537:, and more college dates, a breakthrough eluded them and they disbanded by July 1966. Band members felt that the material and direction given to them by record producers were partly to blame. According to Faryar: "I think Herbie steered us into some situations, like with Charlie Calello, where they wanted us to think this kind of song, they wanted us to think that kind of song, and we did not thrive in the hands of that kind of direction. We were most successful inventing our own stuff". Yester added: "I wished we would have recorded that , but we never did. The group didn't embrace original material as readily as I thought it should have. If we would have stuck with Chip's and my songs, we would have gotten further in the folk-rock days".
33:
261:) for Warner Brothers Records. MFQ performed with an array of popular folk group instruments, including guitar, banjo, ukulele, bass, and percussion, and four-part vocal harmonies. An album review called their material "a superbly chosen selection of concurrently new traditionals and original adaptations of standards from the folk music canon" that benefit from the group's fresh approach.
362:. A single "Every Minute of Every Day", backed with "That's Alright with Me" was released in April 1965 by Warner Bros. It was largely unnoticed and Faryar felt that the material was wrong for them. The group moved back to Los Angeles and debuted their folk rock set at their old haunt, the Troubador. Faryar recalled reactions similar to
303:(aka Dino Valente). A third album for Warner Bros. was not forthcoming. Yester explained "we were on the road so much that when we were off, we didn't really want to work ... We basically performed with those two albums worth of material. I don't think we had enough for another album until we changed into folk-rock".
545:
Two years after MFQ disbanded, a second
Dunhill MFQ single, the double A-side "Don't You Wonder" backed with "I Had a Dream Last Night", was released in 1968. The various members went on to develop their own careers. They re-formed between 1975 and 1978, and they released a third album "Live at The
403:
We started going up to
Spector's house every day. We'd spend two hours waiting around before he even appeared, and there were all these karate-type bodyguards hanging around. Eventually, he'd appear at the top of the stairs and say, 'Hi, guys!' He'd sit there with a twelve-string and we'd sing all
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became interested in the group. According to Henry Diltz, "we'd heard that
Spector was looking for a folk-rock band ... The word was that he really wanted the Lovin' Spoonful, but he couldn't get them. So he came down to see us instead". Spector went as far as to join MFQ onstage at a local
287:. A review noted "with an ear toward sustaining the fresh sound of their predecessor they blend their arrangements and adaptations to another impressive lineup of modern compositions from the group's contemporaries". These include early songs written by
188:. Although MFQ received a fair amount of exposure, their rock-oriented recordings failed to capture their sound or generate enough interest and they disbanded in 1966. Subsequently, MFQ re-formed several times and made further recordings.
338:
In 1965, MFQ began exploring a rock sound. Faryar saw the progression "as a logical outcome of how we think. We would have had to change our whole mental attitude to stay where we were". He also admitted being influenced by other bands:
343:
whet our appetites for folk-rock. Whatever sweet music the Byrds came up with, they legitimized this transition from folk to folk-rock ... We had developed a rock set when we played with the
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219:. The MFQ adopted a similar approach to vocalization; a fellow folk musician commented: "They were singing diminished, flatted ninths, jazz chords ... really advanced stuff".
462:. We were supposed to be in it, because we were on his label, for god's sake. But we ended up being the entertainment for everybody while they were setting up for the next band".
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group that formed in the early 1960s. Originally emphasizing acoustic instruments and group harmonies, they performed extensively and recorded two albums. In 1965, as the
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and we were all suddenly electric and cranking out electric tunes. The folkies were largely horrified. There were a lot of purists there, into the whole
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207:, and Stan White formed the quartet in Honolulu, Hawaii in 1962, after Faryar had returned from the mainland U.S. after a period singing with
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558:
On MFQ's singles releases, the group is variously listed as "Modern Folk
Quartet", "M.F.Q.", "MFQ", "Modern Folk Quintet", and "the MFQ".
