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Moral (1982 film)

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478:. Following infighting between Ejercito and Austria, Austria was removed from the project. At this point, Lee already had a finished script; its plot revolved around two singers, a talented one and an untalented one, as the less talented one found greater career success. Following the departure of Austria from the project, Diaz-Abaya and Lee decided to be more daring with the film and Lee rewrote the script to be about four friends while retaining the original story of an untalented singer who found career success. Lee wrote the script for 31: 301:, and not having any more time for herself. Over time, she grows discontented with her marriage and lack of freedom and tells Maggie of her desire to leave Dodo. One day, Dodo rapes Maritess; she leaves him and temporarily lives with Sylvia. She eventually allows them to get back together on the condition that she is treated as an equal in the relationship. 595:; it took nearly 2,600 restoration hours to restore by Italian film restoration lab company, L’Immagine Ritrovata, in Bologna, Italy. The restoration did not completely resolve the issues with the film, particularly regarding its color and sound, due to severe mold damage. The restored version premiered at the 2017 312:
Sylvia has separated from her husband Robert, whom she still has feelings for. She and Robert continue to spend time together as they share custody of their son, and Sylvia becomes friends with Robert's partner Celso. She meets Ernie, a fellow teacher at the school she works for, and the two begin a
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era, described by Asian Cinevision as a "time of moral flux", noting that the film's characters "find themselves in situations when old values and principles no longer apply". Diaz-Abaya and Lee also decided to explore topics they deemed to be taboo at the time, such as homosexuality, marital rape,
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Joey is a drug user who regularly sleeps around with different men, and has a tense relationship with her mother Maggie. She is in love with activist Jerry and continually makes advances at him, which are rejected. She becomes pregnant and asks for money from her friends and mother for an abortion.
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and Anna Marin as a group of friends and follows the course of their lives over the course of several years after they graduate from college. A "loosely structured, observational drama", the film discusses several topics that Diaz-Abaya and Lee saw as taboo at the time, such as abortion, rape, and
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Kathy is a mediocre singer aspiring to become a star. Her lesbian talent agent, JM, explains that her public image is more important than her singing ability; Kathy adopts a persona of a spiritual hippie in interviews and provides sexual favors to JM to keep her as a client. She also sleeps with
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noted that the major differences in the personalities of the four friends allowed the film to explore the different aspects of womanhood in the tumultuous 1970s. Lee deemed the script as one of his most personal, as he used stories and anecdotes from his real friendships as inspiration for the
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corporate executive Mr. Suarez, who promises that he can make her famous, but only for a short time. Kathy asks Sylvia to tell her if she honestly thinks she is a good singer. When she says no, Kathy stops recording her album and starts to sing only for fun and to improve her skills.
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was initially dismissed by most critics and the general public. Diaz-Abaya herself noted that she was "not surprised at all" at the lack of favorable audience reception to the film due to its unconventional structure. At the Metro Manila Film Festival, it was overshadowed by
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relationship together — her first serious relationship since her marriage with Robert. One day, a woman shows up at her house and states that she is Ernie's wife and that Ernie has another wife in the province whom he has abandoned. Sylvia breaks up with Ernie.
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Over time, the film's popularity among critics increased, due in part to repeated cable showings and retrospectives of works written by Lee. By 1989, in a poll of critics and filmmakers commissioned by David to determine the greatest Filipino movies ever made,
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Maritess is initially content with simply being a housewife for Dodo. At the friends' graduation, Maritess goes into labor and gives birth to a baby boy. She experiences difficulties taking care of the baby, including quarreling with her mother-in-law,
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has grown in stature over time and is now considered by some critics as one of Diaz-Abaya's best works. Both Diaz-Abaya and Lee consider the film one of the most personal of their many collaborations. It was restored by the
423:, while eschewing traditional narrative structure and creating a film with "no plot", as described by Lee. He stated that the film contains no inciting incidents and has no story; Professor Rommel Rodriguez of the 427:
noted that the film, as it simply portrayed the lives of its four main characters, did not have a clear beginning, middle, or end, leaving viewers without certainty as to the ultimate fates of the characters.
