629:
25:
229:, a place which had high musical standards, a strong need for new music, and which was relatively tolerant of those with Protestant sympathies; he was to remain there for the rest of his life. By 1540 he was ill, judging from his correspondence with Duke Albrecht, and he probably died in early 1543.
186:
After a trip to Italy sometime between 1508 and 1510, Senfl returned to the
Hofkapelle; the Emperor appointed him to fill Isaac's position as court composer when Isaac died in 1517. In 1518 Senfl lost a toe in a hunting accident; evidently the injury disabled him for up to a year. When the Emperor
191:
dismissed most of
Maximilian's musicians, and even refused to pay Senfl the annual stipend which had been promised to him in the event of the emperor's death. During the next few years he traveled widely, mainly job-seeking, but he was also active as a composer. In the year 1520 he worked as an
172:
In 1497 he followed the
Hofkapelle to Vienna, and between 1500 and 1504 he probably studied in Vienna for three years, the standard practice for choirboys whose voices had broken, as part of the normal training for the priesthood. During this period he studied with
65:, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Knowledge.
237:
Senfl was an eclectic composer, at home both in the worlds of sacred and secular music, and he modeled his style carefully on models provided by the Franco-Flemish composers of the previous generation, especially
310:
Ludwig Senfl: Motets For Four Voices (A-I), ed. by Scott Lee
Edwards, Stefan Gasch, Sonja Tröster (=New Senfl Edition 1 / Denkmäler der Tonkunst in Österreich, Vol. 163.1). Hollitzer, Vienna 2021,
120:
149:
style in
Germany. He and his teacher Isaac played an important role in the development of the German folksongs and their adoption as models for polyphonic compositions as well.
327:
1983 – Musik Der
Lutherzeit. Studio der Frühen Musik, capella antiqua München, Monteverdi-Chor Hamburg. Telefunken – Das Alte Werk label – 2 LP box. Contains recordings of
404:
278:, most of them secular (the handful on sacred texts were written for Duke Albrecht of Prussia). They vary widely in character, from extremely simple settings of a
242:. In particular, he was a gifted melodist, and his lines are warmly lyrical; his music remained popular and influential in Germany through the 17th century.
68:
Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article.
341:
303:
594:
674:
198:
which was printed the same year in
Augsburg in the workshop of Sigmund Grimm and Marcus Wirsung. He is known to have attended the
358:
with La Caccia, Schola
Cantorum Cantate Domino Aalst, Schola Gregoriana Lovaniensis. ORF CD 265 (2 CDs). Contains a recording of
271:. However he also has a typically Germanic liking for singable melodic passages in parallel imperfect intervals (3rds and 6ths).
577:
495:
315:
669:
649:
644:
76:
560:
529:
306:
by Stefan Gasch, Scott
Edwards, and Sonja Tröster; the first volume of the New Senfl Edition was published in 2021.
89:
Content in this edit is translated from the existing German
Knowledge article at ]; see its history for attribution.
415:
139:
654:
188:
604:
423:
298:
A new edition of Ludwig Senfl's works is currently being prepared at the Institute of Musicology at the
214:
and voluntarily gave up his priesthood. Senfl carried on an extensive correspondence both with Lutheran
194:
84:
590:
362:
by Josquin des Prez. Contains a recording of « Ach Elslein – Es taget » by Ludwig Senfl.
130:(born around 1486, died between December 2, 1542 and August 10, 1543) was a Swiss composer of the
215:
600:
203:
664:
659:
615:
485:
460:
179:
143:
105:
165:
from 1488 until 1496, when he joined the choir of the Hofkapelle of Emperor Maximilian I in
419:
299:
169:. Apart from one brief visit in 1504 he appears never again to have lived in Switzerland.
329:
Christ ist erstanden, O du armer Judas, Da Jesus an dem Kreuze hieng, Das G'läut zu Speyer
177:, serving as his copyist by 1509; he is known to have copied much of the older composer's
8:
438:
628:
610:
573:
556:
525:
491:
345:
311:
267:
technique, which was more in vogue in the 15th century; he even occasionally employs
131:
98:
80:
187:
died in 1519, Senfl was out of a job, and his circumstances altered for the worse:
355:
239:
376:
535:
37:
380:
174:
135:
638:
548:
283:
263:
219:
207:
199:
569:
246:
620:
422:(Harp), Christopher Watson (Tenor), Robert Macdonald (Bass). Directed by
211:
524:, ed. Stanley Sadie. 20 vol. London, Macmillan Publishers Ltd., 1980.
