:New York Times
791:Robert Mitchum
779:Marilyn Monroe
714:Burt Lancaster
671:
668:
664:Dead Reckoning
625:Dead Reckoning
616:
614:Dead Reckoning
611:
606:Dead Reckoning
590:femmes fatales
521:
516:
514:
511:
503:You Came Along
495:You Came Along
456:You Came Along
447:
444:
419:
416:
414:
411:
387:Gloria Grahame
372:Miriam Hopkins
251:
248:
211:Barter Theatre
187:
184:
163:Dead Reckoning
133:
132:
124:
123:
119:
118:
115:
111:
110:
108:
107:
104:
101:
97:
95:
91:
90:
87:
83:
82:
76:
74:(aged 92)
68:
64:
63:
57:
44:
42:
38:
37:
34:
26:
25:
23:Lizabeth Scott
22:
15:
9:
6:
4:
3:
2:
5524:
5513:
5510:
5508:
5505:
5503:
5500:
5498:
5495:
5493:
5490:
5488:
5485:
5483:
5480:
5478:
5475:
5473:
5470:
5468:
5465:
5463:
5460:
5458:
5455:
5453:
5450:
5448:
5445:
5443:
5440:
5439:
5437:
5428:
5424:
5421:
5419:
5415:
5412:
5409:
5406:
5405:
5386:
5382:
5376:
5368:
5362:
5355:
5349:
5342:
5336:
5329:
5323:
5316:
5312:
5306:
5299:
5296:
5290:
5283:
5277:
5270:
5264:
5258:, pp. 387–388
5257:
5251:
5244:
5240:
5234:
5227:
5223:
5219:
5212:
5206:
5199:
5195:
5189:
5182:
5176:
5169:
5165:
5159:
5152:
5148:
5142:
5135:
5129:
5122:
5118:
5112:
5105:
5099:
5092:
5088:
5082:
5075:
5071:
5065:
5058:
5054:
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4939:, pp. 115–116
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4243:on 2014-05-26
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3002:Rita Hayworth
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2890:on 8 Feb 2014
2889:
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2850:
2843:
2837:
2830:. p. 48.
2829:
2825:
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2818:
2817:
2816:Inside U.S.A.
2812:
2811:Gunther, John
2807:
2806:
2800:
2793:
2787:
2780:
2774:
2768:, pp. 249–250
2767:
2761:
2754:
2750:
2744:
2737:
2736:New York Post
2731:
2724:
2718:
2711:
2710:The Billboard
2705:
2698:
2692:
2685:
2679:
2672:
2666:
2659:
2653:
2647:, pp. 258–259
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2301:The Telegraph
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2210:0-8775-4866-8
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2029:
2023:
2021:
2019:
2017:
2015:
2013:
1997:
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1992:The Telegraph
1989:
1983:
1981:
1966:
1962:
1955:
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1801:
1797:
1793:
1789:
1788:Mickey Rooney
1785:
1784:Michael Caine
1781:
1780:
1769:
1768:a lesbian.'"
1766:
1761:
1759:
1755:
1751:
1747:
1743:
1739:
1738:Peter Lawford
1735:
1731:
1727:
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1722:Richard Quine
1719:
1715:
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1677:Elvis Presley
1674:
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1663:Hal B. Wallis
1659:
1656:
1651:
1649:
1645:
1641:
1634:Personal life
1631:
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1624:
1619:
1618:Gardner McKay
1615:
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1553:Elvis Presley
1550:
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1518:
1517:studio system
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1447:
1440:1957 mistrial
1437:
1435:
1434:Jerry Giesler
1429:
1428:
1427:Confidential.
1424:
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1416:
1412:
1408:
1404:
1399:
1397:
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1325:Veronica Lake
1322:
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1306:
1302:
1298:
1294:
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1278:
1277:Dolly Sisters
1274:
1273:Jerome Charyn
1270:
1264:
1262:
1257:
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1162:Patricia Neal
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1084:Virginia Hill
1081:
1077:
1073:
1072:
1066:
1064:
1060:
1056:
1055:
1050:
1046:
1045:
1044:Two of a Kind
1039:
1037:
1036:
1031:
1027:
1024:
1020:
1016:
1012:
1008:
1007:reincarnation
1004:
1003:Aldous Huxley
999:
996:
992:
991:
985:
983:
982:
977:
969:
964:
955:
952:
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946:
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935:Philip Yordan
931:
929:
925:
921:
917:
913:
909:
904:
902:
898:
894:
893:
892:The Big Steal
888:
880:
875:
871:
869:
868:
862:
858:
854:
850:
846:
845:
836:
831:
827:
825:
821:
820:
815:
814:
808:
807:Victor Mature
804:
800:
799:Interference.
