642:. The two-hour performance involved divers retrieving from a nearby cove a vitrine containing drawings which had been submerged for months. A funeral-like procession of fishermen carried the case up a winding set of stairs. At one point, a dead shark was laid on the case, and the fishermen proceeded to the gallery space, carrying the case and shark, accompanied by the onlookers and a herd of goats. At the Slaughterhouse, the case was opened, water poured out, and the drawings revealed. The shark was eventually cooked and fed to the guests.
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823:"Rather than reading Cremaster, we are encouraged to consume it as high-end eye candy, whose symbolic system is available to us but hardly necessary to our pleasure: meaning, that is, is no longer a necessary component to art production or reception. Left to its own devices-and it is all devices, Cremaster places us in a framework of mutually assured consumption, consuming us as we consume it."
449:. As the cycle evolved over eight years, Barney looked beyond biology as a way to explore the creation of form, employing narrative models from other realms, such as biography, mythology, and geology. The photographs, drawings, and sculptures radiate outward from the narrative core of each film installment. Barney's photographs—framed in plastic and often arranged in
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cycle (1994–2002) is a self-enclosed aesthetic system consisting of five feature-length films that explore processes of creation. The cycle unfolds not just cinematically, but also through the photographs, drawings, sculptures, and installations the artist produces in conjunction with each episode.
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employs a skateboard as a drawing tool. A block of graphite is mounted beneath the skateboard deck on the front end of the board. A skater performs a nose manual (a wheelie on the nose of the board, leaning in the direction of movement) across a smooth surface, tipping the nose of the board forward
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series began in 1987 as a series of studio experiments, drawing upon an athletic model of development in which growth occurs only through restraint: the muscle encounters resistance, becomes engorged and is broken down, and in healing becomes stronger. In literally restraining the body while
853:. "It feels more like a very energetic longing for a beginning, in which all kinds of imagery have been put to the service of one man's intricate fantasy of return to the womb. Something lovely and exasperating is forever in formation there. Will he ever give birth?"
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the most "descended" or differentiated. The cycle repeatedly returns to those moments during early sexual development in which the outcome of the process is still unknown. In Barney's metaphoric universe, these moments represent a condition of pure
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on his studio in Long Island City. The board is a large seven-segment digital clock, visible from the United
Nations and midtown Manhattan, counting down the days, hours, and minutes remaining in the U.S. president Donald Trump's first term. The
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on March 1, 2019, alongside an exhibition of large bronze and brass sculptures and electroplated engravings inspired by the film. The show traveled afterward to UCCA Beijing (2019-2020), then
Hayward Gallery in London (2020- 2021).
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in
Reykjavik (2003), Sammlung Goetz in Munich (2007), and Fondazione Merz in Turin (2008). His work has been included in major group exhibitions including "Moving Pictures" at Solomon R. Guggenheim Museum in New York and
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and the
Guggenheim Museum in New York. A large-scale exhibition of the entire “Drawing Restraint” series was organized by the 21st Century Museum for Contemporary Art, Kanazawa, in 2005 and traveled to
856:"Barney is the real thing. When he brings his boundless imagination to a subject he goes down to its depths to create images and implant ideas that stay in your mind for ever" writes art historian
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Spector, Nancy. "in potentia: Matthew Barney and Joseph Beuys" in All in the
Present Must Be Transformed: Matthew Barney and Joseph Beuys. exh. cat. Deutsche Guggenheim, dist. by D.A.P. 2006.
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Wakefield, Neville. "Matthew Barney. Prayer Sheet with the Wound and the Nail" in
Matthew Barney: Prayer Sheet with the Wound and the Nail. exh. cat. Schaulager, Basel, 2010. pp. 8–16.
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exhibited "Matthew Barney: Redoubt," the first solo museum exhibition in the U.S. since the presentation of "River of
Fundament" at the Museum of Contemporary Art, Los Angeles, in 2015–16.
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marks the influx of narrative and characterization, resulting in a three channel video and a series of drawings and photographs, for which Barney was awarded the Aperto Prize in the 1993
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films, though "completely arcane, hermetic and solipsistic ... nevertheless periodically provide some of the most enigmatically beautiful experimental film imagery you'll ever see."
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Phillips, Adam. "Adam
Phillips and Matthew Barney: A Conversation" in Matthew Barney: Prayer Sheet with the Wound and the Nail. exh. cat. Schaulager, Basel, 2010. pp. 18–42.
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Barney, Matthew. "Matthew Barney: Drawing
Restraint Volume 2," Whitney Biennial 2010 exhibition catalog, Whitney Museum of American Art, Yale University Press, New Haven, 2010.
691:, Rotterdam, organized a solo exhibition of his work that toured Europe throughout 1995 and 1996. Barney was subsequently included in many international exhibitions, such as
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in Paris. In 2014, Barney exhibited "River of
Fundament" at Haus der Kunst, Munich. The exhibition later traveled to the Museum of Old and New Art, Hobart, Tasmania and the
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and leaving behind a drawn graphite line. The piece was part of a benefit art show and auction titled "Good Wood", raising awareness and funds for Power House Productions'
272:, with whom he lived in a penthouse co-op in Brooklyn Heights. By September 2013, Barney and Björk were no longer a couple; Björk chronicled the breakup in her 2015 album
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in Minneapolis (2005), Biennial of Moving Images at Centre pour l’Image Contemporaine in Paris (2005), and "All in the Present Must Be Transformed: Matthew Barney and
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Ulrich-Obrist, Hans. Interview with Matthew Barney in Drawing Restraint Volume 1. Verlag der Buchhandlung Walther König, Köln, Germany 2005, pp. 87–91.
