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play. He visited Warsaw for the first time in 1773: this year the publishing house of J. Engel issued some harpsichord works by Kamieński (today lost). He gave piano and singing lessons, held an inn in Warsaw (on Świętojerska street) and organized public concerts at
Dulfowski manor house.
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to be performed in public theatre. It opened a new era for Polish musical theatre. Kamieński's musical language shows a mixture of styles, from
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253:(Cantata on the Unveiling of the Statue of Jan III Sobieski), text by A. Naruszewicz; prem. 14 Sept 1788 (overture ed. by J. Prosnak in
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227:(The Nightingale, or Kasia and Hanka, Two Marriageable Girls), operetta, 2 acts, text by M. Witkowski); prem. 19 Jan 1790
217:(Tradition Resolved by Humour), operetta, 1 act, text by Franciszek Zabłocki); prem. 27 May 1789 (ed. by J. Prosnak in
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Kamieński's output includes 8 operas (2 German, 6 Polish), which the composer himself called operettas.
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After his successes, Kamieński turned more and more towards folklore, using structures from authentic
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270:(Song on the Anniversary of the Constitution of 3 May 1792), text by J. Lubański (Warsaw, 1792)
173:(Sophia, or Country Courtship), operetta, 1 act, text by S. Szymański; prem. 17 Oct 1780 (lost)
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179:(Virtuous Simplicity), operetta, 3 acts, text by Franciszek Bohomolec; prem. 8 Feb 1781 (lost)
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Barbara Chmara-Żaczkiewicz. Kamieński , Maciej / New Grove
Dictionary of Music and Musicians
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and espressivo arias combine with typical village songs and Polish dances, of which
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289:(Duma in the Form of a Rondo; Warsaw, 1805; new ed. by H. Feicht in
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Krótki rys o egzystencji najpierwszej oryginalnej opery polskiej
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Kantata w dzień inauguracji statui króla Jana III Sobieskiego
167:; prem. 11 July 1778 (ed. in Opery polskie, ii; Kraków, 1978)
121:(A Short Outline of the Original Polish Opera), published in
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to continue his education. There in 1762, he heard young
106:(1780), which had 76 performances in Warsaw up to 1820.
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to classical. There are also some characteristics of
185:(The Burgher’s Ball), comic opera, 3 acts, text by
48:He studied music in Sopron, where his patron was
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337:Grove article states only the country: Slovakia.
159:(Poverty made Happy), operetta, 2 acts, text by
52:. After his death (1760), Kamieński moved to
136:(Duma in the form of a rondo) shows early
365:International Music Score Library Project
247:Masses, Passion, offertories etc. (lost)
203:, 1 act, text by A. Słowaczyński, after
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255:Kultura muzyczna Warszawy XVIII wieku
237:; written in 1794, unperformed (lost)
225:Słowik czyli Kasia z Hanką na wydaniu
219:Kultura muzyczna Warszawy XVIII wieku
211:; written in 1785, unperformed (lost)
75:(1778) was long considered the first
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400:Composers from the Austrian Empire
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395:People from the Habsburg monarchy
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276:(Isn’t it Anguish?; Warsaw, 1805)
128:Besides operas, he composed some
268:Pieśń na dzień 3 maia na parafie
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361:Free scores by Maciej Kamieński
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231:Sultan Wampum, oder Die Wünsche
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50:Count Henckl von Donnersmarck
215:Tradycia dowcipem załatwiona
171:Zośka, czyli Wiejskie zaloty
104:Zośka, czyli Wiejskie zaloty
102:. It can be clearly seen in
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197:; prem. 14 Sept 1783 (lost)
16:Polish composer (1734-1821)
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371:Scores by Maciej Kamieński
274:Czy to nie jest udręczenie
91:. They all are present in
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233:, opera, 3 acts, text by
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123:Biblioteka Warszawska, iv
117:Kamieński also composed
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287:Duma na kształt ronda
134:Duma na kształt ronda
114:is the most popular.
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201:Anton und Antoinette
195:Charles Simon Favart
165:Franciszek Bohomolec
161:Wojciech Bogusławski
156:Nędza uszczęśliwiona
93:Nędza uszczęśliwiona
72:Nędza uszczęśliwiona
373:in digital library
187:Franciszek Zabłocki
33:– 25 January 1821,
291:Muzyka staropolska
205:Toinon et Toinette
29:(13 October 1734,
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183:Balik gospodarski
177:Prostota cnotliwa
100:Polish folk music
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390:Polish composers
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262:Songs with piano
191:Le Bal bourgeois
125:(Warsaw, 1878).
27:Maciej Kamieński
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235:August Kotzebue
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37:) was a Polish
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144:List of works
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65:Compositions
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41:composer of
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410:1821 deaths
405:1734 births
89:opera buffa
384:Categories
304:References
281:Piano solo
207:(1767) by
193:(1738) by
108:Coloratura
322:Kamenický
112:polonaise
39:classical
326:Kamenský
318:Kamięski
189:, after
138:Romantic
45:origin.
367:(IMSLP)
363:at the
297:Andante
81:baroque
375:Polona
242:Choral
163:after
149:Operas
132:. His
85:galant
58:Mozart
54:Vienna
43:Slovak
35:Warsaw
31:Sopron
316:Also
83:and
324:or
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320:,
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