796:
792:
788:
782:
780:
773:
771:
770:André de Toth
767:
763:
762:
756:
754:
747:
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719:
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696:Marie Windsor
693:
689:
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643:
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637:
636:Rita Hayworth
633:
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586:
585:Robert Rossen
582:
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483:William Goetz
480:
475:
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469:
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457:
452:
443:
441:
440:
435:
431:
427:
426:
418:Hal B. Wallis
410:
408:
407:Hal B. Wallis
404:
398:
396:
395:Gladys George
392:
388:
384:
383:
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373:
368:
365:
363:
361:
360:All About Eve
356:
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338:
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309:
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302:
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290:sketch comedy
287:
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92:
88:
84:
79:
69:
65:
60:
43:
39:
35:Scott in 1947
32:
27:
20:
5389:. Retrieved
5387:. 2019-10-25
5384:
5375:
5361:
5356:, pp. 95–110
5353:
5348:
5340:
5335:
5327:
5322:
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5116:
5111:
5103:
5098:
5090:
5086:
5081:
5073:
5069:
5064:
5056:
5052:
5047:
5040:Times Herald
5039:
5034:
5026:
5022:
5017:
5009:
5006:In Hollywood
5005:
5000:
4992:
4989:In Hollywood
4988:
4983:
4974:
4966:
4962:
4957:
4949:
4944:
4936:
4931:
4923:
4918:
4910:
4905:
4897:
4892:
4884:
4879:
4872:
4865:
4857:
4852:
4844:
4839:
4832:News-Journal
4831:
4826:
4818:
4813:
4805:
4800:
4795:, pp. 13, 71
4792:
4787:
4780:
4775:
4768:
4764:
4757:
4750:
4746:
4739:
4731:
4726:
4719:Daily Herald
4718:
4714:
4709:
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4681:
4676:
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4664:
4659:
4651:
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4578:
4573:
4565:
4560:
4552:
4547:
4539:
4532:
4524:
4519:
4511:
4506:
4498:
4494:
4489:
4481:
4476:
4469:Confidential
4468:
4463:
4455:
4450:
4443:Confidential
4442:
4437:
4429:
4424:
4416:
4411:
4403:
4398:
4390:
4385:
4378:Confidential
4377:
4361:
4354:
4347:Confidential
4346:
4341:
4333:
4326:
4315:
4308:
4301:
4293:
4288:
4277:
4269:
4253:
4245:. Retrieved
4241:the original
4231:
4224:
4217:
4209:
4204:
4196:
4191:
4183:
4178:
4171:
4166:
4158:
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4037:
4032:
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4017:
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4002:
3994:
3987:
3979:
3974:
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3953:
3949:
3944:
3936:
3932:
3927:
3919:
3914:
3906:
3902:
3897:
3889:
3884:
3877:News-Journal
3876:
3871:
3863:
3858:
3850:
3847:In Hollywood
3846:
3841:
3834:
3827:
3819:
3815:
3810:
3802:
3797:
3789:
3784:
3777:
3772:
3765:
3762:Scared Stiff
3761:
3743:
3738:
3730:
3727:In Hollywood
3726:
3721:
3713:
3708:
3700:
3695:
3687:
3684:In Hollywood
3683:
3678:
3670:
3665:
3657:
3652:
3645:
3624:
3608:
3603:
3595:
3590:
3582:
3577:
3569:
3564:
3556:
3548:
3540:
3535:
3527:
3522:
3514:
3509:
3501:
3497:
3492:
3484:
3479:
3471:
3466:
3458:
3454:
3449:
3441:
3436:
3425:
3418:
3413:
3405:
3401:
3396:
3388:
3383:
3375:
3370:
3362:
3357:
3349:
3344:
3336:
3331:
3323:
3307:
3300:
3292:
3285:
3277:
3272:
3264:
3261:In Hollywood
3260:
3255:
3247:
3243:
3238:
3230:
3225:
3217:
3199:
3194:
3186:
3181:
3173:
3168:
3160:
3144:
3139:
3132:In Hollywood
3131:
3126:
3118:
3113:
3105:
3100:
3093:
3089:
3082:
3074:
3069:
3061:
3056:
3048:
3043:
3035:
3031:
3026:
3018:
3014:
3009:
3001:
2996:
2988:
2984:
2979:
2971:
2967:
2962:
2954:
2949:
2941:
2936:
2929:
2914:Joplin Globe
2913:
2909:
2904:
2892:. Retrieved
2888:the original
2874:
2866:
2861:
2854:
2849:
2841:
2836:
2814:
2803:
2799:
2791:
2786:
2778:
2773:
2765:
2760:
2752:
2748:
2743:
2735:
2730:
2722:
2717:
2709:
2704:
2696:
2691:
2683:
2678:
2670:
2665:
2657:
2652:
2644:
2639:
2631:
2626:
2618:
2613:
2606:Cosmopolitan
2605:
2600:
2592:
2587:
2579:
2574:
2566:
2561:
2553:
2548:
2540:
2524:
2519:
2511:
2506:
2498:
2493:
2485:
2482:In Hollywood
2481:
2476:
2468:
2463:
2455:
2450:
2442:
2437:
2427:
2421:
2413:
2395:
2390:
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2377:
2369:
2364:
2357:
2350:
2342:
2337:
2329:
2313:
2308:
2300:
2293:
2285:
2278:
2270:
2265:
2257:
2252:
2244:
2237:
2226:. Retrieved
2216:
2201:
2196:
2181:
2176:
2165:. Retrieved
2155:
2147:
2142:
2134:
2129:
2121:
2116:
2108:
2103:
2095:
2090:
2079:. Retrieved
2074:
2065:
2057:
2039:
2034:
2027:
2000:. Retrieved
1991:
1968:. Retrieved
1964:
1941:
1935:
1915:
1908:
1888:
1881:
1842:
1835:
1830:
1815:
1811:Project HOPE
1808:
1803:
1799:
1777:
1775:
1765:Confidential
1764:
1763:Despite the
1762:
1758:Diane Keaton
1707:
1703:
1697:
1695:
1687:
1680:
1670:
1660:
1652:
1637:
1621:
1611:
1609:
1603:
1581:
1575:
1565:
1560:
1546:
1544:
1533:
1521:
1512:Confidential
1511:
1508:Confidential
1507:
1505:
1501:
1495:
1492:Confidential
1491:
1484:Confidential
1483:
1465:Confidential
1464:
1460:Confidential
1459:
1457:
1450:
1446:Confidential
1445:
1443:
1430:
1426:
1419:café society
1400:
1393:
1381:Confidential
1380:
1376:Confidential
1374:
1372:
1368:Confidential
1367:
1358:
1355:I Walk Alone
1354:
1350:
1344:
1338:
1329:Dana Andrews
1317:Paul Henreid
1305:elephant boy
1297:Scheherazade
1289:Dotty Lamour
1268:
1265:
1261:Pauline Kael
1255:
1247:
1242:
1239:I Walk Alone
1238:
1234:
1228:
1217:
1205:
1199:
1193:
1191:
1180:
1170:
1165:
1157:
1153:
1150:Horace McCoy
1139:
1137:
1133:Scared Stiff
1132:
1115:Scared Stiff
1113:
1111:
1104:
1094:
1092:
1076:Bugsy Siegel
1069:
1067:
1063:Red Mountain
1062:
1054:Red Mountain
1052:
1042:
1040:
1033:
1023:Aristotelian
1000:
988:
986:
979:
976:June Allyson
973:
967:
953:
940:Anna Lucasta
938:
932:
928:Paid in Full
927:
905:
890:
884:
879:Paid in Full
878:
867:Paid in Full
865:
860:
842:
840:
834:
823:
817:
811:
803:Lucille Ball
798:
784:
775:
764:(1948) with
759:
757:
753:I Walk Alone
752:
749:
744:
739:I Walk Alone
738:
730:
728:
723:I Walk Alone
721:
707:
705:
684:Ann Sheridan
681:
673:
663:
656:
646:
639:
630:
624:
613:
604:
601:Martha Ivers
600:
597:World War II
594:
589:
576:
574:
567:
561:
556:Martha Ivers
555:
552:Kirk Douglas
541:
535:
529:
518:
502:
500:
493:
491:
476:
463:
461:
455:
437:
433:
423:
421:
413:Rise to fame
403:Warner Bros.
