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Michael Landy

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393:(1995–1996), which featured a fictitious cleaning company which sought to change society by way of "a minority of people being discarded". Promotional videos were made for the company and a large number of cut-out men were made from old magazines to be swept up and destroyed. This installation typifies the YBAs' interests in transforming the mundane into art, and recontextualisation. Its visual impact on one level is a typical industrial event, yet the gallery environment and bright red figures, along with the sinister irony of the title, is intended to force the viewer to address issues of humanity and consumerism. 397: 34: 172: 523:
in February–March 2010 was described by the artist as "a monument to creative failure." A large transparent skip was installed at the gallery, into which he invited the public to throw art work with which they were dissatisfied. Artists and collectors were invited to apply to dispose of works of art
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for his gallery, an installation made up of a number of objects in shopping trolleys labelled "BARGAIN" and recorded announcements encouraging visitors to buy. The work was intended as a comment on the commodification of art, and might be seen as a precursor of sorts to
467:, and attracted around 45,000 visitors. At the end of the process all that was left was bags of rubbish, none of which was sold or exhibited in any form. An edition of inventory books listing all destroyed items was available to buy when exiting through the gift shop. 446:, and including all his clothes and works of art by himself and others, painstakingly catalogued all 7,227 of them in detail, and then destroyed all in public. The process of destruction was done on something resembling an 62: 1235: 512:, Landy's first monograph, which brings together over 20 years of the artist's work for the first time. It was in this year that Landy was elected a member of the Royal Academy. 527:
In 2016, Museum Tinguely Basel curated Landy's first retrospective exhibition titled "Michael Landy. Out of Order". It spanned his entire career, bringing together works from
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in London (C&A had recently ceased trading, and the shop had been emptied). Landy gathered together all his possessions, ranging from postage stamps to his
1679: 1654: 366:(1990), an installation comprising numerous empty market stalls. Like much of his later work it was intended as a comment on consumerism and society. 827: 419:
in London. This show later toured Berlin and New York, but Landy's work was somewhat overshadowed by some of the other more outrageous artworks.
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in London, having been inspired to take up art professionally after having a picture selected for display on the
813: 102: 698: 622: 434:, the work which put him in the public eye, was held in February 2001 at an old branch of the clothes store 1669: 572: 490:. The exhibition consisted of a series of detailed etchings of weeds, rendered in the traditional style of 84: 1664: 604: 1511: 1334: 1281: 1207: 1151: 1076: 970: 722: 494:
draughtsmanship. The intricate detailing is reported to have resulted in lasting eye damage for Landy.
430: 284: 237: 58: 1425: 347:—an exhibition which first brought together a group of artists that would later become known as the 1582: 1354: 975: 47: 1410: 1267: 51: 735: 591: 1644: 1562: 1260: 1030: 890: 875: 1542: 1384: 1318: 1066: 965: 836: 559: 454:
factory, with ten workers reducing each item to its basic materials and then shredding them.
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This article is about the British artist. For the cognitive scientist, see
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Magazine, Issue 3 (brief overview of Landy's work and commentary on
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The Physical Impossibility of Death in the Mind of Someone Living
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In 2003, Landy was selected to chair the judging panel for the
491: 435: 288:(2001), in which he destroyed all his possessions, and for the 171: 72:
from the article and its talk page, especially if potentially
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before returning with a solo show in late 2002, entitled
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The artist on his drawing of portraits. 9 October 2008.
