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picturesque, he had to present images that went against what was expected from photographs about Mexico even if photographing something classically
Mexican. One way Alvarez Bravo did this was to employ a sense of irony, to the addition of an element contrary to expectations and the main focus of the photograph. For example, while photographing an indigenous man in typical clothing (Señor de
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religion along with the paradoxes and ambiguities of
Mexican culture. His experience with death as a child as the Mexican Revolution was unfolding played a role in his photographs from the explicit “Striking Worker, Assassinated” to the more subtle “Portrait of the Eternal.” However, while Alvarez Bravo was interested in Mexico's cultural identity, he was not particularly political.
442:. It contains six halls for temporary exhibitions of his photographs as well as works by others. It has a library specializing in photography and a permanent collection of 4,000 photographs by Álvarez Bravo and other notable photographers. The other is a collection of photographs that Alvarez Bravo began putting together himself in 1980 for the Fundación Cultural
238:, who promoted Alvaréz Bravo's work in France, exhibiting it there. Later, Breton asked for a photograph for the cover of catalog for an exhibition in Mexico. Alvarez Bravo created “La buena fama durmiendo” (The good reputation sleeping), which Mexican censors rejected due to nudity. The photograph would be reproduced many times after that however.
131:, his photography is self-taught. His career spanned from the late 1920s to the 1990s with its artistic peak between the 1920s and 1950s. His hallmark as a photographer was to capture images of the ordinary but in ironic or Surrealistic ways. His early work was based on European influences, but he was soon influenced by the
144:Álvarez Bravo was born in Mexico City on February 4, 1902. His father was a teacher but pursued painting, music, producing several plays and his grandfather was a professional portrait maker. Because of this, Alvarez Bravo had early exposure to the medium. He grew up in the historic center of Mexico City behind the
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1934), the man stares defiantly back into the camera. Another was to capture people doing ordinary activities avoiding romanticism and sentimentality. One example is a photo of a mother and a shoeshine boy (La mama del bolero y el bolero 1950s) eating lunch together. Another is a group of men eating
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Alvarez Bravo's trademark was the ability to capture hidden and surreal essences beneath the apparently ordinary images he was photographing. Alvarez Bravo was the first
Mexican photographer to take a militantly anti-picturesque stand, to avoid stereotyping Mexico's variety of cultures. To avoid the
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in Mexico City which built a special vault for it. Since his death the photo archive at Casa Lamm continues to receive petitions for reproductions of the photographs from both Mexico and abroad, as well as provide assistance to researchers about the photographer and the times he lived in. Outside of
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era, when there was a cultural and political push to redefine
Mexican identity. In the 1930s, he abandoned European influences for more Mexican themes and styles, influenced by the art of the Mexican muralism movement. His photographs became more complicated with ancient symbols of blood, death and
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He used large cameras which produced more detail in the finished print. However, he was more concerned with the images he photographed than the technical quality of his prints. The compositions were generally excellent and the images poetic. He gave titles to his photographs in order to distinguish
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encouraged him to visit the towns and rural areas. Alvarez Bravo's photographs almost never depict trappings of political power, instead preferring subjects related to everyday life. Most of his subjects are nameless. In addition to his main subjects, he also sought out certain textures, especially
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His career included over 150 individual exhibitions of his work along with participation in over 200 collective exhibitions. In 1928, a photograph of his was chosen to be exhibited in the First Salón
Mexciano de la Fotografía. His first individual exhibition was at the Galería Posada in Mexico City
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Although he was photographing in the late 1920s, he became a freelance photographer full-time in 1930, quitting his government job. That same year, Tina
Modotti was deported from Mexico for political activities and she left Alvarez Bravo her camera and her job at Mexican Folkways magazine. For this
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Alvarez Bravo used Mexico City's streets and squares to frame statements about the social and cultural realities of the city. He used his lens to present Mexico City not in terms of moral or heroic, but rather of social relationships and material clashes. These included class and gender roles.
