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Monika Kruse

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424:. Amadau Antonio Stiftung is one of Germany's foremost, independent non-governmental organizations working to strengthen democratic civic society and eliminate neo-Nazism, right-wing extremism, and anti-Semitism and other forms of bigotry and hate in Germany. Kruse's most recent Refugees Welcome party later that year in October raised money for those fleeing violence and persecution. Raising awareness and funds for these causes is important to Kruse who believes "No one should be discriminated against, hindered or hurt because of their personal background, race, gender, belief, physical challenges or sexual orientation – be it in Germany or elsewhere. We’re against all forms of discrimination – be it sexism, homophobia, or anti-Semitism. 70 years after the National Socialist tyranny in Germany we'd like to celebrate society's diversity through music, joy and togetherness and set an example for tolerance, which should go without saying for a mutual, peaceful future." 30: 500:
and I have done that ever since for over 20 years now. She's been a long stay on the German scene and the international scene. She runs her own label Terminal M which is one of my favourite labels as well. She's a great person and a great DJ, one of the true spirits of this scene and I can't say enough good things about her really."
485:. Her first appearance was in 2011, and she described the festival as a "spiritual thing" for her. "I went there for the first time after my mum passed and I visited the temple where you can really relieve your sadness and just get in touch with yourself and write nice letters to the ones you have lost." 563:
Though she began working on 'Traces' in February 2011, she took a break during the course of creating the album due to the death of her mother. She returned to the studio in the autumn and completed it in February 2012, finding catharsis in her love for music – "When my mother was sick and died, that
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Kruse was born in 1971 in West Berlin, but grew up in the Bavarian capital of Munich after her parents moved there when she was a baby. She began classical training in piano at the age of four*, and during her teens began accumulating a record collection that saw her cultivating a love of music that
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Monika says she bonded with Pig&Dan in Ibiza more than ten years ago: "I remember clicking with them from the first moment and we’ve been great friends ever since. Even at that early point we had the idea to go into the studio together, but it took years until it actually happened for the first
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has said "Monika has a very special place in my heart. She was one of the very first international DJs I ever saw in my life. She played in Stockholm a couple of times in the early 90s – as early as 93/94 and I was there a young Adam Beyer in his best form, partying and really enjoyed it back then
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2017 sees the release of a 'Get Me On', a new EP from Kruse and her long-time collaborators Pig&Dan, with whom she has made four EP's with. Talking about her relationship with the duo, Kruse says "I'm always happy to spend time with my brothers in the studio because we have so much fun and it
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in front of 1.5 million people. In the same year Kruse founded No Historical Backspin, a project founded to assist those suffering from racism, homophobia, anti-Semitism and anti-immigrant attacks*. These charity parties have been widely supported by her peers, with names such as
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In 2003 she founded another record label, Electric Avenue Recordings. In summer she had a hit in Europe with her track "Latin Lovers", which reached #1 in the Dutch dance charts the top 20 in the Spanish sales charts. Passengers, her second LP, was released in autumn 2003.
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Kruse's follow up album 'Traces' came four years after 'Changes of Perception' and is an expression of Kruse's personal and musical influences over the years – "It's a combinations of different electronic styles which have all had a big impact on me"
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Monika believes 'Get Me On' to be one of her most emotional production works – "It was extra special because it was during my time-out moment where I was doing a lot of meditation and I think that reflects in the EP".
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followed next, and her involvement with the blossoming techno scene deepened at the end of 1993 when she became a member of the Ultraworld Crew which began organising techno events in Munich and opened up Munich's
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rave scene during the early 1990s and was among the first wave of German techno artists to tour internationally, before moving to Berlin at the end of the decade where she founded her
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In 2008 Kruse released her acclaimed debut solo longplayer, 'Changes of Perception' – which clocked in at number 2 on Raveline Magazine*'s 'Best Album of the year 2008'
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to join the city's renowned techno scene, where she began her Terminal M record label in 2000. The label has played host to early releases from artists like
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was not easy, but when I start to spin I immediately – when the first record is playing – I forget everything about me and I just hear the music".
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owner, with a career in electronic music spanning more than 25 years. She played an influential role in the early
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Kruse's involvement with the Munich scene began in 1991 when she began DJing at Germany's first afterhours club
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and on tank training grounds. In the summer of 1995, she organized her first "Housetram" party in an operating
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While her early sets featured hip hop and funk, she was also influenced by the early emerging sounds of
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2001 saw the release of the first Monika Kruse @ Voodooamt album, Panorama, with Patrick Lindsey.
