51:
1928:
480:
fair of 1761, the
Breitkopf firm issued a catalogue of works that were available at the publisher's. The catalogue included Hoffmann's Magnificats in D minor and in A minor: the former under Hoffmann's name, the latter as an anonymous composition. The manuscript performance parts of the
576:
examined the score in the Saint
Petersburg library, confirming that it was the manuscript once owned by Dehn, and described by Rust, but determining that it was certainly not written by Bach, and that it was thus very unlikely Bach had composed this Magnificat. It was also determined that the
640:
of spurious works, as a composition by
Hoffmann: its full BWV number thus became BWV Anh. 21 / Anh. III 168. A digital facsimile of the 18th-century performance parts of the Magnificat is available at the SBB website since 2014. A similar facsimile is available at the
521:. Further, Rust considered that manuscript lost. In fact, Dehn, who also assumed that the manuscript was a Bach autograph, had deliberately kept it away from the BGA editors, shipping it to Russia shortly before his death in 1858. Based on Rust, Bach's 19th-century biographer
1488:
498:
1448:
258:
of lost works. Some years later, when recovered original manuscripts of the composition and of other works by the composer were analysed, the work was, after being erroneously attributed to
720:
566:
393:. Shortly thereafter, Gerlach, who also was a singer, made a new copy of the vocal part of Hoffmann's Magnificat, with some adjustments to make it more suitable for performance.
468:
until his death in July 1761. Having died without near relatives, the lion share of his musical legacy appears to have been acquired by the music publishing enterprise of
581:
1749:
1646:
577:
composition in the Saint
Petersburg score was identical to the anonymous Magnificat in A minor of which the Berlin State Library had the performance parts.
1877:
683:
672:
1796:
1900:
1855:
1608:
612:
1680:
1689:
1754:
1566:
1805:
17:
1851:
725:
1443:
628:
of 1982, in which he identified
Hoffmann as the composer. Hellmann's revised edition of the Magnificat was published by
401:
Hoffmann structured the
Magnificat in 10 movements, eight for the text from the Gospel of Luke, and two for an extended
591:
indicated Bach as its composer, notwithstanding that this attribution was no longer supported in scholarship. Also in
1882:
1518:
1347:
473:
381:, who helped Hoffmann copy out performance parts of his Magnificat. In 1729, when a successor of Hoffmann left town,
1787:
1958:
1421:
976:
1714:
1617:
1497:
805:
283:
1544:
926:
1948:
329:
146:
102:
1733:
833:
789:
772:
378:
303:
56:
1953:
1705:
1662:
943:
469:
337:
140:
42:
1778:
571:
1559:
1396:
295:
50:
347:
Hoffmann's A minor setting of the German
Magnificat dates from around 1707. At the time he was the
1918:
586:
223:
translating as "little" or "small") to distinguish it from more extended
Magnificat settings, such as
1463:
489:
291:
202:
1483:
709:
conducting the
Alsfelder Vokalensemble. In 2014, this recording was re-issued in the 8 CD Box
1523:
1471:
1339:
1272:
1006:
1513:
1932:
1769:
1552:
1327:
Bach Werke
Verzeichnis: Kleine Ausgabe – Nach der von Wolfgang Schmieder vorgelegten 2. Ausgabe
1326:
604:
546:
481:
A minor Magnificat which were once owned by Breitkopf later came in the possession of the
358:
287:
259:
241:
90:
1720:
1577:
1392:
518:
386:
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529:
482:
168:
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8:
771:
1358:
799:
619:
1830:
1637:
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1087:
1070:
541:
374:
182:
and small orchestra. The work was first published in the 1950s, and it was recorded by
1467:
1408:
1343:
1236:
1209:
1151:
1136:
1121:
1068:(July 1955). "An Investigation into the Authenticity of Bach's 'Kleine Magnificat'".
1007:
Hoffmann, Melchior: Magnificat; S, orch; a-Moll; BWV Anh. 1:21/Anh. 3:168; TWV 1:1748
868:
752:
696:
By Brigitte Ganady, with an instrumental ensemble conducted by Georges Aubert (1969).
