228:
his father is. Marta begins to question him about his father's whereabouts, how long he's been gone and where the boy is. Her son does not know where he is, and is even unsure as to whether he is in France or Spain. Marta asks him who is around him and he says no one. As Marta begins to become more and more concerned, she discovers that her son's phone is almost out of power. Marta has her mother talk to her son while she calls a friend of the father's, but the friend knows nothing of his whereabouts, having not spoken to him for some time. Her son asks to talk to her and the two get more and more scared and panicked.
29:
227:
Marta and her mother come home and have a casual conversation that is interrupted by a phone call from Marta's 6-year-old son. He informs her that his father (her ex husband), with whom he is on holiday in southern France, has left him alone on a beach and he is scared because he does not know where
239:
Marta tells him to run. She tells him to run and hide, which he does. He tells her that the man is looking for him, and then Marta hears the man's voice asking the son a question before the phone call is dropped again. Marta leaves the apartment. The film ends with a brief shot of a deserted beach.
231:
The son's phone call is dropped. Marta calls the police who ask her several questions and then tell her to come in and make a report. She asks them if they can trace the call and they repeat that she must come in to make a report. Marta, now frustrated and angry, resolves to drive to France to look
235:
It is her son. She asks him to describe the beach or anything he might have seen going there. She tells him to start walking down the beach, but her mother says that he should stay where he is. In the midst of this conversation, he tells her that an unknown man has arrived. He tells Marta that the
268:
236:
man is alone and is seen relieving himself. The man is waving the boy over and her son reports being scared and that he does not want to talk to the man.
212:
328:
204:
200:
286:
402:
329:“LA ADAPTACIÓN AL LARGO DE “MADRE” SERÁ UN DRAMA ROMÁNTICO INTIMISTA” ENTREVISTA CON RODRIGO SOROGOYEN #ALUMNIECAM
249:
232:
for her son. She leaves the apartment, but as she is going down the stairs the phone rings again.
346:
196:
134:
351:
291:
8:
397:
216:
287:
The
Disaster Artist, Super Size Me 2, Grace Jones doc heading to Toronto Film Festival
382:
192:
42:
208:
178:
305:
391:
28:
74:
376:
273:
188:
389:
344:
269:El amor de Sorogoyen con el Festival de Málaga
213:Academy Award for Best Live Action Short Film
243:
27:
252:by the same director, Rodrigo Sorogoyen.
205:Goya Award for Best Fictional Short Film
201:2017 Toronto International Film Festival
390:
262:
280:
248:The short film was expanded into a
13:
345:Boyd van Hoeij (August 30, 2019).
14:
414:
370:
338:
322:
298:
191:short drama film, directed by
16:2017 film by Rodrigo Sorogoyen
1:
255:
250:2019 same-titled feature film
199:and was also screened at the
7:
195:. It premiered at the 2017
10:
419:
211:and was nominated for the
403:Spanish drama short films
244:Feature length adaptation
162:
154:
144:
116:
98:
90:
82:
66:
56:
48:
38:
26:
21:
125:March 17, 2017
222:
352:The Hollywood Reporter
347:"'Madre': Film Review"
182:
62:María del Puy Alvarado
335:, December 20, 2018.
292:Entertainment Weekly
197:Málaga Film Festival
217:91st Academy Awards
86:Alejandro de Pablo
295:, August 1, 2017.
277:, April 21, 2018.
193:Rodrigo Sorogoyen
170:
169:
60:Rodrigo Sorogoyen
52:Rodrigo Sorogoyen
43:Rodrigo Sorogoyen
410:
364:
363:
361:
359:
342:
336:
326:
320:
319:
317:
316:
302:
296:
284:
278:
266:
209:32nd Goya Awards
132:
130:
31:
19:
18:
418:
417:
413:
412:
411:
409:
408:
407:
388:
387:
373:
368:
367:
357:
355:
343:
339:
327:
323:
314:
312:
310:PremiosGoya.com
304:
303:
299:
285:
281:
267:
263:
258:
246:
225:
147:
140:
128:
126:
119:
112:
110:
108:
103:
101:
77:
73:
72:Blanca Apilánez
71:
61:
34:
17:
12:
11:
5:
416:
406:
405:
400:
386:
385:
372:
371:External links
369:
366:
365:
337:
321:
297:
279:
260:
259:
257:
254:
245:
242:
224:
221:
168:
167:
164:
160:
159:
156:
152:
151:
148:
145:
142:
141:
139:
138:
122:
120:
117:
114:
113:
106:
104:
99:
96:
95:
92:
88:
87:
84:
83:Cinematography
80:
79:
68:
64:
63:
58:
54:
53:
50:
46:
45:
40:
36:
35:
32:
24:
23:
15:
9:
6:
4:
3:
2:
415:
404:
401:
399:
396:
395:
393:
384:
380:
379:
375:
374:
354:
353:
348:
341:
334:
330:
325:
311:
307:
301:
294:
293:
288:
283:
276:
275:
270:
265:
261:
253:
251:
241:
237:
233:
229:
220:
218:
214:
210:
206:
203:. It won the
202:
198:
194:
190:
186:
185:
180:
176:
175:
165:
161:
157:
153:
149:
143:
136:
124:
123:
121:
115:
109:Caballo Films
105:
97:
94:Olivier Arson
93:
89:
85:
81:
78:Miriam Correa
76:
69:
65:
59:
55:
51:
47:
44:
41:
37:
30:
25:
20:
377:
356:. Retrieved
350:
340:
332:
324:
313:. Retrieved
309:
300:
290:
282:
272:
264:
247:
238:
234:
230:
226:
187:) is a 2017
183:
173:
172:
171:
146:Running time
118:Release date
107:Apache Films
70:Álvaro Balas
75:Marta Nieto
57:Produced by
39:Directed by
33:Film poster
398:2017 films
392:Categories
358:August 31,
315:2019-01-24
274:Diario Sur
256:References
150:18 minutes
129:2017-03-17
111:Malvalanda
100:Production
49:Written by
102:companies
163:Language
91:Music by
67:Starring
306:"Madre"
215:at the
207:at the
189:Spanish
179:Spanish
166:Spanish
155:Country
127: (
378:Mother
174:Mother
135:Málaga
133: (
22:Mother
184:Madre
158:Spain
383:IMDb
360:2019
333:ECAM
223:Plot
381:at
394::
349:.
331:.
308:.
289:.
271:.
219:.
181::
362:.
318:.
177:(
137:)
131:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
