720:, when she was 14 years old. He served as her first manager. She filed for divorce in 1898, citing his drunkenness and lack of support. She divorced him in 1899 for his misuse of their money and gambling. In 1915, her mother fell ill, so Jones retired from performing and moved back to Rhode Island to take care of her. She devoted the remainder of her life to her church and to caring for her mother, also taking in homeless children and caring for her two adopted children. She lived off her holdings for a number of years, but was eventually forced to sell most of her property to survive, including most of her medals and jewels and three of her four houses. In her final years, the president of the local
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565:, and the ability to sing opera and operetta excerpts in the final section of the show. She was the highest-paid African American performer of her time, remaining the star of the Famous Troubadours for around two decades while they toured each season and established their popularity in the principal cities of the United States and Canada. The company Troubadours made an important statement about the capabilities of black performers to its predominantly white audiences, showing that there were diverse artist genres and styles besides
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212:, comedians, dancers and a chorus of 40 trained singers. She remained the star of the Famous Troubadours for around two decades while they established their popularity in the principal cities of the United States and Canada, Jones retired from performing in 1915. In 2013, she was inducted into the Rhode Island Music Hall of Fame.
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reviewed the "Black Patti
Troubadours" with the following: "The rendition which she and the entire company give of this reportorial opera selection is said to be incomparably grand. Not only is the solo singing of the highest order, but the choruses are rendered with a spirit and musical finish which
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In 1896, Jones returned to
Providence to care for her mother, who had become ill. Jones found that access to most American classical concert halls was limited by racism. She formed the Black Patti Troubadours (later renamed the Black Patti Musical Comedy Company), a musical and acrobatic act made up
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As of 2003, several dresses from her early stage career were maintained by the Rhode Island
Heritage Society. As of 2013, the Rhode Island Black Heritage Society was seeking funds to restore a performance dress worn by Jones in the 1890s, after the yellow silk and embroidered gown deteriorated. Her
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dubbed her "the Black Patti" after
Adelina Patti, an epithet that Jones disliked, preferring Madame Jones. She later told a reporter that the name "rather annoys me... I am afraid people will think I consider myself the equal to Patti herself. I assure you I don't think so, but I have a voice and I
236:, but was educated and literate. She was the oldest of three children, although her siblings died when they were young. Matilda Joyner was nicknamed as Sissy or Tilly by her family and friends, and began singing around the house at a young age. When she was six years old, her family moved to
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On June 8, 1892, Jones' venue options expanded, and she entered a contract with the possibility of a two-year extension, for $ 150 per week (plus expenses) with Major James B. Pond, who had meaningful affiliations to many authors and musicians and also managed artists such as
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The revue provided Jones with a comfortable income, reportedly in excess of $ 20,000 per year. She led the company with reassurance of a forty-week season that would give her a sustainable income, guaranteed lodging in a well-appointed and stylish
440:, and her fees began to rise. She received $ 2,000 for a week-long appearance at the Pittsburgh Exposition, noted for being the highest fee ever paid to a black artist in the United States. By comparison, Adelina Patti was paid $ 4,000 a night.
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never fail to excite genuine enthusiasm." As the show grew more organized by the early 1900s, she had added scenery and costumes to her opera excerpts, and there were definite plots and musical comedy where she appeared in the storyline.
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wrote of her performance at the Music Hall: "If Mme Jones is not the equal of
Adelina Patti, she at least can come nearer it than anything the American public has heard. Her notes are as clear as a mockingbird's and her annunciation
581:" was well-received by a primarily white audience, resulting in "the first time that a colored performer received a bouquet at the theatre in ." The troupe also performed many times in the new theaters with black owners such as the
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Jones was met with international success. Besides the US and the West Indies, Jones toured in South
America, Australia, India, and southern Africa. During a European tour in 1895 and 1896, Jones performed in London, Paris, Berlin,
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The highest-paid
African American performer of her time, later in her career she founded the Black Patti Troubadours (later renamed the Black Patti Musical Comedy Company), a musical and acrobatic act made up of 40
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in Europe, and that performers' skin color was irrelevant to their reception by audiences. By 1896, she also had become frustrated with racism limiting her venues in the United States, particularly when the
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601:(1914 and 1915). She did not participate fully in the 1913–1914 season due to illness, and the following year the company disbanded. Her final two performances were at the Grand Theater in
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and operatic excerpts, although "low" comedy, song and dance were also showcased in what was originally a "free-for-all" variety production with no pretense of a coherent story line. The
347:. For three of her White House performances, Jones had to enter the building through the back. She was finally allowed to enter through the front door for the Roosevelt performance.
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In 1883, Joyner began the formal study of music at the
Providence Academy of Music. She studied with Ada Baroness Lacombe. In the late 1880s, Jones was accepted at the
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Graziano, John (2000). "The Early Life and Career of the "Black Patti": The
Odyssey of an African American Singer in the Late Nineteenth Century".