658:
592:
514:
370:
183:
509:), of which he had seen a manuscript score, which around the mid-1850s was owned by
1538:
1400:
1190:
1079:
923:
Musikgottesdienst / Melchior Hoffmann (1697–1715) / "Meine Seele erhebt den Herren"
706:
537:
533:
362:
191:
160:
1715:
Minuets in G major and G minor, BWV Anh. III 114–115
27:
Vocal composition by Melchior Hoffmann of the Song of Mary from the Gospel of Luke
1742:
1587:
1501:
1374:
502:
453:
306:). The Magnificat canticle was, in its Latin version, a regular part in Catholic
1489:
Johann Sebastian Bach: his work and influence on the music of Germany, 1685–1750
1378:
975:
832:
1574:
1509:
1479:
522:
510:
299:
156:
1321:
1065:
944:"Georg Melchior Hoffmann / Meine Seele erhebt den Herren / Kleines Magnificat"
562:
1942:
1842:
1412:
1388:
1083:
699:
624:
561:, as No. 21, among Bach's lost works (BWV Anh. I 21). In 1954
389:, one of Bach's former students, became organist and director musices at the
279:
187:
1332:
Bach Works Catalogue: Small Edition – After Wolfgang Schmieder's 2nd edition
632:
in 1987. In the 1998 edition of the BWV, the Magnificat was repositioned in
1821:
1439:
1431:
1426:
1294:
1251:
1178:
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in German (the last of these is listed as a composition by Hoffmann at the
195:
152:
38:
1240:
1125:
1362:
1213:
311:
1155:
872:
756:
596:
540:, the discovery remained virtually unnoticed in the musical world. When
1493:
1404:
1363:"Die Leipziger Neukirchenmusik und das "Kleine Magnificat" BWV Anh. 21"
1279:
611: 1:1748 – the same catalogue number was also used for the cantata
555:
477:
410:
246:
205:(BGA), the work, considered lost since the late 1850s, was composed by
1091:
1300:
1257:
536:(at the time known as Leningrad). Through the disarray caused by the
1905:
402:
348:
319:
275:
254:
164:
132:
599:
in 1961, the composition was ascribed to Bach. In the next decade
1458:
1454:
449:
341:
333:
314:, mostly in German and occasionally in Latin, in vespers and for
307:
232:
224:
179:
175:
80:
385:
became leader of the Collegium Musicum founded by Telemann, and
159:. The composition originated around 1707, when the composer was
228:
1335:
1160:
622:
sorted the attribution conundrum in his contribution to the
682:, with L'Ensemble instrumental de Arts-Québec conducted by
653:
Hoffmann's German Magnificat in A minor was recorded:
406:
322:
concludes the bible verses from the Gospel of Luke. In the
1878:
Kyrie–Gloria Mass for double choir, BWV Anh. 167
1016:
373:
which Telemann had founded in 1702. Among the students of
1105:
1103:
1101:
886:
884:
882:
880:
608:
532:
located the manuscript described by Rust in a library in
136:
1035:
1033:
1031:
496:
mentioned a Magnificat for soprano and small orchestra (
332:". In 1700, two years before becoming a law student in
1334:] (in German). Kirsten BeiĂźwenger (collaborator) (
1098:
1045:
905:
903:
901:
899:
877:
850:
464:
Gerlach remained organist and director musices of the
55:
Early 18th-century manuscript copy, likely written by
1916:
1028:
812:
810:
808:
702:
recorded the work in 1982, with soprano Jane Bryden.
155:(Magnificat, "My soul magnifies the Lord") from the
1649:
Denn du wirst meine Seele nicht in der Hölle lassen
1522:(in German). Vol. II (3rd ed.). Leipzig:
896:
525:described this "small Magnificat" by Bach as lost.
420:
Recitativo: Denn er hat seine elende Magd angesehen
262:for some years, ultimately attributed to Hoffmann.