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Spector, Nancy, and Neville Wakefield. Matthew Barney: The Cremaster Cycle. Guggenheim Museum Publications and Harry N. Abrams, Inc., New York, 2002.
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as "an extraordinary first show". That same year, at the age of twenty-four, he had a solo exhibition at the San Francisco Museum of Modern Art. The
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mounted “Subliming Vessel: The Drawings of Matthew Barney”, the first museum retrospective devoted to the artist's drawings, later traveling to the
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506:. The film’s central scene is an abstraction of Mailer’s wake, set in a replica of the late author’s apartment in Brooklyn Heights and featuring
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The project is rife with anatomical allusions to the position of the reproductive organs during the embryonic process of sexual differentiation:
334:(2005). A major project consisting of a feature-length film and soundtrack composed by Björk, large-scale sculptures, photographs and drawings,
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Cook, Angus. Matthew Barney and Elizabeth Peyton: Blood of Two. Deste Foundation for Contemporary Art, Greece, Walther König, Cologne, 2009.
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was initially illuminated during a durational performance of physical comedy by Josh Fadem. On inauguration day in 2021, at 12:00 p.m.,
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contractions in response to external stimuli. Barney's long-time collaborator Jonathan Bepler composed and arranged the films’ soundtracks.
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Barney, Matthew. Matthew Barney: Prayer Sheet with the Wound and the Nail. Schaulager, Switzerland, and Schwabe Verlag Basel, Basel, 2010.
260:, but he also intended to study art. In 1989, he graduated from Yale. His earliest works, created at Yale, were staged at the university's
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McClure, Michael Jay. "Queered Cinema: Film, Matter, and Matthew Barney." Discourse, Volume 32, Number 2, Spring 2010, pp. 150–169.
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Barney's work has provoked strong critical reaction, both positive and negative. Barney's work has been compared to performance artists
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1898:"After Trump's Inauguration, Matthew Barney Installed a Giant Clock Counting Down His Days in Office. Now, It's Finally Going Dark"
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in their February 2013 issue. The board was purchased by People Skate and Snowboard and it is displayed at their only location in
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Kvaran, Gunnar B., and Nancy Spector. Matthew Barney: The Cremaster Cycle. Astrup Fearnley Museet for Moderne Kunst, Oslo, 2003.
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and where he attended elementary, middle, and high school. His parents divorced and his mother, an abstract painter, moved to
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Following his inclusion in two group shows at Althea Viafora gallery in New York in 1990, Barney's solo debut in 1991 at the
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Riley, Robert R. "The Expanse of Energy," in Matthew Barney: New Work. exh. cat. San Francisco Museum of Modern Art, 1991.
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and film director who works in the fields of sculpture, film, photography and drawing. His works explore connections among
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Goodeve, Thyrza Nichols. "Matthew Barney 95 Suspension Secretion Secret ," Parkett, No. 45, 1995, pp. 67–69.
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Keller, Alexandra; Ward, Frazer (Winter 2006), "Matthew Barney and the Paradox of the Neo-Avant-Garde Blockbuster",
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Barney, Matthew, Karsten Löckemann, and Stephan Urbaschek. Matthew Barney. Kunstverlag Ingvild Goetz, Munich, 2007.
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1820:"Giant Clock on East River Counts Down Days Left in President Trump's Term - Long Island City - New York - DNAinfo"
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McKee, Francis, Hans Ulrich Obrist, and Matthew Barney. Drawing Restraint Volume 1. Walther König, Cologne, 2005.
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The Road to Art Fame: An examination of two artists, how they got where they got, and whether that's a good thing
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Barney, Matthew. Drawing Restraint Volume 4. JMc & GHB Editions, New York and Sammlung-Goetz, Munich, 2007.
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in Basel in 2010 in conjunction with the exhibition "Prayer Sheet with the Wound and the Nail," a survey of the
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Barney, Matthew, and Olga Gambari. Matthew Barney: mitologie contemporanee. Fondazione Merz, Turin, 2009.
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710:"Matthew Barney: The Cremaster Cycle", an exhibition of artwork from the entire cycle organized by the
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1504:"Juxtapoz Magazine - Juxtapoz Presents: Lance Mountain x Matthew Barney in Detroit, Parts 1 & 2"
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Barney, Matthew. Matthew Barney/The Cremaster Cycle. Meeting House Square, Temple Bar, Dublin, 2002.
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Bryson, Norman. "Matthew Barney's Gonadotrophic Cavalcade," Parkett, No. 45, 1995, pp. 29–35.
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Barney, Matthew. Cremaster 3. Guggenheim Museum, Distributed Art Publishers, Inc., New York, 2002.
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Barney, Matthew, Pamela Franks, and Elisabeth Hodermarsky with the introduction by Philip Tinari.《
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Onfray, Michel. "Mannerist Variations on Matthew Barney," Parkett, No. 45, 1995, pp. 50–57.
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Enwezor, Okwui, Hilton Als, Diedrich Diederichsen, Homi K. Bhabha, David Walsh, and Louise Neri.
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also admires Barney's work and credited him as an influence on the music video for West's song "
249:, where he would frequently visit. It was there where he was first introduced to the art scene.