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and asks Joey to let his wife Nita live with her. Nita stays with Joey and does housework for her until she learns that Jerry has been killed. Nita tells Joey and then leaves to join the rebellion.
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in 2017. Initially, the project deemed it impossible to restore as there was no surviving copy of the film negatives that had not been heavily damaged. The copy found at the film archives of the
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ranked 12th. Additionally, in a 2019 poll commissioned by critic Skilty Labastilla of more than 100 fellow film critics and filmmakers on the best Filipino films directed by a woman,
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had been severely damaged by flooding and a lack of air conditioning at the storage facility. A restorable copy was subsequently sourced from the collection of the
509: 799: 1159: 617:. This film took place 20 years after the events of the original film, with only Laurice Guillen reprising her role as Joey's mother, Maggie. 500:
According to director Marilou Diaz-Abaya in the 1983 British documentary episode about the cinema of the Philippines, reported by Tony Rayns,
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The film ends with the four friends laughing with each other in a car on the way to drop off Joey at the airport for a vacation with Maggie.
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helped change her image among critics as an actress who only appeared in "sexy movies", as it showcased her acting abilities.
1309: 1299: 1223: 714: 613: 424: 293:. The film opens with the marriage of Maritess to Dodo, and follows the occasionally intersecting lives of the four friends. 290: 845: 955: 929: 305:
Before that can happen, she miscarries and is told by a doctor that she is incapable of having children. Jerry joins the
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gender inequality in the context of the changing morals of the time. This is Seven Star Productions' last feature film.
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ordered 13 cuts to the film and the director submitted the master negative print of the film to the censor board.
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Following that success, Ejercito aimed to produce another film with Diaz-Abaya starring the two main stars of
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for their performances, and Lee won Best Screenplay at the Metro Manila Film Festival.
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Film Festival, and was subsequently shown at several film festivals around the world.
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Reel Women: An International Directory of Contemporary Feature Films about Women
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was hit by the censors due to the sequences that were deemed offensive to the
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is considered part of a loose trilogy of feminist films directed by
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Joey, Kathy, Sylvia, and Maritess are four students at the
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which directly discuss issues affecting women, along with
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released a digitally restored and remastered version of
