35:, the birthplace of Martina's father, between 1902 and 1905. While the bentonite slip employed in Cochiti pottery gave it a soapy appearance, Southwestern ceramics expert Jonathan Batkin considers the Montoyas' work from this period to be stylistically San Ildefonso. She's known for being the primary instructor of her niece
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23:. She frequently collaborated with her husband and partner Florentino Montoya. They introduced new techniques and materials to other potters.
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117:"Martina Vigil and Florentino Montoya: Master Potters of San Ildefonso and Cochiti Pueblos".
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Martina the finest contemporary potter. They moved from San Ildefonso to
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The
Responsive Eye: Ralph T. Coe and the Collecting of American Indian Art
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Earth Songs, Moon Dreams: Paintings by
American Indian Women
65:. New York: Metropolitan Museum of Art. p. 266.
197:20th-century indigenous painters of the Americas
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162:People from San Ildefonso Pueblo, New Mexico
92:. New York: St. Martin's Press. p. 7.
19:(1856–1916) was a ceramics painter from
27:often copied their designs and in 1895
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247:19th-century American women painters
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212:20th-century American women painters
207:20th-century Native American artists
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227:20th-century Native American women
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21:San Ildefonso Pueblo, New Mexico
202:20th-century American ceramists
86:Broder, Patricia Janis (2013).
232:19th-century American painters
217:20th-century American painters
187:Native American women painters
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257:Native American women potters
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172:San Ildefonso Pueblo potters
119:American Indian Art Magazine
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252:San Ildefonso Pueblo people
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267:Ceramists from New Mexico
136:Polychrome wedding vessel
167:Native American painters
262:Native American potters
222:American women potters
132:in Fenimore Art Museum
59:Coe, Ralph T. (2003).
17:Martina Vigil Montoya
192:Ceramics decorators
99:978-1-4668-5972-2
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177:American potters
138:at Adobe Gallery
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125:(4): 28–37.
37:Tonita Peña
146:Categories
43:References
130:Specimen
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94:ISBN
67:ISBN
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