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Hasegawa, Itsuko, and Shinichi Nakagawa. Drawing Restraint Volume 2. Uplink Co., Tokyo, 2005.
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Golden Gate Persistence of Vision Award, 54th San Francisco International Film Festival, 2011.
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James D. Phelan Art Award in Video, Bay Area Video Coalition, San Francisco Foundation, 1999.
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Barney, Matthew. Matthew Barney. Mönchehaus Museum für Moderne Kunst, Goslar, Germany, 2007.
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Barney, Matthew. Drawing Restraint Volume 6. Schaulager/Laurenz Foundation, Basel, 2010.
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Barney, Matthew. Drawing Restraint Volume 3. Leeum Samsung Museum of Art, Seoul, 2005.
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Flood, Richard, and Matthew Barney. Cremaster 2. Walker Art Center, Minneapolis, 1999.
849:"Is Barney's work a new beginning for a new century?", asks Richard Lacayo, writing in
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was included in the 2003 Venice Biennale and prefigured the narrative development for
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In June 2017, Barney, local art curator Brandon Stosuy, and other artists installed
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Seward, Keith. "Matthew Barney and Beyond," Parkett, No. 45, 1995, pp. 58–60.
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Barney, Matthew. Matthew Barney: DJED Playbill, Gladstone Gallery, New York, 2011.
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of Idaho, United States, and uses multiple layers of myths, including the myth of
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from 1973 to 1985, where his father got a job administering a catering service at
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2174:"Kanye West Explains His Shocking "Famous" Video: "Matthew Barney Is My Jesus""
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Wakefield, Neville. Drawing Restraint Volume 5. Walther König, Cologne, 2007.
358:(2005–07) are site-specific performances that recall the earlier Yale pieces.
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Barney, Matthew. Matthew Barney: KHU Playbill. Barney Studio, New York, 2010.
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as "one of the most imaginative and brilliant achievements in the history of
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that distill moments from the plot—often emulate classical portraiture. His
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945:. Foundation Cartier, Paris and Barbara Gladstone Gallery, New York, 1995.
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Matthew Barney was born March 25, 1967, as the younger of two children in
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2349:"Matthew Barney To Be Honored at 54th San Francisco Intnl Film Festival"
1872:"DOES MATTHEW BARNEY HAVE A TRUMP COUNTDOWN CLOCK IN LIC? • lictalk.com"
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in Detroit, Michigan. The riding was performed on site by skateboarder
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264:. In the 1990s, Barney moved to New York, where he worked as a catalog
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drawings represent key aspects of the project's conceptual framework.
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1394:"A Heart Broken and Dissected Björk's 'Vulnicura,' From Deep Within"
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Others have asserted Barney's works are contemporary expressions of
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Barney has explored live performance before an audience. The pieces
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As of 2014, Barney maintained a studio in Long Island City, Queens.
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2476:"Matthew Barney and the Paradox of the Neo-Avant-Garde Blockbuster"
2148:"In Other News, Kanye West Names Matthew Barney His Personal Jesus"
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Leigh, Bobbie; Ward, Frazer (June 2005), "New Look at Surrealism",
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Kaiser Ring Award, Museum für moderne Kunst, Goslar, Germany, 2007.
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Matthew Barney: Ancient Evenings: Libretto, March 20 - May 9, 2009
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series' enigmatic nature, Alexandra Keller and Frazer Ward write:
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in Kassel (1992); the 1993 and 1995 Biennial exhibitions at the
309:(1987–89) were documentations made using video and photography.
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Couple in The Cage: Two Undiscovered Amerindians Visit the West
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1686:"A Lighter Matthew Barney Goes Back to School, and Back Home"
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Glen Dimplex Award, Irish Museum of Modern Art, Dublin, 2002.
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2442:(25th anniversary ed.). Köln: Taschen. pp. 28–31.
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1632:"Who wants to join the cult of video artist Matthew Barney?"
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takes the form of a three-act opera and is loosely based on
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Barney, Matthew, Pamela Franks, and Elisabeth Hodermarsky.
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Review of Matthew Barney's "Redoubt" in Sculpture magazine
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Lacayo, Richard (March 3, 2003), "The Strange Sensation",
1482:"Matthew Barney: Prayer Sheet with the Wound and the Nail"
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Europa 2000 Prize, Aperto '93, 45th Venice Biennale, 1993.
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represents the most "ascended" or undifferentiated state,
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in 2006 and included over 150 objects of varying media.
1990:"Matthew Barney: Redoubt | Yale University Art Gallery"
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Grosenick, Uta; Riemschneider, Burkhard, eds. (2005).
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June 17, 2009 nytimes.com Retrieved on July 13, 2009.
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IndieWire Staff; Staff, IndieWire (March 23, 2011).
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Barney replaced the human body with the body of the
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Matthew Barney is represented by Gladstone Gallery.
1161:. The Morgan Library & Museum, New York, 2013.
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1196:. Culture and Art Publishing House, Beijing, 2019.
930:. Museum Boijmans Van Beuningen, Rotterdam, 1995.
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626:In June 2009, a collaboration between Barney and
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2302:. Moenchehaus.de. March 25, 1967. Archived from
2094:Chang, Chris (July–August 2003), "Cremaster 3",
1346:. Cremasterfanatic.com. Retrieved on 2011-02-28.
1182:. Conn: Yale University Press, New Haven, 2019.