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Abunda, Boy (host) (2014). "Interview with Ricky Lee".
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Diaz-Abaya, Marilou (Interviewee) (March 10, 2021).
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as one of her "most sentimentally important" films.
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Diaz-Abaya also considered 1160:Ang Ika-Labing Isang Utos: Mahalin Mo Asawa Mo 927: 797: 1081: 983:Katigbak, Leo (Interviewee) (July 19, 2019). 978: 976: 659: 953: 877: 599:Film Festival's Restored Classics section. 593:Film Development Council of the Philippines 1088: 1074: 904: 29: 973: 793: 791: 789: 787: 738: 535:on its initial release: National Artist 16:1982 film directed by Marilou Diaz-Abaya 632: 630: 1247: 784: 771: 1224:Noon at Ngayon: Pagsasamang Kay Ganda 1069: 840: 767: 765: 687: 685: 683: 681: 636: 614:Noon at Ngayon: Pagsasamang Kay Ganda 425:University of the Philippines Diliman 291:University of the Philippines Diliman 1320:Films directed by Marilou Diaz-Abaya 1139:Minsan Pa Nating Hagkan ang Nakaraan 905:Labastilla, Skilty (December 2017). 627: 510:Board of Censors for Motion Pictures 1325:Films with screenplays by Ricky Lee 482:simultaneously with the script for 13: 762: 678: 589:Cultural Center of the Philippines 543:, and fellow directors Bernal and 277:in 2017, premiered at that year's 14: 1341: 1048: 954:Abunda, Boy (February 15, 2018). 798:Tariman, Pablo (August 3, 2003). 695:. Asian Cinevision. July 23, 2013 928:Valiente, Tito (April 4, 2019). 884:. Scarecrow Press. p. 167. 581:ABS-CBN Film Restoration Project 275:ABS-CBN Film Restoration Project 1295:1980s LGBTQ-related drama films 1018: 993: 947: 921: 907:"On Film Polls and Pinoy Rebyu" 898: 871: 776:. Event occurs at 23 minutes. 641:. San Diego Asian Film Festival 575:Restored and remastered version 506:Armed Forces of the Philippines 1265:Philippine LGBTQ-related films 956:"Lorna recalls favorite films" 834: 817: 745:Sine Gabay: A Film Study Guide 732: 707: 653: 1: 715:"Gawad Plaridel Lecture 2015" 620: 495: 462:(1980) featuring action star 443: 431:Filmmaker and film historian 1310:Films set in the Philippines 1300:1980s Tagalog-language films 728:(2): 203–216. December 2016. 515: 7: 563:ranked first. According to 163:December 25, 1982 10: 1346: 528:, which won Best Picture. 456:, grossing more than even 454:Metro Manila Film Festival 307:rebellion in the mountains 1104: 748:. Anvil Publishing, Inc. 602: 388: 369:Ronald Bregendahl as Dodo 197: 187: 177: 154: 146: 130: 122: 105: 97: 68: 60: 50: 40: 35:Theatrical release poster 28: 23: 1270:1982 LGBTQ-related films 774:Inside the Cinema Circle 366:Michael Sandico as Jerry 448:Diaz-Abaya's 1980 film 323: 284: 1315:Films about friendship 1260:Philippine drama films 1005:Far East Film Festival 150:Seven Star Productions 140:Seven Star Productions 607:In 2003, a sequel to 378:Mia Gutierrez as Nita 299:postpartum depression 1285:1980s feminist films 1275:Films about abortion 1176:May Nagmamahal Sa'yo 878:Sloan, Jane (2007). 665:"Marilou's Milagros" 611:was released titled 597:Cinema One Originals 279:Cinema One Originals 1305:Films set in Manila 1032:. November 15, 2017 960:The Philippine Star 804:The Philippine Star 1097:Marilou Diaz-Abaya 537:Bienvenido Lumbera 398:Marilou Diaz-Abaya 237:Marilou Diaz-Abaya 45:Marilou Diaz-Abaya 1330:Crown Seven films 1242: 1241: 1232:Ikaw ang Pag-ibig 1192:Sa Pusod ng Dagat 663:(March 9, 1997). 