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Ludwig Senfl

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629: 25: 229:, a place which had high musical standards, a strong need for new music, and which was relatively tolerant of those with Protestant sympathies; he was to remain there for the rest of his life. By 1540 he was ill, judging from his correspondence with Duke Albrecht, and he probably died in early 1543. 186:
After a trip to Italy sometime between 1508 and 1510, Senfl returned to the Hofkapelle; the Emperor appointed him to fill Isaac's position as court composer when Isaac died in 1517. In 1518 Senfl lost a toe in a hunting accident; evidently the injury disabled him for up to a year. When the Emperor
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dismissed most of Maximilian's musicians, and even refused to pay Senfl the annual stipend which had been promised to him in the event of the emperor's death. During the next few years he traveled widely, mainly job-seeking, but he was also active as a composer. In the year 1520 he worked as an
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In 1497 he followed the Hofkapelle to Vienna, and between 1500 and 1504 he probably studied in Vienna for three years, the standard practice for choirboys whose voices had broken, as part of the normal training for the priesthood. During this period he studied with
65:, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Knowledge. 237:
Senfl was an eclectic composer, at home both in the worlds of sacred and secular music, and he modeled his style carefully on models provided by the Franco-Flemish composers of the previous generation, especially
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Ludwig Senfl: Motets For Four Voices (A-I), ed. by Scott Lee Edwards, Stefan Gasch, Sonja Tröster (=New Senfl Edition 1 / Denkmäler der Tonkunst in Österreich, Vol. 163.1). Hollitzer, Vienna 2021,
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style in Germany. He and his teacher Isaac played an important role in the development of the German folksongs and their adoption as models for polyphonic compositions as well.
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1983 – Musik Der Lutherzeit. Studio der Frühen Musik, capella antiqua München, Monteverdi-Chor Hamburg. Telefunken – Das Alte Werk label – 2 LP box. Contains recordings of
404: 278:, most of them secular (the handful on sacred texts were written for Duke Albrecht of Prussia). They vary widely in character, from extremely simple settings of a 242:. In particular, he was a gifted melodist, and his lines are warmly lyrical; his music remained popular and influential in Germany through the 17th century. 68:
Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article.
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which was printed the same year in Augsburg in the workshop of Sigmund Grimm and Marcus Wirsung. He is known to have attended the
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with La Caccia, Schola Cantorum Cantate Domino Aalst, Schola Gregoriana Lovaniensis. ORF CD 265 (2 CDs). Contains a recording of
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by Stefan Gasch, Scott Edwards, and Sonja Tröster; the first volume of the New Senfl Edition was published in 2021.
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Content in this edit is translated from the existing German Knowledge article at ]; see its history for attribution.
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A new edition of Ludwig Senfl's works is currently being prepared at the Institute of Musicology at the
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and voluntarily gave up his priesthood. Senfl carried on an extensive correspondence both with Lutheran
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by Josquin des Prez. Contains a recording of « Ach Elslein – Es taget Â» by Ludwig Senfl.
130:(born around 1486, died between December 2, 1542 and August 10, 1543) was a Swiss composer of the 215: 600: 203: 664: 659: 615: 485: 460: 179: 143: 105: 165:
from 1488 until 1496, when he joined the choir of the Hofkapelle of Emperor Maximilian I in
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Christ ist erstanden, O du armer Judas, Da Jesus an dem Kreuze hieng, Das G'läut zu Speyer
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technique, which was more in vogue in the 15th century; he even occasionally employs
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died in 1519, Senfl was out of a job, and his circumstances altered for the worse:
355: 239: 376: 535: 37: 380: 174: 135: 638: 548: 283: 263: 219: 207: 199: 569: 246: 620: 422:(Harp), Christopher Watson (Tenor), Robert Macdonald (Bass). Directed by 211: 524:, ed. Stanley Sadie. 20 vol. London, Macmillan Publishers Ltd., 1980. 258: 183:, an enormous work which he was later to complete after Isaac's death. 87:
to the source of your translation. A model attribution edit summary is
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and at the Institute of Musicology and Interpretation Research at the
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editor (and possibly also as a proofreader) on the motet anthology
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Streaming music of Ludwig Senfl by the Farallon Recorder Quartet
62: 441:, directed by Katharina Bäuml. Challenge Classics CD, CC 52798. 275: 226: 119: 397:, Charles Daniels (tenor), Fretwork. Harmonia Mundi HMU907334 250: 158: 543: 542:, Grove Music Online ed. L. Macy (Accessed July 4, 2005), 142:, and was an influential figure in the development of the 134:, active in Germany. He was the most famous pupil of 390:
The Suspicious Cheese Lords, Clifton "Skip" West. CD
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Ludwig Senfl - Im Maien, Lieder & Consort Music
369:. Motets. Officium, Wilfried Rombach, Christophorus 402:Ludwig Senfl: Lieder, Motets, Instrumental Works. 388:Missa L'homme armĂ©: Sacred Music of Ludwig Senfl. 282:to contrapuntal tours-de-force such as elaborate 202:in 1521, and, while he never officially became a 636: 123:Undated portrait of Senfl c.1510. Artist unknown 522:The New Grove Dictionary of Music and Musicians 304:University of Music and Performing Arts Vienna 83:accompanying your translation by providing an 49:Click for important translation instructions. 36:expand this article with text translated from 487:Music as Propaganda in the German Reformation 627: 555:. New York, W.W. Norton & Co., 1954. 484:Oettinger, Rebecca Wagner (2 March 2017). 595:International Music Score Library Project 483: 458: 353:Margarete – Maximilian I. Musik um 1500. 118: 637: 462:Familiar Talks on the History of Music 232: 412:Missa Paschalis, Motetten and Lieder. 206:, his sympathies evidently were with 138:, was music director to the court of 225:Eventually Senfl acquired a post in 18: 210:, and he was later examined by the 13: 374:Senfl – Deutsche Lieder – Carmina. 14: 686: 584: 459:Gantvoort, Arnold Johann (1913). 274:Senfl also wrote numerous German 416:Sidney Sussex College, Cambridge 140:Maximilian I, Holy Roman Emperor 23: 675:German male classical composers 477: 452: 95:{{Translated|de|Ludwig Senfl}} 93:You may also add the template 1: 445: 348:. 28 tracks. Capitol Records. 321: 605:Choral Public Domain Library 383:, Jan Stromberg. CPO Records 222:himself, beginning in 1530. 7: 616:Free mp3's of Senfl's music 601:Free scores by Ludwig Senfl 591:Free scores by Ludwig Senfl 407:. 23 tracks. Pandore Label. 293: 157:Senfl was probably born in 10: 691: 670:Musicians from Basel-Stadt 650:German classical composers 333:Ich stund an einem morgen. 245:His sacred music includes 195:Liber selectarum cantionum 161:around 1486, and lived in 57:Machine translation, like 645:Swiss classical composers 490:. Routledge. p. 34. 