1852:Liebster Gott, wenn werd ich sterben, BWV 8/6
1747:Aria "Dein Kreuz, o Bräutgam meiner Seelen", from
328:, the first verse of the German Magnificat reads "
1831:Magnificat in C major, BWV Anh. 30
1369:and the "Little Magnificat" BWV Anh. 21]. In
59:, of the "Traversa" part of Hoffmann's Magnificat
1940:
413:, with a chorale setting to begin the doxology:
1253:Apocryphal Bach Masses – Magnificat BWV Anh. 21
773:"Magnificat, a BWV Anh. 21 / Anh. III 168‑>"
580:In his 1958 edition of the Little Magnificat,
432:Recitativo: Die Hungrigen fĂĽllet er mit GĂĽtern
1901:List of compositions by Johann Sebastian Bach
1560:
1514:"Fünftes Buch. Leipziger Jahre von 1723–1734"
1320:
1225:Musenhöhle CD-Katalog (nach Nummern sortiert)
1166:
618:, which was also re-attributed to Hoffmann).
513:. According to Rust, what he had seen was an
438:Recitativo: Wie er gered't hat unseren Vätern
1420:Rettinghaus, Klaus, ed. (9 September 2018).
218:
211:
144:
68:
1419:
1002:
1000:
998:
996:
890:
595:'s edition of the Magnificat, published by
507:Magnificat fĂĽr Sopran und kleines Orchester
423:Aria: Und seine Barmherzigkeit währet immer
1567:
1553:
1266:
1063:
971:
969:
967:
488:In his preface to Vol. 11.1 (1862) of the
49:
915:
767:
765:
426:Recitativo: Er ĂĽbet Gewalt mit seinem Arm
1357:
1109:
1051:
1022:
993:
938:
936:
909:
856:
759:Hoffmann, Melchior: Magnificat in a-Moll
429:Aria: Er stößet die Gewaltigen vom Stuhl
239:website). The 1950 first edition of the
143:'s musical setting of a German version (
964:
357:(new church). In 1705 he had succeeded
14:
1941:
1750:Ein Lämmlein geht und trägt die Schuld
1575:Compositions spuriously attributed to
1508:
1478:
1449:Magnificat D dur und vier Sanctus
1057:
977:"D-B Mus.ms. autogr. Hoffmann, M. 3 N"
834:"Meine Seele rĂĽhmt und preist BWV 189"
816:
795:
762:
748:
746:
744:
661:accompanied by five instrumentalists,
290:sings the song on the occasion of her
1858:Liebster Gott, wenn werd ich sterben?
1743:Aria "Bist du bei mir" (BWV 508)
1597:Sanctus in D minor, BWV 239
1548:
1324:; Kobayashi, Yoshitake, eds. (1998).
933:
245:(BWV) listed the small Magnificat in
1438:
1422:"RUS-SPsc F. 446 Lwow A. F., Nr. 65"
1039:
741:
544:published the first edition of the
417:Aria: Meine Seele erhebt den Herren
310:services, and was also used in the
24:
705:In 2001, the work was recorded by
435:Aria: Er denket der Barmherzigkeit
274:is one of the three New Testament
25:
1970:
1808:Siehe, es hat überwunden der Löwe
1626:(BWV Anh. III 165)
1532:
1227:at Musenhöhle website, p. 51
721:Elbipolis Barockorchester Hamburg
528:In 1940 the British musicologist
474:Johann Gottlob Immanuel Breitkopf
1926:
1810:, TWV 1:1328 (BWV 219)
201:According to the editors of the
1801:, TWV 1:877 (BWV 160)
1799:Ich weiß, daß mein Erlöser lebt
1792:, TWV 1:634 (BWV 218)
1783:, TWV 1:183 (BWV 141)
1683:Schlage doch, gewĂĽnschte Stunde
1539:Magnificat in a-Moll BWV Anh 21
1498:Fuller Maitland, John Alexander
1288:
1245:
1230:
1218:
1203:
1184:
1172:
1145:
1130:
1115:
614:Singet dem Herrn ein neues Lied
441:Chorale: Lob und Preis sei Gott
377:belonging to that ensemble was
340:composed a Latin Magnificat in
178:, the Magnificat is scored for
1790:Gott der Hoffnung erfĂĽlle euch
1756:Bekennen will ich seinen Namen
1492:. Vol. II. Translated by
1354:Preface in English and German.