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Ice House 1978, and again in the 1980s, again becoming the Modern Folk
Quintet when Yester's brother Jim, formerly of
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and were renamed "officially the Modern Folk
Quintet, but prefer to be known as the MFQ". Producer
883:
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211:'s Whiskeyhill Singers. They took the name Modern Folk Quartet as a conscious parallel with the
313:
We watched , and it was like, this bolt of electricity went through everybody's brain. That was
272:, and "hundreds of college concerts". In November 1963, MFQ appeared in the Warner Bros. film,
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got an electric bass, I got an electric guitar, and in less than a year, we were a rock band.
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Despite their exposure at the clubs, an appearance on the television music variety show
1070:
Fisk, Thermon (July 9, 1966). "Gene Clark: 'You Have to Hear It and See It
Yourself'".
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1051:. Vol. 78, no. 16. Nielsen Business Media, Inc. April 16, 1966. p. 22.
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sometimes also sat in on drums with the MFQ between playing sets at a nearby club).
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Waiting for the Sun: Strange Days, Weird Scenes, and the Sound of Los
Angeles
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The transition was complete in
September 1965 when they added rock drummer
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recordings, rather than a folk rock sound reminiscent of the Byrds with
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club. After White became ill, he was replaced by local singer-guitarist
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446:]". Instead it was used as the theme to the rock concert film
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The group released a second album in 1964 for Warner Bros. titled
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Mr. Tambourine Man: The Life and Legacy of The Byrds' Gene Clark
573:"Every Minute of Every Day" / "That's Alright with Me" (4/1965)
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The quartet recorded their debut album in 1963. Simply titled
222:
The group moved to Los
Angeles, where they became regulars at
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performances in Los Angeles. In early 1966, MFQ signed with
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The MFQ performed frequently at Hollywood clubs, such as the
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399:" with the group. Soon he became a fixture in their lives:
812:(Album notes). Various Artists. Warner Bros. 1963. WS 1519.
589:"Together to Tomorrow" / "Keepin' the Dream Alive" (3/1990)
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For much of 1963 to 1965, MFQ was based in New York City's
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442:
440:" and "forgot all about the Modern Folk Quartet [
586:"Don't You Wonder" / "I Had a Dream Last Night" (5/1968)
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Deck, Carol (November 6, 1965). "Modern Folk Quartet".
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The Best of The Modern Folk Quartet - From 1963 To 1995
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People reeled aghast and some fled as I brought out my
257:, it was produced by Jim Dickson (later manager of the
567:"Road to Freedom" / "It Was a Very Good Year" (9/1963)
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Their first attempt to record rock was with producer
570:"The Love of a Clown" / "If All You Think" (10/1964)
985:The Bitter End: Hanging Out at America's Nightclub
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521:-style vocals. The single reached number 122 on
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904:Turn! Turn! Turn!: The '60s Folk-Rock Revolution
395:club with a twelve-string guitar and performed "
215:, who were known for their use of sophisticated
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822:: CS1 maint: others in cite AV media (notes) (
702:: CS1 maint: others in cite AV media (notes) (
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908:. San Francisco: Backbeat Books. p. 64.
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781:Childs, Marti Smiley; March, Jeff (1999).
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1102:Official MFQ website (mostly in Japanese)
983:Colby, Paul; Fitzpatrick, Martin (2002).
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497:. "Night Time Girl", a song written by
404:kinds of songs. This went on for weeks.
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583:"Night Time Girl" / "Lifetime" (3/1966)
242:became their manager (later manager of
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1112:Sleeve notes for reissued first album
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469:and the Trip. They appeared with the
1117:Interview with Henry Diltz about MFQ
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751:"Modern Folk Quartet – Album Review"
493:, where they recorded with producer
987:. Cooper Square Press. p. 90.
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351:in the Village" (the Spoonful's
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1045:"Bubbling Under the Hot 100".
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886:. Collector's Choice. CCM-524.
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412:followed where they recorded "
176:, they ventured into electric
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728:. Jawbone Press. p. 98.
692:. Warner Bros. 1963. WS 1511.
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526:magazine's extended pop chart
1252:American folk musical groups
942:(34). BEAT Publications: 12.
509:, with its eastern-sounding
487:Exploding Plastic Inevitable
452:, the 1966 follow-up to the
416:", cowritten by Spector and
180:and recorded with producers
7:
1078:(17). BEAT Publications: 3.