605:"Michael Landy: How Tony Hart gave him his big break" 298:. On 29 May 2008, Landy was elected a member of the 310:Landy was born in London. He first studied art in 407:In 1997, work which Landy had previously sold to 1631: 623:Sensation at the Royal Academy of Arts, London 474:, and following it had no possessions at all. 1680:Commanders of the Order of the British Empire 821: 556:Commander of the Order of the British Empire 482:Landy made little art in the year following 744:(Supplement). 31 December 2020. p. N8. 663:"Michael Landy: make it, break it? Love it" 457:The exhibition was a joint commission from 369:In 1992, Landy started an association with 1655:Alumni of Goldsmiths, University of London 828: 814: 470:Landy made no money as a direct result of 170: 65:about living persons that is unsourced or 1173:Everyone I Have Ever Slept With 1963–1995 835: 547:Landy's partner is fellow British artist 136:Learn how and when to remove this message 787:The artist talks about the influence of 780:Man in Oxford Street is Auto-destructive 734: 395: 699:"michael-landy | Museum Tinguely Basel" 305: 1632: 809: 785:Tate: Michael Landy on the Scrap Heap 660: 602: 723:Art & Design Zone: Michael Landy 654: 27: 592:Michael Landy | Thomas Dane Gallery 13: 603:Landy, Michael (20 January 2009). 510:Michael Landy: Everything Must Go! 14: 1691: 1660:Alumni of Loughborough University 751: 725:– interview from ideasfactory.com 358:with several of the artists from 276:(YBAs). He is best known for the 542: 362:. His first solo exhibition was 32: 728: 716: 691: 632: 615: 596: 585: 533:Credit Card Destroying Machine 477: 389:, Landy's best-known work was 1: 791:on his work. 3 November 2009. 579: 422: 337:in 1988, he exhibited in the 1675:English contemporary artists 1650:British installation artists 661:Hoyle, Ben (11 March 2010). 354:In 1990, Landy exhibited in 43:biography of a living person 7: 758:Artist Project – Hello Weed 573:What Do Artists Do All Day? 565: 356:East Country Yard 189:1963 (age 60–61) 70:must be removed immediately 10: 1696: 1471:Poju and Anita Zabludowicz 272:(born 1963) is one of the 18: 1591: 1535: 1479: 1398: 1327: 1291: 1245: 1136: 1085: 1039: 843: 629:. Retrieved 8 April 2020. 524:via a dedicated website. 343:exhibition, organised by 248: 230: 216: 205: 197: 185: 169: 150: 1355:Karsten Schubert Gallery 795:TateShots: Michael Landy 1411:Janet Wolfson de Botton 1335:Anthony d'Offay Gallery 326:television art program 320:Goldsmiths College 1261:East Country Yard Show 1031:Jane and Louise Wilson 876:Jake and Dinos Chapman 404: 333:After graduating from 294:project (2010) at the 57:Please help by adding 1385:Victoria Miro Gallery 837:Young British Artists 640:"Everything Must Go!" 621:(12 September 1997). 562:for services to art. 560:2021 New Year Honours 519:installation for the 399: 371:Karsten Schubert 349:Young British Artists 300:Royal Academy of Arts 274:Young British Artists 253:Young British Artists 1380:South London Gallery 1108:Gilbert & George 1057:Michael Craig-Martin 801:Breaking-News Athens 673:Times Newspapers Ltd 539:among many others. 521:South London Gallery 413:Sensation exhibition 411:was included in the 306:Early life and works 296:South London Gallery 178:South London Gallery 63:Contentious material 1670:Artists from London 1522:Sir Nicholas Serota 1502:Andrew Graham-Dixon 1180:For the Love of God 1665:Royal Academicians 1573:Julian Stallabrass 1093:Art & Language 1011:Sam Taylor-Johnson 774:Scrapheap Services 741:The London Gazette 405: 401:Scrapheap Services 391:Scrapheap Services 1627: 1626: 1340:Curtain Road Arts 1077:Richard Wentworth 971:Richard Patterson 861:Christine Borland 625:(press release). 