862:
826:
13:
1:
1674:Meine Seele erhebt den Herren
1466:(in German). Vol. 11.1.
734:
719:sang the Magnificat with the
662:
648:
550:(BWV) in 1950, he listed the
448:The Magnificat is scored for
330:Meine Seele erhebt den Herren
147:Meine Seele erhebt den Herren
103:Meine Seele erhebt den Herren
1692:Meine Seele rĂĽhmt und preist
1541:, Bach Cantatas website 2021
1484:"Book V: Leipzig, 1723–1734"
459:
456:, two violins and continuo.
396:
7:
1651:, JLB 21 (BWV 15)
1397:Evangelische Verlagsanstalt
1391:(in German). Vol. 68.
927:Dreikönigskirche, Frankfurt
10:
1975:
1734:Gottfried Heinrich Stölzel
1624:Unser Wandel ist im Himmel
1455:Magnificat in D major
1313:
1274:The Sacred Apocryphal Bach
711:The Sacred Apocryphal Bach
444:Aria: Wie es war im Anfang
379:Gottfried Heinrich Stölzel
265:
57:Gottfried Heinrich Stölzel
1896:
1869:
1840:
1819:
1781:Das ist je gewiĂźlich wahr
1767:
1731:
1703:
1660:
1635:
1622:(BWV 222) and motet
1606:
1585:
1464:Bach-Gesellschaft Ausgabe
1305:Retrieved 2021-01-05.
1284:Retrieved 2021-01-02.
1262:Retrieved 2021-01-02.
1167:DĂĽrr & Kobayashi 1998
490:Bach-Gesellschaft Ausgabe
203:Bach-Gesellschaft-Ausgabe
117:
109:
97:
86:
76:
64:
48:
37:
32:
1885:Uns ist ein Kind geboren
1719:BWV Anh. 114 melody in "
1296:Per il santissimo natale
1959:Compositions in A minor
1672:Magnificat in A minor (
1365:[The music for the
1338: ed.). Wiesbaden:
582:Ermenegildo Paccagnella
318:. On such occasions, a
1770:Georg Philipp Telemann
1524:Breitkopf & Härtel
1472:Breitkopf & Härtel
1340:Breitkopf & Härtel
1084:10.1093/ml/XXXVI.3.233
605:Georg Philipp Telemann
547:Bach-Werke-Verzeichnis
506:
359:Georg Philipp Telemann
260:Georg Philipp Telemann
242:Bach-Werke-Verzeichnis
219:
212:
145:
69:
1854:, closing chorale of
1620:Mein Odem ist schwach
1578:Johann Sebastian Bach
1519:Johann Sebastian Bach
1446:" [Preface].
1393:Neue Bachgesellschaft
1371:Schulze, Hans-Joachim
1367:New Church in Leipzig
730:for a 2009 recording.
519:Johann Sebastian Bach
405:, mostly alternating
387:Carl Gotthelf Gerlach
383:Johann Sebastian Bach
369:and as leader of the
298:, as narrated in the
207:Johann Sebastian Bach
129:Magnificat in A minor
18:Magnificat in A minor
1949:Baroque compositions
1609:Johann Ernst Bach II
1474:. pp. XIII–XXI.
1011:Berlin State Library
989:; et al. 2020-01-13.
846:; et al. 2019-03-11.
785:; et al. 2018-07-07.
601:Hans-Joachim Schulze
530:William G. Whittaker
517:of a composition by
483:Berlin State Library
304:Luke 1:39–56
1954:Magnificat settings
1870:by unknown composer
1504:. pp. 181–648.
1399:. pp. 97–102.
1071:Music & Letters
1064:Hudson, Frederick;
929:. 13 December 2020.
