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209:. Nine years later, she married him, although there is no evidence to indicate they had a relationship. He was ill at the time and his family insisted on a marriage contract that established a complete separation of their respective personal properties. Despite this arrangement. their collections, both begun many years before, began to merge. Eventually, she decided to hyphenate her name as Jacquemart-André.
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After Édouard's death in 1894, she produced a copy of a document giving her possession of the entire joint collection. His family disputed its authenticity, but she won the case. After taking possession, she expanded the collection to include medals and
English paintings. In 1902, she discovered that
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Mme.de Vatry's estate had been sold, including
Chaalis Abbey. Luckily, she was able to acquire the Abbey and housed part of her collection there. She also ordered a funerary monument, showing her with palette and brush in hand, although she had painted very little in almost thirty years.
236:. There was a vitriolic attack in the press and many called for a ban on removing them from Italy. Nevertheless, the frescoes were removed and are now in the couple's townhouse (now the
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came in 1863 when she was only twenty-two. She received several commissions as a result. At the Salon of 1866, one of her works was purchased by the government and was on display at the
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The couple travelled throughout Europe, Egypt and Turkey, adding to their collection. Altogether, they acquired 207 sculptures and 97 paintings. They were particularly interested in
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and her father appears to have died shortly after her birth. Much is uncertain, as she later destroyed many early documents, to conceal her plebeian origins.
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Michaël
Vottero, "Autour de Léon Cogniet et Charles Chaplin, la formation des femmes peintres sous le Second Empire", Histoire de l'art #63, October 2008
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Aristide
Merille, "Funérailles de S. M. la Reine d'Oude: Article illustré par des lithographies d'après des croquis de Nélie Jacquemart",
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She died in 1912, at her home on the
Boulevard Haussmann in Paris. She was interred in the chapel at the Abbey, adorned with frescoes by
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Anne-Marie
Bautier and Robert-Henri Bautier, "Nélie Jacquemart-André, artiste, collectionneuse, mécène ou la passion de l’œuvre d’art",
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201:, who died defending Paris. She continued to paint, however. After the war, she was commissioned to do a portrait of President
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Dictionnaire universel des contemporains: contenant toutes les personnes notables de la France et des pays étrangers
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449:"Nélie Jacquemart-André, une grande collectionneuse et un grand mécène (conférence, cycle les grandes voix)"
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255:. In accordance with an agreement she had made with Édouard, all of her possessions were bequeathed to the
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259:. One year later, two Musées Jacquemart-André were inaugurated and opened to the public; one in Paris and
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94:. There, she developed her drawing skills and met many prominent figures who had been involved in the
129:. Jacquemart was there, with Léon Cogniet, and created numerous sketches of the event. An editor at
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in 1835 so her father, Joseph, could work as a "relais" (a type of campaign worker) for
45:(25 July 1841– 15 May 1912) was a French painter, art collector and patron of the arts.
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Théodore
Pelloquet, "Nélie Jacquemart : Molière chez le barbier Gely, à Pézenas",
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Julie
Verlaine, "Nélie Jacquemart (1841-1912) : Peintre et collectionneuse", in:
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When she displayed an early talent for art, she became a protégée of De Vatry's wife,
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Sandrine Herman, "Étude de la correspondance de Nélie
Jacquemart-Andre 1881-1912",
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Her first public exposure came from an unusual source. In 1858, Malka
Kachwar, the
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Femmes collectionneuses d'art et mécènes : de 1880 à nos jours
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Une passion commune pour l'art, Nélie Jacquemart et Édouard André
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named Aristide Merille had them made into lithographs by
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began. Among its victims was her friend, the painter
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until it and the building were destroyed during the
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and published them in the magazine later that year.
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53:She was born in Paris. Her parents came from
476:"Étienne Carjat, Nélie Jacquemart (c.1865)"
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