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Madeleine Boschan

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104:" (1983) Madeleine Boschan has derived genuine poetics of space: Space 'itself' is empty and incomprehensible. It is for a body to appear within this void to designate it as a place, to grant contour, form, and shape to it, to constitute it as 'surrounding space'. According to Beckett, Boschan emphasises that spatial experience is first and foremost a physical experience: how does a body gain its halt and stand within the void, how does it find its appropriate place and holds up this position, how does it interact with other bodies? 116:
make them more planar, to give them more surface, realign them towards the surrounding space and relate them closer to us. If you like as a broadside at the beholder. And honestly, to me they are still all the same. Not visually, of course, but they all pose the same existential question of spatial corporality, of how a body gains its own stand, finds its appropriate place and holds up this position."
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In 2018 and 2019, Madeleine Boschan boldly turned the negative void space of the open passages and walk-through situations of her previous portals into positive shapes or entities. The beholders are confronted with a new corporeality. Accordingly, the surrounding walls and spaces associate themselves
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In 2013 and 2014, she revised and reconsidered her primary pictorial vocabulary: standing, reclining, towering, tilting, arching as well as expansion, contraction, colour, form, measure, and positioning. For in a prudently arranged turn and, particularly, in contrast to the gestalt-like linearity of
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In the years following, a most elementary question, Roland Barthes' final enquiry constituted the basis of her practice: "How to live together?" As she herself stated: "The earlier sculptures were linear, for sure, intrinsic and averted, withdrawn from us. And after some years, I simply longed to
112:'s" base colours (red, blue, green, yellow, magenta, cyan, + black and white) into her forms. Colour is, thus, not just appended or appliquéd to her sculptures; rather, the specific chromaticity, being an immediate part of the sculptural operation, originates its very own specific forms. 108:
her prior works, she addresses herself to purely planar bodies; situated residing freely throughout the given space in utterly different phenomenal states; each for itself, yet, constantly in relation to each other. Furthermore, Madeleine Boschan has inseparably incorporated "
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After 2016, "pieces dwelling on the concept of 'spaces within space' and, at the same time, of passage or transition" emerge, "fictive and functionless artefacts" which "retain the utopian ideas that are contained in the architectural strategies she references":
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Since 2010 she has participated in numerous institutional exhibitions throughout Europe and North America focusing on: artistic strategies dealing with preconditioned role-models and relationships of people and
1145:, in: Accelerating toward Apocalypse (Private / Corporate VII) – The Doron Sebbag Art Collection Tel Aviv and the Daimler Art Collection, Stuttgart / Berlin 2012, pp. 98-101 1229: 1182:, exhibition catalogue Kunstverein Ulm, ed. Monika Machnicki and Christian Malycha, with texts by Samuel Beckett and Hendrik Lakeberg, Q.H.S.O.I.Q.O.C.M.S., Berlin 2013 559: 89:. With their machine-like appearance these sculptures seem to suggest expedience, still, they inhere in a kind of defunctionalised dissociation – as do 31: 85:
were modified, reassembled and brought into relation with each other by colour interventions. The different components lost their common
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http://madeleine-boschan.de/wp-content/uploads/Fresh-Designs-from-a-Modern-Sculptor-Invigorated-by-Architectural-History_20160321.pdf
100:'s TV-pieces, such as "Quod I" and "Quod II", which he realized in 1981 for the German SDR, and his late "closed space stories" as " 1297: 1213: 1198:, exhibition catalogue Marburger Kunstverein, ed. Christian Malycha and Anja Isabel Schneider, Harpune Publishers, Vienna 2015 1292: 1287: 1163: 195:
In twilight these ridiculous and exquisite things descendingly move among the people, gently and imperishably
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with these planar objects, conveying both their given objecthood as well as their potential pictorialness.
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s electric billboards, the topic of a ruinous antiquity, and the pastel colours of 1980's Miami.
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Es gibt … There is … Reflexionen aus einem beschädigten Leben? Reflections from a damaged Life?
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Madeleine Boschan in conversation with Peter Ibsen for Copenhagen Contemporary, August 2015:
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Novecento mai visto. Highlights from the Daimler Art Collection. From Albers to Warhol to now
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http://copenhagen-contemporary.dk/madeleine-boschan-qa-with-german-artist-madeleine-boschan/
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Madeleine Boschan – Say a body. Where none. Say a place. Where none. For the body. To be in.
