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Von
Schaden’s parents were Salzburg Court War Council Director Leopold Graf Pranck and Walburga Stadler. Because her parents were unmarried, Schaden used the name “von Stadler von Pranck.” In 1774, she moved into the household of Imperial Court Councilor Friedrich von Mauchart. She studied music with
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also visited, and later wrote in a letter, “. . . Ms von
Schaden – who is by far the greatest piano player of all the musical women I know, including the Parisians; yes, in skill and security possibly unsurpassed by any virtuoso; she also sings with great expression and performance, and is in every
60:, who later helped orchestrate her two piano concerti. In 1781 she began receiving an annual pension of 200 guilders for her musical contributions at court, including her 1786 performance of a piano concerto by Beecke. Von Schaden also became friends with piano maker
33:(January 1763 – January 1834) was an Austrian composer and pianist who was known for her improvisational skills but left only three written compositions for piano. She published and performed under the names
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respect a pleasant, interesting woman. . . “ In 1793, the von
Schadens divorced, and von Schaden and her daughters moved to Regensburg to live with her father.
49:, and in 1779 she married the Wallerstein privy councilor Joseph Wilhelm von Schaden. They had two daughters, Maria Anna Antonia and Josepha Amalia.
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Although von
Schaden is reported to have composed piano sonatas and other pieces, only three remain today, all published by Speier:
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In 1787, the von
Schadens moved when Joseph von Schaden became the Imperial City Council Consultant in Augsburg. Later that year,
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stopped to visit them, and they gave him money so he could visit his sick mother in Bonn. In 1789, the musicologist
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The Career of an
Eighteenth-century Kapellmeister: The Life and Music of Antonio Rosetti
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to Madame la
Comtesse de Taufkirchen. At least two works were dedicated to her:
241:"Beethoven and Mozart's Lost Oboe Concerto Manuscripts: A New Lead in Augsburg"
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Anna
Leopoldine Theresia Elisabetha Nanette von Stadler von Pranck von Schaden
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to Madame la
Baronne de Schlammersdorf nee Baronne de Lentersheim, and her
356:(Second edition, revised and enlarged ed.). New York. p. 619.
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Women of notes : 1 000 women composers born before 1900
64:. They played four hand piano works and performed together.
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Thayer, Alexander
Wheelock; Association, Beethoven (1921).
416:The Macmillan encyclopedia of music and musicians
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418:. New York: The Macmillan Company. p. 1653.
440:Listen to Rondo in C Major by Anna von Schaden
403:. New York: Richards Rosen Press. p. 36.
354:International encyclopedia of women composers
97:Ten Variations for Piano in Bb Major Opus 1
384:: CS1 maint: location missing publisher (
27:Austrian composer and pianist (1763–1834)
56:, where von Schaden met court musician
52:The von Schadens moved to the court of
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433:Download music by Anna von Schaden
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288:"Anne Midgette on women in music"
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314:The Life of Ludwig Van Beethoven
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193:www.sophie-drinker-institut.de
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261:"Women of Note - von Schaden"
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485:18th-century women composers
212:Murray, Sterling E. (2014).
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107:Piano Concerto in Bb Major
95:, and Heinrich Marchaud’s
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79:Von Schaden dedicated her
73:Johann Friedrich Reichardt
115:Piano Concerto in G Major
352:Cohen, Aaron I. (1987).
317:. Beethoven Association.
218:. Boydell & Brewer.
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117:(with Antonio Rosetti)
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495:18th-century pianists
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414:Wier, Albert (1938).
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333:mugi.hfmt-hamburg.de
329:"Nannette Streicher"
239:Wosnitzka, Susanne.
81:Concerto in Bb Major
69:Ludwig van Beethoven
85:Concerto in G Major
39:Nanette von Schaden
18:Nanette von Schaden
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225:978-1-58046-467-3
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129:References
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189:"Schaden"
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