278:, the others being
1721:A Lover's Concerto
1638:Johann Ludwig Bach
1405:10.13141/bjb.v1982
1385:Bach Yearbook 1982
1380:Bach-Jahrbuch 1982
1025:, pp. 99–100.
671:In April 1965, by
556:catalogue's first
552:Kleines Magnificat
542:Wolfgang Schmieder
476:. For the Leipzig
470:Bernhard Christoph
375:Leipzig University
270:The Magnificat or
213:Kleines Magnificat
70:Kleines Magnificat
39:Sacred vocal music
1914:
1913:
1706:Christian Petzold
1663:Melchior Hoffmann
1526:. pp. 1–479.
1468:Bach Gesellschaft
1359:Glöckner, Andreas
673:Micheline Tessier
616:, TWV 1:1748
603:attributed it to
593:Diethard Hellmann
371:Collegium Musicum
338:Melchior Hoffmann
141:Melchior Hoffmann
139: 1:1748, is
125:
124:
43:Melchior Hoffmann
16:(Redirected from
1966:
1931:
1930:
1929:
1922:
1580:
1569:
1562:
1555:
1546:
1545:
1527:
1505:
1502:Novello & Co
1475:
1435:
1416:
1375:Wolff, Christoph
1353:
1307:
1306:
1292:
1286:
1285:
1270:
1264:
1263:
1249:
1243:
1234:
1228:
1222:
1216:
1207:
1201:
1188:
1182:
1176:
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1164:
1158:
1149:
1143:
1134:
1128:
1119:
1113:
1107:
1096:
1095:
1061:
1055:
1049:
1043:
1042:, p. XVIII.
1037:
1026:
1020:
1014:
1004:
991:
990:
973:
962:
961:
959:
957:
948:
940:
931:
930:
919:
913:
907:
894:
891:Rettinghaus 2018
888:
875:
866:
860:
854:
848:
847:
830:
824:
814:
803:
793:
787:
786:
769:
760:
750:
729:
707:Wolfgang Helbich
692:
681:
667:
664:
620:Andreas Glöckner
590:
575:
567:Frederick Hudson
538:Second World War
534:Saint Petersburg
501:
363:director musices
222:
215:
209:. It was dubbed
198:, among others.
192:Wolfgang Helbich
161:director musices
150:
72:
53:
30:
29:
21:
1974:
1973:
1969:
1968:
1967:
1965:
1964:
1963:
1939:
1938:
1937:
1933:Classical music
1927:
1925:
1917:
1915:
1910:
1892:
1891:
1865:
1864:
1836:
1835:
1815:
1814:
1763:
1762:
1727:
1726:
1699:
1698:
1656:
1655:
1647:Easter cantata
1631:
1630:
1602:
1601:
1588:Antonio Caldara
1581:
1576:
1573:
1535:
1530:
1510:Spitta, Philipp
1480:Spitta, Philipp
1350:
1316:
1311:
1310:
1304:
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1283:
1271:
1267:
1261:
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1231:
1223:
1219:
1208:
1204:
1194:, December 1958
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742:
737:
723:
686:
684:Mireille Lagacé
675:
665:
651:
584:
569:
497:
462:
454:flauto traverso
399:
312:Lutheran church
268:
60:
28:
23:
22:
15:
12:
11:
5:
1972:
1962:
1961:
1956:
1951:
1936:
1935:
1912:
1911:
1909:
1908:
1903:
1897:
1894:
1893:
1890:
1889:
1887:(BWV 142)
1880:
1874:
1873:
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1866:
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1848:
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1838:
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1813:
1812:
1803:
1794:
1785:
1775:
1774:
1772:
1765:
1764:
1761:
1760:
1758:, BWV 200
1745:
1739:
1738:
1736:
1729:
1728:
1725:
1724:
1717:
1711:
1710:
1708:
1701:
1700:
1697:
1696:
1687:
1678:
1676:, BWV Anh. 21)
1668:
1667:
1665:
1658:
1657:
1654:
1653:
1643:
1642:
1640:
1633:
1632:
1629:
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1604:
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1600:
1599:
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1592:
1590:
1583:
1582:
1572:
1571:
1564:
1557:
1549:
1543:
1542:
1534:
1533:External links
1531:
1529:
1528:
1506:
1476:
1459:four Sanctuses
1436:
1417:
1355:
1348:
1317:
1315:
1312:
1309:
1308:
1287:
1265:
1244:
1229:
1217:
1202:
1183:
1171:
1169:, p. 467.