258:
183:, an enormous work which he was later to complete after Isaac's death.
87:
to the source of your translation. A model attribution edit summary is
302:
and at the Institute of Musicology and Interpretation Research at the
261:. Technically his music has many archaic features, such as the use of
287:
268:
146:
162:
192:
editor (and possibly also as a proofreader) on the motet anthology
166:
624:
572:, and Sonja Tröster (Tutzing: Hans Schneider, 2012), xii, 583 p.
254:
611:
Streaming music of Ludwig Senfl by the Farallon Recorder Quartet
62:
441:, directed by Katharina Bäuml. Challenge Classics CD, CC 52798.
275:
226:
119:
397:, Charles Daniels (tenor), Fretwork. Harmonia Mundi HMU907334
250:
158:
543:
542:, Grove Music Online ed. L. Macy (Accessed July 4, 2005),
142:, and was an influential figure in the development of the
134:, active in Germany. He was the most famous pupil of
390:
The Suspicious Cheese Lords, Clifton "Skip" West. CD
58:
395:
Ludwig Senfl - Im Maien, Lieder & Consort Music
369:. Motets. Officium, Wilfried Rombach, Christophorus
402:Ludwig Senfl: Lieder, Motets, Instrumental Works.
388:Missa L'homme armé: Sacred Music of Ludwig Senfl.
282:to contrapuntal tours-de-force such as elaborate
202:in 1521, and, while he never officially became a
636:
123:Undated portrait of Senfl c.1510. Artist unknown
522:The New Grove Dictionary of Music and Musicians
304:University of Music and Performing Arts Vienna
83:accompanying your translation by providing an
49:Click for important translation instructions.
36:expand this article with text translated from
487:Music as Propaganda in the German Reformation
627:
555:. New York, W.W. Norton & Co., 1954.
484:Oettinger, Rebecca Wagner (2 March 2017).
595:International Music Score Library Project
483:
458:
353:Margarete – Maximilian I. Musik um 1500.
118:
637:
462:Familiar Talks on the History of Music
232:
412:Missa Paschalis, Motetten and Lieder.
206:, his sympathies evidently were with
138:, was music director to the court of
225:Eventually Senfl acquired a post in
18:
210:, and he was later examined by the
13:
374:Senfl – Deutsche Lieder – Carmina.
14:
686:
584:
459:Gantvoort, Arnold Johann (1913).
274:Senfl also wrote numerous German
416:Sidney Sussex College, Cambridge
140:Maximilian I, Holy Roman Emperor
23:
675:German male classical composers
477:
452:
95:{{Translated|de|Ludwig Senfl}}
93:You may also add the template
1:
445:
348:. 28 tracks. Capitol Records.
321:
605:Choral Public Domain Library
383:, Jan Stromberg. CPO Records
222:himself, beginning in 1530.
7:
616:Free mp3's of Senfl's music
601:Free scores by Ludwig Senfl
591:Free scores by Ludwig Senfl
407:. 23 tracks. Pandore Label.
293:
157:Senfl was probably born in
10:
691:
670:Musicians from Basel-Stadt
650:German classical composers
333:Ich stund an einem morgen.
245:His sacred music includes
195:Liber selectarum cantionum
161:around 1486, and lived in
57:Machine translation, like
645:Swiss classical composers
490:. Routledge. p. 34.
465:. G. Schirmer. p. 99
405:Farallon Recorder Quartet
38:the corresponding article
553:Music in the Renaissance
216:Duke Albrecht of Prussia
568:, ed. by Stefan Gasch,
152:
104:For more guidance, see
433:Kyrie and Gloria from
124:
655:Renaissance composers
544:(subscription access)
431:Luther's Wedding Day:
180:Choralis Constantinus
122:
106:Knowledge:Translation
77:copyright attribution
420:Andrew Lawrence-King
300:University of Vienna
439:Capella de la Torre
426:. Obsidian Records.
233:Music and influence
435:Missa Nisi Dominus
367:Missa Nisi Dominus
125:
85:interlanguage link
578:978-3-86296-032-3
497:978-1-351-91636-3
418:, QuinEssential,
346:Ricercar Ensemble
316:978-3-99012-800-8
117:
116:
50:
46:
682:
631:
509:
508:
506:
504:
481:
475:
474:
472:
470:
456:
360:Adieu mes amours
356:Capilla Flamenca
339:Deutsche Lieder.
