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He wrote mainly religious music until at least 1824, the date of his last known surviving autograph. In
Portugal and Brazil, his reputation rests mainly on his religious music, a genre he cultivated throughout his life. He remained in Rio de Janeiro when the Portuguese Court returned to Portugal in
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announced the return of the opera Le donne cambiate from Marcos
Portugal as the most affirmative milestone of the XXXI edition of the International Summer Meetings. The performance had an international cast, musical direction of
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404:
313:. It was the first time that it was performed with period instruments and in a Portuguese version together with the Mateus Baroque Orchestra at the Teatro de
179:, premiered in Venice in 1799. Like most theatre composers of the time, Portugal set several librettos that had proven successful for earlier operas, such as
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in 1811. Upon arriving, Portugal was appointed music master to the sons and daughters of the Prince Regent and became the official Royal
Composer.
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in Lisbon and was appointed music master at the
Patriarchal Seminary in Lisbon. He continued to write operas, mainly
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at the
Theatre of Salitre in Lisbon from c. 1784. He lived in Italy from late 1792 to 1800, possibly funded by the
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405:"Un joven director de ópera argentino, en conexión con Borges, estrena en Portugal"
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424:"As Damas Trocadas: estreia moderna de ópera de Marcos Portugal, em Vila Real"
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141:. He later worked as composer and organist at the Patriarchal See, and was
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produced this work's North
American premiere in 2016. In 2023, In the
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in Lisbon where, as a 14-year-old student, he wrote his first work, a
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161:), premiered in Florence in the spring of 1793. His version of
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153:. He wrote 21 operas for various Italian theatres. The first,
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He authored the first official national anthems of
Portugal (
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199:; he set many stories that had been used before, including
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Marcos
Portugal returned to Portugal in 1800. He became
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1821, and continuing in the employ of his pupil, the
105:(24 March 1762 – 17 February 1830), known as
171:(The Crazy Day, or The Marriage of Figaro), to a
169:La pazza giornata, ovvero Il matrimonio di Figaro
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278:
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117:, who achieved great international fame for his
129:Marcos António da Fonseca Portugal was born in
386:"AS DAMAS TROCADAS | Ópera de Marcos Portugal"
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512:International Music Score Library Project
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292:presented the UK première of Portugal's
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563:19th-century Brazilian male musicians
543:Portuguese Classical-period composers
573:Portuguese male classical composers
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332:
226:Page from Portugal's manuscript of
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113:, was a Portuguese-born Brazilian
103:Marcos António da Fonseca Portugal
43:Marcos António da Fonseca Portugal
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558:18th-century Portuguese musicians
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363:From Room to Room in a Townhouse"
583:19th-century Brazilian composers
477:D. João VI and Marcos Portugal:
568:19th-century Portuguese people
553:Portuguese classical composers
508:Free scores by Marcos Portugal
492:Musical Manuscripts Collection
467:Free scores by Marcos Portugal
422:Ferreira, Diana (2023-07-20).
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1:
548:Brazilian classical composers
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16:Portuguese classical composer
471:Choral Public Domain Library
159:Confusioni della Somiglianza
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578:19th-century male musicians
242:São Carlos National Theatre
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481:, by António Jorge Marques
335:"PORTUGAL, Marcos António"
133:. He studied music at the
403:Clarín.com (2023-07-12).
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333:Marques, António Jorge.
149:D. John, the later King
459:(1797) and overture to
309:and stage direction of
290:Bampton Classical Opera
260:First Emperor of Brazil
294:The Marriage of Figaro
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193:, Milan, in 1794) and
164:The Marriage of Figaro
538:Musicians from Lisbon
281:Hino da Independência
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479:The Brazilian Period
444:Composer's biography
277:, 1809) and Brazil (
135:Patriarchal Seminary
496:Harry Ransom Center
390:www.casademateus.pt
359:"Review: Following
151:John VI of Portugal
488:, biography, links
486:MarcosPortugal.com
372:The New York Times
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115:classical composer
96:Composer, organist
449:Le donne cambiate
367:Anthony Tommasini
307:Ricardo Bernardes
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430:(in Portuguese).
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111:Marco Portogallo
88:Marco Portogallo
85:Other names
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69:17 February 1830
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189:(premièred at
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54:24 March 1762
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71:(1830-02-17)
533:1830 deaths
528:1762 births
452: [
344:16 December
247:opere serie
155:I due gobbi
522:Categories
321:References
213:Semiramide
186:Demofoonte
181:Metastasio
60:, Portugal
50:1762-03-24
339:Caravelas
315:Vila Real
288:In 2010,
285:, 1822).
217:Sofonisba
196:Artaserse
167:, titled
125:Biography
264:D. Pedro
191:La Scala
173:libretto
139:Miserere
79:, Brazil
514:(IMSLP)
510:at the
494:at the
469:in the
463:(1805).
428:PÚBLICO
240:at the
237:maestro
209:Adrasto
205:Alceste
143:maestro
409:Clarín
361:Figaro
230:(1802)
131:Lisbon
119:operas
58:Lisbon
456:]
228:Zaira
201:Serse
109:, or
346:2022
215:and
66:Died
38:Born
365:by
183:'s
175:by
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48:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
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