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Mike Bloomfield

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704:. "At the time, most jazz albums were made using this modus operandi: pick a leader or two co-leaders, hire appropriate sidemen, pick some tunes, make some up and record an entire album on the fly in one or two days. Why not try and legitimize rock by adhering to these standards? In addition, as a fan, I was dissatisfied with Bloomfield's recorded studio output up until then. It seemed that his studio work was inhibited and reined in, compared to his incendiary live performances. Could I put him in a studio setting where he could feel free to just burn like he did in live performances?" 2697: 2683: 2669: 1177:
Gibson relied on hundreds of photographs provided by Bloomfield's family to reproduce it. The model comes in two configurations—a Vintage Original Specifications (VOS), modified by Bloomfield's mismatched volume and tone control knobs, missing toggle switch cover, and kidney-shaped tuners replacing the Gibson original, and a faithful process-aged reproduction of the guitar as it was when Bloomfield last played it, complete with the finish smudge below the bridge and various nicks and smudges elsewhere on the body.
884:. Grech and Bloomfield quit shortly after its release. As the record hit stores in 1976, Bloomfield told journalists that the group had been an ill-conceived moneymaking project. The album was not well received by critics, but it did contain the standout track "Sail On, Sailor". Its authorship was credited to "Wilson-Kennedy", and had a bluesy, darker feel, along with Ray Kennedy's original cocaine-related lyrics. In the same year, he performed with 998: 34: 661:. Critics complimented the group's distinctive, intriguing sound but found the record itself somewhat uneven. By that time, however, the band was already disintegrating, with rivalries between members, shortsighted management, and heroin abuse all taking their toll. Shortly after the release of that album, Bloomfield left the band, with Gravenites, Goldberg, and bassist Harvey Brooks following. 2587: 736: 925:(also known as BAD). An unreleased single, "Andy's Bad", was also produced for the project. During 1979–1981 he performed often with the King Perkoff Band, sometimes introducing them as the "Michael Bloomfield and Friends" outfit. Bloomfield recorded "Hustlin' Queen", written by John Isabeau and Perkoff in 1979. He toured Italy and Sweden with guitarist 282:, he became one of the first popular music stars of the 1960s to earn his reputation almost entirely on his instrumental prowess, as he rarely sang before 1969. Respected for his guitar playing, Bloomfield knew and played with many of Chicago's blues musicians before achieving his own fame and was instrumental in popularizing 87: 576:
Bloomfield played on recording sessions between 1965 and 1967. His guitar playing had a huge impact on San Francisco Bay Area musicians after playing with the Butterfield band at Bill Graham's Fillmore in March 1966, San Francisco's Avalon Ballroom and also in the Los Angeles area due to the storied
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Gibson has since released a Michael Bloomfield Les Paul, replicating his 1959 Standard—in recognition of his impact on the electric blues, his role in the revived production of the guitar, and his influence on many other guitarists. Because the actual guitar had been unaccounted for so many years,
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Bloomfield eventually lost the guitar in Canada when a club owner kept two he had left behind as partial compensation after Bloomfield cut short a round of appearances. He had been booked at the Cave in Vancouver, from Tue. Nov. 12th, 1974, for five days, until Sat. the 16th. The band played the
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family. Bloomfield's father, Harold, was born there in 1914. Harold's father, Samuel Bloomfield, started Bloomfield Industries in the early 1930s. After Samuel passed away, Harold and his brother, Daniel, inherited the company. Bloomfield's mother, Dorothy Klein, was born in Chicago in 1918 and
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recorded the band in spring 1965, but the majority of the tracks were not released until the 1990s. However, one of the tracks Rothchild recorded during his first pass at producing the group, a Nick Gravenites song titled "Born in Chicago", was included on the Elektra album
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while recording for Columbia following his 1964 signing to the label. During his tenure with the Butterfield Blues Band, he used that Telecaster on the first Butterfield album and on their earliest tours in the fall of 1965. By November he had swapped that guitar for
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first night but the next day Bloomfield boarded a plane and flew home to San Francisco with virtually no notice to the club, hotel, or band members; his friend Mark Naftalin found a note on a torn piece of paper in the hotel room that read, "bye bye, sorry".
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and $ 100. The Standard had proven unpopular in the late 1950s because it was deemed too heavy and expensive by rock and roll guitarists. Gibson discontinued manufacturing the model in 1960. Bloomfield used the Standard in the Electric Flag and on the
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ran a weekly blues showcase at the Fickle Pickle. He subsequently built up his reputation in two Chicago clubs, Big John's and Magoo's. With help from his friend Joel Harlib, a Chicago photographer who became Bloomfield's de facto manager, he became a
1377:, Bloomfield, Kooper and Stills (1968). This album has been remastered, with new editions featuring several Bloomfield performances not included on the original album, including "Blues for Nothing" and "Fat Gray Cloud". 404:
said Bloomfield's talent "was instantly obvious to his mentors. They knew this was not just another white boy; this was someone who truly understood what the blues were all about." Among his early supporters were
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Bloomfield recorded a few sessions for Columbia in 1964 that remained unreleased until after his death. In early 1965 he joined the Paul Butterfield Blues Band, which included Elvin Bishop and keyboardist
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album and concerts. He later switched between the it and the Telecaster, but his use of the Les Paul inspired other guitarists to use the model and spurred Gibson to reintroduce the Standard in 1968.
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1998 Mike Bloomfield Performed 2 songs; "Wings Of An Angel" and "You Must Have Seen Jesus". Other Artists on the Album included The Five Blind Boys Of Alabama, The Cavaliers and The Swan Silvertones.
2609: 769:) in 1969, co-wrote "Work Me, Lord" for the album, and played the guitar solo on Joplin's blues composition "One Good Man". Columbia released another 1969 album, a live concert jam, 1884: 612:
in 1967, with two longtime Chicago collaborators, Barry Goldberg and vocalist Nick Gravenites. The band featured a horn section. The band's rhythm section was composed of bassist
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on November 15, 1980. Bloomfield played on Dylan's "Like a Rolling Stone" and "The Groom's Still Waiting at the Altar". He continued to play live dates, with his performance at
417:. "Michael used to say, 'It's a natural. Black people suffer externally in this country. Jewish people suffer internally. The suffering's the mutual fulcrum for the blues.'" 346:
Bloomfield's family lived in various locations around Chicago before settling at 424 West Melrose Street on the North Side. When he was twelve his family moved to suburban
1409:(1969), with Muddy Waters, Otis Spann, Paul Butterfield, Donald Dunn, Sam Lay, Paul Asbell, Buddy Miles, Jeff Carp, & Phil Upchurch. Part live, part studio recordings. 507:, which sold two hundred thousand copies when it was released in September 1965. "Born in Chicago" became an underground hit for the Butterfield Band. Their debut album, 1852: 1157:, who segued from a career in acoustic-based music to electric rock at the height of the Butterfield Band's influence in 1965. One of his amplifiers of choice was a 1965 581:
that resulted in a song called "The King of Names", and he recorded in 1966 with pop group Chicago Loop, whose "When She Wants Good Lovin' (My Baby Comes to Me)" made
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two-week run at the Golden Bear in Huntington Beach. He became a mentor and inspiration for many guitarists, especially in the SF Bay Area. He did a 1965 date with
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Bloomfield died in San Francisco on February 15, 1981. He was found seated behind the wheel of his car, with all four doors locked. According to police, an empty
713:, a jam album that spotlighted Bloomfield's guitar skills on one side. Bloomfield, who suffered from insomnia, left the sessions after the first day. Guitarist 608:
Bloomfield tired of the Butterfield Band's rigorous touring schedule, relocated to San Francisco, and sought to create his own group. He formed the short-lived
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bottle was found on the car seat, but no suicide note was found. The medical examiner who performed the autopsy ruled the death accidental overdose, due to
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completed the album with Kooper. It received excellent reviews and became the best-selling album of Bloomfield's career. Its success led to a live sequel,
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Bloomfield came from a wealthy family, and received annual income from a trust created by his paternal grandfather, which gave him $ 50,000 each year.