399:
390:
382:femme fatale
380:
377:
369:
366:
358:
352:
342:
322:
321:'s new play
316:
308:off-Broadway
303:
294:
257:Hellzapoppin
255:
253:
233:
223:
207:Newfoundland
200:
189:
180:leading lady
173:
172:(1947), and
167:
161:
155:
149:
141:
137:
136:
72:(2015-01-31)
5447:2015 deaths
5442:1922 births
5328:Valley News
5226:Vanity Fair
4698:TV Keynotes
4579:On Broadway
4553:Independent
4514:, pp. 40–41
4499:Vanity Fair
3792:, pp. 80–81
3391:pp. 183–184
3293:Easy Living
3202:, pp. 70–72
3189:, pp. 74–75
2794:, pp. 97–98
2595:pp. 319–335
1851:Filmography
1818:Greta Garbo
1796:Mike Hodges
1772:Later years
1714:James Mason
1710:Van Johnson
1691:Martha Hyer
1640:San Antonio
1623:Burke's Law
1604:Burke's Law
1415:Eartha Kitt
1411:Frede Baulé
1339:During the
1313:Sonny Tufts
1285:Bing Crosby
1281:Errol Flynn
1256:Desert Fury
1204:(1957) and
1124:Jerry Lewis
1120:Dean Martin
1096:Stolen Face
1082:, in which
968:Stolen Face
819:Easy Living
801:Afterward,
766:Dick Powell
709:Desert Fury
700:Lana Turner
676:Kevin Starr
577:contretemps
472:screen test
297:John Colton
282:Connecticut
270:Billy House
244:Elizabeth I
169:Desert Fury
94:Occupations
5436:Categories
5391:2022-11-26
4747:Loving You
4247:2014-05-26
2228:2018-05-11
2167:2012-06-10
2081:2022-11-26
2002:2022-11-26
1970:2022-11-26
1874:References
1698:Casablanca
1682:Loving You
1594:Television
1588:Television
1572:Henri René
1568:RCA Victor
1561:Loving You
1555:'s second
1548:Loving You
1473:First Lady
1467:publisher
1452:The Weapon
1309:Turhan Bey
1303:, and the
1269:Movieland,
1201:Loving You
1195:The Weapon
1071:The Racket
1015:Dalai Lama
924:Diana Lynn
918:; pursued
916:Ruth Roman
897:Jane Greer
849:Dan Duryea
795:Irwin Shaw
787:Jane Greer
692:Lupe VĂ©lez
688:Ida Lupino
674:Historian
670:Late 1940s
653:Jean Louis
558:comments:
548:Van Heflin
507:Bob Thomas
487:Fritz Lang
481:, then at
446:California
430:Stork Club
347:origin of
337:understudy
284:. She did
196:Republican
186:Early life
142:Emma Matzo
51:1922-09-29
45:Emma Matzo
4963:Hollywood
4873:FindACase
4648:Hollywood
3455:Hollywood
3244:Hollywood
3015:Hollywood
2673:, p. 1927
2385:, p. 191"
1734:Herb Caen
1693:in 1966.
1602:Scott in
1321:Alan Ladd
1243:Dark City
1166:Dark City
1152:'s novel
990:Dark City
966:Scott in
877:Scott in
731:Deadlock.