421:New People's Army 218: 217: 1337: 1290:1982 drama films 1280:Films about rape 1168:Redeem Her Honor 1153:Alyas Baby Tsina 1090: 1083: 1076: 1067: 1066: 1042: 1041: 1039: 1037: 1022: 1016: 1015: 1013: 1011: 997: 991: 990: 980: 971: 970: 968: 966: 951: 945: 944: 942: 940: 925: 919: 918: 902: 896: 895: 875: 869: 868: 866: 864: 850: 838: 832: 831: 821: 815: 814: 812: 810: 795: 782: 781: 769: 760: 759: 736: 730: 729: 719: 711: 705: 704: 702: 700: 689: 676: 675: 673: 671: 657: 651: 650: 648: 646: 634: 464:Fernando Poe Jr. 356: 170: 168: 33: 21: 20: 1345: 1344: 1340: 1339: 1338: 1336: 1335: 1334: 1245: 1244: 1243: 1238: 1100: 1094: 1051: 1046: 1045: 1035: 1033: 1024: 1023: 1019: 1009: 1007: 999: 998: 994: 982: 981: 974: 964: 962: 952: 948: 938: 936: 934:Business Mirror 926: 922: 903: 899: 892: 876: 872: 862: 860: 848: 839: 835: 823: 822: 818: 808: 806: 796: 785: 770: 763: 756: 737: 733: 717: 713: 712: 708: 698: 696: 691: 690: 679: 669: 667: 658: 654: 644: 642: 635: 628: 623: 605: 577: 565:Lorna Tolentino 539:, film scholar 518: 498: 446: 400:and written by 391: 382:Laurice Guillen 350: 330:Lorna Tolentino 326: 287: 255:Lorna Tolentino 239:and written by 214: 180: 173: 166: 164: 157: 142: 135: 133: 118: 93: 76:Lorna Tolentino 36: 17: 12: 11: 5: 1343: 1333: 1332: 1327: 1322: 1317: 1312: 1307: 1302: 1297: 1292: 1287: 1282: 1277: 1272: 1267: 1262: 1257: 1240: 1239: 1237: 1236: 1228: 1220: 1212: 1204: 1196: 1188: 1180: 1172: 1164: 1156: 1150: 1142: 1136: 1128: 1122: 1114: 1105: 1102: 1101: 1093: 1092: 1085: 1078: 1070: 1064: 1063: 1050: 1049:External links 1047: 1044: 1043: 1017: 992: 986:Sagip Pelikula 972: 946: 920: 897: 890: 870: 833: 816: 783: 761: 754: 740:Deocampo, Nick 731: 706: 677: 652: 625: 624: 622: 619: 604: 601: 576: 573: 517: 514: 497: 494: 484:Ishmael Bernal 445: 442: 390: 387: 386: 385: 379: 376: 370: 367: 364: 358: 345: 342:Sandy Andolong 339: 333: 325: 322: 286: 283: 263:Sandy Andolong 216: 215: 213: 212: 207: 201: 199: 195: 194: 189: 185: 184: 181: 178: 175: 174: 172: 171: 160: 158: 155: 152: 151: 148: 147:Distributed by 144: 143: 138: 136: 131: 128: 127: 126:George Canseco 124: 120: 119: 117: 116: 113: 109: 107: 103: 102: 99: 98:Cinematography 95: 94: 92: 91: 88: 86:Sandy Andolong 83: 78: 72: 70: 66: 65: 64:Jesse Ejercito 62: 58: 57: 52: 48: 47: 42: 38: 37: 34: 26: 25: 15: 9: 6: 4: 3: 2: 1342: 1331: 1328: 1326: 1323: 1321: 1318: 1316: 1313: 1311: 1308: 1306: 1303: 1301: 1298: 1296: 1293: 1291: 1288: 1286: 1283: 1281: 1278: 1276: 1273: 1271: 1268: 1266: 1263: 1261: 1258: 1256: 1253: 1252: 1250: 1234: 1233: 1229: 1226: 1225: 1221: 1218: 1217: 1213: 1210: 1209: 1205: 1202: 1201: 1197: 1194: 1193: 1189: 1186: 1185: 1181: 1178: 1177: 1173: 1170: 1169: 1165: 1162: 1161: 1157: 1154: 1151: 1148: 1147: 1143: 1140: 1137: 1134: 1133: 1129: 1126: 1123: 1120: 1119: 1115: 1112: 1111: 1107: 1106: 1103: 1098: 1091: 1086: 1084: 1079: 1077: 1072: 1071: 1068: 1062: 1058: 1057: 1053: 1052: 1031: 1027: 1021: 1006: 1002: 996: 988: 987: 979: 977: 961: 957: 950: 935: 931: 924: 916: 912: 908: 901: 893: 891:9781461670827 887: 883: 882: 874: 858: 854: 847: 843: 837: 829: 828: 820: 805: 801: 794: 792: 790: 788: 779: 775: 768: 766: 757: 755:9786214201792 751: 747: 746: 741: 735: 727: 723: 716: 710: 694: 688: 686: 684: 682: 666: 662: 656: 640: 633: 631: 626: 618: 616: 615: 610: 600: 598: 594: 