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Mandolin-banjo

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211: 326:, with a removable maple resonator (converting the instrument to an open-backed instrument). The selection is not large and the instruments are not common in stores. Morgan Monroe has recently made three models, the MM-MB1 Mandolin Banjo the MM-MB2 Mandolin Banjo, and the Banjolin DLX (8 strings). The Morgan Monroe banjos look like traditional mandolin-banjos and have wooden resonators. The Cumbus model has a spun aluminum resonator. Prices currently range from around US$ 150 to $ 700. In Italy, Musikalia manufactures three models of Mandolin Banjo, always with wooden resonator (mahogany, padouk or maple root wood veneered), animal skin, but gives an alternative between simple or double aluminium ring. 892: 278: 28: 141: 902: 133: 36: 334:
Most instruction books concentrate on either the mandolin or the banjo. Mandolinists need more than just mandolin method because the physical differences between the two types of instruments creates problems to a novice learning to set up and tune the instrument. One of the first books to address
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bands (late 19th–early 20th century), all sorts of instruments were produced. The mandolin-banjo is one of the hybrids that resulted. It enabled mandolinists to produce a banjo sound without having to learn that instrument's fingerings. The instrument adds the banjo's volume to the mandolin.
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Inventors were experimenting to create amplified instruments in the days before electric amplification. The first patent for a mandolin-banjo was taken out in 1882 by Benjamin Bradbury of Brooklyn. The name banjolin was first patented by John Farris in 1885. The instrument was popularized prior to
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said that naming conventions between the United States and France had applied similar names to different instruments. In France and England, the Banjoline was an open-backed instrument, and the mandoline-banjo was a closed back instrument (with a metallic back that made a "tinny" metallic sound.
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which implies the banjolin is a sort of mandolin/banjo hybrid. In the advertisement, Farris did not mention where the name came from, but did say that it was "fingered like the violin." In the United States, the term "melody banjo" was often used for four-string mandolin-banjos, which lacked the
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and mandolin (low to high: GDAE). The movable bridge stands on a resonant banjo-like head typically 10 inches in diameter and currently usually made of plastic. Originally heads were made of skin and varied in diameter to as small as five inches. Larger heads were favored, however, as they were
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The banjolin is different from the banjo-mandolin in the number of strings that it has. Banjolins today are supposed to have four strings instead of 8 strings (in courses or pairs). However, that distinction is not universal; John Farris
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He said that amateurs and professionals alike preferred the single string instrument to the double stringed version, because of the "nice clear sound," which he said resembled the violin
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Compared to mandolins and banjos, manufacture of mandolin banjos grew scarce in the late 20th century. Historically, mass produced mandolin-banjos were made by companies including
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Mando-cümbüş, a Turkish banjo in the style of a mandolin. This instrument resembles the French mandolin-banjo, having a closed-resonator back that gives it a metallic sound.
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During the Hawaiian music craze of the early 20th century, instrument makers tried to capitalize on the widespread desire to learn an instrument. Makers of
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Banjo hybrids normally take their names from the Banjo- prefix, and then the second half of the other instrument's name, such as
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banjo, the American closed-back type that Leonardi referred to. The closed back is a resonator, to project more sound outward.
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applied the names of known instruments to their zithers as a theme. The Banjolin name was applied in this way to a type of
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The American instruments he said were open backed, "and they call Mandoline-Banjo or Bandoline what we call Banjoline."
