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Music of Laos

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1354: 522: 1364: 36:. The traditional music of Laos has similarities with the traditional music of Thailand and Cambodia, including the names of the instruments and influences and developments. To categorize Lao music, it seems helpful to distinguish between the nonclassical folk traditions (which are presented through the ensembles and instruments used within), the classical music traditions and its basic ensembles, and vocal traditions. 98: 60:
still get used in many Lao traditions today, are only used for the "lam" traditions and the only "theater" like traditions "li-ke" (or "lam poem", from 1940) which immigrated from northern Siam, gets performed with acting, storytelling in "lam" singing styles and a Khene mouth organ, thus remaining the only theater tradition in Laos today.
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Today, the court music has mostly vanished. It was considered as "elitist, bourgeoisie" and forbidden by the communist government, and the last performers in Tennessee, USA tried to rebuild the court music in diaspora but failed due to a lack of members. The classical ensemble and its instruments
94:) (bamboo and reed mouth organ) and jousting pairs of singers, backed by colorful troupes, who improvise stories and courting duels. The material is often topical, colloquial, sexual and bawdy and is tolerated by the government even when sometimes it is the object of some of the jokes. 171:, classical Lao court music developed to high estate and vanished. Unfortunately, most of the instruments are collecting dust in the royal museum, but showpieces like bronze drums of the Dong Son age show the influence of ethnic minorities which were often from the mountainous areas. 51:
The Lao term ເພງລາວເດີມ "peng Lao deum" (traditional Lao songs) describes the Royal Court music of Laos. Historical records indicate that an indigenous classical tradition existed, which was mainly influenced by ancient Khmer traditions and mountainous ethnic groups. King
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Each of these traditions is influenced by regional playing styles, which can be separated in three different areas: Luang Prabang in the north, Vientiane in the center, and Champassak in the south.
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was raised and educated in Angkor Wat, so the Khmer traditions were the first center for the court music, which evolved and changed as the Lao kingdom grew and prospered in the golden age.
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the governmental school "Natasin" which was closed 1975 was reopened 1990 and educates and provides some ensembles for festivals, marriages and other purposes.
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The southern region of Champassak is not only influenced by Khmer traditions, but is typically a mixture of Khmer, Thai and indigenous Lao traditions.
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Clewley, John. "Beyond Our Khaen". 2000. In Broughton, Simon and Ellingham, Mark with McConnachie, James and Duane, Orla (Ed.),
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is known for a slow form called khaplam wai. An extremely popular form of Lao lam that developed in
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World Music, Vol. 2: Latin & North America, Caribbean, India, Asia and Pacific
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Laotian mor lam (also spelled maw lam), though usually called simply lam in Laos (
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The most popular form of music in Laos is the indigenous
320: 1380: 266:, pp 170–174. Rough Guides Ltd, Penguin Books. 987: 356: 994: 980: 363: 349: 148: 113:Ensembles typically include two singers ( 96: 302:Audio clips: Traditional music of Laos. 1381: 975: 344: 331:Archives of Traditional Music in Laos 316:Alexandra Bounxouei music and videos 121:), and other instruments including 13: 213:contributed to the development of 46: 14: 1405: 1001: 370: 278: 145:, and is faster and electrified. 1362: 1353: 1352: 520: 194: 162: 1320:British Indian Ocean Territory 305:Musée d'ethnographie de Genève 220: 1: 311:The traditional music of Laos 307:. 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Index

Lao people
Tai
ethnic groups
Laos
mor lam
Fa Ngum
Mor lam
Lao
Lao

khene
Isan
fiddles
flutes
bells
Luang Prabang
Thailand
mor lam sing
Lao music
Luang Prabang
Vientiane
Lao pop
lam nu
lam ploen
lam luang
musical instrument
bamboo
mouth organ
khene
garawek

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