465:. G. Schirmer. p. 99 405:Farallon Recorder Quartet 38:the corresponding article 553:Music in the Renaissance 216:Duke Albrecht of Prussia 568:, ed. by Stefan Gasch, 152: 104:For more guidance, see 433:Kyrie and Gloria from 124: 655:Renaissance composers 544:(subscription access) 431:Luther's Wedding Day: 180:Choralis Constantinus 122: 106:Knowledge:Translation 77:copyright attribution 420:Andrew Lawrence-King 300:University of Vienna 439:Capella de la Torre 426:. Obsidian Records. 233:Music and influence 435:Missa Nisi Dominus 367:Missa Nisi Dominus 125: 85:interlanguage link 578:978-3-86296-032-3 497:978-1-351-91636-3 418:, QuinEssential, 346:Ricercar Ensemble 316:978-3-99012-800-8 117: 116: 50: 46: 682: 631: 509: 508: 506: 504: 481: 475: 474: 472: 470: 456: 360:Adieu mes amours 356:Capilla Flamenca 339:Deutsche Lieder. 257:settings, and a 240:Josquin des Prez 96: 90: 63:Google Translate 48: 44: 27: 26: 19: 690: 689: 685: 684: 683: 681: 680: 679: 635: 634: 623:discography at 587: 536:Clytus Gottwald 513: 512: 502: 500: 498: 482: 478: 468: 466: 457: 453: 448: 324: 296: 235: 155: 113: 112: 111: 94: 88: 51: 28: 24: 17: 12: 11: 5: 688: 678: 677: 672: 667: 662: 657: 652: 647: 633: 632: 618: 613: 608: 598: 586: 585:External links 583: 582: 581: 563: 546: 532: 516:Martin Bente, 511: 510: 496: 476: 450: 449: 447: 444: 443: 442: 427: 408: 398: 391: 384: 381:Harry Geraerts 370: 363: 349: 335: 323: 320: 319: 318: 295: 292: 234: 231: 175:Heinrich Isaac 154: 151: 144:Franco-Flemish 136:Heinrich Isaac 115: 114: 110: 109: 102: 91: 69: 66: 55: 52: 33: 32: 31: 29: 22: 16:Swiss composer 15: 9: 6: 4: 3: 2: 687: 676: 673: 671: 668: 666: 663: 661: 658: 656: 653: 651: 648: 646: 643: 642: 640: 630: 626: 622: 619: 617: 614: 612: 609: 606: 602: 599: 596: 592: 589: 588: 579: 575: 571: 567: 566:Senfl-Studien 564: 562: 561:0-393-09530-4 558: 554: 550: 549:Gustave Reese 547: 545: 541: 537: 534:Martin Bente/ 533: 531: 530:1-56159-174-2 527: 523: 519: 515: 514: 499: 493: 489: 488: 480: 464: 463: 455: 451: 440: 436: 432: 428: 425: 424:David Skinner 421: 417: 414:The Choir of 413: 409: 406: 403: 399: 396: 392: 389: 385: 382: 378: 377:Susanne RydĂ©n 375: 371: 368: 364: 361: 357: 354: 350: 347: 343: 342:Michel Piguet 340: 336: 334: 330: 326: 325: 317: 313: 309: 308: 307: 305: 301: 291: 289: 285: 281: 280:cantus firmus 277: 272: 270: 266: 265: 264:cantus firmus 260: 256: 252: 248: 243: 241: 230: 228: 223: 221: 220:Martin Luther 217: 213: 209: 205: 201: 200:Diet of Worms 197: 196: 190: 184: 182: 181: 176: 170: 168: 164: 160: 150: 148: 145: 141: 137: 133: 129: 121: 107: 103: 100: 92: 86: 82: 78: 74: 70: 67: 64: 60: 56: 54: 53: 47: 41: 39: 34:You can help 30: 21: 20: 665:1540s deaths 660:1480s births 621:Ludwig Senfl 607:(ChoralWiki) 570:Birgit Lodes 565: 552: 540:Ludwig Senfl 539: 521: 518:Ludwig Senfl 517: 501:. Retrieved 486: 479: 467:. Retrieved 461: 454: 434: 430: 411: 401: 394: 387: 373: 366: 359: 352: 338: 332: 328: 297: 279: 273: 262: 244: 236: 224: 193: 185: 178: 171: 156: 128:Ludwig Senfl 127: 126: 81:edit summary 72: 45:(March 2023) 43: 35: 503:10 December 469:10 December 212:Inquisition 132:Renaissance 639:Categories 446:References 322:Recordings 288:quodlibets 259:Magnificat 204:Protestant 147:polyphonic 269:isorhythm 218:and with 189:Charles V 99:talk page 40:in German 393:2004 – 344:and the 294:Editions 167:Augsburg 75:provide 625:Discogs 603:in the 597:(IMSLP) 593:at the 429:2013 – 410:2009 – 400:2005 – 386:2004 – 372:1999 – 365:1999 – 351:1998 – 337:1993 – 255:vespers 97:to the 79:in the 42:. 576:  559:  528:  494:  314:  284:canons 276:lieder 251:motets 247:masses 227:Munich 208:Luther 163:ZĂĽrich 159:Basel 59:DeepL 574:ISBN 557:ISBN 526:ISBN 505:2022 492:ISBN 471:2022 331:and 312:ISBN 286:and 153:Life 73:must 71:You 61:or 641:: 551:, 538:: 520:, 437:, 379:, 290:. 253:, 249:, 580:. 507:. 473:. 108:. 101:.

Index

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talk page
Knowledge:Translation

Renaissance
Heinrich Isaac
Maximilian I, Holy Roman Emperor
Franco-Flemish
polyphonic
Basel
ZĂĽrich
Augsburg
Heinrich Isaac
Choralis Constantinus
Charles V
Liber selectarum cantionum
Diet of Worms
Protestant
Luther
Inquisition
Duke Albrecht of Prussia
Martin Luther
Munich
Josquin des Prez
masses

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