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Mark Delavan

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wrote: "Delavan’s Sweeney suggested Frankenstein’s monster more than anything else." In TheaterMania, Michael Portantiere declared: "If Delavan does not quite possess the top-notch musical theater acting skills of such Sweeneys as
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Delavan openly admits to having "addictive issues" during this time. In the mid 1990s, his father died, he lost his marriage and wound up taking a janitorial job and sleeping in the back room of the
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and his father was an Opera singer, conductor, director, composer and teacher. He had done some juvenile roles but only decided to pursue a musical career after graduating from
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roles with the company. After leaving San Francisco, he got work but he received lukewarm reviews that he felt he didn't deserve. He walked out of a job at the
685: 779: 850: 845: 57: 780:"Band of Gypsies! – Bass-baritone Mark Delavan Tells how a Family that Travels together Stays Together | Classical Voice North America" 538: 840: 560: 860: 855: 33: 307:, he's still a force to be reckoned with." Others went on to describe Delavan's voice as "extraordinarily deep and resonant". 620: 107: 79: 233:. The musical director was relieved to see him go: "I've never met a guy who has angered my entire company like this." 590: 483:
In addition to his son from his first marriage, Delavan has three sons with his wife pianist Karen Linstedt Delavan.
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for which he received mostly positive reviews for his "hulking presence" and "striking physicality." For
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In 2004, the NYCO asked him what he wanted to do and he suggested an Operatic production of
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where he stayed for the next nine years playing most of the major baritone roles from
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with a degree in graphic arts. At age 21, he enrolled in the music program at
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Delavan has also sung roles with other leading American companies like the
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from the article and its talk page, especially if potentially
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conducting. He has since been heard at the Met as Alfio in
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I've ever heard." Delavan was then invited to sing at the
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had invited him to enroll in a young artists' program.
225:. He spent the next three years performing in numerous 310:He returned to San Francisco to sing Scarpia in 827: 621:"Playing a Demon Barber? Start With Real Demons" 251:His first big break after that was singing for 531:"Delavan celebrates homecoming in 'Rheingold'" 207:His first professional experience was at the 398:, Scarpia, and the title roles in Verdi's 279:. His profile has been rising ever since. 199:in Tulsa where his parents were teaching. 56:about living persons that is unsourced or 732:"San Francisco Opera Performance Archive" 651: 127:Learn how and when to remove this message 851:21st-century American male opera singers 846:20th-century American male opera singers 138: 828: 618: 558: 528: 202: 588: 163:. He was a national finalist of the 524: 522: 520: 18: 13: 255:, who said "That's about the best 14: 872: 805: 756:"The Metropolitan Opera Archives" 652:Isherwood, Charles (2004-03-10). 517: 238:Opera Music Theater International 841:American operatic bass-baritones 812:Official Website of Mark Delavan 478: 324:in the title role) and Wotan in 211:in 1983. In 1986, he was at the 23: 772: 748: 688:from the original on 2023-07-25 601:from the original on 2021-12-05 16:American operatic bass-baritone 861:Oral Roberts University alumni 856:Grand Canyon University alumni 724: 699: 670: 645: 612: 582: 559:Gunter, Freeman (2000-12-01). 