1159:Subliming Vessel: the Drawings of Matthew Barney
256:in 1985 to play football and planned to go into
1358:"Matthew Barney: 'My work is not for everyone'"
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1420:Matthew Barney: 'My work is not for everyone'
553:, as well as references to the controversial
237:, where he lived until he was 7. He lived in
2300:"Matthew Barney The Goslar Kaiser Ring 2007"
541:Barney began producing a new two-hour film,
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960:. Cantz Verlag, Ostfildern, Germany, 1996.
425:Its conceptual departure point is the male
342:religion, the tea ceremony, the history of
209:cinema." He is also known for his projects
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1954:Matthew Barney Heads to the Morgan Library
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958:Matthew Barney: Drawing Restraint Volume 7
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671:as the clock began to approach 00:00:00.
2996:Mattress Performance (Carry That Weight)
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1784:. June 23, 2009. Retrieved July 13, 2009
842:. In the words of Chris Chang, Barney's
720:Musée d'Art Moderne de la Ville de Paris
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1594:"The Guggenheim Museums and Foundation"
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926:Wakefield, Neville, and Richard Flood.
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2972:How to Explain Pictures to a Dead Hare
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1846:"MATTHEW BARNEY TRUMP COUNTDOWN CLOCK"
1746:. The Brooklyn Rail. November 5, 2010.
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1522:"Matthew Barney's graphite skateboard"
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1598:The Guggenheim Museums and Foundation
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1547:"Matthew Barney: The Cremaster Cycle"
1175:. N.Y: Skira Rizzoli, New York, 2014.
153:(born March 25, 1967) is an American
2474:Keller, Alexandra, and Frazer Ward.
2196:"Matthew Barney - Gladstone Gallery"
1972:"Matthew Barney: RIVER OF FUNDAMENT"
1744:"Matthew Barney's Heart of Darkness"
1438:"Matthew Barney - Gladstone Gallery"
877:
802:
741:Astrup Fearnley Museum of Modern Art
667:performed a guitar solo beneath the
600:took place on July 12, 2007, at the
189:. Between 1994 and 2002, he created
2861:
2558:Galerie Max Hetzler, Matthew Barney
1822:. December 16, 2017. Archived from
1301:This Boise Life, or Hut Hut Houdini
612:. His October 2, 2010 performance,
13:
2370:
2146:Martinez, Alanna (June 28, 2016).
2128:Dorment, Richard (July 17, 2007),
1374:Nitsuh Abebe (February 26, 2012),
729:San Francisco Museum of Modern Art
645:
352:San Francisco Museum of Modern Art
338:was built upon themes such as the
228:
14:
3788:
2508:
1952:Carol Vogel (February 28, 2013),
1484:. Schaulager.org. October 3, 2010
1462:Matthew Barney: Drawing Restraint
1392:Pareles, Jon (January 22, 2015).
1221:Pareles, Jon (January 30, 2015).
602:Manchester International Festival
3737:American experimental filmmakers
2553:Matthew Barney at the Guggenheim
2265:"Barney wins Glen Dimplex Award"
1723:UCCA Center for Contemporary Art
1684:Farago, Jason (March 21, 2019).
1356:Searle, Adrian (June 16, 2014).
1327:The Importance of Matthew Barney
789:Bibliothèque Nationale de France
557:into the Sawtooth Mountains and
38:
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2172:Helman, Peter (June 25, 2016).
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797:the Yale University Art Gallery
608:took place on May 18, 2008, in
522:, Peter Donald Badalamenti II,
3777:Yale Bulldogs football players
3696:Survival Research Laboratories
2520:The Drawing Restraint Web Site
1761:"Now Viewing | ‘Blood of Two’"
1385:
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697:Whitney Museum of American Art
674:
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305:attempting to make a drawing,
1:
3742:Artists from New York (state)
2608:
2568:Matthew Barney and Gasper Noé
1943:, museum in progress, Vienna.
1207:
689:Museum Boijmans Van Beuningen
173:as well as notable themes of
3772:People from Brooklyn Heights
3593:LaBeouf, Rönkkö & Turner
2515:The Cremaster Cycle Web Site
2240:"Matthew Barney - Biography"
2229:. Retrieved 31 January 2010.
2130:"A triumph of shock and awe"
1929:Solomon R. Guggenheim Museum
928:Pace Car for the Hubris Pill
725:Leeum, Samsung Museum of Art
712:Solomon R. Guggenheim Museum
582:revisit the language of the
16:American contemporary artist
7:
2117:, vol. 161, no. 9
1664:Yale University Art Gallery
785:Morgan Library & Museum
10:
3793:
3747:Artists from San Francisco
2900:Breathing in/breathing out
2539:Matthew Barney on Artabase
1941:"Safety Curtain 2000/2001"
889:, Guggenheim Museum, 1996.
756:(2003), "Quartet: Barney,
475:
413:
18:
3767:Yale School of Art alumni
3643:
3616:
3598:Los Angeles Urban Rangers
3560:
3142:
2869:
2616:
2220:'Hugo Boss Prize website'
1719:"Matthew Barney: Redoubt"
1660:"Matthew Barney: Redoubt"
681:Barbara Gladstone Gallery
526:, and jazz percussionist
356:Drawing Restraint 10 – 16
235:San Francisco, California
138:
130:
114:
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3691:Performance art in China
2956:Empathy and Prostitution
2796:Steina and Woody Vasulka
2200:www.gladstonegallery.com
1442:www.gladstonegallery.com
1344:Matthew Barney Biography
913:Matthew Barney: New Work
555:reintroduction of wolves
287:
252:Barney was recruited by
3084:The Death of The Artist
2980:I'm too sad to tell you
2721:Virginia Lee Montgomery
1331:New York Times Magazine
1180:Matthew Barney: Redoubt
623:took place in Detroit.