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movement and the general cultural and political push at the time to redefine
Mexican identity. He rejected the picturesque, employing elements to avoid stereotyping. He had numerous exhibitions of his work, worked in the Mexican cinema and established Fondo Editorial de la Plástica Mexicana
383:. In 1931, he won first prize at a competition sponsored by the La Tolteca company with an image called La Tolteca. Diego Rivera was one of the judges. The rest of his awards did not come until the 1970s. These include the Elias Sourasky Arts Prize in 1974, Premio Nacional de Arte and a
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During the 1930s and 1940s, he discovered increasingly more complex ways to frame the contradictions of Mexico's urban life into social statements. In his pictures, feminine identity has a complex symbolic range where sex overlaps with other social identities of everyday life.
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photography for the 20th century. His work reached creative heights from the 1920s through the 1940s. In developing his craft, he recognized the difficulties of the photographic medium, such as the inability to capture the past and the difficulty of avoiding stereotyping.
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178:, whom he married in 1925, just as he was beginning his career as a freelance photographer. He taught her the craft but she did not achieve the renown that he did. They had one son, Manuel and separated in 1934. His second wife was
226:(1920s to 1950s) when there was significant creative output in the country, much of it sponsored by the government wanting to promote a new Mexican identity based on both modernity and the country's indigenous past.
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exhibition which was exhibited around the world, seen by more people than any other to date. In 1968, the
Palacio de Bellas Artes held a retrospective of four decades of Alvarez Bravo's work. He exhibited at the
167:. Álvarez Bravo had admired Modotti's work in magazines such as Forma and Mexican Folkways even before they met. She introduced him to a number of intellectuals and artists in Mexico City, including photographer
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Alvarez Bravo continued to photograph until his death. About a year before his death, when he could no longer travel, he photographed nudes. He stated that “It wasn't the sort of work one can complain about.”
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123:(February 4, 1902 – October 19, 2002) was a Mexican artistic photographer and one of the most important figures in 20th century Latin American photography. He was born and raised in
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in 1985. From 1994 to 1995 Evidencias de lo invisible, cien fotografías (Evidence of the
Invisible, One Hundred Photographs) was presented at the Fine Arts Museum in New Delhi, the
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in 1923 and bought his first camera in 1924. He began experimenting with it, with some advice from Brehme and subscriptions to photography magazines. In 1927, he met photographer
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publication, Alvarez Bravo began photographing the work of the
Mexican muralists and other painters. During the rest of the 1930s, he established his career. He met photographer
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His first publication was in 1945, writing the book “El arte negro.” His photographs appeared in many publications over his career including the book México: pintura de hoy by
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which produces books on Mexican art. He spent most of the 1960s with this project, putting him in relative obscurity until the 1970s when his work was widely exhibited again.
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and rituals, especially burials and decorations, shop windows, urban streets and everyday interactions. Although he did much of his work in Mexico City,
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From 1943 to 1959, he worked in the Mexican film industry doing still shots, prompting him to experiment some with cinema. In 1949, he collaborated with
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publishing house. He won numerous awards for his work, mostly after 1970. His work was recognized by the UNESCO Memory of the World registry in 2017.
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Alvarez Bravo's first significant award for his photography was first prize for an image of two lovers on a boat at the Feria Regional Ganadera in
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the surfaces of walls and floors. One example is “Hair on Tile” featuring a long lock of wavy hair on a tile floor with star and cross designs.
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During his lifetime, Alvarez Bravo married three times, with all three wives photographers in their own right. His first wife was
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began. He could hear gunfire and came across dead bodies as a child. This would have an effect on his photography later.
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Sergio Raul Lopez (25 May 2001). "Tiene en Casa Lamm albergue de altura" [Casa Lamm has a high warehouse].
