260:. Howard Kissel of the Daily News wrote: "The York Theatre Company has provided an enormous service by reviving Kurt Weill's 'Lost In The Stars.' When you hear music of this power, questions about whether or not it's 'opera' are irrelevant....You know you're in the presence of something great from the minute the show starts...." This production received a Drama Desk Nomination for Best Musical Revival. Musical Direction was by Lawrence W. Hill. In the cast were George Merritt as Stephen Kumalo, Ken Prymus as Leader, April Armstrong as Irini, and as an interesting note, Rachel Lemanski (aka Rachel York) in the ensemble. Costumes by Holly Hynes, set by James Morgan and lighting by Mary Jo Dondlinger.
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Country"). Stephen performs a wedding between
Absalom and Irina in prison and then returns home to Ndotsheni with Irina and Alex. Alex and the child of Arthur Jarvis meet and start to become friends ("Big Mole"). Stephen tells his flock he can no longer be their minister, and their faith is now also shaken ("A Bird of Passage").
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In contrast, Atkinson felt that the music positively added to the experience of the novel: "Here, the theatre has come bearing its most memorable gifts. In the past Mr. Weill has given the theatre some fine scores. But...it is difficult to remember anything out of his portfolio as eloquent as this
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On the still-dark morning of the execution, Stephen waits alone for the clock to strike ("Four O'Clock"). Unexpectedly, the father of the murdered man pays him a visit. He tells
Stephen that he has realized that they have both lost sons. Out of recognition of their mutual sorrow, and despite their
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He finally locates his son
Absalom, who had been in jail. Absalom now plans with his friends to steal, so they can get enough money to avoid a life in the gold mines. Absalom's pregnant girlfriend Irina tries to convince him not to take part, but he goes ahead with his plan ("Trouble Man"). During
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however, Weill noted that "American spirituals are closer to
African music than many people realize." In pointing out the set, he commented "Notice that this is an Anglican church. That is another influence that appears in the music. In general, the whole play has a Biblical tone that we hope the
347:) that their sister is in trouble. Stephen decides to travel to Johannesburg to help his sister; he will also seek his son, Absalom, who works in the mines ("Thousands of Miles"). In Johannesburg, Stephen learns that his sister will not leave but she asks him to take care of her young son, Alex.
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Stephen knows that his son could either tell a lie and live or tell the truth and die. He prays for guidance ("O Tixo, Tixo, Help Me"). At the trial, Absalom's two friends lie to the court and are freed, but
Absalom, truly repentant, tells the truth and is sentenced to hang ("Cry, the Beloved
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wrote of the original 1949 Broadway production that
Maxwell Anderson and Mr. Weill had encountered "obvious difficulty" in transforming "so thoroughly a work of literary art" into theatre, and was sometimes "skimming and literal where the novel is rich and allusive." He suggested that people
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and many others. The words, which in the musical are those of the minister
Stephen Kumalo at the depth of his desperation, tell how God once "held all the stars in the palm of his hand... and they ran through his fingers like grains of sand, and one little star fell alone."
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unfamiliar with the novel might not fully appreciate the "multitudinous forces that are running headlong through this tragic story." He praised
Anderson's "taste and integrity" and described the last scene as "profoundly moving." Robert Garland, writing in the
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Kumalo says that God sought and found the little lost star and "stated and promised he'd take special care so it wouldn't get lost again." However, at times, he thinks that God has forgotten his promise and that "we're lost out here in the stars."
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the robbery, Absalom kills Arthur Jarvis, a white friend of his father, Stephen. As
Absalom is jailed, Stephen wonders how to tell his wife, Grace, and he realizes he is facing a crisis of faith ("Lost in the Stars").
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However, Paton did not agree with
Anderson's ending. Paton desperately wanted the Christian aspect of his work to be a huge focus. Without it, it changed the meaning of the entire work. About
521:. The title song had originally been written circa 1938 for that other play in African-American dialect, but had already been reworked to standard English by the time Weill's wife
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richly orchestrated singing music.... overflowing with the same compassion that Mr. Paton brought to his novel...The music is deep, dramatic, and beautiful."
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and choreographed by La Verne French. Mamoulian was such a strong influence on the production that Foster Hirsch calls him "the show's third author."