262:Payne Whitney Gymnasium
3762:American video artists
3532:Mierle Laderman Ukeles
2924:Ceci N'est Pas Un Viol
2280:Cite journal requires
825:
500:1967 Chrysler Imperial
420:Matthew Barney's epic
401:Keego Harbor, Michigan
389:Ride It Sculpture Park
368:were performed at the
243:Boise State University
21:Matthew Barney (boxer)
3124:Untitled (Rape Scene)
3076:The Artist Is Present
2886:Amen or The Pederasty
1852:on September 15, 2020
821:
324:containing drawings,
307:Drawing Restraint 1–6
3267:Guillermo Gómez-Peña
2054:"The Anatomy Lesson"
2029:10.1353/cj.2006.0017
1826:on December 16, 2017
1574:. jonathanbepler.com
1572:"jonathanbepler.com"
1325:(October 10, 1998),
598:Guardian of the Veil
580:Guardian of the Veil
384:Drawing Restraint 19
378:Drawing Restraint 18
362:Drawing Restraint 17
3322:Natalie Jeremijenko
2964:Food for the Spirit
2306:on October 19, 2013
1994:artgallery.yale.edu
1878:. September 2, 2017
1637:The Washington Post
1157:Dervaux, Isabelle.
862:The Daily Telegraph
778:Deutsche Guggenheim
714:, premiered at the
416:The Cremaster Cycle
408:The Cremaster Cycle
348:Drawing Restraint 9
336:Drawing Restraint 9
331:Drawing Restraint 9
326:Drawing Restraint 8
311:Drawing Restraint 7
212:Drawing Restraint 9
192:The Cremaster Cycle
155:contemporary artist
19:For the boxer, see
3701:Viennese Actionism
3578:COUM Transmissions
3497:Carolee Schneemann
3342:Ragnar Kjartansson
3116:Three Weeks in May
2816:Krzysztof Wodiczko
2656:Doris Totten Chase
2225:2011-06-15 at the
2077:Art & Antiques
1996:. January 29, 2019
1904:. January 19, 2021
1775:Yablonsky, Linda.
1690:The New York Times
1467:2010-07-28 at the
1260:, 16 October 2002.
1228:The New York Times
1173:River of Fundament
780:in Berlin (2006).
733:Serpentine Gallery
705:museum in progress
685:The New York Times
661:Haela Hunt-Hendrix
483:River of Fundament
478:River of Fundament
470:River of Fundament
218:River of Fundament
69:, California, U.S.
3714:
3713:
3686:Participatory art
3527:Melati Suryodarmo
3412:Charlotte Moorman
3060:Seven Easy Pieces
2829:
2828:
2525:Gladstone Gallery
2497:978-3-7965-2707-4
2487:978-3-7965-2707-4
2152:New York Observer
1777:"Greek Mythology"
1619:Gladstone Gallery
1380:New York Magazine
1323:Michael Kimmelman
1305:Los Angeles Times
1202:978-7-5039-6780-1
1188:978-0-300-24327-7
1167:978-0-8478-3976-6
1123:978-88-7757-235-6
1112:978-3-939894-09-4
1098:978-3-86560-318-0
1087:978-0-9795077-0-0
1007:978-0-935640-64-9
996:978-1-881616-87-0
986:Barney, Matthew.
971:Barney, Matthew.
951:978-2-86925-051-2
941:Barney, Matthew.
878:Awards and prizes
803:Critical analysis
770:Walker Art Center
750:Guggenheim Bilbao
745:Living Art Museum
551:Diana and Actaeon
508:Maggie Gyllenhaal
429:, which controls
397:Juxtapoz Magazine
374:Drawing Restraint
302:Drawing Restraint
294:Drawing Restraint
148:
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956:Kertess, Klaus.