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At the end of 1997, Kruse released her first solo production on a compilation and moved to
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In the mid-1990s, Kruse organized illegal techno parties in empty houses, decommissioned
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scene, with regular appearances at major European events like Awakenings and
954: 702:[Interview with Monika Kruse] (in German). Festicket. Archived from 417: 268: 197:, and is also known for her long-term commitment to social justice via her 171: 495:
Kruse is held in the highest regard by her peers. When speaking of Kruse,
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In 2007 Monika Kruse began a productive cooperation with Worms-based
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that takes place at Black Rock City, a temporary city erected in the
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After her final exams she took various apprenticeships in the
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At the end of 1997, Kruse moved to the German capital of
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in NYC and Chicago as well as her residency at Belgium's
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The middle of the decade saw Kruse performing alongside
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Kruse remains a prominent fixture on the international
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playing over the years. Her benefit charity party at
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Kruse was a 1032:. Attack Magazine. 2 August 2012 803:. Attack Magazine. 2 August 2012 774:Pilz, Michael (9 January 2004). 473:Kruse has also performed at the 383:In 2000, she played at Berlin's 166:(born 23 July 1971) is a German 1054:. Decoded Magazine. 23 May 2017 1044: 994: 969: 947: 933: 915: 890: 865: 840: 815: 618:Pfnür, Martin (25 March 2015). 404:in March 2015 brought DJs like 260:at Ultraschall from the start. 221:, working with bands including 34:Monika Kruse performing in 2008 679:. Red Bull Music Academy Daily 586: 1: 1174:German women record producers 898:"RA: Monika Kruse tour dates" 579: 247:. Her first residency in the 700:"Interview mit Monika Kruse" 458:. In 2016, she performed at 204: 7: 649:Yang, Xifan (7 June 2010). 153:http://www.monikakruse.com/ 10: 1190: 852:Amadeu-antonio-stiftung.de 488:She has been a regular at 450:when she played alongside 140:Electric Avenue Recordings 1159:Women in electronic music 148: 144: 134: 124: 110: 88: 77: 54: 44: 39: 27: 20: 823:"No Historical Backspin" 801:"Features: Monika Kruse" 622:[Human reader]. 1149:German record producers 1134:German techno musicians 422:Amadeu Antonio Stiftung 462:'s final residency at 285:regularly at his club 199:No Historical Backspin 40:Background information 1144:Musicians from Berlin 776:"Der Beat von Moabit" 490:Berghain/Panorama Bar 317:later in the decade. 475:Burning Man Festival 624:Süddeutsche Zeitung 706:on 12 January 2019 594:"RA: Monika Kruse" 511:show broadcast on 620:"Menschenleserin" 479:Black Rock Desert 219:Chrysalis Records 158: 157: 1181: 1139:German women DJs 1092: 1091: 1089: 1087: 1073: 1064: 1063: 1061: 1059: 1048: 1042: 1041: 1039: 1037: 1026: 1017: 1016: 1014: 1012: 998: 992: 991: 989: 987: 973: 967: 966: 964: 962: 951: 945: 944: 937: 931: 930: 919: 913: 912: 910: 908: 902:Resident Advisor 894: 888: 887: 885: 883: 869: 863: 862: 860: 858: 844: 838: 837: 835: 833: 827:Resident Advisor 819: 813: 812: 810: 808: 797: 791: 790: 788: 786: 771: 765: 764: 762: 760: 748: 742: 741: 739: 737: 732:. 