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Technoide Wesen vom anderen Stern – Madeleine Boschan in der Galerie Bernd Kugler
132: 1102:, ed. Kulturprojekte Berlin, Walther König, Cologne 2011, pp. 82-83 as well as 283: 136: 97: 1276: 590: 140: 35: 1025: 889: 124: 149: 101: 47: 43: 1155: 1226:
Fresh Designs from a Modern Sculptor Invigorated by Architectural History
1139:, ed. Künstlerhaus Bethanien, Kettler, Bönen 2012, pp. 26-29 as well as: 978: 719: 655: 518: 109: 380:
Say a body. Where none. Say a place. Where none. For the body. To be in.
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in which its gaze, bent merely on itself, upholds and gleams
763:, Kulturforum Altenkamp, Schloss Holte–Stukenbrock, Germany 58:
on contemporary thinking, science and exhibition practice.
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Accelerating toward Apocalypse (Private / Corporate VII)
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Madeleine Boschan – The rise of machines in sculptures
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Standard International – Post Spatial Devices No. II
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or Germany, and the interdisciplinary impact of the
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Madeleine Boschan – Technicolor: a) Feld, b) Fläche
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(Exhibition after Marcel Duchamp, 1943). 1005: 370:Don't you wonder sometimes 'bout sound and vision 1274: 494:, Städtisches Museum Schloss Salder, Salzgitter 77:Starting in 2008, Madeleine Boschan built her 888:, Philara – Sammlung zeitgenössischer Kunst, 503:, Galerie Bernd Kugler, Innsbruck, Austria 34:from 2000 to 2006, where she was taught by 32:Hochschule fĂĽr Bildende KĂĽnste Braunschweig 1022:Philara – Sammlung zeitgenössischer Kunst 948:, Museum fĂĽr Konkrete Kunst Ingolstadt, 609:, Weserburg | Museum fĂĽr Moderne Kunst, 878:, Esslinger Kunstverein, Villa Merkel, 400:Anwesenheit unerreichbarer Bezugspunkte 1275: 587:Lob des Schattens (Italienischer Raum) 1098:), June 8 – July 24, 2011; see also: 1208: 1206: 1204: 1190: 1188: 898:, Neuer Pfaffenhofener Kunstverein, 535:, Michael Horbach Stiftung, Cologne 473: 300:or am I seduced by its ambient mauve 1075:http://www.neue-galerie-gladbeck.de 804:, Kunstraum Kreuzberg / Bethanien, 792:Psycho Killer, qu'est-ce que c'est? 705:Wo ist hier?# 2: Raum und Gegenwart 415:An open Field, a Factory, a By-pass 171:Lying on stony ground the fragments 161: 96:From her extensive occupation with 93:or desolate and disused apparatus. 13: 1168:, Tiroler Tageszeitung, 04.10.2011 517:, Nino Mier Gallery, Los Angeles, 485:, Daimler Art Collection, Berlin, 14: 1319: 1303:21st-century German women artists 1237: 1201: 1185: 757:, Salon Dahlmann, Berlin, Germany 526:, Whatspace c/o Hardspace, Basel 81:from found material. These first 30:Madeleine Boschan studied at the 1108:, www.art-magazin.de, 18.03.2013 618:, Umetnostna Galereija Maribor, 22:(born 1979) is a German artist. 