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84:, a painter strongly influenced by van der Weyden (although this would date the work as 1464 at latest). de Loo noted the Glasgow panel's "elegance and sensitivity", and speculated that they were based on prototypes by van der Weyden, perhaps finished by Memling under van der Weyden's supervision. However this view was eventually rejected and the panels attributed to an unidentified painter, who had apprenticed under van der Weyden and was in contact and influenced by Memling and the
61:. Although the Magi became a popular topic for northern painters in the second half of the 15th century and the Columba altarpiece was widely copied, the master is associated with van der Weyden's workshop because the copy is so close, it is believed he must have had access to a reproduction of the underdrawing.
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47:. He is thought to have originated from the southern Netherlands and is known for his vibrant colourisation in panels depicting scenes from the infancy of Christ, he is thought to have been a pupil of
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Six panels are today associated to the master; five showing scenes from Christ's infancy and one of
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88:, who is sometimes thought to have been Pieter van der Weyden, Rogier's son.
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Hulin de Loo, Georges. "Hans
Memlinc in Rogier van der Weyden's Studio".
313:. National Gallery of Art Washington; Oxford University Press, 1987.
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Early
Netherlandish Paintings: Rediscovery, Reception and Research
235:". Birmingham Museums and Art Gallery. Retrieved 2 February 2016.
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in
Glasgow, are assumed to be wings of a lost portable
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Ridderbos, Bernhard; Van Buren, Anne; Van Veen, Henk.
76:. All six works had been attributed by art historian
345:
299:. Amsterdam: Amsterdam University Press, 2005.
333:"Ein Jugendwerk Memlings." Pantheon 7, 1931.
267:Master of the Prado "Adoration of the Magi"
37:Master of the Prado Adoration of the Magi
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273:, Washington. Retrieved 16 March 2013.
43:active between c. 1475 and 1500 whose
27:. Left wing, previously attributed to
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190:, Oil on panel, 57.9 x 47.8 cm.
86:Master of the Legend of St. Catherine
51:, and is named after a copy of the "
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309:Wolff, Martha; Hand, John Oliver.
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130:Birmingham Museum and Art Gallery
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100:- c. 1470 – 1480. Prado, Madrid
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157:. Burrell Collection, Glasgow.
122:- Burrell Collection, Glasgow.
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359:Early Netherlandish painters
311:Early Netherlandish painting
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55:" panel from that painter's
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233:Oil Painting - The Nativity
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188:Presentation in the Temple
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110:Presentation at the Temple
153:. Utmost left wing of a
68:. Two panels now in the
338:The Burlington Magazine
271:National Gallery of Art
192:National Gallery of Art
114:National Gallery of Art
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207:The Flight into Egypt
170:Adoration of the Magi
104:The Flight into Egypt
98:Adoration of the Magi
58:St Columba Altarpiece
53:Adoration of the Magi
49:Rogier van der Weyden
41:Netherlandish painter
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253:Ridderbos et al, 314
244:Ridderbos et al, 341
78:Georges Hulin de Loo
45:identity is now lost
331:Friedländer, Max J.
128:- c. 1475 – 1500.
112:- c. 1470 – 1480.
70:Burrell Collection
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354:Anonymous artists
194:, Washington D.C.
172:. Central panel.
151:Virgin Annunciate
120:Virgin Annunciate
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340:, 52, 1928.
290:Works cited
348:Categories
214:References
219:Footnotes
155:triptych
126:Nativity
74:triptych
21:Nativity
137:Gallery
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39:was a
174:Prado
315:ISBN
301:ISBN
35:The
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