1159:
1144:
1129:
1114:
1097:
1078:(3): 233–236.
1056:
1044:
1027:
1015:
992:
963:
932:
914:
895:
876:
861:
859:, p. 100.
849:
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804:
788:
761:
739:
738:
736:
733:
732:
731:
714:
703:
697:
694:
669:
650:
647:
636:, that is the
523:Philipp Spitta
511:Siegfried Dehn
461:
458:
446:
445:
442:
439:
436:
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427:
424:
421:
418:
398:
395:
300:Gospel of Luke
267:
264:
252:, that is the
227:in Latin, and
174:. Composed in
157:Gospel of Luke
123:
122:
119:
115:
114:
111:
107:
106:
99:
95:
94:
88:
84:
83:
78:
74:
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61:
54:
46:
45:
35:
34:
26:
9:
6:
4:
3:
2:
1971:
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1843:Daniel Vetter
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1440:Rust, Wilhelm
1437:
1433:
1429:
1428:
1423:
1418:
1414:
1410:
1406:
1402:
1398:
1394:
1390:
1389:Bach-Jahrbuch
1386:
1382:
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1376:
1372:
1368:
1364:
1360:
1356:
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1349:9783765102493
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1187:
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1168:
1163:
1157:
1153:
1148:
1142:
1138:
1133:
1127:
1123:
1118:
1112:, p. 98.
1111:
1110:Glöckner 1983
1106:
1104:
1102:
1093:
1089:
1085:
1081:
1077:
1073:
1072:
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1060:
1054:, p. 97.
1053:
1052:Glöckner 1983
1048:
1041:
1036:
1034:
1032:
1024:
1023:Glöckner 1983
1019:
1012:
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1003:
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984:
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978:
972:
970:
968:
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945:
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928:
925:(in German).
924:
918:
911:
910:Glöckner 1983
906:
904:
902:
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883:
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870:
865:
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857:Glöckner 1983
853:
845:
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700:Joshua Rifkin
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625:Bach-Jahrbuch
621:
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351:of Leipzig's
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316:Marian feasts
313:
309:
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280:Nunc dimittis
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188:Joshua Rifkin
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63:
58:
52:
47:
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40:
36:
31:
19:
1884:
1857:
1822:Pietro Torri
1807:
1798:
1789:
1780:
1755:
1753:, model for
1748:
1691:
1682:
1673:
1671:
1648:
1623:
1619:
1517:
1487:
1453:
1447:
1432:Bach Archive
1427:Bach Digital
1425:
1384:
1379:
1331:
1325:
1322:DĂĽrr, Alfred
1295:
1290:
1273:
1268:
1252:
1247:
1232:
1220:
1205:
1192:Alta fedeltĂ
1191:
1186:
1179:RCA Italiana
1174:
1162:
1147:
1132:
1117:
1075:
1069:
1066:DĂĽrr, Alfred
1059:
1047:
1018:
987:Bach Archive
982:Bach Digital
980:
954:. Retrieved
951:Carus-Verlag
922:
917:
864:
852:
844:Bach Archive
839:Bach Digital
837:
828:
791:
783:Bach Archive
778:Bach Digital
776:
717:Deborah York
710:
659:Magda László
652:
643:Bach Digital
637:
630:Carus-Verlag
623:
613:
579:
557:
551:
545:
527:
494:Wilhelm Rust
487:
465:
463:
447:
400:
390:
366:
352:
346:
342:D minor
325:Luther Bible
323:
272:Song of Mary
271:
269:
253:
248:
240:
237:Bach Digital
210:
200:
196:Deborah York
184:Magda László
176:A minor
169:
153:Song of Mary
128:
126:
1494:Bell, Clara
1430:. Leipzig:
1198:p. 352
985:. Leipzig:
956:13 December
842:. Leipzig:
817:Spitta 1884
796:Spitta 1921
781:. Leipzig:
724: [
687: [
676: [
666: 1958
657:By soprano
585: [
570: [
563:Alfred DĂĽrr
466:Neue Kirche
411:recitatives
391:Neue Kirche
367:Neue Kirche
354:Neue Kirche
170:Neue Kirche
1943:Categories
1860:BWV 8
1500:. London:
1395:. Berlin:
1280:ArkivMusic
1276:(8-CD Set)
1141:1016189300
819:, p.