1218: 1079:http://www.kunsthalle-erfurt.de 784:, Galerie Klaus Gerrit Friese, 325:Technicolor: a) Feld, b) Fläche 46:, as well as new tendencies of 1172: 1149: 1135:see: "Madeleine Boschan", in: 1129: 1112: 1084: 1055: 1052:), May 15 – September 16, 2012 1038: 1006:Private and public collections 469:, Appartement, Berlin, Germany 1: 1298:21st-century German sculptors 1071:http://www.kunstverein-ulm.de 1032: 946:Eine Frau, ein Baum, eine Kuh 549:, Skulpturenpark Heidelberg, 452:, Autocenter, Berlin, Germany 1096:http://www.basedinberlin.com 607:Artists´Books for Everything 547:Junge Kunst / Junge KĂĽnstler 25: 7: 1293:German contemporary artists 1288:German installation artists 1124:http://www.autocenterart.de 599:, GalerĂ­a Casado Santapau, 310:what´s wrong with your eyes 72: 10: 1324: 1077:), and Kunsthalle Erfurt ( 1073:), Neue Galerie Gladbeck ( 928:, KĂĽnstlerhaus Bethanien, 463:, Kwadrat, Berlin, Germany 372:, Kunstverein Heppenheim, 232:, Galerie Lange und Pult, 1228:, Artsy, March 21, 2016: 1126:), September 7 – 22, 2012 851:The Legend of the Shelves 558:, Daimler Art Collection 327:, Marburger Kunstverein, 1106:Berlins wahre Kunsthalle 938:, Galerie Bernd Kugler, 868:, Daimler Contemporary, 819:, Galerie Bernd Kugler, 782:Luggage and observations 692:, Galerie Bernd Kugler, 638:, Galerie Bernd Kugler, 579:, Galerie Lange + Pult, 432:, Galerie Bernd Kugler, 402:, Galerie Bernd Kugler, 252:, Galerie Bernd Kugler, 217:, Galerie Bernd Kugler, 182:, Galerie Bernd Kugler, 143:'s cinematic use of the 50:, contemporary art from 1081:), May 2011 – June 2012 589:, Marc Strauss Gallery 61:She lives and works in 1012:Daimler Art Collection 461:Kalt, modern und teuer 362:, Hezi Cohen Gallery, 293:Galerie Bernd Kugler, 267:, Hezi Cohen Gallery, 56:cabinet of curiosities 1122:, Autocenter Berlin ( 987:, Bourouina Gallery, 918:, Kunsthalle Erfurt, 841:Museo di Santa Giulia 242:, Collectors Agenda, 180:it´s just a kiss away 173:, Kirche St. Getrud, 1253:Galerie Bernd Kugler 1069:), Kunstverein Ulm ( 794:, Galerie Börgmann, 737:, Stedelijk Museum, 390:Scope = immeasurable 360:Closed Space Stories 240:What lays bare in me 197:, Sunday-S Gallery, 87:value of utilization 1067:http://www.b-05.org 1050:http://www.b-05.org 997:, Kunstverein Ulm, 727:, Galerija Contra, 636:The Gift Collection 560:Stuttgart-Möhringen 556:Light in / as image 524:Comrades of time IV 382:, Kunstverein Ulm, 205:Tulips and chimneys 91:indigenous fetishes 1263:Hezi Cohen Gallery 1156:see: Jeni Fulton, 1137:Berlin. Status (1) 1104:Gesine Borcherdt, 1065:, b-05 Montabaur ( 1063:Abstract confusion 1048:, b-05 Montabaur ( 995:Abstract confusion 926:Status. Berlin (1) 916:Abstract confusion 1224:Bridget Gleeson, 1143:Madeleine Boschan 1141:Renate Wiehager, 965:Hamburger Bahnhof 761:Leipziger Edition 577:Zehn Jahre ZĂĽrich 474:Group exhibitions 215:the enormous room 209:Palma de Mallorca 207:, Galeria Maior, 20:Madeleine Boschan 1315: 1249: 1248: 1246:Official website 1232: 1222: 1216: 1210: 1199: 1192: 1183: 1176: 1170: 1153: 1147: 1133: 1127: 1116: 1110: 1088: 1082: 1059: 1053: 1042: 906:Gentle Giants II 755:Berliner Edition 735:Vanitas extended 690:Still Still Life 661:Moby Dick Filets 628:, Abbot Kinney, 597:Modern sculpture 568: 286:), Neue Galerie 162:Solo exhibitions 1323: 1322: 1318: 1317: 1316: 1314: 1313: 1312: 1273: 1272: 1244: 1243: 1240: 1235: 1223: 1219: 1211: 1202: 1193: 