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Weill wanted to use neither the "tom-tom" beat with which Americans were familiar nor the spirituals of the South, so he obtained recordings of
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In August 1949, in the South African village of Ndotsheni (The song "The Hills of Ixopo" is sung at this point.), the black
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priest of St. Mark's Church, the Rev. Stephen Kumalo, learns from a letter from his brother (John Kumalo, who lives in
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on October 30, 1949, and closed on July 1, 1950, after 281 performances. The production was supervised and directed by
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Several of the songs, including the title song, had been reworked from an earlier, abortive Weill/Anderson play
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The title song "Lost in the Stars" enjoyed a measure of popular success, and versions of it were recorded by
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on April 18, 1972, and closed on May 20 after 39 performances and 8 previews. Directed by
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in 1949; it was the composer's last work for the stage before he died the following year.
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Life among the Playwrights: Being Mostly the Story of the Playwrights Producing Company
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This article is about the musical first staged in 1949. For other uses, see
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was nominated for the Tony Award Best Featured Actor in a Musical.
782:"Kurt Weill's Lost in the Stars at the 2012 Glimmerglass Festival"
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different races, he offers his friendship, and Stephen accepts.
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guidetomusicaltheatre.com listing with synopsis and song list
658:(University of California, 2012). ISBN 9780520271777. p. 426.
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Glimmerglass Festival 2012 website, accessed on 1/31/12 at:
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production and background at Rodgers and Hammerstein site
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on January 28 and 29, 2017. The production was staged by
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New Sussex Opera gave the British staged premiere at the
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musical idioms through his use of spiritual melodies,
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with choreography by Louis Johnson, the cast featured
179:, led a 1992 complete recording of the score with the
390:"The Little Gray House" – Stephen Kumalo and Singers
308:, South Africa, between 22 July and 25 August 2012.
641:, July 8, 1950, p. 44; see also John F. Wharton,
387:"The Search" – Stephen Kumalo, Leader and Singers
167:presented the musical in April 1958. Directed by
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852:Cry the Beloved Country: A Novel of South Africa
405:"Lost in the Stars" – Stephen Kumalo and Singers
426:"Cry, the Beloved Country" – Leader and Singers
210:as Grace Kumalo. Peters was nominated for the
1027:Der Lindberghflug/The Flight Across the Ocean
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525:became the first to record the song in 1943.
384:"Train to Johannesburg" – Leader and Singers
319:, CAP UCLA presented "Lost in the Stars" in
270:series from February 3 to February 6, 2011.
767:"Lost in the Stars | New Sussex Opera"
532:from Africa to study. In an interview with
263:A semi-staged concert was presented by the
1400:Lost in the Stars: The Music of Kurt Weill
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432:"A Bird of Passage" – Villager and Singers
1430:September Songs – The Music of Kurt Weill
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656:Weill's Musical Theater: Stages of Reform
420:"O Tixo, Tixo, Help Me!" – Stephen Kumalo
378:"The Hills of Ixopo" – Leader and Singers
236:directing. The movie was released in the
317:Saratoga International Theater Institute
818:Gilroy, Harry. "Written in the Stars",
417:"The Wild Justice" – Leader and Singers
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1037:Rise and Fall of the City of Mahagonny
838:, The Musical Version of Alan Paton's
825:
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381:"Thousands of Miles" – Stephen Kumalo
97:1992 Music Masters complete recording
645:(New York: Quadrangle, 1974), p. 294
494:Linda (singer-dancer) – Sheila Guyse
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13:
997:Der Zar lässt sich photographieren
754:at New York City Center "Encores!"
21:Lost in the Stars (disambiguation)
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1300:Tschaikowsky (and Other Russians)
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854:(1991), by Edward Callan. p. 102.
288:, New York State, presented the
186:A Broadway revival opened at the
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214:Best Actor in a Musical and the
885:Lost in the Stars
869:Lost in the Stars
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842:", October 31, 1949, p. 21
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1410:The Young Gods Play Kurt Weill
1380:André Previn and J. J. Johnson
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822:, October 30, 1949, p. X3
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399:"Murder in Parkwold" – Singers
183:: Music Masters 01612-67100.)
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313:Los Angeles Chamber Orchestra
240:series. Reviews were mixed.
1519:Musicals set in South Africa
675:, April 11, 1958, p. 21
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464:Stephen Kumalo (baritone) –
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7:
1390:John Bunch Plays Kurt Weill
130:. The musical premiered on
10:
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874:Internet Broadway Database
157:took the role of Stephen;
145:opened on Broadway at the
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1524:Musicals set in the 1940s
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1349:Where Do We Go from Here?
