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The very definition of musical argument is something that keeps going, and you uncover new details and new combinations. A musical argument is not the same as a verbal argument. A
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47:: the musical form relates to an expressive content and is a means of creating a growing tension; this is what is usually called the musical argument.
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The purpose of the dialectic method of reasoning is resolution of disagreement through rational discussion between opposing viewpoints.
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The musical argument may be characterized as the primary flow and current idea being presented in a piece:
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American
Minimal Music: La Monte Young, Terry Riley, Steve Reich, Philip Glass
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and shows you how they relate, and it shows you how they're the same thing.
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Thus one may hear of a musical argument being interrupted, extended, or
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175:, reprinted edition (London: Kahn & Averill), p.88.
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187:(London and New York: Continuum), p.7.
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183:. Quoted in LaBelle, Brandon (2006).
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60:Experimental musical forms may use
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97:, at least, takes two different
79:implies that there's [
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787:. You can help Knowledge by
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215:Conversations With The Dead
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450:List of musical intervals
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263:Consonance and dissonance
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27:through the relation of
23:is a means of creating
16:Concept in music theory
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68:rather than argument.
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171:Mertens, Wim (1999).
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567:Developing variation
213:Gans, David (2002).
204:LaBelle (2006), p.7.
727:Thirty-two-bar form
592:Formula composition
128:Musical development
839:Music theory stubs
29:expressive content
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747:Verse–chorus form
702:Sonata rondo form
537:Call and response
517:Ausmultiplikation
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93:is like that; a
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21:musical argument
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381:Perfect fourth
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437:Major seventh
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432:Minor seventh
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386:Perfect fifth
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309:Nonchord tone
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834:Music theory
789:expanding it
781:music theory
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717:Ternary form
602:Introduction
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492:Musical form
422:Major second
417:Minor second
304:Musical note
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95:double fugue
87:counterpoint
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39:Traditional
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33:musical form
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697:Sonata form
657:Post-chorus
572:Development
562:Cyclic form
527:Binary form
496:development
410:Dissonances
396:Major sixth
391:Minor sixth
376:Major third
371:Minor third
359:Consonances
329:Preparation
324:Pedal point
133:Sonata form
53:Wim Mertens
828:Categories
737:Transition
667:Repetition
652:Pre-chorus
582:Exposition
552:Conclusion
334:Resolution
279:Avoid note
181:1871082005
159:References
742:Variation
607:Leitmotif
507:Arch form
217:, p.166.
107:Phil Lesh
43:music is
41:dialectal
637:Overture
632:Ostinato
627:Movement
522:Bar form
512:Argument
314:Cambiata
299:Interval
274:Argument
122:See also
116:repeated
104:—
50:—
692:Section
672:Reprise
427:Tritone
341:Spectra
289:Cadence
284:Beating
62:process
25:tension
647:Phrase
642:Period
617:Melody
587:Finale
532:Bridge
401:Octave
366:Unison
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109:(1982)
55:(1999)
779:This
722:Theme
687:Rondò
682:Rondo
622:Motif
557:Cycle
294:Chord
139:Notes
99:ideas
91:fugue
785:stub
677:Riff
612:Lick
597:Hook
577:Drop
547:Coda
542:Cell
494:and
219:ISBN
189:ISBN
177:ISBN
89:. A
31:and
82:sic
64:or
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118:.
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19:A
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