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222:Álvarez Bravo's photography career spanned from the late 1920s to the 1990s. It formed in the decades after the
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296:. In 1940 his work was part of a surrealist exhibition by André Breton at the gallery belonging to Inés Amor.
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in 1933 on the set of the film "Redes", and worked with him briefly. In 1938, he met French Surrealist artist
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that influenced his early landscape work. However, his career was being established during the post
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in New York in 1987, Hugo Erfurth International Photography Award and the Agfa Gevaert Prize in
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From 1908 to 1914 Alvarez Bravo attended elementary at the Patricio Saénz boarding school in
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Mexico, two significant collections are at the J. Paul Getty Museum in Los Angeles and the
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in New York along with the Leica Medal of Excellence and the Grand Cross of Merit Order in
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in an experimental film called Coatlicue. In 1957 he worked making stills for the film
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He was the pioneer of artistic photography in Mexico and the most important figure in
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816:"Donors give Getty 52 images by Manuel Alvarez Bravo, Mexico's leading photographer"
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them. The titles of his photographs often are based on Mexican myth and culture.
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193:. An additional 400 photographs are purchased by the Mexican government for the
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773:. Tucson: Center for Creative Photography University of Arizona. Archived from
546:"The archives of negatives, publications and documents of Manuel Álvarez Bravo"
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Significant collections of his work exist in Mexico and the United States. The
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Alvarez Bravo trained most of the next generation of photographers including
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In 1973 he donated his personal collection of photographs and cameras to the
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National Camera : Photography and Mexico's Image Environment
885:[Manuel Alvarez Bravo, Mexico and France celebrate him].
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591:. Mexico: Asociación Manuel Álvarez Bravo. 2008. Archived from
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in 1964. He co wrote and provided the photographs for the book
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and abstract art. Much of this came from two books, one of
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UNESCO Memory of the World Register, Manuel Alvarez Bravo
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In 2005 Alvarez Bravo was posthumously inducted into the
647:"The photography of Manual Alvarez Bravo (1902 - 2002)"
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Alvarez Bravo's early work was influenced by European
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883:"Manuel Álvarez Bravo, México y Francia lo celebran"
411:, Germany in 1991, nomination as Creador Emérito by
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341:in Los Angeles hosted a retrospective of his work.
257:. In the latter half of the 1960s he taught at the
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1023:. Minneapolis, MN: University of Minnesota Press.
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460:International Photography Hall of Fame and Museum
259:Centro Universitario de Estudios Cinematográficos
171:, who encouraged him to continue with the craft.
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715:. Mexico: Asociación Manuel Álvarez Bravo. 2008
434:is a non profit association founded in 1996 by
1080:Photographs: Manuel Alvarez Bravo's Poetic Eye
1076:at the Israel Museum. Retrieved September 2016
403:in 1984, Master of Photography Prize from the
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841:"Centro Fotográfico Manuel Álvarez Bravo"
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742:. Los Angeles: The J. Paul Getty Museum
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358:Fondo Editorial de la Plástica Mexicana
300:selected three of Bravo's pictures for
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913:International Photography Hall of Fame
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415:in 1993 and Gold Medal Award from the
182:and his third was French photographer
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870:(in Spanish). Mexico City. p. 1.
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280:in 1932. In 1935, he exhibited with
405:International Center of Photography
217:Institute of Graphic Arts of Oaxaca
127:. While he took art classes at the
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1495:Isidro Eduardo Castellanos Paredes
391:by the French government in 1982,
191:Instituto Nacional de Bellas Artes
14:
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3552:20th-century Mexican male artists
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1021:Nacho Lopez, Mexican Photographer
478:His primary subjects were nudes,
88:Academia Nacional de Bellas Artes
2045:Víctor Manuel Hernández Castillo
2030:Desiderio Hernández Xochitiotzin
1119:Past and present members of the
771:"Lola Alvarez Bravo Photographs"
432:Centro Fotográfico Álvarez Bravo
356:in 1982. In 1959 he founded the
213:Centro Fotográfico Álvarez Bravo
1074:Manuel Álvarez Bravo collection
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847:(in Spanish). Mexico: CONACULTA
845:Sistema de Información Cultural
814:Boehm, Mike (27 January 2010).