1186: 1177: 1173: 1154: 1150: 1134: 1130: 1117: 1113: 1100:Based in Berlin 1092:Based in Berlin 1089: 1085: 1060: 1056: 1043: 1039: 1035: 1008: 975:Berlin Klondyke 961:Based in Berlin 896:Berlin Klondyke 827:Berlin Klondyke 796:Mönchengladbach 769:, Semperdepot, 626:Three, two, one 616:Berlin-Klondyke 562: 476: 392:, Einraumhaus, 164: 133:Astrud Gilberto 75: 28: 17: 12: 11: 5: 1321: 1311: 1310: 1305: 1300: 1295: 1290: 1285: 1271: 1270: 1260: 1250: 1239: 1238:External links 1236: 1234: 1233: 1217: 1200: 1184: 1171: 1164:Ivona Jelcic, 1148: 1128: 1111: 1083: 1054: 1036: 1034: 1031: 1030: 1029: 1019: 1007: 1004: 1003: 1002: 992: 982: 977:, Art Center, 972: 954: 953: 943: 936:Black Oriental 933: 923: 913: 903: 893: 883: 873: 859: 858: 853:, Autocenter, 848: 834: 829:, Hipp Halle, 824: 810: 809: 799: 789: 775: 774: 764: 758: 752: 742: 732: 722: 712: 707:, Kunstverein 698: 697: 687: 677: 668: 658: 644: 643: 633: 623: 613: 604: 594: 584: 570: 569: 553: 540: 539: 530: 521: 508: 507: 498: 489: 475: 472: 471: 470: 467:Cosmic Camping 464: 454: 453: 447: 437: 423: 422: 408: 407: 397: 387: 377: 367: 353: 352: 342: 332: 318: 317: 307: 297: 291: 284:Andy Hope 1930 273: 272: 258: 257: 247: 237: 223: 222: 212: 202: 188: 187: 177: 163: 160: 145:L.A. River-bed 137:Oscar Niemeyer 98:Samuel Beckett 83:objets trouvĂ©s 74: 71: 27: 24: 15: 9: 6: 4: 3: 2: 1320: 1309: 1308:Living people 1306: 1304: 1301: 1299: 1296: 1294: 1291: 1289: 1286: 1284: 1281: 1280: 1278: 1268: 1264: 1261: 1258: 1254: 1251: 1247: 1242: 1241: 1231: 1227: 1221: 1215: 1209: 1207: 1205: 1197: 1191: 1189: 1181: 1175: 1169: 1167: 1161: 1159: 1152: 1146: 1144: 1138: 1132: 1125: 1121: 1115: 1109: 1107: 1101: 1097: 1093: 1087: 1080: 1076: 1072: 1068: 1064: 1058: 1051: 1047: 1041: 1037: 1027: 1023: 1020: 1017: 1013: 1010: 1009: 1000: 996: 993: 990: 986: 983: 980: 976: 973: 970: 966: 962: 959: 958: 957: 951: 947: 944: 941: 937: 934: 931: 927: 924: 921: 917: 914: 911: 907: 904: 901: 897: 894: 891: 887: 884: 881: 877: 876:Gare de l'Est 874: 871: 867: 864: 863: 862: 856: 852: 849: 846: 842: 838: 835: 832: 828: 825: 822: 818: 815: 814: 813: 807: 803: 800: 797: 793: 790: 787: 783: 780: 779: 778: 772: 768: 765: 762: 759: 756: 753: 750: 746: 743: 740: 736: 733: 730: 726: 723: 721: 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151: 146: 142: 141:James Cameron 138: 134: 130: 126: 123: 117: 113: 111: 105: 103: 99: 94: 92: 88: 84: 80: 70: 68: 64: 59: 57: 53: 49: 45: 39: 37: 36:John Armleder 33: 23: 21: 16:German artist 1225: 1220: 1195: 1179: 1174: 1165: 1157: 1151: 1142: 1136: 1131: 1120:Wunderkammer 1119: 1114: 1105: 1099: 1091: 1086: 1062: 1057: 1045: 1040: 994: 984: 974: 960: 955: 945: 935: 925: 915: 905: 900:Pfaffenhofen 895: 885: 875: 865: 860: 850: 836: 826: 817:Publications 816: 811: 801: 791: 781: 776: 766: 760: 754: 747:, Geisberg, 744: 734: 724: 704: 699: 689: 679: 673:, Kunsthaus 671:Welt am Rand 670: 660: 645: 635: 625: 615: 606: 596: 586: 576: 571: 555: 546: 541: 532: 523: 514: 509: 500: 491: 482: 477: 466: 460: 455: 449: 439: 429: 424: 414: 409: 399: 389: 379: 369: 359: 354: 344: 334: 324: 319: 309: 299: 279: 274: 264: 259: 249: 239: 229: 224: 214: 204: 194: 189: 179: 170: 165: 156: 150:Blade Runner 148: 