257:settings, and a
240:Josquin des Prez
96:
90:
63:Google Translate
48:
44:
27:
26:
19:
690:
689:
685:
684:
683:
681:
680:
679:
635:
634:
623:discography at
587:
536:Clytus Gottwald
513:
512:
502:
500:
498:
482:
478:
468:
466:
457:
453:
448:
324:
296:
235:
155:
113:
112:
111:
94:
88:
51:
28:
24:
17:
12:
11:
5:
688:
678:
677:
672:
667:
662:
657:
652:
647:
633:
632:
618:
613:
608:
598:
586:
585:External links
583:
582:
581:
563:
546:
532:
516:Martin Bente,
511:
510:
496:
476:
450:
449:
447:
444:
443:
442:
427:
408:
398:
391:
384:
381:Harry Geraerts
370:
363:
349:
335:
323:
320:
319:
318:
295:
292:
234:
231:
175:Heinrich Isaac
154:
151:
144:Franco-Flemish
136:Heinrich Isaac
115:
114:
110:
109:
102:
91:
69:
66:
55:
52:
33:
32:
31:
29:
22:
16:Swiss composer
15:
9:
6:
4:
3:
2:
687:
676:
673:
671:
668:
666:
663:
661:
658:
656:
653:
651:
648:
646:
643:
642:
640:
630:
626:
622:
619:
617:
614:
612:
609:
606:
602:
599:
596:
592:
589:
588:
579:
575:
571:
567:
566:Senfl-Studien
564:
562:
561:0-393-09530-4
558:
554:
550:
549:Gustave Reese
547:
545:
541:
537:
534:Martin Bente/
533:
531:
530:1-56159-174-2
527:
523:
519:
515:
514:
499:
493:
489:
488:
480:
464:
463:
455:
451:
440:
436:
432:
428:
425:
424:David Skinner
421:
417:
414:The Choir of
413:
409:
406:
403:
399:
396:
392:
389:
385:
382:
378:
377:Susanne Rydén
375:
371:
368:
364:
361:
357:
354:
350:
347:
343:
342:Michel Piguet
340:
336:
334:
330:
326:
325:
317:
313:
309:
308:
307:
305:
301:
291:
289:
285:
281:
280:cantus firmus
277:
272:
270:
266:
265:
264:cantus firmus
260:
256:
252:
248:
243:
241:
230:
228:
223:
221:
220:Martin Luther
217:
213:
209:
205:
201:
200:Diet of Worms
197:
196:
190:
184:
182:
181:
176:
170:
168:
164:
160:
150:
148:
145:
141:
137:
133:
129:
121:
107:
103:
100:
92:
86:
82:
78:
74:
70:
67:
64:
60:
56:
54:
53:
47:
41:
39:
34:You can help
30:
21:
20:
665:1540s deaths
660:1480s births
621:Ludwig Senfl
607:(ChoralWiki)
570:Birgit Lodes
565:
552:
540:Ludwig Senfl
539:
521:
518:Ludwig Senfl
517:
501:. Retrieved
486:
479:
467:. Retrieved
461:
454:
434:
430:
411:
401:
394:
387:
373:
366:
359:
352:
338:
332:
328:
297:
279:
273:
262:
244:
236:
224:
193:
185:
178:
171:
156:
128:Ludwig Senfl
127:
126:
81:edit summary
72:
45:(March 2023)
43:
35:
503:10 December
469:10 December
212:Inquisition
132:Renaissance
639:Categories
446:References
322:Recordings
288:quodlibets
259:Magnificat
204:Protestant
147:polyphonic
269:isorhythm
218:and with
189:Charles V
99:talk page
40:in German
393:2004 –
344:and the
294:Editions
167:Augsburg
75:provide
625:Discogs
603:in the
597:(IMSLP)
593:at the
429:2013 –
410:2009 –
400:2005 –
386:2004 –
372:1999 –
365:1999 –
351:1998 –
337:1993 –
255:vespers
97:to the
79:in the
42:.
576:
559:
528:
494:
314:
284:canons
276:lieder
251:motets
247:masses
227:Munich
208:Luther
163:ZĂĽrich
159:Basel
59:DeepL
574:ISBN
557:ISBN
526:ISBN
505:2022
492:ISBN
471:2022
331:and
312:ISBN
286:and
153:Life
73:must
71:You
61:or
641::
551:,
538::
520:,
437:,
379:,
290:.
253:,
249:,
580:.
507:.
473:.
108:.
101:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.