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255:National School of Arts (UNAM)
1:
2790:Antonio Rodríguez de la Serna
1121:Salón de la Plástica Mexicana
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389:Ordre des Arts et des Lettres
325:in Jerusalem in 1983 and the
200:He died on October 19, 2002.
112:Striking Worker, Assassinated
3557:20th-century Mexican artists
645:Rita Pomade (1 April 2003).
387:in 1975, nomination for the
288:, with catalogue texts from
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1455:Francisco Cárdenas Martínez
1265:Gerardo Murillo ("Dr. Atl")
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321:in Washington in 1978, the
108:Obrero en huelga, asesinado
10:
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2963:José Guillermo Téllez Brun
2820:Tránsito Rojas Santamarina
2730:Jorge Germán Ramírez Nieto
2480:Francisco Moreno Capdevila
2110:Juan Carlos Juárez Arreola
2040:Cuauhtémoc Hernández Landa
331:Imperial Palace in Beijing
327:National Library in Madrid
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2320:Ricardo Martínez de Hoyos
2305:Magdalena Martínez Franco
2300:Gustavo Martínez Bermúdez
2025:José Hernández Delgadillo
1960:Consuelo González Salazar
1785:Javier Fernández Helguera
1780:Gabriel Fernández Ledesma
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1069:World Wide Arts Resources
889:(in Spanish). Mexico City
649:. Mexconnect newsletter.
448:Casa Lamm Cultural Center
317:in New York in 1971, the
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3537:Artists from Mexico City
2948:Eduardo Talledos Sánchez
2365:Patricia Mejía Contreras
2015:Jesús Gutiérrez Martínez
1895:José de Jesús García Gil
1315:Osvaldo Barra Cunningham
1205:Colette Álvarez Urbajtel
1028:Tejada, Roberto (2009).
337:in Lisbon. In 2001, the
184:Colette Álvarez Urbajtel
2875:Herlinda Sánchez Laurel
2845:Antonio Ruiz El Corcito
2800:Manuel Rodríguez Lozano
2295:Héctor Martínez Arteche
2050:Manuel Herrera Cartalla
1940:Jorge González Camarena
1690:Gonzalo de la Paz Pérez
1635:Alejandro Chacón Pineda
1525:Fernando Castro Pacheco
1135:Gilberto Aceves Navarro
319:Corcoran Gallery of Art
286:Palacio de Bellas Artes
139:
3532:Fine art photographers
3365:Bernd and Hilla Becher
3028:Sergio Valadez Estrada
2918:Luz Maria Solloa Junco
2860:Cecilia Sanchez Duarte
2795:Antonio Rodríguez Luna
2515:Ignacio Nieves Beltrán
2325:Ángel Mateos Benavides
2285:Ofelia Márquez Huitzil
2100:Alberto Jiménez Quinto
2035:Miguel Hernández Urbán
1900:Adalberto García Ordaz
1810:Manuel Fuentes Estrada
1775:Alfredo Falfán Vivanco
1705:Francisco Díaz de León
1460:Alfredo Cardona Chacón
1185:Ernesto Álvarez Cortés
1180:Ramón Alva de la Canal
1175:David Alfaro Siqueiros
1155:Rodolfo Aguirre Tinoco
909:"Manuel Álvarez Bravo"
740:"Manuel Alvarez Bravo"
219:
3527:Mexican photographers
3217:Henri Cartier-Bresson
2908:Adriano Silva Pantoja
2830:Mario Romero González
2750:Maria Antonieta Reyes
2590:Luis Ortiz Monasterio
2310:Pedro Martínez Osorio
2230:Catherine Mac Deville
2210:Armando López Becerra
2195:Miguel Ledezma Campos
1990:Jesús Guerrero Galván