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Singing Like
Germans: Black Musicians in the Land of Bach, Beethoven, and Brahms , by Kira Thurman. Journal of the American Musicological Society
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380:(1893). At the Chicago performance, the venue was packed an hour before she was set to perform, and she received an ovation after singing "
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in Providence, Rhode Island. She did not have the money to pay for a gravestone upon her death, and is buried in her hometown at
1260:"From Opera, Minstrelsy and Ragtime to Social Justice: An Overview of African American Performers at Carnegie Hall, 1892–1943"
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Wright, Josephine, and Eileen Southern. “Sissieretta Jones (1868-1933).” Black perspective in music 4.2 (1976): 191–201. Web.
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302:. Jones made successful tours of the Caribbean in 1888 and 1892. Around this time one critic at the theatrical journal the
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Lee, Maureen D. Sissieretta Jones:" the Greatest Singer of Her Race," 1868–1933. Univ of South Carolina Press, 2013. p10
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in New York City in October 1915, promising her audiences that she would return. Jones retired from performing in 1915.
743:. In 2018, money was raised to finally place a headstone on her grave; the headstone was erected in June of that year.
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was published in May 2012. The research for the book was partly based on a scrapbook of Jones which was on display at
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464:". By 1895, she had become the "most well known and highly paid" performer of African American heritage of her time.
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On October 29, 1885, Jones gave a solo performance in Providence as an opening act to a production of Shakespeares's
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569:. Their eventual fame and international tours collected many audiences, and several members of the troupe, such as
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s Free Clothing Fund at the Madison Square Garden Concert Hall. In addition to singing an arrangement of Rossini's
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and a chorus of 40 trained singers. The Black Patti Troubadours reveled in vernacular music and dance. The
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with the "colored male choir of St. Philip's church", Jones performed Dvořák's arrangement of Foster's "
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447:. On January 23, 1894, Dvořák included Jones as a featured soloist during his benefit concert for the
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In June 1892, Jones became the first African American to sing at the Music Hall in New York (renamed
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240:, where she began singing at an early age in her father's Pond Street Baptist Church. She attended
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1438:"Rhode Island Black Heritage Society seeks help restoring Sissieretta Jones dress _BINARY_1020157"
636:, she was described as a "stunning woman with a beautiful voice". Jones was also written about in
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681:. At the same time, a plaque honoring Jones was erected near the location of Jones' home on the
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Matilda Sissieretta Joyner was born on January 5, 1868 or 1869, in a house on Bart Street in
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Ragged but right black traveling shows, "coon songs," and the dark pathway to blues and jazz
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A plaque marks the area where Jones' home stood on Wheaton Street on Providence's East Side.
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chapter helped pay her taxes and water bill, and provided her family with coal and wood.
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573:, had significant careers in their own right. In April 1908, at the Avenue Theatre in
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before an audience of 5,000. Jones made her New York City debut on April 5, 1888, at
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1343:"Overlooked No More: Sissieretta Jones, a Soprano Who Shattered Racial Barriers"
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This is the only portrait poster of an African-American performer held by the
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edited a songbook in 1944 which included a song about her; the book is called
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am striving to win the favor of the public by honest merit and hard work."
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1982:
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Africana: The Encyclopedia of the African and African American Experience
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the following year). Among the selections in her program were Gounod's "
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In 2013 Jones was inducted into the Rhode Island Music Hall of Fame.
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298:'s manager, who recommended that Jones tour the West Indies with the
1307:
Cultivating Music in America: Women Patrons and Activists since 1860
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Performing Arts Posters collection from the period of Jones' career.
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Out of Sight: The Rise of African American Popular Music, 1889–1895
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577:, where segregated seating was still prevalent, her rendition of "
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performances. During the final third of each show, Jones performed
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Notable American women, 1607–1950 : a biographical dictionary
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Sissieretta Jones: "The Greatest Singer of Her Race", 1868–1933
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in April 1892 before an audience of 75,000. She sang the song "
1323:(2nd ed.). University of Mississippi Press. p. 1406.
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Blacks in Blackface: a sourcebook on early black musical shows
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Blacks in Blackface: a sourcebook on early black musical shows
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minister and Henrietta Beale, a singer in a church choir and
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In 1883, she married David Richard Jones, a news dealer and
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1898 newspaper advertisement for the Black Patti Troubadours
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368:. She was so popular that she was invited to perform at the
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Jones died in poverty on June 24, 1933, from cancer at the
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1604:. Richmond: University of California Press Books Division.
