140:
25:
355:, which was an extension of his doctoral work, investigating the artist's relationship to the American Communist movement and focusing "on the period 1935-1950 in Reinhardt’s life, detailing his relationship to the politics of the left and providing the first comprehensive survey of his political illustrations and cartoons for publications like
373:. Corris was Reviews Editor for the College Art Association publication, Art Journal (2013-2016) and is presently series editor for "Art since the '80s", Reaktion Books, London. A selection of his writings on art is published by Les Presses du RĂ©el (Dijon), 2016. <
260:
Following the dissolution of Art & Language in New York in late 1976, Corris continued to pursue his artistic practice, dividing his energies between the production of artist's books inspired by typographic design and lecturing and writing on
337:(Reaktion Books, London, 2008), Non-Relational Aesthetics (Artwords Press, 2008)(with Dr Charlie Gere), and Art, Word and Image: 2,000 Years of Visual/Textual Interaction (Reaktion Books, London, 2010)(with John Dixon Hunt and David Lomas)
491:
536:
Blake
Stimson, “The Promise of Conceptual Art,” in Alexander Alberro and Blake Stimson (eds), Conceptual Art: A Critical Anthology. Cambridge, MA: MIT Press, 1999Tony Godfrey, Conceptual Art. London: Phaidon Press,
495:
53:
533:
David Craven, Abstract
Expressionism as Cultural Critique: Dissent During the McCarthy Period. Cambridge Studies in American Visual Culture. Cambridge: Cambridge University Press, 1999
271:. As a member of Art & Language and as an individual artist, Corris's work has been widely exhibited internationally and is part of the permanent collection of, among others, the
978:
320:, FlashArt, Art History, art+text and Mute. In addition, his critical writings have been included in several collections, most notably Alex Alberro and Blake Stimson (eds),
578:, Getty Research Institute, Los Angeles, Accession No. 2003.M.32. The collection documents the activities of the conceptual art group Art & Language New York.
363:
973:
467:"Features | College Art Association | CAA | Advancing the history, interpretation, and practice of the visual arts for over a century"
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In April, 2010, Corris founded the Free Museum of Dallas; a project and exhibition space that occupied the
Chairperson's office at SMU (2010-2014)
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and David Diao. For his research on the work of Ad
Reinhardt, Corris was awarded a PhD in the history of art in 1996 by University College London.
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57:
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316:. Corris’s art criticism has been widely published in journals and magazines devoted to modern and contemporary art, such as Art Monthly,
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223:
222:
and the poet, Emmanuel
Navaretta. In 1970, Corris was awarded a scholarship to attend the prestigious summer program in art at the
162:, Dallas, Texas, United States. Previously, Corris held the post of Professor of Fine Art at the Art and Design Research Center,
33:
466:
338:
107:
79:
527:
Greg
Sholette and Blake Stimson, eds., Collectivism After Modernism. Minneapolis, MN: University of Minnesota Press, 2006
330:
Corris's most recent publications include: Conceptual Art: Theory, Myth and
Practice (Cambridge University Press, 2004)
86:
215:
126:
186:
Corris received his baccalaureate and master's degrees in the United States, studying studio art and art history at
968:
953:
596:
245:, in New York; his work was published in 1973 in the group’s journal, Art-Language. With Mel Ramsden, Ian Burn,
93:
280:
948:
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Chris
Gilbert, “Review: Blurting in Art & Language Online,” MUTE, no. 25 (November 2002-May 2003): 131-32
257:
an artists-run journal that addressed the political and social dimensions of contemporary artistic practice.
159:
331:
75:
139:
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John A. Walker, Cultural
Offensive: America’s Impact on British Art Since 1945. London: Pluto Press, 1998
448:
163:
825:
421:
963:
589:
288:
49:
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Thomas Dreher, Konzeptuelle Kunst in
Amerika und England Zwischen 1963 und 1976. Frankfurt: Lang, 1992
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Alex Alberro, “The Fox: One Year Under the Mast,” Artforum (Summer 2003): 162-42, 206
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Sanda Miller, Review: Ad Reinhardt, The Burlington Magazine, no. 1264 (July 2008)
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Corris lectures and publishes on the subject of late-modern and contemporary art
170:, United Kingdom). From 2005-6, he was a Visiting Professor of Art Theory at the
64:
158:. He is professor emeritus of art, Division of Art, Meadows School of the Arts,
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214:; and later, painting and art theory at the Hoffberger School of Painting,
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Michael Corris papers of the Art & Language New York group, 1965-2002
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Clive Phillpot, The Art Press. London: Victoria and Albert Museum, 1976
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Charles Harrison, Essays in Art & Language. Oxford: Blackwell, 1991
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Deborah Wye, Committed to Print. New York: Museum of Modern Art, 1988
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https://www.lespressesdureel.com/EN/ouvrage.php?id=4893&menu=1
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Corris began working in late-1971 with the Conceptual art group,
333:, monographs on David Diao (TimeZone8 Books, Beijing, 2005) and
876:
292:
175:
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In an October 2008 interview with Joan Waltemath published in
63:
from the article and its talk page, especially if potentially
425:
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327:
and John Roberts (ed), Art Has No History! (Verso Press).