1935:Esther González Gómez
1885:Carlos García Estrada
1660:Maria Eugenia Chellet
1645:Carlos Antonio Chávez
1470:Julio Carrasco Bretón
1435:Alfonso Campos Quiroz
1275:Oscar Ávila Soberanes
1240:Gustavo Arias Murueta
1064:Master of Photography
385:Guggenheim Fellowship
350:Instante y revelación
346:Luis Cardoza y Aragón
335:Belém Cultural Center
294:Luis Cardoza y Aragón
282:Henri Cartier-Bresson
211:
195:Museo de Arte Moderno
129:Academy of San Carlos
3542:Mexican centenarians
3223:Manuel Álvarez Bravo
2885:Alfredo Serrano Lara
2870:Sergio Sánchez Ramos
2835:José Luis Rueda Leal
2810:José Julio Rodríguez
2780:Elvia Rivero Chavero
2755:Jesús Reyes Ferreira
2710:Abel Ramírez Águilar
2655:Luz María Pizá Núñez
2580:Carlos Orozco Romero
2460:Vicente Jesús Montes
2370:Deyanira África Melo
2150:Carlos Lamothe Silva
2055:Elena Huerta Muzquiz
1915:Mauricio García Vega
1875:Arturo García Campos
1870:Arturo García Bustos
1725:Francisco Dosamantes
1670:Chungtar Chong López
1585:Erasto Cortés Juárez
1520:Antonio Castro López
1425:Gloria Calero Sierra
1200:Manuel Álvarez Bravo
1170:Rosa María Alfonseca
556:on 26 November 2017.
339:J. Paul Getty Museum
315:Museum of Modern Art
121:Manuel Álvarez Bravo
25:Manuel Álvarez Bravo
18:Mexican photographer
3038:Nancy van Overveldt
3003:Guillermo Toussaint
2855:Juan Manuel Salazar
2735:Mario Rendón Lozano
2690:Francisco Quintanar
2585:Mario Orozco Rivera
1945:Melquiades González
1910:Antonio García Vega
1905:Luis García Robledo
1740:Evangelina Elizondo
1710:María Elena Delgado
1700:Antonio Díaz Cortés
1655:Tomas Chávez Morado
1610:José Víctor Crowley
1545:Guillermo Ceniceros
1515:Guillermo Castrejón
1400:Alejandro Caballero
1395:Bruno Pablo Bresani
1190:Jesús Álvarez Amaya
1019:Mraz, John (2003).
453:Norton Simon Museum
311:Pasadena Art Museum
78:Mexico City, Mexico
3312:Christer Strömholm
3103:Moisés Zabludovsky
3073:Alfonso Villanueva
3058:Reynaldo Velázquez
2983:Maria Teresa Toral
2913:Waldemar Sjölander
2785:Gilberto Rodríguez
2500:Eduardo Nasta Luna
2445:Roberto Montenegro
2270:Maria Luisa Martin
2250:Francisco Magallán
2205:Rosa Lie Johansson
2155:Carmen Lang Merino
1975:Alfredo Guati Rojo
1950:Silvia H. González
1890:José García Narezo
1880:Héctor García Cobo
1845:José Gama González
1770:Enrique Echeverría
1730:Guillermina Dulché
1685:Alberto de la Vega
1650:José Chávez Morado
1620:Marco Antonio Cruz
1475:Leonora Carrington
1390:Enrique Bostelmann
1195:Lola Álvarez Bravo
777:on 21 October 2012
595:on 22 October 2018
512:Mexican Revolution
417:National Arts Club
224:Mexican Revolution
220:
176:Lola Alvarez Bravo
150:Mexican Revolution
3504:
3503:
3442:Wolfgang Tillmans
3389:Graciela Iturbide
3318:William Eggleston
3253:Sebastião Salgado
3189:Laureates of the
3156:
3155:
3098:Mariana Yampolsky
2933:Hermenegildo Sosa
2805:Ignacio Rodríguez
2680:Alejandro Quijano
2630:Héctor Pérez Cruz
1955:Gregorio González
1680:Myriam de la Riva
1535:Elizabeth Catlett
1510:Carmen Castilleja
1505:Fidencio Castillo
1465:Angélica Carrasco
1365:Ignacio M. Beteta
1165:Ernesto Alcántara
948:Tejada, p.113-114
306:The Family of Man
251:Graciela Iturbide
118:
117:
3564:
3547:Men centenarians
3495:Carrie Mae Weems
3430:Joan Fontcuberta
3347:Hiroshi Sugimoto
3191:Hasselblad Award
3183:
3176:
3169:
3160:
3159:
3138:Francisco Zúñiga
3068:Fernando Vilchis
3048:Zalathiel Vargas
2988:Ángeles Torrejón
2740:María Luisa Reid
2720:Everardo Ramírez
2695:Adolfo Quinteros
2665:Enrique Pontones
2660:Salvador Pizarro
2600:Fernando Pacheco
2520:Leonardo Nierman
2475:Alejandro Moreno
2470:Virginia Morales
2410:Benito Messeguer
2265:Salvador Manzano
2200:Alfredo León Gil
2165:Gerardo Lartigue
2105:Heriberto Juárez
1995:Lorenzo Guerrero
1965:Ignacio Granados
1855:José Julio Gaona
1805:Pedro Friedeberg
1750:Augusto Escobedo
1695:Javier del Cueto
1590:Francisco Corzas
1440:Federico Canessi
1360:Roberto Berdecio
1295:Octavio Bajonero
1290:Ignacio Asúnsolo
1245:Gabriela Arévalo
1113:
1106:
1099:
1090:
1089:
1054:Official website
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558:
557:
552:. Archived from
542:
436:Francisco Toledo
393:Hasselblad Award
366:Gabriel Figueroa
133:Mexican muralism
104:
74:
71:October 19, 2002
53:February 4, 1902
52:
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3454:Rineke Dijkstra
3436:Miyako Ishiuchi
3400:
3377:David Goldblatt
3371:Lee Friedlander
3341:Boris Mikhailov
3329:
3258:
3205:Lennart Nilsson
3193:
3187:
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3152:
3113:Ángel Zamarripa
3063:Gabriel Vergara
3053:Octavio Vázquez
3018:Cordelia Urueta
3013:Lucinda Urrusti
2958:Leticia Tarragó
2815:Oscar Rodríguez
2770:Antonio Reynoso
2765:José Reyes Meza
2715:Antonio Ramírez
2685:Yolanda Quijano
2640:Aida Petit Jean
2620:Mariano Paredes
2575:Trinidad Osorio
2550:Pablo O'Higgins
2525:Claudia Nierman
2495:Rogelio Naranjo
2490:Carlos Nakatani
2450:Gustavo Montoya
2390:Antonio Mendoza
2385:Leopoldo Méndez
2330:Daniel Manrique
2275:Francisco Marín
2170:Paulina Lavista
2075:María Izquierdo
2065:Francisco Icaza
2060:Rodolfo Hurtado
2000:Xavier Guerrero
1985:Carlos Guerrero
1980:Arturo Guerrero
1825:Guillermo Gadda
1800:Leopoldo Flores
1675:Azteca de Gyves
1640:Blanca Charolet
1555:Enrique Climent
1550:Pedro Cervantes
1540:Alberto Cavazos
1490:Pilar Castañeda
1415:Yolanda Cabrera
1405:Rocío Caballero
1345:Alberto Beltrán
1340:Angelina Beloff
1325:Feliciano Béjar
1310:Silvia Barbescu
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370:Carlos Pellicer
362:Leopoldo Méndez
298:Edward Steichen
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2605:Javier Padilla
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2565:Armando Ortega
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2560:Carlos Olachea
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2540:Isidoro Ocampo
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2535:Luis Nishizawa
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2485:Nicolás Moreno
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2465:Aliria Morales
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2455:Francisco Mora
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2425:Alfonso Michel
2422:
2420:Guillermo Meza
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2375:Eliana Menassé