554:He was appointed 375:Closing Down Sale 278:performance piece 258: 257: 164: 146: 145: 138: 120: 46:needs additional 1687: 1583:Charles Thomson 1553:James Heartfield 1527:Matthew Slotover 1517:Norman Rosenthal 1492:Matthew Collings 1451:François Pinault 1436:Pauline Karpidas 1350:Gagosian Gallery 1314:Norman Rosenthal 1166:Documents Series 1026:Rachel Whiteread 830: 823: 816: 807: 806: 746: 745: 732: 726: 720: 714: 713: 711: 709: 695: 689: 688: 686: 684: 675:. 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Cohen 1406:Bernard Arnault 1394: 1370:Saatchi Gallery 1323: 1299:Joshua Compston 1287: 1275:Modern Medicine 1241: 1215:26 October 1993 1208:No Woman No Cry 1132: 1128:Lawrence Weiner 1081: 1035: 1021:Gillian Wearing 996:Alessandro Raho 976:Simon Patterson 906:Angus Fairhurst 839: 834: 754: 749: 733: 729: 721: 717: 707: 705: 703:www.tinguely.ch 697: 696: 692: 682: 680: 679:on 15 June 2011 659: 655: 645: 643: 638: 637: 633: 620: 616: 601: 597: 590: 586: 582: 568: 549:Gillian Wearing 545: 480: 452:mass production 427: 409:Charles Saatchi 308: 263: 231: 193: 190: 181: 165: 155: 153: 142: 131: 125: 122: 85:"Michael Landy" 79: 77: 56: 37: 33: 24: 17: 12: 11: 5: 1693: 1683: 1682: 1677: 1672: 1667: 1662: 1657: 1652: 1647: 1642: 1625: 1624: 1622: 1621: 1616: 1611: 1606: 1601: 1599:Conceptual art 1595: 1593: 1589: 1588: 1586: 1585: 1580: 1575: 1570: 1565: 1560: 1555: 1550: 1548:Billy Childish 1545: 1539: 1537: 1533: 1532: 1530: 1529: 1524: 1519: 1514: 1509: 1504: 1499: 1494: 1489: 1483: 1481: 1477: 1476: 1474: 1473: 1468: 1463: 1458: 1453: 1448: 1443: 1441:George Michael 1438: 1433: 1428: 1423: 1418: 1413: 1408: 1402: 1400: 1396: 1395: 1393: 1392: 1387: 1382: 1377: 1375:Sadie Coles HQ 1372: 1367: 1362: 1360:Lisson Gallery 1357: 1352: 1347: 1342: 1337: 1331: 1329: 1325: 1324: 1322: 1321: 1316: 1311: 1306: 1301: 1295: 1293: 1289: 1288: 1286: 1285: 1278: 1271: 1264: 1257: 1249: 1247: 1243: 1242: 1240: 1239: 1232: 1225: 1222:The Upper Room 1218: 1211: 1204: 1197: 1190: 1183: 1176: 1169: 1162: 1155: 1148: 1145:24 Hour Psycho 1140: 1138: 1134: 1133: 1131: 1130: 1125: 1120: 1115: 1110: 1105: 1103:Conceptual art 1100: 1095: 1089: 1087: 1083: 1082: 1080: 1079: 1074: 1072:Mark Wallinger 1069: 1064: 1059: 1054: 1052:Helen Chadwick 1049: 1043: 1041: 1037: 1036: 1034: 1033: 1028: 1023: 1018: 1013: 1008: 1006:Georgina Starr 1003: 998: 993: 988: 983: 978: 973: 968: 963: 958: 953: 948: 943: 938: 933: 928: 926:Douglas Gordon 923: 918: 916:Anya Gallaccio 913: 908: 903: 898: 893: 888: 883: 878: 873: 871:Angela Bulloch 868: 863: 858: 853: 847: 845: 841: 840: 833: 832: 825: 818: 810: 804: 803: 798: 792: 782: 777: 769: 753: 752:External links 750: 748: 747: 727: 715: 690: 653: 631: 614: 595: 583: 581: 578: 577: 576: 567: 564: 544: 541: 499:Beck's Futures 479: 476: 463:newspaper and 426: 421: 307: 304: 256: 255: 250: 246: 245: 234: 228: 227: 221:Conceptual art 218: 217:Known for 214: 213: 207: 203: 202: 199: 195: 194: 191: 187: 183: 182: 175: 167: 166: 151: 144: 143: 126:September 2010 67:poorly sourced 40: 38: 31: 16:British artist 15: 9: 6: 4: 3: 2: 1692: 1681: 1678: 1676: 1673: 1671: 1668: 1666: 1663: 1661: 1658: 1656: 1653: 1651: 1648: 1646: 1645:Living people 1643: 1641: 1638: 1637: 1635: 1620: 1617: 1615: 1612: 1610: 1607: 1605: 1602: 1600: 1597: 1596: 1594: 1590: 1584: 1581: 1579: 1576: 1574: 1571: 1569: 1566: 1564: 1561: 1559: 1558:Matthew Higgs 