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album, and on two albums by Texas-born soul singer Wayne Talbert. With Mark Naftalin, he produced the 1968 sessions for James Cotton's 1968 album
3401: 1952: 550:" is considered a landmark electric-guitar performance. After the Newport Folk Festival ended, Bloomfield helped Dylan complete the sessions for 446: 2196: 799:. The film includes footage shot in Chicago during the 1968 Democratic National Convention. With Nick Gravenites, he produced blues guitarist 3316: 3211: 2238: 1966: 3536: 3231: 2809: 1201: 1145:, Bloomfield rarely experimented with feedback and distortion, preferring a loud yet clean, almost chiming sound, with a healthy amount of 565: 362:
in Massachusetts for one year and then returned to Chicago, where he spent his last year of education at a local Central YMCA High School.
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for two years. During this time, he began playing in local bands, then put together one called the Hurricanes, named after Ohio rock band
3546: 687: 3000: 624:'s touring band, while Brooks had performed with Al Kooper in bands in New York City, and had played with both Kooper and Bloomfield on 2778: 556:, and Dylan asked Bloomfield to join his touring band. Bloomfield demurred, preferring to continue playing with the Butterfield Band. 42: 3541: 1888: 1635: 3204: 2866: 2705: 1273:(1973) (Not released until 1990. Additional recordings from these sessions were released on "Bloomfield: A Retrospective" in 1983) 3551: 3521: 3126: 2802: 1193: 509: 1862: 3516: 3496: 3481: 1770:(2013); a Columbia Legacy career retrospective, produced by Al Kooper, including tapes from Bloomfield's original audition for 358:. New Trier expelled Bloomfield after his band performed a raucous rock and roll song at a 1959 school gathering. He attended 3343: 2569: 2561: 2546: 2538: 2530: 2522: 2508: 2494: 2480: 2466: 2452: 2426: 2172: 1924: 1514: 698:"Why not do an entire jam album together?" Kooper remembered in 1998, writing the booklet notes for the Bloomfield anthology 520:, whom he had met in 1963 at a Chicago club called the Bear. The club was bankrolled by future Dylan and Butterfield manager 2137: 868:. In 1975 he recorded an album with the group KGB. The group's name is an acronym of the initials of singer and songwriter 2115: 314:'s list of "100 Greatest Guitarists of All Time" in 2003 and No. 42 by the same magazine in 2011. He was inducted into the 3556: 3501: 2816: 773:, including Mark Naftalin, former Electric Flag bandmates Marcus Doubleday and Snooky Flowers, and a guest appearance by 3526: 3461: 3091: 2408: 343:
married Harold in 1940. She came from an artistic, musical family, and worked as an actress and model before marrying.
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into the group. During the first part of 1966, the band played in California, and they recorded their second album,
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When Sam Lay fell ill after a series of dates in November 1965, the Butterfield Band brought Chicago-born drummer
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recording artist. In early 1964 Harlib took an audition tape by Bloomfield to Columbia producer and talent scout
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at Columbia Records in 1964, previously unissued live performances, and a DVD that includes the documentary film
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music, and it was based upon a song Gravenites and Bloomfield had been playing since 1965, "It's About Time".
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by Wolkin & Keenom (Miller Freeman Books, 2000) contains a CD of 1964 recordings made by Norman Dayron
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notes within the pentatonic framework, and integrated Indian and Eastern influences in his solos.
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Bloomfield continued with solo, session and back-up work from 1968 to 1980. He played guitar on
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An advertisement concert featuring the Mike Bloomfield Band for a 1973 show in Indianapolis.
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In 1967, Bloomfield swapped the Goldtop for guitar repairman/musician Dan Erlewine's 1959
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on February 7, 1981, being his penultimate appearance. His final performance was at
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Backstage Passes and Backstabbing Bastards: Memoirs of a Rock 'N' Roll Survivor
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Fillmore East: Al Kooper and Mike Bloomfield - The Lost Concert Tapes 12/13/68
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During 1970 Bloomfield gave up playing because of his heroin addiction:
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man for Columbia Records, and Bloomfield and Kooper had played piano on
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Michael Bloomfield : the rise and fall of an American guitar hero
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on drums) – Solid Blues, ed . 1995 (St.Clair Entertainment Group Inc.)