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jazz-orchestra volume of the double-string instruments, but escaped their problems with tuning and overtones.
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Two styles of mandolin-banjo, showing a large and small head, with a full size, four-string banjo (bottom).
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models. However, he "converted it to a four-string instrument," maintaining the mandolin and violin
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Today mandolins-banjos are being manufactured by Vintage, GoldTone, Rogue,
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L-R - Banjo-mandolin, standard mandolin, 3-course mandolin, Tenor mandola.
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A banjolin with single strings like a violin and a mandolin fretboard.
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length as a mandolin (about 14 inches); with 4 courses of strings
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by name in 1885. The Farris banjolin was offered in
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mandolin-banjo ca. 1920 with four pairs of strings.
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(April 7, 1885). 51:body with the neck and tuning of a 13: 14: 1204: 544: 900: 891: 890: 122: 69:in English-speaking countries, 467: 128:Banjolin versus banjo-mandolin 1: 476:"Stringed Musical Instrument" 350: 600: 272: 84:The instrument has the same 7: 1188:Mandolin family instruments 341:Banjolin and Mandolin-Banjo 285: 10: 1209: 251: 100: 15: 1154: 1123: 1087: 1036: 995: 954: 946: 886: 750: 644: 608: 1183:Banjo family instruments 16:Not to be confused with 335:the mandolin-banjo was 1155:International variants 636:Society (Peterborough) 324:MB-850+ Mandolin-Banjo 282: 226: 149: 137: 40: 32: 314:Current manufacturers 280: 219:American Banjo Museum 213: 143: 135: 38: 30: 838:National Reso-Phonic 561:Photo of a bandoline 106:the 1920s, when the 511:on 27 January 2013. 505:fretlesszithers.com 501:"Bowed Instruments" 112:mandolin orchestras 92:identically to the 77:in France, and the 996:Family instruments 742:Resonator mandolin 645:Family instruments 631:Playing traditions 435:Salvador Leonardi 298:of Philadelphia, 283: 227: 150: 138: 41: 33: 1170: 1169: 1079:Traditional Irish 914: 913: 551:The Banjolin Page 365:"About Banjolins" 345:Salvador Leonardi 330:Instruction books 296:Weymann & Son 235:Salvador Leonardi 229:In his 1921 book 1200: 1110:Rhiannon Giddens 1044:African-American 941: 934: 927: 918: 917: 904: 903: 894: 893: 595: 588: 581: 572: 571: 538: 537: 535: 533: 519: 513: 512: 507:. 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This is a 195:banjo guitar 187: 158: 151: 123:Distinctions 104: 83: 74: 70: 66: 62: 59: 56: 44: 42: 1146:Slingerland 1105:Pete Seeger 1028:Banjeaurine 982:Keith style 778:Del Vecchio 181:length and 108:tenor banjo 81:in Turkey. 1177:Categories 1023:Bass banjo 967:Clawhammer 873:Tanglewood 697:Mandocello 351:References 191:banjocello 67:banjourine 1049:Bluegrass 955:Technique 763:Breedlove 737:Orpharion 727:Mandriola 717:Mandolute 712:Mandolone 692:Mandobass 667:Bandurria 485:March 27, 273:Companies 264:fretless 246:pizzicato 75:bandoline 71:banjoline 18:Banjoline 1074:Old-time 1069:Minstrel 896:Category 833:National 788:Giannini 783:Epiphone 768:Collings 657:Bandolin 602:Mandolin 532:19 April 459:19 April 413:19 April 374:19 April 286:Historic 223:Jazz-Age 185:(GDAE). 159:banjolin 155:patented 63:banjolin 53:mandolin 22:Bandolin 1136:Gretsch 1054:Country 906:Commons 878:Weymann 858:Seagull 848:Ovation 798:Harmony 758:Beltona 722:Mandore 702:Mandola 677:Gittern 672:Cittern 662:Bandora 652:Bandola 626:Players 616:History 258:zithers 252:Zithers 163:soprano 101:Origins 1162:Cümbüş 1141:Ibanez 1131:Gibson 1088:People 1037:Genres 868:Tacoma 823:Martin 813:Ibanez 803:Hohner 793:Gibson 687:Laouto 320:Cumbus 292:Gibson 266:zither 197:, and 183:tuning 173:, and 94:violin 79:Cümbüş 1003:Banjo 977:G run 972:Drone 948:Banjo 863:Stagg 853:Regal 818:Levin 404:(PDF) 343:) by 308:Lange 262:bowed 179:scale 171:tenor 116:banjo 90:tuned 86:scale 49:banjo 1064:Jazz 1059:Folk 962:Roll 808:Hora 773:Dean 534:2021 487:2023 461:2021 415:2021 376:2021 300:Vega 175:bass 167:alto 146:Vega 114:and 73:and 65:and 43:The 20:or 1179:: 525:. 503:. 478:. 452:. 423:^ 406:. 384:^ 367:. 347:. 306:, 302:, 294:, 248:. 233:, 193:, 169:, 165:, 144:A 940:e 933:t 926:v 594:e 587:t 580:v 536:. 489:. 463:. 417:. 378:. 24:.

Index

Banjoline
Bandolin


banjo
mandolin
Cümbüş
scale
tuned
violin
tenor banjo
mandolin orchestras
banjo


Vega
patented
soprano
alto
tenor
bass
scale
tuning
banjocello
banjo guitar
banjo ukulele

Bacon & Day
American Banjo Museum
Jazz-Age

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