118: 114: 106: 102:Worstward Ho 95: 76: 60: 48:Abstract art 44:architecture 40: 29: 19: 18: 1283:1979 births 1162:as well as 979:Los Angeles 908:, Kwadrat, 886:En dĂ©sordre 720:Switzerland 682:, Mirante, 656:Switzerland 563: [ 519:Los Angeles 442:, Kwadrat, 337:, Vitamin, 110:Technicolor 1277:Categories 1033:References 1026:DĂĽsseldorf 985:Synecdoche 950:Ingolstadt 890:DĂĽsseldorf 731:, Slovenia 709:Reutlingen 622:, Slowenia 551:Heidelberg 515:some trees 501:Intermezzo 496:Salzgitter 417:, Gloria, 374:Heppenheim 339:Reutlingen 280:Escapement 230:BB 105/146 199:Copenhagen 125:Tropicália 79:sculptures 1259:, Austria 1257:Innsbruck 1028:, Germany 1018:, Germany 1016:Stuttgart 1001:, Germany 991:, Germany 971:, Germany 952:, Germany 942:, Austria 940:Innsbruck 932:, Germany 922:, Germany 912:, Germany 902:, Germany 892:, Germany 882:, Germany 880:Esslingen 872:, Germany 857:, Germany 833:, Austria 823:, Austria 821:Innsbruck 808:, Germany 798:, Germany 788:, Germany 786:Stuttgart 773:, Austria 767:Caritatis 751:, Germany 741:, Belgium 711:, Germany 696:, Austria 694:Innsbruck 686:, Austria 680:bedsitter 667:, Austria 642:, Austria 640:Innsbruck 505:Innsbruck 492:Jubeljahr 446:, Germany 436:, Austria 434:Innsbruck 421:, Germany 406:, Austria 404:Innsbruck 396:, Germany 386:, Germany 376:, Germany 351:, Germany 347:, Jagla, 341:, Germany 331:, Germany 316:, Germany 312:, Larry, 306:, Germany 304:Edenkoben 295:Innsbruck 290:, Germany 256:, Austria 254:Innsbruck 246:, Austria 221:, Austria 219:Innsbruck 201:, Denmark 186:, Austria 184:Innsbruck 129:Jorge Ben 122:Brazilian 26:Biography 1269:, Israel 1267:Tel Aviv 450:Niteflix 440:RoidRage 394:Mannheim 366:, Israel 364:Tel Aviv 288:Gladbeck 271:, Israel 269:Tel Aviv 250:Partance 73:Practice 847:, Italy 845:Brescia 831:Gmunden 802:Present 620:Maribor 603:, Spain 537:Cologne 430:Kayfabe 329:Marburg 211:, Spain 175:Cologne 67:Germany 989:Berlin 981:, U.S. 969:Berlin 930:Berlin 920:Erfurt 910:Berlin 870:Berlin 855:Berlin 806:Berlin 771:Vienna 749:Berlin 729:Zagreb 714:Enea, 684:Vienna 675:Erfurt 665:Vienna 650:Enea, 630:Venice 611:Bremen 601:Madrid 581:Zurich 533:Avanti 487:Berlin 444:Berlin 419:Berlin 314:Berlin 282:(with 244:Vienna 234:Zurich 135:, and 63:Berlin 52:Berlin 1194:see: 1118:e.g. 1090:e.g. 1061:e.g. 1044:e.g. 956:2011 861:2012 812:2013 777:2014 739:Ypres 700:2015 646:2016 572:2017 567:] 542:2018 528:Basel 510:2019 478:2020 456:2010 425:2011 410:2012 355:2013 335:Capri 320:2014 275:2015 260:2016 225:2017 190:2019 166:2022 139:, or 1178:cf: 716:Jona 652:Jona 632:, US 593:, US 349:Köln 999:Ulm 384:Ulm 1279:: 1265:, 1255:, 1203:^ 1187:^ 1024:, 1014:, 967:, 963:, 843:, 839:, 725:18 718:, 654:, 565:de 147:, 131:, 127:, 69:. 65:, 38:. 1094:( 152:'

Index

Hochschule fĂĽr Bildende KĂĽnste Braunschweig
John Armleder
architecture
Abstract art
Berlin
cabinet of curiosities
Berlin
Germany
sculptures
objets trouvés
value of utilization
indigenous fetishes
Samuel Beckett
Worstward Ho
Technicolor
Brazilian
Tropicália
Jorge Ben
Astrud Gilberto
Oscar Niemeyer
James Cameron
L.A. River-bed
Blade Runner
Cologne
Innsbruck
Copenhagen
Palma de Mallorca
Innsbruck
Zurich
Vienna

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