1436:. Those performances, except for "Winter Country Blues", are now part 3320: 3284: 2435: 1749: 1531: 1496: 1463: 1170: 1142: 1075: 1067: 885: 877: 857: 800: 670: 625: 517: 414: 410: 406: 401: 287: 1607:(1968); credited as "Makal Blumfeld" due to contractual constraints. 1026:. Statements consisting only of original research should be removed. 915:, and sat in with other bands. In 1977, Bloomfield was selected by 634:. The group's first effort was the soundtrack for director-producer 3336: 3007: 2756: 2742:
Gibson's Replica of Mike Bloomfield's 1959 Les Paul Standard Guitar
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external links, and converting useful links where appropriate into
2116:"Fox Warfield Theatre, San Francisco, California, 15 November 1980" 1718:(Live recordings from McCabe's Guitar Shop, Santa Monica, CA; 1977) 1581:"Carry On"/"Ronnie Siegel from Avenue L" 45 – Barry Goldberg, with 1479: 933:
in the summer of 1980. He sat in with Bob Dylan at San Francisco's
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Bloomfield had attended a 1957 Chicago performance by blues singer
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From His Head to His Heart to His Hands: An Audio-Visual Scrapbook
1217:(three live versions of the track "East–West", recorded 1966–1967) 3276: 3170: 2678: 2093: 2066: 1668: 1456:(1973), original film soundtrack, with Nick Gravenites and others 1150: 965: 569:, that summer. The record's title track found the band exploring 487: 335: 279: 128: 2515:
Michael Bloomfield, The rise and fall of an American guitar hero
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Michael Bloomfield, The rise and fall of an American guitar hero
2239:"Michael Bloomfield's Mill Valley lifestyle detailed in new bio" 1448:(1969), original film soundtrack featuring Bloomfield and others 691:, an instrumental album that had been packaged with the group's 33: 1746:
Michael Bloomfield, Harvey Mandel, Barry Goldberg & Friends
1146: 961: 789:. Bloomfield composed and recorded the soundtrack for the film 678: 339: 3226: 1661:– The Zeet Band (1970) (credited as "Fastfingers" Finkelstein) 536:. Bloomfield would play on most of the tracks on Dylan's 1965 513:, was recorded in September and released the following month. 2649: 2367:
Documentary Films - Sweet Blues: A film about Mike Bloomfield
894:. In 1976 he recorded an instructional album for guitarists, 864:. In 1974, he rejoined the Electric Flag for an album titled 442: 400:
Writing in 2001, keyboardist, songwriter and record producer
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Don't Say That I Ain't Your Man: Essential Blues, 1964–1969
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Don't Say That I Ain't Your Man: Essential Blues, 1964–1969
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blues clubs and playing guitar with such black bluesmen as
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s chart that year. He also played guitar on recordings by
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Guitar king : Michael Bloomfield's life in the blues
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with a band that included keyboardists Mark Naftalin and
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album, and he appeared onstage with Dylan in July at the
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In 1973 he teamed up with Mark Naftalin, at a studio in
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Woodstock: Music from the Original Soundtrack and More
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In the early 1960s he met harmonica player and singer
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at a Chicago club called the Place. He performed with
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Martin Scorsese Presents the Blues: A Musical Journey
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to do the soundtrack for the pop artist's last film,
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Bloomfield also made an impact through his work with
2475:Billboard Books (Updated Edition – September 1998) 2344:"MVFF36 – Sweet Blues: A Film About Mike Bloomfield" 1382:
The Live Adventures of Mike Bloomfield and Al Kooper
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The Live Adventures of Mike Bloomfield and Al Kooper
494:, who had previously worked in Howlin' Wolf's band. 274:(July 28, 1943 – February 15, 1981) was an American 2554:
Guitar King: Michael Bloomfield's Life in the Blues
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Backstage Passes: Rock 'N' Roll Life in the Sixties