590: 586: 582: 572: 570: 566: 562: 558: 552: 550: 546: 542: 538: 534: 529: 527: 522: 513: 511: 507: 503: 493: 491: 490: 485: 481: 477: 473: 469: 465: 461: 460: 455: 451: 441: 439: 434: 433:Nick Deocampo 429: 426: 422: 417: 413: 412: 407: 403: 399: 395: 383: 380: 377: 374: 373:Lito Pimentel 371: 368: 365: 362: 359: 354: 349: 346: 343: 340: 337: 334: 331: 328: 327: 321: 318: 314: 310: 308: 302: 300: 294: 292: 282: 280: 276: 271: 267: 264: 260: 256: 252: 251: 246: 242: 238: 234: 231: 230:coming-of-age 228: 224: 223: 211: 208: 206: 203: 202: 200: 196: 193: 190: 186: 182: 176: 162: 161: 159: 153: 149: 145: 141: 137: 129: 125: 121: 114: 111: 110: 108: 104: 100: 96: 89: 87: 84: 82: 79: 77: 74: 73: 71: 67: 63: 59: 56: 53: 49: 46: 43: 39: 32: 27: 22: 19: 1230: 1222: 1216:Bagong Buwan 1214: 1206: 1198: 1190: 1182: 1174: 1166: 1158: 1152: 1146:Of the Flesh 1144: 1138: 1131: 1130: 1124: 1116: 1108: 1055: 1034:. 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The then- 476:Amy Austria 472:Gina Alajar 416:Martial Law 408:(1980) and 357:as Maritess 351: [ 336:Gina Alajar 259:Gina Alajar 247:(1980) and 192:Philippines 183:138 minutes 81:Gina Alajar 61:Produced by 41:Directed by 1255:1982 films 1249:Categories 1200:JosĂ© Rizal 778:Cinema One 621:References 541:Joel David 496:Censorship 459:Ang Panday 444:Production 348:Anna Marin 233:drama film 225:is a 1982 167:1982-12-25 132:Production 90:Anna Marin 51:Written by 917:(2): 203. 516:Reception 402:Ricky Lee 384:as Maggie 363:as Robert 344:as Sylvia 241:Ricky Lee 198:Languages 106:Edited by 55:Ricky Lee 1208:Muro-Ami 1184:Milagros 1125:Boystown 1110:Tanikala 939:June 10, 911:Plaridel 742:(2017). 722:Plaridel 419:and the 375:as Celso 338:as Kathy 227:Filipino 205:Filipino 123:Music by 69:Starring 1036:June 7, 1010:June 7, 1001:"Moral" 965:June 7, 863:June 7, 859:(1): 25 809:June 7, 699:June 7, 670:June 7, 645:June 8, 639:"Moral" 332:as Joey 210:English 188:Country 165: ( 134:company 1235:(2011) 1227:(2003) 1219:(2001) 1211:(1999) 1203:(1998) 1195:(1998) 1187:(1997) 1179:(1996) 1171:(1995) 1163:(1994) 1155:(1984) 1149:(1983) 1141:(1983) 1135:(1982) 1127:(1981) 1121:(1980) 1118:Brutal 1113:(1980) 888:  853:Unitas 752:  603:Sequel 526:Himala 489:Himala 468:Brutal 450:Brutal 411:Karnal 406:Brutal 389:Themes 250:Karnal 245:Brutal 1132:Moral 1056:Moral 849:(PDF) 718:(PDF) 609:Moral 585:Moral 569:Moral 561:Moral 557:Moral 533:Moral 521:Moral 502:Moral 480:Moral 438:Moral 394:Moral 355:] 270:Moral 222:Moral 24:Moral 1061:IMDb 1038:2020 1012:2020 967:2020 941:2020 886:ISBN 865:2020 811:2020 750:ISBN 701:2020 672:2020 647:2020 579:The 474:and 324:Cast 285:Plot 1059:at 486:'s 1251:: 1028:. 1003:. 975:^ 958:. 932:. 915:14 913:. 909:. 857:88 855:. 851:. 802:. 786:^ 764:^ 726:13 724:. 720:. 680:^ 629:^ 567:, 470:: 353:tl 261:, 257:, 1089:e 1082:t 1075:v 1040:. 1014:. 969:. 943:. 894:. 867:. 813:. 780:. 758:. 703:. 674:. 649:. 169:)

Index


Marilou Diaz-Abaya
Ricky Lee
Lorna Tolentino
Gina Alajar
Sandy Andolong
Seven Star Productions
Philippines
Filipino
English
Filipino
coming-of-age
drama film
Marilou Diaz-Abaya
Ricky Lee
Karnal
Lorna Tolentino
Gina Alajar
Sandy Andolong
ABS-CBN Film Restoration Project
Cinema One Originals
University of the Philippines Diliman
postpartum depression
rebellion in the mountains
Lorna Tolentino
Gina Alajar
Sandy Andolong
Anna Marin
tl
Juan Rodrigo

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