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And So I Sing: African-American Divas of Opera and Concert
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160:(January 5, 1868 or 1869 – June 24, 1933) was an American
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restored wedding gown at the time was on display at the
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Sissieretta Jones was a Trailblazing Black Opera Singer
1420:"Performer's voice resurrected, nearly 100 years later"
1053:(2nd ed.). The Scarecrow Press, Inc. p. 1406.
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1163:. Cambridge: Cambridge University Press. p. 148.
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Before her death in 2019, the great American soprano
484:. She noted in her letters that she encountered less
331:. She sang for four consecutive presidents—Harrison,
184:. Trained at the Providence Academy of Music and the
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Black perspective in music 4.2 (1976): 191–201. Web.
1309:. Los Angeles: University of California Press, 1997.
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of the Bergen Star Company. She also studied at the
1490:. Jackson, Miss.: University Press of Mississippi.
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Sissieretta Jones: The Greatest Singer of her Race,
200:. She sang for four consecutive presidents and the
1662:Rhode Island Heritage Hall of Fame Women Inductees
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585:in Washington, D.C. Shows for the troupe included
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1068:"RI Music Hall of Fame Announces 2013 Inductees"
813:Alexander, George (Summer 2007). "The Soprano".
224:, United States, to Jeremiah Malachi Joyner, an
188:, Jones made her New York City debut in 1888 at
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937:. New York: Basic Civitas Books. p. 1065.
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1565:. Belknap Press of Harvard University Press.
1504:
1282:"10 19th-Century Celebrities You Should Know"
981:Journal of the American Musicological Society
282:'s theatre troupe. In 1887, she performed at
1526:African American Concert Singers Before 1950
1363:"Fiction Book Review: Olio by Tyehimba Jess"
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294:in New York, Jones came to the attention of
192:, and four years later she performed at the
3060:20th-century African-American women singers
2990:19th-century African-American women singers
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1597:. Champaign: University of Illinois Press.
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1262:. The Black Past: Remembered and Reclaimed
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542:, followed by a series of short songs and
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30:For the similarly named record label, see
3065:20th-century American women opera singers
3000:19th-century American women opera singers
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731:Jones' headstone in Grace Church Cemetery
416:Expanded venues and international success
320:In February 1892, Jones performed at the
1389:2017 Pulitzer Prize Winners and Nominees
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1134:"Portsmouth native became an opera diva"
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2479:Frances Harriet Whipple Green McDougall
1595:Black Opera: History, Power, Engagement
1528:. Jefferson, N.C.: McFarland & Co.
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168:" in reference to Italian opera singer
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1509:. University of South Carolina Press.
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1230:"Local event honors the 'Black Patti'"
931:, ed. (1999). "M. Sissieretta Jones".
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1161:A History of African American Theatre
955:A History of African American Theatre
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3005:African-American women opera singers
1459:"Sissieretta Jones to get headstone"
3040:Musicians from Portsmouth, Virginia
2995:19th-century American women singers
1341:Cooper, Michael (August 15, 2018).
1031:Abbott, Lynn; Seroff, Doug (2007).
708:, a multi-media tribute" to Jones.
395:" and Verdi's "Sempre libera" from
27:American soprano singer (1868–1933)
24:
1486:Abbott, Lynn; Doug Seroff (2002).
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1035:. University Press of Mississippi.
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538:. The show consisted of a musical
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3075:Classical musicians from Virginia
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1258:Hudson, Rob (September 3, 2007).
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249:New England Conservatory of Music
186:New England Conservatory of Music
1897:Matilda Sissieretta Joyner Jones
1109:"Jones, Sissieretta (1869-1933)"
753:African-American musical theater
711:
704:was "in the planning stages for
158:Matilda Sissieretta Joyner Jones
145:
90:June 24, 1933 (aged 64–65)
18:Matilda Sissieretta Joyner Jones
3055:20th-century American actresses
3050:19th-century American actresses
1505:Donnelley Lee, Maureen (2012).
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1305:Locke, Ralph and Cyrilla Barr.
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642:(2016), a poetry collection by
268:Debut and breakthrough concerts
232:. Her father had formerly been
141:
3030:American vaudeville performers
1588:Sissieretta Jones (1868-1933).
1524:Nettles, Darryl Glenn (2003).
362:" and selections from Verdi's
13:
1:
2428:Christiana Carteaux Bannister
1159:; James Vernon Hatch (2003).
763:
215:
172:. Jones' repertoire included
2433:Paulina Kellogg Wright Davis
1627:, PBS American Masters, 2020
443:In 1893, Jones met composer
374:World's Columbian Exposition
164:. She sometimes was called "
7:
3035:Musicians from Rhode Island
2752:Catherine O'Reilly Collette
1615:History's Unsung Opera Star
1600:Pottinger, Mark A. (2022).
1457:Smith, Andy (May 8, 2018).
1392:, The Pulitzer Prizes, 2017
1194:"Matilda Sissieretta Jones"
746:
226:African Methodist Episcopal
10:
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3010:American operatic sopranos
1547:. New York: Warner Books.