2461:– Stein & Day Pub (1st edition February 1977) 2291:"Archives | Mike Bloomfield Interview Part 1" 2022: 1186: 2600:may not follow Knowledge's policies or guidelines 2140:. Mikebloomfieldamericanmusic.com. Archived from 644:, which was recorded in the spring of that year. 3438: 1910: 1908: 1906: 603: 1403:(uncredited because of contractual constraints) 1277:If You Love These Blues, Play 'Em as You Please 896:If You Love These Blues, Play 'Em as You Please 2266:"'Superstar' of the '60s Mike Bloomfield Dead" 1114:, acquired in Boston and used for some of the 765:assemble her Kozmic Blues Band (for the album 453:. He developed a friendship with blues singer 286:music in the mid-1960s. In 1965, he played on 3212: 2874:Woodstock: 40 Years On: Back to Yasgur's Farm 2772: 2517:, Multiprises, LLC (updated edition – 2016), 2421:Backbeat Books, 1st edition September 2000 – 1903: 673:, who had played with Bloomfield on Dylan's " 2728:Michael Bloomfield Chronology & Analysis 2395:, Re/Search Publications, 1st edition 1980, 2089:"Unreleased title soundtrack for Andy's BAD" 2020: 1947:: CS1 maint: multiple names: authors list ( 1817: 1613:– Wayne Talbert & the Melting Pot (1968) 949:, approximately 48 hours before his death. 2223:. February 17, 1981. p. 5 – via 2162: 2025:Michael Bloomfield: If You Love These Blues 1914: 516:In June 1965, Bloomfield had recorded with 3512:Burials at Hillside Memorial Park Cemetery 3219: 3205: 2779: 2765: 2695: 2681: 2667: 2487:Backstage Passes and Backstabbing Bastards 2195:: CS1 maint: location missing publisher ( 1967:"Michael Bloomfield's Early Days, Part II" 1951:) CS1 maint: numeric names: authors list ( 1885:"100 Greatest Guitarists: Mike Bloomfield" 532:", a single produced by Columbia Record's 2752:Sweet Blues: A Film About Mike Bloomfield 2636:Learn how and when to remove this message 2274:. Fort Worth, TX. p. 22 – via 1853:"The 100 Greatest Guitarists of All Time" 1813: 1776:Sweet Blues: A Film About Mike Bloomfield 1153:; this approach would strongly influence 1042:Learn how and when to remove this message 457:. In 1963 Bloomfield and his two friends 2867:Woodstock: Three Days of Peace and Music 2419:If You Love These Blues: An Oral History 2049:if you love these blues bloomfield ISBN. 1990: 1988: 1824:The Virgin Encyclopedia of Popular Music 1811: 1809: 1807: 1805: 1803: 1801: 1799: 1797: 1795: 1793: 1742:(Features Mike on guitar on most tracks) 1507: 1438:Live at Bill Graham's Fillmore West 1969 1054:Bloomfield's musical influences include 907:In the 1970s Bloomfield played in local 734: 58:of all important aspects of the article. 3507:Deaths by heroin overdose in California 2029:. San Francisco: Miller Freeman Books. 2021:Wolkin, Jan Mark; Keenom, Bill (2000). 1495:(keyboards), Mike Bloomfield (guitar), 1180: 876:and Bloomfield. The band also included 767:I Got Dem Ol' Kozmic Blues, Again Mama! 528:guitar licks were featured on Dylan's " 369:, and began spending time in Chicago's 3439: 2703:Mike Bloomfield, An American Guitarist 2434:The Adventures of Mike Bloomfield and 2288: 1695: 1636:I Got Dem Ol' Kozmic Blues Again Mama! 1289:(1977; unreleased title soundtrack to 664: 647:The Electric Flag debuted at the 1967 421:The Butterfield Blues Band (1965–1967) 54:Please consider expanding the lead to 3344:Stevie Ray Vaughan and Double Trouble 3200: 2760: 2211:"Electric Blues Guitarist Found Dead" 1985: 1790: 1756:The Holy Kingdom: Music of the Gospel 1722:Between the Hard Place and the Ground 785:, featuring Muddy Waters and pianist 2786: 2580: 2556:, University of Texas Press (2019), 2403:. Last éd. V/Search, December 1999, 2263: 1221: 991: 972:poisoning. Bloomfield's last album, 755:. He released his first solo album, 27: 16:American blues guitarist (1943–1981) 3537:Paul Butterfield Blues Band members 2817:The Resurrection of Pigboy Crabshaw 1740:Barry Goldberg & Friends – Live 1422:Live at Bill Graham's Fillmore West 1323:Between a Hard Place and the Ground 860:, to produce a one-off live album, 840:He recorded his second solo album, 771:Live at Bill Graham's Fillmore West 433:, with whom he would later play in 13: 3547:20th-century American male singers 2413:Jan Mark Wolkin & Bill Keenom 1460:Mill Valley Bunch – Casting Pearls 1209:The Original Lost Elektra Sessions 888:on Cale's soundtrack for the film 761:, in 1969. Bloomfield also helped 14: 3568: 2576: 2289:Wenner, Jann S. (April 6, 1968). 1861:. August 27, 2003. Archived from 1344: 1211:(unreleased recordings from 1965) 795:, directed by his second cousin, 620:. Miles had previously played in 278:guitarist and composer. Born in 3542:20th-century American guitarists 2585: 2163:Dann, David (October 15, 2019). 1617:Lord Have Mercy on My Funky Soul 1585:, guitar, produced by Tom Wilson 996: 723:, recorded over three nights at 318:in 2012 and, as a member of the 310:Bloomfield was ranked No. 22 on 85: 32: 3151:The Paul Butterfield Blues Band 2803:The Paul Butterfield Blues Band 2358: 2336: 2314: 2305: 2282: 2257: 2231: 2203: 2156: 2130: 2118:. bjorner.com. October 27, 2015 2108: 1887:. Rolling Stone. Archived from 1194:The Paul Butterfield Blues Band 1187:The Paul Butterfield Blues Band 978:Hillside Memorial Park Cemetery 510:The Paul Butterfield Blues Band 474:, who signed him to Columbia's 435:the Paul Butterfield Blues Band 235:The Paul Butterfield Blues Band 46:may be too short to adequately 3552:20th-century American pianists 3522:Jewish American rock musicians 3071:Please Send Me Someone to Love 3015:Good Morning Little Schoolgirl 2138:"Michael Bloomfield Biography" 2081: 2054: 2014: 1959: 1877: 1845: 1689:Woody Herman and His Orchestra 1539:The Peter, Paul and Mary Album 1424:(1969), with Nick Gravenites, 1393:(recorded 1968, released 2003) 1317:Count Talent and the Originals 1137:Unlike contemporaries such as 387:Luther "Guitar Junior" Johnson 329: 56:provide an accessible overview 1: 3517:20th-century American singers 3497:People from Glencoe, Illinois 3482:Blues musicians from Illinois 3307:Joan Jett and the Blackhearts 2650:Official Mike Bloomfield Site 2311:Wolkin and Keenom's biography 2264:Kaye, Roger (March 3, 1981). 