1556: 1554: 1551: 1549: 1546: 1544: 1541: 1540: 1538: 1534: 1528: 1525: 1523: 1520: 1518: 1515: 1513: 1512:Stuart Morgan 1510: 1508: 1505: 1503: 1500: 1498: 1495: 1493: 1490: 1488: 1485: 1484: 1482: 1478: 1472: 1469: 1467: 1464: 1462: 1459: 1457: 1456:Miuccia Prada 1454: 1452: 1449: 1447: 1444: 1442: 1439: 1437: 1434: 1432: 1431:Dakis Joannou 1429: 1427: 1424: 1422: 1419: 1417: 1414: 1412: 1409: 1407: 1404: 1403: 1401: 1397: 1391: 1388: 1386: 1383: 1381: 1378: 1376: 1373: 1371: 1368: 1366: 1365:Maureen Paley 1363: 1361: 1358: 1356: 1353: 1351: 1348: 1346: 1343: 1341: 1338: 1336: 1333: 1332: 1330: 1326: 1320: 1317: 1315: 1312: 1310: 1307: 1305: 1304:Carl Freedman 1302: 1300: 1297: 1296: 1294: 1290: 1284: 1283: 1279: 1277: 1276: 1272: 1270: 1269: 1265: 1263: 1262: 1258: 1256: 1255: 1251: 1250: 1248: 1244: 1238: 1237: 1233: 1231: 1230: 1226: 1224: 1223: 1219: 1217: 1216: 1212: 1210: 1209: 1205: 1203: 1202: 1198: 1196: 1195: 1191: 1189: 1188: 1184: 1182: 1181: 1177: 1175: 1174: 1170: 1168: 1167: 1163: 1161: 1160: 1156: 1154: 1153: 1149: 1147: 1146: 1142: 1141: 1139: 1135: 1129: 1126: 1124: 1121: 1119: 1118:John Stezaker 1116: 1114: 1111: 1109: 1106: 1104: 1101: 1099: 1096: 1094: 1091: 1090: 1088: 1084: 1078: 1075: 1073: 1070: 1068: 1065: 1063: 1060: 1058: 1055: 1053: 1050: 1048: 1047:Basil Beattie 1045: 1044: 1042: 1038: 1032: 1029: 1027: 1024: 1022: 1019: 1017: 1014: 1012: 1009: 1007: 1004: 1002: 1001:Jenny Saville 999: 997: 994: 992: 989: 987: 984: 982: 981:Steven Pippin 979: 977: 974: 972: 969: 967: 964: 962: 959: 957: 954: 952: 949: 947: 946:Michael Landy 944: 942: 939: 937: 934: 932: 931:Marcus Harvey 929: 927: 924: 922: 919: 917: 914: 912: 909: 907: 904: 902: 899: 897: 894: 892: 891:Ian Davenport 889: 887: 886:Mat Collishaw 884: 882: 879: 877: 874: 872: 869: 867: 864: 862: 859: 857: 854: 852: 849: 848: 846: 842: 838: 831: 826: 824: 819: 817: 812: 811: 808: 802: 799: 796: 793: 790: 789:Jean Tinguely 786: 783: 781: 778: 776: 775: 770: 767: 763: 759: 756: 755: 743: 742: 737: 731: 724: 719: 704: 700: 694: 678: 674: 670: 669: 664: 657: 642:. 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London: 580:References 529:Break Down 508:published 484:Break Down 472:Break Down 431:Break Down 424:Break Down 387:Break Down 380:Break Down 373:by making 335:Goldsmiths 318:, then at 285:Break Down 238:Break Down 210:Goldsmiths 96:newspapers 1614:Post-YBAs 1578:Stuckists 1563:David Lee 1536:Opponents 1480:Advocates 1416:Eli Broad 1328:Galleries 1282:Sensation 991:Fiona Rae 941:Gary Hume 772:Paper on 668:The Times 611:. London. 504:In 2008, 492:botanical 460:The Times 328:Take Hart 212:, 1985–88 206:Education 176:Landy at 48:citations 1592:See also 1292:Curators 1137:Artworks 1040:Teachers 683:30 March 646:7 August 566:See also 515:Landy's 465:Artangel 312:Loughton 249:Movement 74:libelous 844:Artists 517:Art Bin 436:C&A 415:at the 403:, 1995. 385:Before 291:Art Bin 243:Art Bin 201:British 180:in 2010 110:scholar 1609:Momart 1268:Freeze 1194:My Bed 708:22 May 535:, and 364:Market 360:Freeze 340:Freeze 192:London 112:  105:  98:  91:  83:  1246:Shows 1229:Tense 1187:House 450:in a 267: 159: 117:JSTOR 103:books 41:This 1543:BANK 1201:Myra 762:Tate 710:2024 685:2010 648:2012 314:and 186:Born 89:news 50:for 444:car 438:on 324:BBC 265:CBE 157:CBE 1636:: 768:). 760:— 738:. 701:. 665:. 607:. 551:. 531:, 351:. 330:. 269:RA 241:, 223:, 161:RA 61:. 829:e 822:t 815:v 712:. 687:. 650:. 139:) 133:( 128:) 124:( 114:· 107:· 100:· 93:· 76:. 55:. 23:.

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