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1309:What Keeps Mankind Alive?
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1157:The Firebrand of Florence
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218:Outstanding Performance;
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1509:Musicals based on novels
840:Cry, the Beloved Country
435:"Four O'Clock" – Singers
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304:in a co-production with
254:The York Theatre Company
123:Cry, the Beloved Country
112:with book and lyrics by
73:Cry, the Beloved Country
448:Roles and original cast
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181:Orchestra of St. Luke's
1514:Musicals by Kurt Weill
1420:Let No One Deceive You
690:Finds Its Way at Last"
327:and music directed by
230:adapted for the screen
1117:Knickerbocker Holiday
1077:The Seven Deadly Sins
542:He was influenced by
396:"Trouble Man" – Irina
393:"Who'll Buy?" – Linda
282:Glimmerglass Festival
238:American Film Theatre
206:as James Jarvis, and
120:, based on the novel
95:1974 film adaptation
93:1972 Broadway revival
1329:The Threepenny Opera
1007:The Threepenny Opera
602:, in his review for
311:In partnership with
265:New York City Center
171:, the cast featured
1237:J'attends un navire
987:Mahagonny-Songspiel
834:Atkinson, Brooks. "
539:public will like."
508:) – Herbert Coleman
423:"Stay Well" – Irina
275:Gardner Arts Centre
202:as Stephen Kumalo,
165:New York City Opera
1461:The Berlin Requiem
1359:One Touch of Venus
1187:Down in the Valley
1147:One Touch of Venus
820:The New York Times
739:The New York Times
694:The New York Times
673:The New York Times
667:Taubman, Howard. "
604:The New York Times
535:The New York Times
244:Long Wharf Theatre
1504:Broadway musicals
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1273:The Saga of Jenny
1207:Lost in the Stars
1137:We Will Never Die
909:Lost in the Stars
836:Lost in the Stars
752:Lost in the Stars
733:Lost in The Stars
707:Lost in the Stars
688:Lost in the Stars
669:Lost in the Stars
620:Lost in the Stars
519:Ulysses Africanus
501:) – Inez Matthews
484:Gertrude Jeanette
470:Absalom Kumalo –
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429:"Big Mole" – Alex
402:"Fear!" – Singers
290:Lost in the Stars
226:Lost in the Stars
147:Music Box Theatre
143:Lost in the Stars
105:Lost in the Stars
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513:Musical analysis
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188:Imperial Theatre
173:Lawrence Winters
151:Rouben Mamoulian
114:Maxwell Anderson
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16:1949 musical
1440:This Is New
1320:Film scores
1047:Der Jasager
559:Anita O'Day
523:Lotte Lenya
506:boy soprano
466:Todd Duncan
325:Anne Bogart
298:Wynn Harmon
286:Cooperstown
248:Arvin Brown
234:Daniel Mann
198:as Leader,
155:Todd Duncan
138:Productions
85:Productions
1493:Categories
1339:You and Me
947:Kurt Weill
792:2012-01-31
626:References
530:Zulu music
321:Royce Hall
294:Eric Owens
212:Tony Award
128:Alan Paton
126:(1948) by
118:Kurt Weill
79:Alan Paton
42:Kurt Weill
1291:Speak Low
1197:Love Life
1017:Happy End
957:the stage
955:Works for
639:Billboard
594:Reactions
363:Song list
292:starring
196:Rod Perry
1480:Category
891:Playbill
807:op. cit.
805:Hinton,
459:baritone
457:or high
453:Leader (
341:Anglican
268:Encores!
132:Broadway
90:Broadway
1255:My Ship
888:at the
872:at the
598:Critic
497:Irina (
110:musical
1464:(1928)
1452:Others
1443:(2002)
1433:(1994)
1423:(1992)
1413:(1991)
1403:(1985)
1393:(1975)
1383:(1962)
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1352:(1945)
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709:(1974)
504:Alex (
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412:Act II
300:, and
48:Lyrics
1219:Songs
893:Vault
548:blues
455:tenor
373:Act I
284:, in
108:is a
88:1949
68:Basis
38:Music
713:IMDb
552:jazz
550:and
335:Plot
315:and
280:The
228:was
59:Book
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