1783: 1169:. However, he liberally used 1093:Bloomfield originally used a 898:, which was financed through 862:Live at the Record Plant 1973 604:The Electric Flag (1967–1968) 92: 3417:Award for Musical Excellence 2657:by Michael Bloomfield (1980) 2503:, Cherry Lane Books (1983), 1466:, Nick Gravenites and others 1104:International Submarine Band 1097:, though he had also used a 730: 7: 3247:Paul Butterfield Blues Band 2888:The Last Waltz (2002 album) 2881:The Last Waltz (1978 album) 2747:Bloomfield notes newsletter 2447:Agenda Ltd, February 1999, 1996:"Bloomfield's Doomed Field" 1708:Bloomfield: A Retrospective 1279:(1976; reissued on CD with 1022:the claims made and adding 939:San Francisco State College 320:Paul Butterfield Blues Band 10: 3573: 3557:20th-century American Jews 3502:American session musicians 3228:Rock and Roll Hall of Fame 3186:Electric Dylan controversy 2385: 2346:. Prod3.agileticketing.net 2167:(First ed.). Austin. 324:Rock and Roll Hall of Fame 272:Michael Bernard Bloomfield 111:Michael Bernard Bloomfield 18: 3527:The Electric Flag members 3462:American blues guitarists 3416: 3379: 3238: 3143: 2980:Get Out of My Life, Woman 2922: 2897: 2840: 2794: 2715:Bloomfield's Doomed Field 2243:Marin Independent Journal 1355:Little Brother Montgomery 852:and guitarist and singer 383:Little Brother Montgomery 356:Johnny and the Hurricanes 252: 248: 227: 217: 200: 183: 152: 135: 115: 105: 100: 84: 77: 3467:American male guitarists 3457:American lead guitarists 2271:Fort Worth Star-Telegram 1576:Eddie "Cleanhead" Vinson 1271:Try It Before You Buy It 987: 955: 842:Try It Before You Buy It 677:". Kooper had become an 449:, who was attending the 322:, was inducted into the 295:, including the single " 3532:Guitarists from Chicago 3492:Chicago blues musicians 3472:American blues pianists 3120:Love Her with a Feeling 3092:Nobody's Fault but Mine 2720:March 25, 2012, at the 1762:If You Love These Blues 1734:Live at the Old Waldorf 1702:Living in the Fast Lane 1601:Living with the Animals 1256: 1112:Gibson Les Paul Goldtop 974:Cruisin' for a Bruisin' 819:, along with guitarist 805:Mourning in the Morning 749:Living with the Animals 334:Bloomfield was born in 19:For the astronaut, see 3477:American male pianists 3144:Other related articles 2966:Look Over Yonders Wall 2844:(with various artists) 1335:Cruisin' for a Bruisin 909:San Francisco Bay area 838: 813:Muscle Shoals, Alabama 740: 445:-born record producer 101:Background information 3057:Drown in My Own Tears 3036:Born Under a Bad Sign 3022:Driftin' and Driftin' 2938:Shake Your Moneymaker 2708:July 2, 2017, at the 2391:Michael Bloomfield – 1919:. Chicago, Illinois. 1619:-Wayne Talbert (1969) 1597:(1968) – Played Piano 1508:Selected session work 1244:The Band Kept Playing 911:clubs, including the 866:The Band Kept Playing 828: 738: 651:and issued an album, 649:Monterey Pop Festival 544:Newport Folk Festival 486:, along with drummer 451:University of Chicago 352:New Trier High School 305:Newport Folk Festival 21:Michael J. Bloomfield 3487:Singers from Chicago 3291:Billie Joe Armstrong 3085:Baby Please Don't Go 2945:Blues with a Feeling 2606:improve this article 2444:David Clayton Thomas 2415:- Michael Bloomfield 1827:(Concise ed.). 1665:Sam Lay in Bluesland 1653:Brewer & Shipley 1544:Peter, Paul and Mary 1527:Highway 61 Revisited 1181:Selected discography 984:, near Los Angeles. 675:Like a Rolling Stone 631:Highway 61 Revisited 579:Peter, Paul and Mary 553:Highway 61 Revisited 539:Highway 61 Revisited 530:Like a Rolling Stone 350:, where he attended 301:performed with Dylan 297:Like a Rolling Stone 292:Highway 61 Revisited 3398:Lowman Pauling, Jr. 2952:Got My Mojo Working 2618:footnote references 2062:"Andy Warhol's BAD" 1715:I'm with You Always 1696:Posthumous releases 1679:Beaver & Krause 1304:I'm with You Always 1264:It's Not Killing Me 758:It's Not Killing Me 753:Cotton in Your Ears 727:in September 1968. 665:Work with Al Kooper 657:, in April 1968 on 3396:, James E. Moore, 3358:Stevie Ray Vaughan 3001:Two Trains Running 2898:Compilation albums 2370:, January 23, 2020 2144:on January 3, 2013 1973:on August 28, 2012 1407:Fathers & Sons 1311:Michael Bloomfield 1237:A Long Time Comin' 1159:Fender Twin Reverb 1007:possibly contains 741: 654:A Long Time Comin' 584:Billboard Magazine 316:Blues Hall of Fame 148:, California, U.S. 3434: 3433: 3394:Obadiah H. Carter 3194: 3193: 2845: 2646: 2645: 2638: 2570:978-1-4773-1893-5 2562:978-1-4773-1877-5 2547:978-1-61373-330-1 2539:978-1-61373-331-8 2531:978-1-61373-329-5 2523:978-1-61373-328-8 2509:978-0-89524-157-3 2495:978-0-87930-922-0 2481:978-0-8230-8257-5 2467:978-0-8128-2171-0 2453:978-1-899882-90-8 2427:978-0-87930-617-5 2324:. www2.gibson.com 2245:. August 25, 2016 2174:978-1-4773-1877-5 2002:on March 25, 2012 1926:978-1-61373-329-5 1915:Ward, Ed, 1948–. 