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2280:Arturo Márquez
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2240:Maridel Macluf
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2135:Macrina Krauss
2132:
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2117:
2112:
2107:
2102:
2097:
2092:
2087:
2085:Carlos Jaurena
2082:
2077:
2072:
2070:Xavier Iñiguez
2067:
2062:
2057:
2052:
2047:
2042:
2037:
2032:
2027:
2022:
2017:
2012:
2010:Luis Gutiérrez
2007:
2002:
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1987:
1982:
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1765:Manuel Echauri
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1250:Javier Arévalo
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1046:
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1039:978-0816640485
1038:
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1005:Tejada, p. 126
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667:
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550:www.unesco.org
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440:city of Oaxaca
266:José Revueltas
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2745:Walter Reuter
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2555:Froylan Ojeda
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2190:Fernando Leal
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2145:María Lagunes
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2020:Olivia Guzmán
2018:
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2005:Ángela Gurría
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996:Tejada, p. 95
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966:Tejada, p. 96
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455:in Pasadena.
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323:Israel Museum
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247:Héctor García
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169:Edward Weston
166:
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96:
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70:
66:
62:
58:
45:
41:
37:Bravo in 1986
34:
29:
22:
16:
3483:Alfredo Jaar
3448:Stan Douglas
3412:Sophie Calle
3395:Robert Adams
3306:Robert Frank
3288:Sune Jonsson
3222:
3148:Celso Zubire
3128:Gerardo Zarr
3023:Luis Valsoto
2938:Rosendo Soto
2928:Juan Soriano
2850:Froylan Ruiz
2840:José L. Ruíz
2825:Rosa Rolanda
2775:Diego Rivera
2615:Uriel Parker
2505:Antonio Nava
2400:Oscar Merino
2340:John Mc.Ghee
2335:Rafael Mazón
2175:Agustín Lazo
2090:Abel Jiménez
1925:Andrea Gómez
1865:María García
1860:Andrés Garay
1830:Byron Galvez
1795:David Flores
1745:Laura Elenes
1630:Germán Cueto
1560:Arnaldo Coen
1485:Beatriz Caso
1375:Ángel Bracho
1355:Luis Beltrán
1285:Héctor Ayala
1210:Jorge Alzaga
1199:
1084:Getty Museum
1029:
1020:
1013:Bibliography
1001:
980:
971:
962:
953:
944:
916:. Retrieved
912:
903:
891:. Retrieved
886:
876:
867:
861:
849:. Retrieved
844:
835:
823:. Retrieved
819:
791:
779:. Retrieved
775:the original
765:
756:
744:. Retrieved
717:. Retrieved
713:"Chronology"