26 August 1996 726:"Liebe und Kohl" 722: 716: 715: 713: 711: 695: 689: 688: 686: 684: 672: 666: 665: 663: 661: 646: 635: 634: 632: 630: 615: 609: 608: 606: 604: 598:Resident Advisor 590: 523:Recording career 299:Global Gathering 170:DJ/producer and 127: 68: 64: 62: 47: 32: 18: 17: 1189: 1188: 1184: 1183: 1182: 1180: 1179: 1178: 1119: 1118: 1101: 1096: 1095: 1085: 1083: 1075: 1074: 1067: 1057: 1055: 1050: 1049: 1045: 1035: 1033: 1028: 1027: 1020: 1010: 1008: 1000: 999: 995: 985: 983: 975: 974: 970: 960: 958: 953: 952: 948: 939: 938: 934: 921: 920: 916: 906: 904: 896: 895: 891: 881: 879: 877:Ibiza-voice.com 871: 870: 866: 856: 854: 846: 845: 841: 831: 829: 821: 820: 816: 806: 804: 799: 798: 794: 784: 782: 772: 768: 758: 756: 749: 745: 735: 733: 724: 723: 719: 709: 707: 696: 692: 682: 680: 673: 669: 659: 657: 647: 638: 628: 626: 616: 612: 602: 600: 592: 591: 587: 582: 533:Patrick Lindsey 525: 354:Paride Saraceni 334:Patrick Lindsey 207: 161: 139: 125: 119:Record producer 117: 103: 99: 95: 69: 66: 60: 58: 45: 35: 23: 12: 11: 5: 1187: 1177: 1176: 1171: 1166: 1161: 1156: 1151: 1146: 1141: 1136: 1131: 1117: 1116: 1107: 1100: 1099:External links 1097: 1094: 1093: 1065: 1043: 1030:"Monika Kruse" 1018: 993: 981:Soundcloud.com 968: 946: 932: 914: 889: 864: 839: 814: 792: 766: 743: 717: 690: 667: 636: 610: 584: 583: 581: 578: 547:Gregor Tresher 524: 521: 410:Anja Schneider 378:Ilija Djokovic 366:Metodi Hristov 346:Gregor Tresher 315:Fuse nightclub 241:Detroit Techno 215:music industry 206: 203: 182:record label. 160:Musical artist 159: 156: 155: 150: 146: 145: 142: 141: 136: 132: 131: 130:1991 – present 128: 122: 121: 112: 108: 107: 101:Minimal techno 90: 86: 85: 79: 75: 74: 56: 52: 51: 48: 42: 41: 37: 36: 33: 25: 24: 21: 9: 6: 4: 3: 2: 1186: 1175: 1172: 1170: 1167: 1165: 1162: 1160: 1157: 1155: 1152: 1150: 1147: 1145: 1142: 1140: 1137: 1135: 1132: 1130: 1129:Living people 1127: 1126: 1124: 1115: 1111: 1108: 1106: 1103: 1102: 1082: 1081:6am-group.com 1078: 1072: 1070: 1053: 1047: 1031: 1025: 1023: 1007: 1003: 997: 982: 978: 972: 956: 950: 942: 936: 928: 924: 918: 903: 899: 893: 878: 874: 868: 853: 849: 843: 828: 824: 818: 802: 796: 781: 777: 770: 754: 747: 731: 727: 721: 705: 701: 694: 678: 671: 656: 652: 645: 643: 641: 625: 621: 614: 599: 595: 589: 585: 577: 573: 569: 568:just flows." 565: 561: 557: 554: 552: 548: 543: 539: 536: 534: 530: 520: 518: 515:, where host 514: 510: 506: 505:Essential Mix 501: 498: 493: 491: 486: 484: 480: 476: 471: 469: 465: 461: 457: 453: 449: 444: 442: 438: 434: 430: 425: 423: 419: 415: 411: 407: 403: 399: 395: 391: 386: 381: 379: 375: 371: 367: 363: 359: 355: 351: 347: 343: 339: 335: 331: 327: 323: 318: 316: 312: 308: 304: 300: 296: 292: 288: 284: 279: 277: 273: 270: 266: 261: 259: 255: 250: 249:Parkcafé Club 246: 245:Chicago House 242: 237: 235: 230: 228: 224: 220: 216: 211: 202: 200: 196: 192: 188: 183: 181: 177: 173: 169: 165: 154: 151: 147: 143: 137: 133: 129: 123: 120: 116: 113: 111:Occupation(s) 109: 106: 102: 98: 94: 91: 87: 83: 80: 76: 72: 67:(age 53) 57: 53: 49: 46:Also known as 43: 38: 31: 26: 19: 16: 1110:Monika Kruse 1084:. 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Index

Monika Kruse performing in 2008
Berlin
Munich
Electronica
Techno
Minimal techno
House
Disc jockey
Record producer
http://www.monikakruse.com/
techno
record label
Munich
Terminal M
house
techno
Time Warp
No Historical Backspin
music industry
Chrysalis Records
Gang Starr
Monie Love
Babalu Club
Detroit Techno
Chicago House
Parkcafé Club
Ultraschall
Resident DJ
power plants
World War II

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