1329:Bloomfield-Harris 1291:Andy Warhol's Bad 1281:Bloomfield-Harris 1222:The Electric Flag 1123:Les Paul Standard 1095:Fender Telecaster 1052: 1051: 1044: 1009:original research 922:Andy Warhol's Bad 375:Sleepy John Estes 266: 265: 240:The Electric Flag 139:February 15, 1981 73: 72: 3564: 3380:Early influences 3253:Paul Butterfield 3221: 3214: 3207: 3198: 3197: 3127:That's All Right 3078:Too Many Drivers 2843: 2788:Paul Butterfield 2781: 2774: 2767: 2758: 2757: 2699: 2685: 2671: 2641: 2634: 2630: 2627: 2621: 2589: 2588: 2581: 2440:Paul Butterfield 2379: 2378: 2377: 2375: 2362: 2356: 2355: 2353: 2351: 2340: 2334: 2333: 2331: 2329: 2318: 2312: 2309: 2303: 2302: 2300: 2298: 2293:. Jann S. Wenner 2286: 2280: 2279: 2261: 2255: 2254: 2252: 2250: 2235: 2229: 2228: 2221:Associated Press 2219:. Billings, MT. 2216:Billings Gazette 2207: 2201: 2200: 2194: 2186: 2160: 2154: 2153: 2151: 2149: 2134: 2128: 2127: 2125: 2123: 2112: 2106: 2105: 2103: 2101: 2085: 2079: 2078: 2076: 2074: 2058: 2052: 2051: 2028: 2018: 2012: 2011: 2009: 2007: 1998:. Archived from 1992: 1983: 1982: 1980: 1978: 1969:. Archived from 1963: 1957: 1956: 1946: 1938: 1912: 1901: 1900: 1898: 1896: 1891:on July 20, 2018 1881: 1875: 1874: 1872: 1870: 1849: 1843: 1842: 1815: 1624:Fathers and Sons 1578:(BluesWay, 1967) 1338: 1250:Groovin' Is Easy 1163:pentatonic scale 1099:Fender Duo-Sonic 1072:Big Joe Williams 1047: 1040: 1036: 1033: 1027: 1024:inline citations 1000: 999: 992: 935:Warfield Theatre 931:Maggie Edmondson 854:John Hammond Jr. 783:Fathers and Sons 659:Columbia Records 468:Columbia Records 455:Big Joe Williams 427:Paul Butterfield 409:, Muddy Waters, 360:Cornwall Academy 262: 259: 220: 175:psychedelic rock 142: 131:, Illinois, U.S. 125: 123: 108: 94: 89: 75: 74: 68: 65: 59: 36: 28: 3572: 3571: 3567: 3566: 3565: 3563: 3562: 3561: 3437: 3436: 3435: 3430: 3412: 3388:The "5" Royales 3375: 3273:Billy Davenport 3257:Mike Bloomfield 3234: 3225: 3195: 3190: 3181:Billy Davenport 3156:Mike Bloomfield 3139: 3134:Goin' Down Slow 3113:It Hurts Me Too 3029:I Pity the Fool 2931:Born in Chicago 2918: 2893: 2842: 2836: 2824:In My Own Dream 2790: 2785: 2733:Mike Bloomfield 2722:Wayback Machine 2710:Wayback Machine 2691:discography at 2689:Mike Bloomfield 2677:discography at 2675:Mike Bloomfield 2661:Mike Bloomfield 2642: 2631: 2625: 2622: 2603: 2594:This article's 2590: 2586: 2579: 2552:David Dann – 2388: 2383: 2382: 2373: 2371: 2364: 2363: 2359: 2349: 2347: 2342: 2341: 2337: 2327: 2325: 2320: 2319: 2315: 2310: 2306: 2296: 2294: 2287: 2283: 2262: 2258: 2248: 2246: 2237: 2236: 2232: 2209: 2208: 2204: 2188: 2187: 2175: 2161: 2157: 2147: 2145: 2136: 2135: 2131: 2121: 2119: 2114: 2113: 2109: 2099: 2097: 2087: 2086: 2082: 2072: 2070: 2060: 2059: 2055: 2037: 2019: 2015: 2005: 2003: 1994: 1993: 1986: 1976: 1974: 1965: 1964: 1960: 1940: 1939: 1927: 1913: 1904: 1894: 1892: 1883: 1882: 1878: 1868: 1866: 1865:on July 1, 2008 1851: 1850: 1846: 1839: 1831:. p. 150. 1816: 1791: 1786: 1781: 1698: 1520:John P. Hammond 1510: 1453:Steelyard Blues 1417:Nick Gravenites 1347: 1336: 1307:(Recorded 1977) 1259: 1252:(Released 2002) 1224: 1189: 1183: 1048: 1037: 1031: 1028: 1013: 1001: 997: 990: 970:methamphetamine 958: 913:Keystone Korner 833:nolo contendere 733: 707:The result was 667: 606: 561:Billy Davenport 522:Albert Grossman 496:Elektra Records 459:George Mitchell 439:Nick Gravenites 423: 338:into a wealthy 332: 303:at that year's 269: 256: 244: 218: 213: 196: 179: 144: 140: 127: 121: 119: 106: 96: 80: 79:Mike Bloomfield 69: 63: 60: 53: 41:This article's 37: 24: 17: 12: 11: 5: 3570: 3560: 3559: 3554: 3549: 3544: 3539: 3534: 3529: 3524: 3519: 3514: 3509: 3504: 3499: 3494: 3489: 3484: 3479: 3474: 3469: 3464: 3459: 3454: 3449: 3432: 3431: 3429: 3428: 3420: 3418: 3414: 3413: 3411: 3410: 3409: 3408: 3406:John L. Tanner 3383: 3381: 3377: 3376: 3374: 3373: 3366: 3365: 3364: 3340: 3333: 3332: 3331: 3303: 3302: 3301: 3281: 3280: 3279: 3242: 3240: 3236: 3235: 3224: 3223: 3216: 3209: 3201: 3192: 3191: 3189: 3188: 3183: 3178: 3173: 3168: 3163: 3158: 3153: 3147: 3145: 3141: 3140: 3138: 3137: 3130: 3123: 3116: 3109: 3102: 3095: 3088: 3081: 3074: 3067: 3060: 3053: 3046: 3043:Double Trouble 3039: 3032: 3025: 3018: 3011: 3004: 2997: 2990: 2983: 2976: 2969: 2962: 2955: 2948: 2941: 2934: 2926: 2924: 2920: 2919: 2917: 2916: 2909: 2906:What's Shakin' 2901: 2899: 2895: 2894: 2892: 2891: 2884: 2877: 2870: 2863: 2856: 2848: 2846: 2838: 2837: 2835: 2834: 2831:Keep On Moving 2827: 2820: 2813: 2806: 2798: 2796: 2792: 2791: 2784: 2783: 2776: 2769: 2761: 2755: 2754: 2749: 2744: 2739: 2730: 2725: 2712: 2700: 2686: 2672: 2658: 2655:Me and Big Joe 2652: 2644: 2643: 2598:external links 2593: 2591: 2584: 2578: 2577:External links 2575: 2574: 2573: 2550: 2533:(PDF edition) 2511: 2497: 2483: 2469: 2455: 2430: 2411: 2409:978-1889307053 2393:Me and Big Joe 2387: 2384: 2381: 2380: 2357: 2335: 2313: 2304: 2281: 2276:Newspapers.com 2256: 2230: 2225:Newspapers.com 2202: 2173: 2155: 2129: 2107: 2080: 2053: 2035: 2013: 1984: 1958: 1925: 1902: 1876: 1844: 1837: 1821:, ed. (1997). 1788: 1787: 1785: 1782: 1780: 1779: 1765: 1759: 1753: 1743: 1737: 1731: 1725: 1719: 1711: 1705: 1697: 1694: 1693: 1692: 1682: 1672: 1662: 1656: 1644: 1632: 1620: 1614: 1608: 1598: 1586: 1579: 1567: 1559: 1547: 1535: 1523: 1509: 1506: 1505: 1504: 1501:Carmine Appice 1493:Barry Goldberg 1482: 1467: 1457: 1449: 1441: 1419: 1410: 1404: 1401:Barry Goldberg 1397:Two Jews Blues 1394: 1386: 1378: 1370: 1359:Sunnyland Slim 1346: 1345:Collaborations 1343: 1342: 1341: 1332: 1326: 1320: 1314: 1308: 1300: 1294: 1284: 1274: 1268: 1258: 1255: 1254: 1253: 1247: 1241: 1233: 1223: 1220: 1219: 1218: 1215:East–West Live 1212: 1206: 1198: 1188: 1185: 1184: 1182: 1179: 1064:Little Richard 1050: 1049: 1004: 1002: 995: 989: 986: 957: 954: 882:Carmine Appice 874:Barry Goldberg 807:, recorded at 803:'s 1969 album 797:Haskell Wexler 732: 729: 715:Stephen Stills 666: 663: 638:'s 1967 movie 622:Wilson Pickett 605: 602: 500:Paul Rothchild 429:and guitarist 422: 419: 331: 328: 268:Musical artist 267: 264: 263: 258:mikebloomfield 254: 250: 249: 246: 245: 243: 242: 237: 231: 229: 225: 