1543:Story, Rosalyn M. (1990).
382:Ocean, Thou Mighty Monster
290:. During a performance at
251:in Boston, studying under
65:Matilda Sissieretta Joyner
29:
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648:Pulitzer Prize for Poetry
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526:paired Jones with rising
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2762:Abby Aldrich Rockefeller
2311:Beatrice Oenslager Chace
2223:Catherine Tilley Hammett
669:A biography of Jones by
238:Providence, Rhode Island
94:Providence, Rhode Island
3070:Burials in Rhode Island
2757:Isabelle Ahearn O'Neill
2144:Gladys Williams Brayton
1319:Sampson, Henry (2014).
1199:Encyclopedia Britannica
1049:Sampson, Henry (2014).
683:East Side of Providence
656:John Brown House Museum
497:Black Patti Troubadours
350:Jones performed at the
316:Jones in an 1889 poster
68:January 5, 1868 or 1869
2397:Elizabeth Buffum Chace
2285:Helen Metcalf Danforth
2264:Margaret Langdon-Kelly
2202:Barbara-Jeanne Seabury
1892:Gertrude Meth Hochberg
1738:Carole Garnett-Wheeler
1593:Andre, Naomi. (2018).
929:Henry Louis Gates, Jr.
732:
666:
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428:
317:
3045:Singers from Virginia
2921:Sara MacCormack Algeo
2845:Louisa Sharpe Metcalf
2736:Lucy Rawlings Tootell
2515:Sarah Elizabeth Doyle
2412:Catharine R. Williams
2376:Mary Elizabeth Sharpe
1876:Catherine S. Robinson
1619:National Public Radio
741:Grace Church Cemetery
737:Rhode Island Hospital
730:
706:Call Her By Her Name!
664:
622:Unsung Americans Sung
599:Lucky Sam from Alabam
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423:
370:Pittsburgh Exposition
356:Madison Square Garden
315:
2814:Patricia R. Recupero
2778:Noreen Stonor Drexel
2350:Doris Holloway Abels
2295:Sarah Updike Goddard
2073:Sister Eileen Murphy
1367:PublishersWeekly.com
925:Kwame Anthony Appiah
597:(1912 and 1913) and
579:My Old Kentucky Home
575:Louisville, Kentucky
553:Indianapolis Freeman
345:British royal family
300:Fisk Jubilee Singers
244:and Thayer Schools.
222:Portsmouth, Virginia
202:British royal family
144: 1883;
72:Portsmouth, Virginia
2783:Gertrude I. Johnson
2653:Kathleen S. Connell
2572:Anna Garlin Spencer
2499:Sarah Helen Whitman
2402:Leona McElroy Kelly
2181:Mary Crowley Mulvey
2068:Sister Mary Bernard
1860:Margaret F. Ackroyd
1691:Glenna Collett Vare
1214:Library of Congress
1139:The Virginian-Pilot
894:"Sissieretta Jones"
758:Black Patti Records
624:. In the 1967 book
424:1895 photograph by
352:Grand Negro Jubilee
284:Boston's Music Hall
257:Boston Conservatory
131:David Richard Jones
32:Black Patti Records
2951:Fanny Purdy Palmer
2941:Ingeborg Kindstedt
2877:Sister Mary Reilly
2861:Holly Patrice Wood
2726:Billie Ann Burrill
2598:Marjorie Joy Vogel
2556:Barbara H. Roberts
2474:Katie King-Crowley
2459:Sara DeCosta-Hayes
2443:Victoria Lederberg
2290:Ann Smith Franklin
2165:Nancy A. J. Potter
2089:Marion F. Avarista
2052:Eleanor M. McMahon
1967:Florence K. Murray
1913:Antoinette Downing
1779:June Rockwell Levy
1463:Providence Journal
1443:Providence Journal
1235:Brown Daily Herald
1115:. August 28, 2007.
896:. Women in History
733:
694:The New York Times
667:
646:that won the 2017
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491:Metropolitan Opera
438:Henry Ward Beecher
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341:Theodore Roosevelt
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1918:Frances G. Knight
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1784:Mary Tucker Thorp
1580:Wright, Josephine
1516:978-1-61117-072-6
1238:. April 17, 2013.
1142:. August 4, 2012.
1070:. GoLocalProv.com
679:Howard University
607:Lafayette Theater
593:(1911 and 1912),
589:(1909 and 1910),
462:Old Folks at Home
329:Benjamin Harrison
292:Wallack's Theater
198:Benjamin Harrison
155:
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118:Years active
43:Sissieretta Jones
16:(Redirected from
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1446:. May 17, 2013.
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1286:History.com
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671:Maureen Lee
626:Black Magic
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365:La traviata
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