155:
530:
Paul Wood, Conceptual Art. London: Tate Publishing, 2002
979:
Academic staff of the Bergen Academy of Art and Design
395:"Michael Corris Named New Chair of Division of at Art"
449:"In Conversation: Michael Corris with Joan Waltemath"
492:"Playing at Home by Gill Perry from Reaktion Books"
420:Baldwin, Michael; Dreher, Thomas (3 January 2005).
935:
597:
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253:and others, Corris was a founding editor of
611:
604:
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224:Skowhegan School of Painting and Sculpture
56:about living persons that is unsourced or
446:
127:Learn how and when to remove this message
974:Academics of Sheffield Hallam University
138:
936:
959:Southern Methodist University faculty
585:
397:. SMU. 1 October 2009. Archived from
18:
324:: A Critical Anthology (MIT Press)
13:
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14:
990:
216:Maryland Institute College of Art
447:Waltemath, Joan (October 2008).
23:
484:
459:
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413:
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281:Whitney Museum of American Art
143:An artwork by Corris from 2005
1:
513:
351:, Corris discusses his book,
160:Southern Methodist University
226:, where he had contact with
34:biography of a living person
7:
812:Index: Incident in a Museum
164:Sheffield Hallam University
61:must be removed immediately
10:
995:
620:Art & Language artists
289:Victoria and Albert Museum
895:
849:
768:
690:
619:
769:Art & Language works
380:
969:Brooklyn College alumni
954:American art historians
819:Map to not Indicate...
422:"Blurting in A & L"
896:Critics and historians
798:Incident: Now They Are
144:
48:Please help by adding
16:American art historian
777:Air-Conditioning Show
142:
949:American art critics
273:Museum of Modern Art
54:Contentious material
720:Jackson Pollock Bar
364:Soviet Russia Today
964:Art & Language
705:Sarah Charlesworth
613:Art & Language
301:J. P. Getty Museum
295:), Le Consortium (
251:Sarah Charlesworth
243:Art & Language
172:Bergen Art Academy
145:
931:
930:
918:Clement Greenberg
840:Victorine (opera)
826:Painting by Mouth
453:The Brooklyn Rail
348:The Brooklyn Rail
208:Philip Pearlstein
137:
136:
129:
111:
37:needs additional
986:
913:Charles Harrison
908:Benjamin Buchloh
867:Contemporary art
850:Related articles
730:Christine Kozlov
691:Related artists
657:Charles Harrison
632:David Bainbridge
606:
599:
592:
583:
582:
554:Journal articles
507:
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494:. Archived from
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469:. Archived from
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428:on 20 April 2006
424:. Archived from
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263:contemporary art
200:Walter Rosenblum
188:Brooklyn College
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76:"Michael Corris"
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50:reliable sources
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903:Walter Benjamin
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833:Secret Painting
764:
760:Lawrence Weiner
745:Robert Smithson
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642:Kathryn Bigelow
637:Michael Baldwin
615:
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570:Other Resources
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862:Conceptual art
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322:Conceptual Art
232:Jacob Lawrence
228:Kenneth Noland
220:Grace Hartigan
192:Harry Holtzman
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154:and writer on
150:is an artist,
148:Michael Corris
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58:poorly sourced
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740:Robert Morris
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700:Victor Burgin
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693:and musicians
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682:Mayo Thompson
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677:David Rushton
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667:Joseph Kosuth
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498:on 2014-09-03
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923:Lucy Lippard
838:
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791:Mirror Piece
789:
784:Art-Language
782:
775:
755:Bernar Venet
750:Frank Stella
651:
500:. Retrieved
496:the original
486:
475:. Retrieved
471:the original
461:
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442:
430:. Retrieved
426:the original
415:
403:. Retrieved
399:the original
389:
369:
362:
356:
353:Ad Reinhardt
352:
346:
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335:Ad Reinhardt
329:
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236:Brice Marden
204:Sylvia Stone
185:
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90:
83:
71:
60:
43:verification
36:
887:Minimal art
872:Documenta 5
725:Red Krayola
715:Hans Haacke
672:Mel Ramsden
305:Los Angeles
196:Jimmy Ernst
178:, Norway).
938:Categories
882:Intermedia
735:Sol LeWitt
710:Dan Graham
514:References
502:2014-08-31
477:2014-08-31
432:19 January
405:19 January
358:New Masses
299:) and the
267:art theory
212:Carl Holty
87:newspapers
168:Sheffield
117:July 2009
39:citations
857:Anti-art
805:Index 01
647:Ian Burn
318:Artforum
255:The Fox;
65:libelous
287:), the
279:), the
101:scholar
877:Fluxus
293:London
218:under
190:under
176:Bergen
103:
96:
89:
82:
74:
519:Books
381:Notes
377:>
297:Dijon
108:JSTOR
94:books
32:This
537:1998
434:2011
407:2011
361:and
265:and
210:and
80:news
41:for
367:."
156:art
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