224: 221: 215: 214: 212: 211: 208: 204: 202: 198: 197: 195: 194: 191: 187: 185: 181: 180: 178: 177: 172: 167: 162: 156: 154: 150: 149: 143:(aged 37) 137: 133: 132: 117: 113: 112: 109: 103: 102: 98: 97: 90: 82: 81: 78: 71: 70: 64:September 2024 50:the key points 40: 38: 31: 15: 9: 6: 4: 3: 2: 3569: 3558: 3555: 3553: 3550: 3548: 3545: 3543: 3540: 3538: 3535: 3533: 3530: 3528: 3525: 3523: 3520: 3518: 3515: 3513: 3510: 3508: 3505: 3503: 3500: 3498: 3495: 3493: 3490: 3488: 3485: 3483: 3480: 3478: 3475: 3473: 3470: 3468: 3465: 3463: 3460: 3458: 3455: 3453: 3450: 3448: 3445: 3444: 3442: 3427: 3426: 3422: 3421: 3419: 3415: 3407: 3403: 3402:Eugene Tanner 3399: 3395: 3392: 3391: 3390: 3389: 3385: 3384: 3382: 3378: 3372: 3371: 3367: 3363: 3359: 3355: 3354:Tommy Shannon 3351: 3348: 3347: 3346: 3345: 3341: 3339: 3338: 3334: 3330: 3326: 3322: 3318: 3314: 3311: 3310: 3309: 3308: 3304: 3300: 3296: 3292: 3289: 3288: 3287: 3286: 3282: 3278: 3274: 3270: 3269:Jerome Arnold 3266: 3265:Mark Naftalin 3262: 3258: 3254: 3251: 3250: 3249: 3248: 3244: 3243: 3241: 3237: 3233: 3232:Class of 2015 3229: 3222: 3217: 3215: 3210: 3208: 3203: 3202: 3199: 3187: 3184: 3182: 3179: 3177: 3176:Jerome Arnold 3174: 3172: 3169: 3167: 3166:Mark Naftalin 3164: 3162: 3159: 3157: 3154: 3152: 3149: 3148: 3146: 3142: 3135: 3131: 3128: 3124: 3121: 3117: 3114: 3110: 3107: 3103: 3100: 3096: 3093: 3089: 3086: 3082: 3079: 3075: 3072: 3068: 3065: 3061: 3058: 3054: 3051: 3050:Drivin' Wheel 3047: 3044: 3040: 3037: 3033: 3030: 3026: 3023: 3019: 3016: 3012: 3009: 3005: 3002: 2998: 2995: 2991: 2988: 2984: 2981: 2977: 2974: 2973:Walkin' Blues 2970: 2967: 2963: 2960: 2959:Mystery Train 2956: 2953: 2949: 2946: 2942: 2939: 2935: 2932: 2928: 2927: 2925: 2921: 2915: 2914: 2910: 2908: 2907: 2903: 2902: 2900: 2896: 2890: 2889: 2885: 2883: 2882: 2878: 2876: 2875: 2871: 2869: 2868: 2864: 2862: 2861: 2860:Woodstock Two 2857: 2855: 2854: 2850: 2849: 2847: 2839: 2833: 2832: 2828: 2826: 2825: 2821: 2819: 2818: 2814: 2812: 2811: 2807: 2805: 2804: 2800: 2799: 2797: 2795:Studio albums 2793: 2789: 2782: 2777: 2775: 2770: 2768: 2763: 2762: 2759: 2753: 2750: 2748: 2745: 2743: 2740: 2738: 2734: 2731: 2729: 2726: 2723: 2719: 2716: 2713: 2711: 2707: 2704: 2701: 2698: 2694: 2690: 2687: 2684: 2680: 2676: 2673: 2670: 2666: 2662: 2659: 2656: 2653: 2651: 2648: 2647: 2640: 2637: 2629: 2619: 2615: 2614:inappropriate 2611: 2607: 2601: 2599: 2592: 2583: 2582: 2571: 2567: 2563: 2559: 2555: 2551: 2548: 2544: 2540: 2536: 2532: 2528: 2524: 2520: 2516: 2512: 2510: 2506: 2502: 2498: 2496: 2492: 2488: 2484: 2482: 2478: 2474: 2470: 2468: 2464: 2460: 2456: 2454: 2450: 2446: 2445: 2441: 2437: 2432:Ken Brooks – 2431: 2428: 2424: 2420: 2416: 2412: 2410: 2406: 2402: 2401:0-940642-00-X 2398: 2394: 2390: 2389: 2369: 2368: 2361: 2345: 2339: 2323: 2317: 2308: 2292: 2285: 2277: 2273: 2272: 2267: 2260: 2244: 2240: 2234: 2226: 2222: 2218: 2217: 2212: 2206: 2198: 2192: 2184: 2180: 2176: 2170: 2166: 2159: 2143: 2139: 2133: 2117: 2111: 2096: 2095: 2090: 2084: 2069: 2068: 2063: 2057: 2050: 2046: 2042: 2038: 2036:0-87930-617-3 2032: 2027: 2026: 2017: 2001: 1997: 1991: 1989: 1972: 1968: 1962: 1954: 1950: 1944: 1936: 1932: 1928: 1922: 1918: 1911: 1909: 1907: 1890: 1886: 1880: 1864: 1860: 1859: 1858:Rolling Stone 1854: 1848: 1840: 1838:1-85227-745-9 1834: 1830: 1826: 1825: 1820: 1814: 1812: 1810: 1808: 1806: 1804: 1802: 1800: 1798: 1796: 1794: 1789: 1777: 1773: 1769: 1766: 1763: 1760: 1757: 1754: 1751: 1747: 1744: 1741: 1738: 1735: 1732: 1729: 1726: 1723: 1720: 1717: 1716: 1712: 1709: 1706: 1703: 1700: 1699: 1690: 1686: 1683: 1680: 1676: 1673: 1670: 1666: 1663: 1660: 1659:Moogie Woogie 1657: 1654: 1650: 1649: 1645: 1642: 1638: 1637: 1633: 1630: 1626: 1625: 1621: 1618: 1615: 1612: 1609: 1606: 1602: 1599: 1596: 1592: 1591: 1587: 1584: 1580: 1577: 1573: 1572: 1568: 1565: 1564: 1560: 1557: 1553: 1552: 1551:Fresh Berry's 1548: 1545: 1541: 1540: 1536: 1533: 1529: 1528: 1524: 1521: 1517: 1516: 1515:So Many Roads 1512: 1511: 1502: 1498: 1494: 1490: 1486: 1483: 1481: 1477: 1474:(1973), with 1473: 1472: 1468: 1465: 1462:(1973), with 1461: 1458: 1455: 1454: 1450: 1447: 1446: 1442: 1439: 1435: 1431: 1430:Mark Naftalin 1427: 1423: 1420: 1418: 1415:(1969), with 1414: 1411: 1408: 1405: 1402: 1399:(1969), with 1398: 1395: 1392: 1391: 1387: 1384: 1383: 1379: 1376: 1375: 1374:Super Session 1371: 1368: 1364: 1360: 1356: 1352: 1349: 1348: 1339: 1333: 1330: 1327: 1324: 1321: 1318: 1315: 1312: 1309: 1306: 1305: 1301: 1298: 1295: 1292: 1288: 1285: 1282: 1278: 1275: 1272: 1269: 1266: 1265: 1261: 1260: 1251: 1248: 1245: 1242: 1239: 1238: 1234: 1231: 1230: 1226: 1225: 1216: 1213: 1210: 1207: 1204: 1203: 1199: 1196: 1195: 1191: 1190: 1178: 1174: 1172: 1168: 1164: 1160: 1156: 1152: 1148: 1144: 1140: 1135: 1131: 1129: 1128:Super Session 1124: 1119: 1117: 1113: 1109: 1105: 1100: 1096: 1091: 1089: 1085: 1081: 1077: 1073: 1069: 1065: 1061: 1057: 1046: 1043: 1035: 1032:February 2008 1025: 1021: 1017: 1011: 1010: 1005:This section 1003: 994: 993: 985: 983: 979: 975: 971: 967: 963: 953: 950: 948: 944: 943:Mission Ranch 940: 936: 932: 928: 924: 923: 918: 914: 910: 905: 903: 902: 901:Guitar Player 897: 893: 892: 887: 883: 879: 875: 871: 867: 863: 859: 855: 851: 847: 843: 837: 835: 834: 827: 824: 822: 818: 817:Barry Beckett 814: 810: 806: 802: 798: 794: 793: 788: 784: 780: 779:Chess Records 776: 772: 768: 764: 760: 759: 754: 750: 746: 737: 728: 726: 725:Fillmore West 722: 721: 716: 712: 