29:
153:. Venetian art, particularly Titian's, was a great inspiration for Van Dyck, who admired both its creative subjects and display of technical skill. Van Dyck had studied the works of Titian often during his two months in Venice, after his breaks in Genoa and Rome.
132:
style in their iconography and use of color. The elegant gestures and dynamic movement of the elongated figure of Marie contrasts with her very human attachment to the Baby Jesus. In a deep sleep, he still holds the hand of his mother.
187:
from the collection of
Marianna Galli Baldrighi. The attribution of the work, already determined as a Van Dyck by the time it entered the museum, has not been placed in doubt by any following studies.
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The dating of the work, still uncertain, varies from 1621 to 1625, according to Larsen. Limentani Virdis, however, believes the work was made
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114:, representing "the blessed Virgin holding the sleeping Baby Jesus in her lap," is part of a series of Madonna paintings by
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based on the interpretative liberties that Van Dyck took from the art of Titian to incorporate
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225:; Catalogo della mostra a Palazzo Reale, a cura di Maria Grazia Bernardini, Milano, 2004
118:. The series was made during his Italian period between 1621 and 1625 according to this
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62.5 cm Ă— 52.5 cm (24.6 in Ă— 20.7 in)
122:. The works in this series are mostly three-quarters portraits conducted in a
1013:
208:
G. Allegri
Tassoni, "La Madonna col Bambino dormiente di A. van Dyck”, in
992:
139:
is often compared to other works in Van Dyck's
Palermo period, like the
292:
164:
356:
Crucifixion with the Virgin, Saint John and Saint Mary
Magdalene
129:
82:
146:
Saint
Rosalie Interceding for the Plague–Stricken of Palermo
666:
Thetis
Receiving the Weapons of Achilles from Hephaestus
891:
Lord John Stuart and his
Brother, Lord Bernard Stuart
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Saint
Ambrose barring Theodosius from Milan Cathedral
674:Venus Asks Vulcan to Forge Arms for her Son Aeneas
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230:Apparato Critico: l’Opera completa di van Dyck,
308:
143:at the Galleria Nazional di Sicilia and the
757:Equestrian Portrait of Francisco de Moncada
268:Larsen, 1980 p. 112 and Larsen 1988 p. 177.
315:
301:
27:
476:The Vision of the Blessed Hermann Joseph
264:
262:
232:Classici dell’Arte Rizzoli, Milano, 1980
1025:Religious paintings by Anthony van Dyck
883:Mary Villiers, Lady Herbert of Shurland
1012:
930:Self-portrait with Sir Endymion Porter
806:The Three Eldest Children of Charles I
797:The Three Eldest Children of Charles I
650:Diana and a Nymph Surprised by a Satyr
847:Queen Henrietta Maria as St Catherine
296:
259:
219:, New York University, New York, 1986
197:List of paintings by Anthony van Dyck
963:Mucius Scaevola before Lars Porsenna
322:
773:Thomas Francis, Prince of Carignano
13:
1030:Paintings of the Madonna and Child
823:Triple Portrait of Henrietta Maria
14:
1041:
484:Madonna and Child with Two Donors
815:Equestrian Portrait of Charles I
527:Lamentation over the Dead Christ
183:in 1820, after it was bought by
749:Charles I with M. de St Antoine
468:The Coronation of Saint Rosalia
364:Saint Martin Dividing his Cloak
277:Caterina Limentani Virdis, 1999
256:Allegri Tassoni, 1981, pp 51-54
202:
922:Self-Portrait with a Sunflower
348:Entry of Christ into Jerusalem
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271:
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167:elements and the influence of
141:Madonna col Bambino di Palermo
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1:
492:Rest on the Flight into Egypt
243:
157:
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49:
981:Hendrick van Balen the Elder
789:Charles I in Three Positions
617:Munich (autograph or studio)
217:Van Dyck in Italy: 1621–1628
120:Notebook of Italian Drawings
16:Painting by Anthony van Dyck
7:
223:Van Dyck, Riflessi italiani
190:
181:Galleria nazionale di Parma
101:Galleria nazionale di Parma
95:is a 1621–1627 painting by
79:Galleria nazionale di Parma
10:
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725:Cardinal Guido Bentivoglio
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151:Metropolitan Museum of Art
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831:Mary Hill, Lady Killigrew
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625:
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179:The painting entered the
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26:
21:
388:The Crowning with Thorns
863:Magistrates of Brussels
855:Luigia Cattaneo-Gentile
741:Gaston, Duke of Orléans
516:Madonna with Partridges
286:Bernardini, 2004 p. 163
237:Van Dyck. The paintings
955:A Soldier on Horseback
701:Cornelis van der Geest
444:Susanna and the Elders
395:The Betrayal of Christ
781:Charles I at the Hunt
626:Mythological subjects
612:Palermo (studio work)
578:Saint Rosalia series
460:The Mocking of Christ
212:, I, 1981, pp. 51–54.