827:The philosopher
743:in Oslo (2003),
636:Deste Foundation
628:Elizabeth Peyton
619:Ancient Evenings
593:Ancient Evenings
492:Ancient Evenings
427:cremaster muscle
350:was held at the
320:A series of ten
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3004:One & Other
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2776:Mika Rottenberg
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584:Cremaster Cycle
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3543:
3540:
3538:
3535:
3533:
3530:
3528:
3525:
3523:
3520:
3518:
3517:Michael Smith
3515:
3513:
3510:
3508:
3507:Aliza Shvarts
3505:
3503:
3500:
3498:
3495:
3493:
3492:Martha Rosler
3490:
3488:
3485:
3483:
3480:
3478:
3475:
3473:
3470:
3468:
3465:
3463:
3460:
3458:
3455:
3453:
3452:Nam June Paik
3450:
3448:
3445:
3443:
3440:
3438:
3435:
3433:
3430:
3428:
3425:
3423:
3422:Shirin Neshat
3420:
3418:
3415:
3413:
3410:
3408:
3405:
3403:
3402:Linda Montano
3400:
3398:
3395:
3393:
3392:Marta Minujín
3390:
3388:
3387:Eric Millikin
3385:
3383:
3380:
3378:
3375:
3373:
3372:Phoebe Legere
3370:
3368:
3365:
3363:
3360:
3358:
3355:
3353:
3350:
3348:
3345:
3343:
3340:
3338:
3335:
3333:
3330:
3328:
3325:
3323:
3320:
3318:
3315:
3313:
3310:
3308:
3305:
3303:
3302:Lynn Hershman
3300:
3298:
3295:
3293:
3290:
3288:
3285:
3283:
3282:David Hammons
3280:
3278:
3275:
3273:
3272:Cai Guo-Qiang
3270:
3268:
3265:
3263:
3260:
3258:
3255:
3253:
3250:
3248:
3245:
3243:
3240:
3238:
3235:
3233:
3230:
3228:
3225:
3223:
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3218:
3215:
3213:
3210:
3208:
3205:
3203:
3200:
3198:
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3180:
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3175:
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3170:
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3165:
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3150:
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3147:
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3141:
3134:
3133:
3129:
3126:
3125:
3121:
3118:
3117:
3113:
3110:
3109:
3105:
3102:
3101:
3097:
3094:
3093:
3089:
3086:
3085:
3081:
3078:
3077:
3073:
3070:
3069:
3068:Shot Marilyns
3065:
3062:
3061:
3057:
3054:
3053:
3049:
3046:
3045:
3041:
3038:
3037:
3033:
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3025:
3022:
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3017:
3014:
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3009:
3006:
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2989:
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2934:
2933:
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2926:
2925:
2921:
2918:
2917:
2913:
2910:
2909:
2908:Body Pressure
2905:
2902:
2901:
2897:
2894:
2891:
2888:
2887:
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2875:
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2764:
2762:
2759:
2757:
2754:
2752:
2751:Nam June Paik
2749:
2747:
2744:
2742:
2739:
2737:
2736:Shirin Neshat
2734:
2732:
2729:
2727:
2726:Shana Moulton
2724:
2722:
2719:
2717:
2716:Eric Millikin
2714:
2712:
2711:Steve McQueen
2709:
2707:
2706:Paul McCarthy
2704:
2702:
2699:
2697:
2694:
2692:
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2615:
2611:
2604:
2599:
2597:
2592:
2590:
2585:
2584:
2581:
2575:
2574:
2573:BOMB Magazine
2569:
2566:
2564:
2561:
2559:
2556:
2554:
2551:
2549:
2545:
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2540:
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2531:
2528:
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2521:
2518:
2516:
2513:
2512:
2503:
2500:
2498:
2494:
2490:
2488:
2484:
2480:
2477:
2473:
2471:
2470:0-89207-355-1
2467:
2463:
2459:
2455:
2451:
2449:9783822840931
2445:
2441:
2436:
2433:
2432:0-9795077-0-7
2429:
2425:
2423:
2422:3-907509-95-1
2419:
2415:
2413:
2412:3-907509-95-1
2409:
2405:
2403:
2402:3-907509-95-1
2399:
2395:
2393:
2392:3-907509-95-1
2389:
2385:
2383:
2382:0-918471-23-0
2379:
2375:
2374:
2354:
2350:
2343:
2327:
2321:
2305:
2301:
2295:
2287:
2274:
2266:
2260:
2245:
2241:
2235:
2228:
2224:
2221:
2216:
2201:
2197:
2191:
2175:
2168:
2153:
2149:
2142:
2135:
2131:
2124:
2116:
2109:
2101:
2097:
2090:
2082:
2078:
2071:
2063:
2059:
2055:
2051:
2045:
2038:
2034:
2030:
2026:
2022:
2018:
2011:
1995:
1991:
1985:
1977:
1973:
1967:
1960:
1959:
1955:
1949:
1942:
1937:
1930:
1927:
1922:
1920:
1903:
1899:
1893:
1877:
1873:
1867:
1851:
1847:
1841:
1825:
1821:
1815:
1800:
1796:
1790:
1783:
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1778:
1772:
1765:
1762:
1758:
1753:
1745:
1739:
1724:
1720:
1714:
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1665:
1661:
1655:
1639:
1638:
1633:
1627:
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1612:
1610:
1608:
1599:
1595:
1589:
1573:
1567:
1552:
1548:
1542:
1527:
1523:
1517:
1509:
1505:
1499:
1483:
1477:
1470:
1466:
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1443:
1439:
1433:
1426:
1425:
1421:
1415:
1399:
1395:
1388:
1382:
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1377:
1371:
1363:
1359:
1352:
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1340:
1333:
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1328:
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1319:
1317:
1315:
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1306:
1302:
1296:
1294:
1292:
1276:
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1266:
1259:
1258:
1253:
1252:
1245:
1230:
1229:
1224:
1217:
1213:
1203:
1199:
1195:
1191:
1189:
1185:
1181:
1177:
1174:
1170:
1168:
1164:
1160:
1156:
1153:
1151:
1147:
1143:
1140:
1137:
1135:
1131:
1127:
1124:
1120:
1116:
1113:
1109:
1105:
1102:
1099:
1095:
1091:
1088:
1084:
1080:
1077:
1076:89-85468-34-0
1073:
1069:
1066:
1065:4-900728-14-4
1062:
1058:
1055:
1054:0-9795077-0-7
1051:
1047:
1044:
1040:
1036:
1033:
1032:0-8109-6935-1
1029:
1025:
1022:
1019:
1018:0-89207-253-9
1015:
1011:
1008:
1004:
1000:
997:
993:
989:
985:
982:
981:3-85247-013-7
978:
974:
970:
967:
963:
959:
955:
952:
948:
944:
940:
937:
936:90-6918-148-7
933:
929:
925:
922:
921:0-918471-23-0
918:
914:
910:
909:
900:
897:
894:
891:
888:
885:
882:
881:
875:
873:
869:
865:
863:
859:
854:
852:
847:
845:
841:
836:
834:
830:
824:
820:
818:
814:
810:
800:
798:
794:
790:
786:
783:In 2013, the
781:
779:
775:
771:
767:
763:
759:
755:
751:
746:
742:
738:
734:
730:
726:
721:
717:
716:Museum Ludwig
713:
708:
706:
702:
698:
694:
690:
686:
682:
672:
670:
669:Remains Board
666:
662:
658:
657:Remains Board
653:
652:Remains Board
643:
641:
637:
633:
629:
624:
622:
620:
615:
611:
607:
603:
599:
595:
594:
589:
588:Norman Mailer
585:
581:
577:
567:
564:
560:
556:
552:
548:
544:
536:
531:
529:
525:
521:
520:Ellen Burstyn
517:
513:
512:Paul Giamatti
509:
505:
501:
496:
494:
493:
488:
487:Norman Mailer
484:
479:
471:
466:
464:
460:
456:
452:
448:
443:
439:
434:
432:
428:
423:
417:
409:
404:
402:
398:
394:
390:
385:
381:
379:
375:
371:
367:
363:
359:
357:
353:
349:
345:
341:
337:
333:
332:
327:
323:
318:
316:
312:
308:
303:
295:
285:
282:
279:
277:
276:
271:
267:
263:
259:
255:
250:
248:
247:New York City
244:
240:
236:
226:
224:
220:
219:
214:
213:
208:
204:
203:
198:
194:
193:
188:
184:
180:
176:
172:
168:
164:
160:
156:
152:
144:
141:
137:
133:
129:
124:
117:
113:
110:
106:
102:
98:
95:
91:
88:
85:
81:
77:
73:
68:
67:San Francisco
62:(age 57)
52:
48:
41:
36:
29:
26:
22:
3661:Feminist art
3631:
3623:
3588:General Idea
3583:Fallen Fruit
3552:Hannah Wilke
3542:Wolf Vostell
3462:Mark Pauline
3417:Bruce Nauman
3397:Kent Monkman
3367:Suzanne Lacy
3362:Yayoi Kusama
3337:Andy Kaufman
3332:Allan Kaprow
3307:Rebecca Horn
3297:Sharon Hayes
3277:Ann Hamilton
3252:Bob Flanagan
3247:Valie Export
3237:Sophie Calle
3227:Chris Burden
3202:David Blaine
3197:Joseph Beuys
3186:
3162:Bas Jan Ader
3157:Vito Acconci
3130:
3122:
3114:
3106:
3098:
3090:
3082:
3074:
3066:
3058:
3050:
3042:
3034:
3026:
3018:
3011:
3002:
2994:
2986:
2978:
2970:
2962:
2954:
2946:
2938:
2930:
2922:
2914:
2906:
2898:
2884:
2876:
2806:Wolf Vostell
2781:Diana Thater
2756:Sondra Perry
2746:Tony Oursler
2731:Bruce Nauman
2671:Valie Export
2651:Peter Campus
2646:Chris Burden
2635:
2626:Vito Acconci
2572:
2439:
2356:. Retrieved
2352:
2342:
2330:. Retrieved
2320:
2308:. Retrieved
2304:the original
2294:
2273:cite journal
2259:
2247:. Retrieved
2243:
2234:
2215:
2203:. Retrieved
2199:
2190:
2178:. Retrieved
2167:
2155:. Retrieved
2151:
2141:
2133:
2123:
2114:
2108:
2099:
2096:Film Comment
2095:
2089:
2080:
2076:
2070:
2061:
2057:
2044:
2020:
2016:
2010:
1998:. Retrieved
1993:
1984:
1976:www.moca.org
1975:
1966:
1956:
1948:
1936:
1906:. Retrieved
1901:
1892:
1880:. Retrieved
1875:
1866:
1854:. Retrieved
1850:the original
1840:
1828:. Retrieved
1824:the original
1814:
1802:. Retrieved
1798:
1789:
1779:
1771:
1763:
1752:
1738:
1726:. Retrieved
1722:
1713:
1701:. Retrieved
1689:
1679:
1667:. Retrieved
1663:
1654:
1642:. Retrieved
1635:
1626:
1597:
1588:
1576:. Retrieved
1566:
1554:. Retrieved
1550:
1541:
1529:. Retrieved
1526:Phaidon club
1525:
1516:
1507:
1498:
1486:. Retrieved
1476:
1457:
1445:. Retrieved
1441:
1432:
1424:The Guardian
1422:
1414:
1402:. Retrieved
1397:
1387:
1378:
1370:
1362:The Guardian
1361:
1351:
1339:
1329:
1303:
1278:. Retrieved
1275:AllMusic.com
1265:
1257:The Guardian
1255:
1250:
1244:
1232:. Retrieved
1226:
1216:
1193:
1179:
1172:
1158:
987:
972:
957:
942:
927:
912:
911:Kirk, Kara.
906:Publications
866:
861:
855:
850:
848:
843:
837:
826:
822:
816:
813:Vito Acconci
809:Chris Burden
806:
782:
774:Joseph Beuys
709:
684:
678:
668:
656:
651:
649:
632:Blood of Two
631:
625:
617:
613:
605:
604:in England.