581:film noir
562:Director
528:Scott in
479:Universal
454:Scott in
391:Star Dust
327:starring
286:blackouts
278:New Haven
146:film noir
122:Signature
117:1942–1972
5271:, p. 197
4952:, p. 214
4926:, p. 119
4913:, p. 163
4847:, p. 186
4808:, p. 112
4765:Lizabeth
4734:, p. 219
4598:, p. 374
4458:, p. 530
4419:, p. 116
4393:, p. 118
4364:, p. 598
4336:, p. 866
4212:, p. 135
4199:, p. 137
4161:, p. 123
4148:, p. 100
4135:, p. 257
4122:, p. 152
4109:, p. 126
4096:, p. 165
4083:, p. 136
3922:, p. 197
3716:, p. 233
3585:, p. 108
3543:, p. 296
3487:, p. 525
3352:, p. 157
3326:, p. 130
3220:, p. 468
3163:, p. 123
3147:, p. 161
3121:, p. 122
3051:, p. 105
3004:, p. 161
2820:New York
2813:(1947).
2686:, p. 446
2660:, p. 174
2634:, p. 471
2621:, p. 191
2582:, p. 132
2543:, p. 347
2445:, p. 445
2416:, p. 466
2398:, p. 519
2332:, p. 470
2060:, p. 380
1996:Archived
1862:See also
1792:pastiche
1577:Lizabeth
1551:(1957),
1455:(1956).
1403:lesbians
1301:Ali Baba
1245:(1950).
1210:(1972).
1198:(1957),
1019:Ayn Rand
937:'s play
632:Columbia
498:(1945).
464:Harper's
349:Mary Orr
312:Broadway
166:(1947),
160:(1946),
5416:at the
5284:, p. 64
5213:, p. 24
4900:, p. 31
4887:, p. 80
4769:Discogs
4611:, p. 69
4432:, p. 18
4272:, p. 98
4070:, p. 86
3660:, p. 30
3572:, p. 52
3280:, p. 85
3233:, p. 19
3176:, p. 20
3108:, p. 10
2699:, p. 66
1557:musical
1154:Scalpel
1118:, with
1106:Vertigo
1026:atheist
1011:destiny
943:at the
889:set of
761:Pitfall
718:Western
100:Actress
3816:Screen
3746:, p. 4
3077:, p. 1
2894:23 May
2824:London
2569:, p. 5
2208:
2188:
1923:
1896:
1606:(1963)
1291:, the
1251:method
970:(1952)
881:(1950)
837:(1948)
627:(1947)
532:(1946)
458:(1945)
140:(born
103:singer
2527:p. 12
2514:p. 97
1644:Texas
1530:Music
1407:Frede
1335:Radio
1021:, an
958:1950s
304:Rain,
250:Debut
106:model
5427:IMDb
2896:2014
2206:ISBN
2186:ISBN
1921:ISBN
1894:ISBN
1800:Pulp
1786:and
1779:Pulp
1655:Rome
1515:the
1287:and
1279:and
1207:Pulp
1122:and
1009:and
912:KLAC
789:and
746:day.
571:did.
301:play
264:and
242:and
67:Died
41:Born
5425:at
4767:,"
1679:in
1227:of
1187:CBS
1103:'s
1041:In
930:.)
887:RKO
299:'s
276:in
232:'s
213:in
5438::
5383:.
5313:,
5241:,
5196:,
5166:,
5149:,
5119:,
5089:,
5072:,
5055:,
5025:,
5008:,
4991:,
4965:,
4749:,
4717:,
4700:,
4689:^
4667:,
4650:,
4581:,
4369:^
4261:^
4053:,
3952:,
3935:,
3905:,
3849:,
3818:,
3764:,
3751:^
3729:,
3686:,
3631:^
3616:^
3500:,
3457:,
3404:,
3315:^
3263:,
3246:,
3207:^
3152:^
3092:,
3034:,
3017:,
2987:,
2970:,
2921:^
2912:,
2882:.
2826::
2822:,
2751:,
2532:^
2484:,
2403:^
2321:^
2073:.
2047:^
2011:^
1990:.
1979:^
1963:.
1951:^
1736:,
1732:,
1728:,
1724:,
1716:,
1712:,
1642:,
1630:.
1584:.
1398:.
1349::
1323:,
1319:,
1315:,
1311:,
1299:,
1295:,
1283:,
1263:.
1061:.
1032:'
851:,
698:,
694:,
690:,
686:,
609:.
409:.
405:,
280:,
5394:.
4250:.
2898:.
2231:.
2170:.
2005:.
1973:.
1929:.
1902:.
1362:.
362:.
53:)
49:(
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