798:, p.
735:References
649:Recordings
478:Michaelmas
284:Benedictus
247:its first
172:in Leipzig
135: 21,
65:Other name
33:Magnificat
1694:(BWV 189)
1512:(1921) .
1442:(1862). "
1413:0084-7682
1303:website.
1301:Muziekweb
1282:website.
1260:website.
1258:Muziekweb
1241:222827597
1156:150204809
1126:755166003
1040:Rust 1862
873:464000198
757:464000199
645:website.
515:autograph
499:‹See Tfd›
460:Reception
397:Structure
296:Elizabeth
276:canticles
194:, and by
151:) of the
87:Catalogue
1906:BWV Anh.
1883:Cantata
1856:Cantata
1806:Cantata
1797:Cantata
1788:Cantata
1779:Cantata
1690:Cantata
1685:(BWV 53)
1681:Cantata
1618:Cantata
1482:(1884).
1434:; et al.
1377:(eds.).
1361:(1983).
1214:38012881
1181:LM 20025
1013:website.
634:Anh. III
597:Hänssler
403:doxology
361:both as
349:organist
320:doxology
165:organist
133:BWV Anh.
118:Composed
110:Language
91:BWV Anh.
1462:].
1444:Vorwort
1387:].
1314:Sources
554:in the
492:(BGA),
485:(SBB).
450:soprano
365:of the
334:Leipzig
266:History
233:BWV 189
225:BWV 243
220:kleines
180:soprano
167:of the
81:A minor
1919:Portal
1411:
1346:
1239:
1212:
1154:
1139:
1124:
1092:730970
1090:
871:
755:
638:Anhang
572:scores
558:Anhang
503:German
308:vesper
255:Anhang
249:Anhang
229:BWV 10
113:German
1452:[
1383:[
1330:[
1088:JSTOR
947:(PDF)
728:]
691:]
680:]
589:]
574:]
407:arias
292:visit
190:, by
186:, by
1457:and
1409:ISSN
1344:ISBN
1237:OCLC
1210:OCLC
1152:RISM
1137:OCLC
1122:OCLC
958:2020
869:RISM
753:RISM
565:and
472:and
409:and
288:Mary
282:and
231:and
163:and
127:The
121:1707
98:Text
1841:by
1820:by
1768:by
1732:by
1704:by
1661:by
1636:by
1607:by
1586:by
1401:doi
1336:BWV
1299:at
1278:at
1256:at
1080:doi
1009:at
821:374
800:203
609:TWV
294:to
137:TWV
77:Key
41:by
1945::
1516:.
1496:;
1486:.
1470:.
1424:.
1407:.
1373:;
1342:.
1196:,
1100:^
1086:.
1076:36
1074:.
1030:^
995:^
979:.
966:^
949:.
935:^
898:^
879:^
836:.
807:^
775:.
764:^
743:^
726:fr
689:fr
678:de
663:c.
587:it
505::
452:,
344:.
336:,
286:.
131:,
93:21
1921::
1723:"
1568:e
1561:t
1554:v
1415:.
1403::
1352:.
1200:.
1094:.
1082::
960:.
912:.
893:.
823:.
802:.
713:.
693:.
668:.
607:(
302:(
217:(
105:"
101:"
20:)
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