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Henriques, who had travelled frequently as a child, later also visited Italy, Spain, North Africa, England, the
Netherlands, Belgium, Sweden and Egypt. Of particular note were her stays in Greece where she spent long periods from 1910 to 1913. Both at home and abroad, she exhibited watercolours and
140:. She later created coloured lithographs of architectural scenes in Denmark and Greece as well as woodcuts of ancient Greek, Egyptian, Etruscan and Roman art. Many of her architectural and archaeological works were acquired by the Department of Archaeology and Ethnology of the
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In 1916, Henriques was a founding member of the
Society of Women Artists (Kvindelige Kunstneres Samfund) where she served on the board until 1935. In the 1930s, she was also a member of the Royal Academy's Council and of the board of the
85:. She shared her artistic talents with her paternal uncles and with her elder brother, Robert Henriques (1858-1914), a musician and writer. After taking private painting lessons in Denmark, she spent six months with her father in
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was a close friend of the
Henriques family. He created a picture book for her when she was three years old. In 2017, it was sold at auction at
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38:. She also painted watercolours of ancient architecture and sculpture. In 1916, she was a founding member of the Society of Women Artists (
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in
Copenhagen. In October 1943, she had to flee her apartment to escape the Gestapo. She was hiding at the Montebello Sanatorium in
73:(1825-1912) and Therese Abrahamsen (1833-1882) a pianist. The family shared their time between their first-floor apartment in the
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Henrigues' early work was in the
Realist style but during her stay in Paris it became increasingly Impressionist. A visitor to
101:. On returning to Copenhagen, she was fortunate to be able to attend the Women's School which had just been established at the
30:(26 June 1866 – 12 January 1944) was a Danish painter who created landscapes, figure paintings and portraits, initially in the
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Henriques never married and had no children. She lived on the second floor at
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34:style but increasingly under the influence of
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217:(in Danish). Dansk Kvindebiografisk Leksikon
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357:"Marie Henriques som kunstner og menneske"
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172:where she died. She was buried in the
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337:(in Danish). Billedkunstneren No. 3
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388:(in Danish). Berlingske
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67:Copenhagen
170:Helsingør
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32:Realist
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