597:
591:
583:
579:
575:
573:
562:
542:
540:
534:
503:
497:
490:
482:
481:
469:
447:potentiality
441:
437:
435:
421:
419:
407:
388:
383:
382:
377:
373:
365:
361:
360:
355:
347:
335:
329:
325:
319:
310:
306:
301:
299:
293:
283:
280:
273:
251:
239:Boise, Idaho
232:
222:
216:
210:
202:The Guardian
200:
190:
150:
149:
118:Mary Farley
25:
3727:1967 births
3706:Process art
3636:(2018 film)
3628:(1988 film)
3608:The Yes Men
3502:Tino Sehgal
3477:Jim Pomeroy
3427:Pat Oleszko
3407:Frank Moore
3352:Terence Koh
3217:Günter Brus
3177:Abel Azcona
3092:The Fathers
3012:Rest Energy
2999:(2014–2015)
2811:Andy Warhol
2696:Mike Kelley
2686:Arthur Jafa
2666:Tony Conrad
2176:. Stereogum
2064:(17): 25–29
2023:(2): 3–16,
1931:, New York.
1902:Artnet News
1876:lictalk.com
1621:, Brussels.
1531:January 15,
1404:January 22,
1194:马修 · 巴尼：堡垒》
988:Cremaster 5
973:Cremaster 1
943:Cremaster 4
835:symbology.
693:documenta 9
675:Exhibitions
610:Los Angeles
570:Performance
537:(2018–2021)
504:Cremaster 3
472:(2006–2014)
442:Cremaster 5
438:Cremaster 1
410:(1994–2002)
221:(2014) and
207:avant-garde
183:performance
179:intercourse
126:(2002–2013)
120:(1993–2002)
109:photography
75:Nationality
3752:BioArtists
3721:Categories
3573:Concept 21
3482:Duke Riley
3447:Eiko Otaki
3437:Mihai Olos
3382:Miki Malör
3377:James Luna
3347:Yves Klein
3327:Joan Jonas
3317:Zhang Huan
3262:Coco Fusco
3207:Mark Bloch
3100:The Shadow
2988:Luminosity
2801:Bill Viola
2766:Walid Raad
2691:Joan Jonas
2661:Tony Cokes
2180:January 6,
2157:January 6,
1764:The Moment
1471:at SFMOMA.
1400:. New York
1208:References
868:Kanye West
840:surrealism
559:metallurgy
431:testicular
370:Schaulager
115:Partner(s)
56:1967-03-25
3681:monochrom
3671:Happening
3457:Gina Pane
3287:Jo Hanson
3257:Terry Fox
3242:Papo Colo
3172:Ron Athey
3108:The Shame
3020:Rhythm 10
2983:(1970–71)
2940:Cut Piece
2935:(1992–93)
2878:7000 Oaks
2681:Gary Hill
2676:Terry Fox
2610:Video art
2458:191239335
2353:IndieWire
2134:Telegraph
2083:(6): 3–16
2037:192038024
1781:Art Forum
1757:Item idem
1698:0362-4331
1669:March 21,
1644:March 22,
1234:March 25,
844:Cremaster
817:Cremaster
727:, Seoul;
630:, titled
590:'s novel
489:’s novel
455:triptychs
422:Cremaster
275:Vulnicura
171:mythology
159:geography
105:sculpture
101:video art
83:Education
3651:Body art
3568:Ant Farm
3442:Yoko Ono
3357:Paul Kos
3182:Franko B
3044:Rhythm 0
3036:Rhythm 2
3028:Rhythm 5
2791:Wu Tsang
2741:Yoko Ono
2358:July 22,
2249:July 22,
2223:Archived
2205:July 22,
2000:July 22,
1908:July 22,
1882:July 22,
1856:July 22,
1830:July 22,
1804:July 22,
1728:July 22,
1703:July 22,
1556:July 22,
1465:Archived
1447:June 30,
1280:April 2,
752:(2002),
459:graphite
451:diptychs
322:vitrines
225:(2018).
215:(2005),
131:Children
78:American
3522:Stelarc
3144:Artists
3052:Seedbed
2618:Artists
2440:Art Now
2332:June 7,
2310:June 7,
2102:(4): 75
1799:Twitter
1578:June 7,
1488:June 7,
833:Masonic
665:Liturgy
563:Redoubt
543:Redoubt
535:Redoubt
344:whaling
258:pre-med
223:Redoubt
167:geology
163:biology
3666:Fluxus
3561:Groups
3135:(2008)
3127:(1973)
3119:(1977)
3111:(2018)
3103:(2014)
3095:(2016)
3087:(2018)
3079:(2010)
3071:(1964)
3063:(2005)
3055:(1972)
3047:(1974)
3039:(1974)
3031:(1974)
3023:(1973)
3015:(1980)
3007:(2009)
2991:(1997)
2975:(1965)
2967:(1971)
2959:(2013)
2951:(2012)
2948:Eating
2943:(1964)
2927:(2015)
2919:(2015)
2916:Buried
2911:(1974)
2903:(1977)
2895:(1969)
2893:Bed-in
2889:(2015)
2881:(1982)
2495:
2485:
2468:
2456:
2446:
2430:
2420:
2410:
2400:
2390:
2380:
2058:Nation
2035:
1696:
1200:
1186:
1165:
1148:
1132:
1121:
1110:
1096:
1085:
1074:
1063:
1052:
1041:
1030:
1016:
1005:
994:
979:
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