658:. Retrieved
597:. Retrieved
593:the original
554:the original
549:
540:
526:
517:
493:
489:
484:Diego Rivera
477:
469:
457:
429:
425:
378:
349:
343:
278:
263:
240:
236:André Breton
228:
221:
199:
188:
180:Doris Heyden
173:
165:Tina Modotti
154:
143:
120:
119:
111:
107:
103:Notable work
73:(2002-10-19)
15:
3522:2002 deaths
3517:1902 births
3460:Oscar Muñoz
3424:Paul Graham
3229:Irving Penn
3211:Ansel Adams
3143:José Zúñiga
3078:Luis Vizuet
2998:Jorge Tovar
2973:Luis Toledo
2760:Mario Reyes
2705:Alice Rahon
2700:Fanny Rabel
2670:Pedro Preux
2625:Tomás Parra
2610:Sandra Pani
2380:Olga Méndez
2360:Jaime Mejía
2290:Mary Martín
2225:Amador Lugo
2220:Nacho López
2215:Julia López
2185:Paula Lazos
2160:Marisa Lara
2140:Pablo Kubli
2125:Frida Kahlo
2080:Tania Janco
1930:Mauro Gómez
1820:Dina Frumin
1790:Luis Filcer
1665:Julio Chico
1615:Héctor Cruz
1530:Vita Castro
1380:Adrian Brun
1320:Sofía Bassi
1305:Pedro Banda
1260:Luis Arenal
1140:Luis Acosta
589:"Biography"
354:Octavio Paz
352:along with
274:Luis Buñuel
243:Nacho López
232:Paul Strand
161:Hugo Brehme
125:Mexico City
97:Photography
57:Mexico City
3511:Categories
3418:Walid Raad
3383:Nan Goldin
3235:Ernst Haas
2430:Flor Minor
2120:Jazzamoart
1970:Irma Grizá
1920:Elva Garma
1715:Olga Dondé
1595:Olga Costa
1215:Pablo Amor
939:Mraz, p. 6
795:Mraz, p. 7
532:References
500:Surrealism
409:Leverkusen
397:Gothenburg
49:1902-02-04
3353:Jeff Wall
2880:Sebastián
2180:Rina Lazo
2130:James Key
1082:, video,
887:Excelsior
655:1028-9089
498:, French
423:in 1995.
413:CONACULTA
146:Cathedral
84:Education
893:3 August
851:3 August
825:3 August
820:LA Times
781:3 August
746:3 August
719:3 August
660:3 August
599:3 August
521:Papantla
480:folk art
466:Artistry
444:Televisa
421:Portugal
333:and the
313:and the
304:'s 1955
2900:Sikuame
1128:Artists
918:25 July
868:Reforma
508:Hokusai
504:Picasso
438:in the
284:at the
270:Nazarín
215:at the
157:Tlalpan
3497:(2023)
3491:(2022)
3485:(2020)
3468:(2019)
3462:(2018)
3456:(2017)
3450:(2016)
3444:(2015)
3438:(2014)
3432:(2013)
3426:(2012)
3420:(2011)
3414:(2010)
3397:(2009)
3391:(2008)
3385:(2007)
3379:(2006)
3373:(2005)
3367:(2004)
3361:(2003)
3355:(2002)
3349:(2001)
3343:(2000)
3326:(1999)
3320:(1998)
3314:(1997)
3308:(1996)
3302:(1995)
3296:(1994)
3290:(1993)
3284:(1992)
3278:(1991)
3272:(1990)
3255:(1989)
3249:(1988)
3243:(1987)
3237:(1986)
3231:(1985)
3225:(1984)
3219:(1982)
3213:(1981)
3207:(1980)
2510:Nefero
1036:
653:
496:Cubism
401:Sweden
381:Oaxaca
204:Career
61:Mexico
3476:2020s
3405:2010s
3334:2000s
3263:1990s
3198:1980s
3083:Vlady
360:with
2255:Maka
1034:ISBN
920:2022
895:2012
853:2012
827:2012
783:2012
748:2012
721:2012
662:2012
651:ISSN
601:2012
372:and
302:MoMA
292:and
249:and
140:Life
68:Died
43:Born
395:in
272:by
3513::
989:^
928:^
911:.
843:.
818:.
800:^
729:^
682:^
670:^
609:^
562:^
548:.
462:.
399:,
368:,
364:,
276:.
261:.
245:,
197:.
186:.
59:,
3182:e
3175:t
3168:v
1112:e
1105:t
1098:v
1042:.
922:.
897:.
855:.
829:.
785:.
750:.
723:.
664:.
603:.
114:)
110:(
51:)
47:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
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