765:Francisco de Moncada
733:The Lomellini Family
736:(c. 1625–1627)
642:Jupiter and Antiope
422:(c. 1619–1620)
383:(c. 1618–1620)
380:The Apostle Matthew
868:Preparatory sketch
808:(Royal Collection)
658:The Shepherd Paris
426:Samson and Delilah
372:The Brazen Serpent
340:Religious subjects
169:Pieter Paul Rubens
1007:
1006:
987:Peter Paul Rubens
839:William Killigrew
452:Madonna and Child
333:List of paintings
137:Madonna and Child
112:Madonna and Child
92:Madonna and Child
88:
87:
22:Madonna and Child
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682:Cupid and Psyche
508:The Resurrection
324:Anthony van Dyck
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127: 1550–1570
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116:Anthony van Dyck
97:Anthony van Dyck
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53: 1621–1627
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40:Anthony van Dyck
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947:Other paintings
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709:Theresa Shirley
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634:Drunken Silenus
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995:(collaborator)
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902:Self-portraits
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875:Olivia Porter
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870:) (1634–1635)
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215:S.J. Barnes,
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99:, now in the
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62:oil on canvas
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397:(1618–1620)
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203:Bibliography
185:Marie Louise
178:
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136:
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119:
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90:
89:
993:Paul de Vos
925:(1632–1633)
917:(1620–1621)
911:(1613–1614)
818:(1637–1638)
685:(1638–1640)
677:(1630–1632)
669:(1630–1632)
653:(1622–1627)
580:(1624–1625)
511:(1631–1632)
500:Crucifixion
479:(1629–1630)
463:(1628–1630)
455:(1621–1627)
411:Minneapolis
391:(1618–1620)
359:(1617–1619)
235:E. Larsen,
228:E. Larsen,
161: 1627
130:Titianesque
107:Description
1014:Categories
523:Deposition
244:References
67:Dimensions
958:(c. 1616)
894:(c. 1638)
886:(c. 1636)
858:(c. 1622)
784:(c. 1635)
728:(c. 1623)
693:Portraits
552:1629–1630
989:(master)
983:(master)
915:New York
602:New York
191:See also
75:Location
974:Related
878:(1630s)
799:(Turin)
587:Houston
401:Bristol
175:History
165:Baroque
149:at the
939:(1640)
937:London
933:(1635)
909:Vienna
850:(1639)
842:(1638)
834:(1638)
826:(1638)
810:(1636)
801:(1635)
776:(1634)
768:(1634)
760:(1634)
752:(1633)
720:(1622)
712:(1622)
704:(1620)
661:(1628)
645:(1620)
637:(1620)
597:Madrid
592:London
519:(1632)
503:(1630)
495:(1630)
487:(1630)
471:(1629)
406:Madrid
367:(1618)
351:(1617)
59:Medium
36:Artist
607:Ponce
83:Parma
567:1640
562:1635
557:1634
547:1629
542:1619
537:1618
532:1615
436:1630
431:1620
46:Year
1016::
525:/
261:^
210:AP
171:.
158:c.
124:c.
103:.
81:,
50:c.
866:(
316:e
309:t
302:v
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