552: 493: 1: 786:. 25 May 2011. Archived from 784:Classical Voice North America 678:"Sweeney Todd | TheaterMania" 529:Kosman, Joshua (2008-05-25). 486: 437:Opera Company of Philadelphia 178: 143:Mark Delavan as Jochanaan in 619:Kozinn, Allan (2004-03-05). 34:biography of a living person 7: 760:archives.metoperafamily.org 61:must be removed immediately 10: 877: 589:Amico, Ross (2013-06-21). 561:"Getting Good | CS Music" 501:"Mark Delavan | Baritone" 449:Washington National Opera 475:in London among others. 469:Prague National Theatre 382:, Don Carlo in Verdi's 338:as Amonasro in Verdi's 197:Oral Roberts University 429:Lyric Opera of Chicago 395:Die Frau ohne Schatten 150: 48:Please help by adding 142: 597:. Times of Trenton. 461:Deutsche Oper Berlin 453:Bavarian State Opera 385:La Forza del Destino 367:Cavalleria rusticana 209:North Carolina Opera 189:Grand Canyon College 54:Contentious material 736:San Francisco Opera 711:newscentermaine.com 433:New York City Opera 421:Houston Grand Opera 388:, the Messenger in 379:The Queen of Spades 348:in the title role, 261:New York City Opera 215:in a small role in 213:San Francisco Opera 203:Professional career 173:San Francisco Opera 625:The New York Times 457:Berlin State Opera 376:, Count Tomsky in 370:, Carlo GĂ©rard in 336:Metropolitan Opera 242:Newark, New Jersey 165:Metropolitan Opera 151: 505:UIA Talent Agency 473:Royal Opera House 425:Los Angeles Opera 350:Luciano Pavarotti 296:Charles Isherwood 183:His mother was a 167:auditions and an 137: 136: 129: 111: 37:needs additional 868: 799: 798: 796: 795: 776: 770: 769: 767: 766: 752: 746: 745: 743: 742: 728: 722: 721: 719: 718: 703: 697: 696: 694: 693: 674: 668: 667: 665: 664: 649: 643: 642: 640: 639: 616: 610: 609: 607: 606: 586: 580: 579: 577: 576: 567:. Archived from 556: 550: 549: 547: 546: 537:. Archived from 526: 515: 514: 512: 511: 497: 441:Pittsburgh Opera 413:Simon Boccanegra 356:as Amneris, and 193:Phoenix, Arizona 132: 125: 121: 118: 112: 110: 69: 50:reliable sources 27: 26: 19: 876: 875: 871: 870: 869: 867: 866: 865: 826: 825: 808: 803: 802: 793: 791: 778: 777: 773: 764: 762: 754: 753: 749: 740: 738: 730: 729: 725: 716: 714: 713:. 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Retrieved 504: 495: 482: 418: 411: 405: 399: 393: 383: 377: 371: 365: 358:James Levine 352:as Radamès, 339: 329: 322:Carol Vaness 320:(2004, with 315: 309: 305:George Hearn 288:Elaine Paige 284:Sweeney Todd 281: 250: 246:Jerome Hines 237: 235: 220: 206: 182: 169:Adler Fellow 154:Mark Delavan 153: 152: 123: 114: 104: 97: 90: 83: 71: 60: 43:verification 36: 227:comprimario 830:Categories 794:2020-03-07 765:2023-07-25 741:2023-07-25 717:2023-06-12 692:2020-03-07 663:2020-03-07 638:2020-03-07 605:2020-03-07 575:2020-03-07 545:2020-03-07 510:2020-03-08 487:References 471:, and the 447:, and the 404:, Verdi's 301:Len Cariou 222:Don Carlos 179:Early life 87:newspapers 821:Operabase 633:0362-4331 407:Rigoletto 286:opposite 171:with the 39:citations 686:Archived 599:Archived 565:CS Music 244:, where 158:operatic 145:Strauss' 65:libelous 658:Variety 401:Nabucco 292:Variety 269:Puccini 185:soprano 101:scholar 631:  595:nj.com 535:SFGate 467:, the 463:, the 459:, the 455:, the 443:, the 439:, the 435:, the 431:, the 427:, the 423:, the 273:Wagner 103:  96:  89:  82:  74:  465:Liceu 344:with 317:Tosca 265:Verdi 257:Credo 108:JSTOR 94:books 32:This 629:ISSN 341:Aida 303:and 275:and 80:news 41:for 819:on 364:'s 328:'s 314:'s 240:in 219:'s 191:in 832:: 782:. 758:. 734:. 709:. 680:. 656:. 627:. 623:. 593:. 563:. 533:. 519:^ 503:. 416:. 392:' 294:, 271:, 267:, 175:. 52:. 797:. 768:. 744:. 720:. 695:. 666:. 641:. 608:. 578:. 548:. 513:. 130:) 124:( 119:) 115:( 105:· 98:· 91:· 84:· 67:. 46:.

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Strauss'
Salome Op. 54
operatic
bass-baritone
Metropolitan Opera
Adler Fellow
San Francisco Opera
soprano
Grand Canyon College
Phoenix, Arizona
Oral Roberts University
North Carolina Opera
San Francisco Opera
Giuseppe Verdi
Don Carlos

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