711: 710:Super Session 705: 703: 702: 696: 694: 690: 689: 684: 680: 676: 672: 662: 660: 656: 655: 650: 645: 643: 642: 637: 633: 632: 627: 623: 619: 615: 614:Harvey Brooks 611: 610:Electric Flag 601: 599: 595: 591: 587: 585: 580: 574: 572: 568: 567: 562: 557: 555: 554: 549: 548:Maggie's Farm 545: 541: 540: 535: 531: 527: 523: 519: 514: 512: 511: 506: 501: 497: 493: 492:Jerome Arnold 489: 485: 484:Mark Naftalin 479: 477: 473: 469: 464: 460: 456: 452: 448: 447:Norman Dayron 444: 440: 436: 432: 428: 418: 416: 412: 408: 403: 398: 396: 392: 388: 384: 380: 376: 372: 368: 363: 361: 357: 353: 349: 344: 341: 337: 327: 325: 321: 317: 313: 312:Rolling Stone 308: 306: 302: 298: 294: 293: 289: 285: 281: 277: 273: 261: 255: 251: 247: 241: 238: 236: 233: 232: 230: 226: 222: 216: 209: 206: 205: 203: 199: 192: 189: 188: 186: 182: 176: 173: 171: 170:Chicago blues 168: 166: 163: 161: 158: 157: 155: 151: 147: 146:San Francisco 138: 134: 130: 126:July 28, 1943 118: 114: 110: 104: 99: 88: 83: 76: 67: 57: 51: 49: 44: 39: 35: 30: 29: 26: 22: 3423: 3386: 3370:Bill Withers 3368: 3362:Reese Wynans 3350:Chris Layton 3342: 3335: 3329:Kenny Laguna 3305: 3283: 3261:Elvin Bishop 3256: 3245: 3161:Elvin Bishop 3155: 2911: 2904: 2886: 2879: 2872: 2865: 2858: 2851: 2829: 2822: 2815: 2808: 2801: 2737:Find a Grave 2724:by Al Kooper 2632: 2623: 2608:by removing 2595: 2553: 2514: 2513:Ed Ward – 2500: 2499:Ed Ward – 2486: 2485:Al Kooper – 2472: 2471:Al Kooper – 2458: 2457:Al Kooper – 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King 1020:verifying 886:John Cale 878:Ric Grech 858:Sausalito 801:Otis Rush 775:Taj Mahal 731:Solo work 688:Grape Jam 671:Al Kooper 626:Bob Dylan 566:East-West 518:Bob Dylan 498:producer 415:Buddy Guy 411:Bob Dylan 407:B.B. King 402:Al Kooper 326:in 2015. 223:1959–1981 48:summarize 3337:Lou Reed 3295:Tré Cool 3064:Poor Boy 3008:Spoonful 2718:Archived 2706:Archived 2665:AllMusic 2564:(print) 2549:(Kindle) 2525:(print) 2350:June 14, 2297:June 14, 1518: – 1499:(bass), 1487:(1976), 1480:Dr. John 1229:The Trip 1165:and the 1110:’s 1954 850:Dr. John 685:'s 1968 641:The Trip 190:Musician 3277:Sam Lay 3171:Sam Lay 3106:Rock Me 2679:Discogs 2604:Please 2596:use of 2572:(ebook) 2541:(epub) 2386:Sources 2094:YouTube 2067:YouTube 1977:June 3, 1869:July 2, 1669:Sam Lay 1503:(drums) 1297:Analine 1151:vibrato 1014:Please 966:cocaine 679:A&R 488:Sam Lay 478:label. 348:Glencoe 336:Chicago 299:", and 280:Chicago 253:Website 129:Chicago 2568:  2560:  2545:  2537:  2529:  2521:  2507:  2493:  2479:  2465:  2451:  2425:  2407:  2399:  2181:  2171:  2043:  2033:  1933:  1923:  1835:  1748:(with 1710:(1983) 1704:(1981) 1691:(1971) 1681:(1971) 1671:(1970) 1655:(1969) 1643:(1969) 1631:(1969) 1566:(1966) 1558:(1965) 1546:(1965) 1534:(1965) 1522:(1965) 1385:(1968) 1340:(1981) 1331:(1979) 1325:(1979) 1319:(1978) 1313:(1978) 1299:(1977) 1267:(1969) 1246:(1974) 1240:(1968) 1232:(1967) 1205:(1966) 1197:(1965) 1147:reverb 962:Valium 781:album 381:, and 340:Jewish 210:vocals 207:Guitar 153:Genres 2923:Songs 2438:with 1648:Weeds 1337:' 988:Style 980:, in 956:Death 848:with 571:modal 443:Bronx 284:blues 276:blues 160:Blues 2566:ISBN 2558:ISBN 2543:ISBN 2535:ISBN 2527:ISBN 2519:ISBN 2505:ISBN 2491:ISBN 2477:ISBN 2463:ISBN 2449:ISBN 2442:and 2423:ISBN 2405:ISBN 2397:ISBN 2376:2024 2352:2014 2330:2009 2299:2014 2251:2023 2197:link 2179:OCLC 2169:ISBN 2150:2011 2124:2017 2102:2016 2075:2016 2041:OCLC 2031:ISBN 2008:2008 1979:2014 1953:link 1949:link 1931:OCLC 1921:ISBN 1897:2015 1871:2008 1833:ISBN 1478:and 1257:Solo 1149:and 1141:and 1086:and 968:and 596:and 461:and 441:and 413:and 260:.com 136:Died 116:Born 95:1968 2735:at 2663:at 2612:or 1485:KGB 1018:by 811:in 693:Wow 628:'s 3443:: 3404:, 3400:, 3360:, 3356:, 3352:, 3327:, 3323:, 3319:, 3315:, 3297:, 3293:, 3275:, 3271:, 3267:, 3263:, 3259:, 3255:, 3230:– 2417:– 2268:. 2241:. 2213:. 2193:}} 2189:{{ 2177:. 2091:. 2064:. 2047:. 2039:. 1987:^ 1945:}} 1941:{{ 1929:. 1905:^ 1855:. 1792:^ 1687:– 1677:– 1667:– 1651:– 1639:– 1627:– 1603:– 1593:– 1574:– 1554:- 1542:– 1530:– 1428:, 1365:, 1361:, 1357:, 1090:. 1082:, 1078:, 1074:, 1070:, 1066:, 1062:, 1058:, 945:, 872:, 823:. 600:. 592:, 393:, 377:, 307:. 93:c. 3220:e 3213:t 3206:v 3136:" 3132:" 3129:" 3125:" 3122:" 3118:" 3115:" 3111:" 3108:" 3104:" 3101:" 3097:" 3094:" 3090:" 3087:" 3083:" 3080:" 3076:" 3073:" 3069:" 3066:" 3062:" 3059:" 3055:" 3052:" 3048:" 3045:" 3041:" 3038:" 3034:" 3031:" 3027:" 3024:" 3020:" 3017:" 3013:" 3010:" 3006:" 3003:" 2999:" 2996:" 2992:" 2989:" 2985:" 2982:" 2978:" 2975:" 2971:" 2968:" 2964:" 2961:" 2957:" 2954:" 2950:" 2947:" 2943:" 2940:" 2936:" 2933:" 2929:" 2780:e 2773:t 2766:v 2639:) 2633:( 2628:) 2624:( 2620:. 2602:. 2354:. 2332:. 2301:. 2278:. 2253:. 2227:. 2199:) 2185:. 2152:. 2126:. 2104:. 2077:. 2010:. 1981:. 1955:) 1937:. 1899:. 1873:. 1841:. 1293:) 1283:) 1045:) 1039:( 1034:) 1030:( 1012:. 586:' 124:) 120:( 66:) 62:( 52:. 23:.

Index

Michael J. Bloomfield

lead section
summarize
provide an accessible overview
Bloomfield c. 1968
Chicago
San Francisco
Blues
blues rock
Chicago blues
psychedelic rock
The Paul Butterfield Blues Band
The Electric Flag
mikebloomfield.com
blues
Chicago
blues
Bob Dylan's
Highway 61 Revisited
Like a Rolling Stone
performed with Dylan
Newport Folk Festival
Rolling Stone
Blues Hall of Fame
Paul Butterfield Blues Band
Rock and Roll Hall of Fame
Chicago
Jewish
Glencoe

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