810:– Music from the Soundtrack
471:Paul Butterfield Blues Band
420:. The song bore Spector's
170:American folk music revival
37:The Modern Folk Quartet at
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650:Live at The Ice House 1978
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438:River Deep – Mountain High
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230:, who had performed with
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16:American folk music group
839:"Changes – Album Review"
724:Priore, Dominic (2007).
505:, has been described as
479:the Mothers of Invention
61:MFQ, Modern Folk Quintet
1211:This Could Be the Night
958:Einarson, John (2005).
884:The Modern Folk Quartet
882:(Album reissue notes).
690:The Modern Folk Quartet
686:The Modern Folk Quartet
656:MFQ Live Archive Series
600:The Modern Folk Quartet
578:This Could Be the Night
414:This Could Be the Night
255:The Modern Folk Quartet
236:Les Baxter's Balladeers
483:the Velvet Underground
408:Recording sessions at
406:
384:
364:Dylan's electric debut
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51:Background information
41:in 1965 with producer
783:Echoes of the Sixties
519:Mamas & the Papas
401:
372:
368:Newport Folk Festival
311:
1107:Jerry Yester website
808:Palm Springs Weekend
726:Riot on Sunset Strip
275:Palm Springs Weekend
1153:Modern Folk Quartet
1088:Priore 2007, p. 98.
898:Unterberger, Richie
876:Unterberger, Richie
818:cite AV media notes
785:. Billboard Books.
698:cite AV media notes
528:on April 16, 1966.
317:. No more haircuts.
213:Modern Jazz Quartet
174:Modern Folk Quintet
162:Modern Folk Quartet
25:Modern Folk Quartet
962:. Backbeat Books.
614:Moonlight Seranade
513:accompaniment and
1239:
1238:
994:978-0-8154-1206-9
969:978-0-87930-793-6
837:Planer, Lindsay.
792:978-0-8230-8316-9
749:Planer, Lindsay.
735:978-1-906002-04-6
410:Gold Star Studios
380:Appalachian thing
266:Greenwich Village
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297:John Stewart
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228:Jerry Yester
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217:counterpoint
205:Chip Douglas
197:Cyrus Faryar
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192:Early career
182:Phil Spector
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145:Jerry Yester
139:Chip Douglas
131:Cyrus Faryar
126:Past members
111:Warner Bros.
92:Years active
43:Phil Spector
18:
1164:Henry Diltz
847:. Rovi Corp
759:. Rovi Corp
580:" (11/1965)
554:Discography
541:Later years
473:, Donovan,
434:Tina Turner
301:Chet Powers
248:Tim Buckley
244:Frank Zappa
201:Henry Diltz
135:Henry Diltz
1194:Jim Yester
1184:Stan White
669:References
644:Highway 70
426:Beach Boys
240:Herb Cohen
209:Dave Guard
153:Jim Yester
142:Stan White
1179:Eddie Hoh
1072:KRLA Beat
1057:0006-2510
1048:Billboard
936:KRLA Beat
524:Billboard
507:raga rock
499:Al Kooper
475:the Byrds
388:Eddie Hoh
349:Cafe Wha?
341:The Byrds
293:Phil Ochs
289:Bob Dylan
178:folk rock
168:) was an
149:Eddie Hoh
100:1985–1991
98:1975–1978
96:1962–1966
85:folk rock
1246:Category
1213:" (1965)
1020:(1999).
900:(2002).
878:(2005).
851:March 5,
844:AllMusic
763:March 5,
756:AllMusic
534:Shindig!
511:bouzouki
460:TNT Show
424:used on
45:(center)
1229:Changes
1203:Singles
880:Changes
607:Changes
562:Singles
347:at the
284:Changes
115:Dunhill
1232:(1964)
1221:Albums
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789:
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664:(2017)
658:(2006)
652:(2005)
646:(1995)
640:(1991)
634:(1990)
628:(1990)
622:(1989)
616:(1985)
610:(1964)
602:(1963)
594:Albums
319:
299:, and
107:Labels
77:Genres
72:, U.S.
66:Origin
436:and "
323:Chip
259:Byrds
1053:ISSN
1026:ISBN
989:ISBN
964:ISBN
910:ISBN
853:2014
824:link
787:ISBN
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