119:
instrumental introduction followed by 20 measures of
Rachelina singing the theme. Calloandro repeats these 20 measures with new text before Rachelina joins him for 12 more that repeat half of the theme. The orchestra then concludes the piece with 4 measures. After some
580:
124:, Calloandro leaves the stage and Pistofolo appears. The duet is repeated entirely as before, but this time with Pistofolo (who sings an entirely new set of words) rather than Calloandro. Without
404:. It is in this form that the duet has become familiar to modern audiences. In concert, it is typically repeated with the repeat being more heavily ornamented.
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557:: a comic opera in two acts as represented at the King's Theatre in the Haymarket for the first time, on Saturday, March 8, 1817"
548:. Book, 1810. Milano, Dalla Società Tipografica de' Classici Italiani. Thomas Fischer Rare Book Library, University of Toronto.
569:
61:). The duet is notable as its theme has been used many times as a basis for other musical works, and due to its inclusion in
477:
http://ks4.imslp.info/files/imglnks/usimg/f/fa/IMSLP401318-PMLP72296-Paisiello_-_L'amor_contrastato_(fs_ms_Dresden).pdf
434:
691:
546:; dramma giocoso per musica, in due atti, da rappresentarsi nel R.o Teatro alla Scala, la primavera dell'anno 1810"
392:(1885), he created a solo version by including only the first 28 measures of the duet. He also changed the key to
155:
for
Calloandro and Pistofolo). The duet would have been ornamented by singers according to the custom of the day.
49:(The Miller-Woman). The duet is sung twice in the opera's second act, first by the miller-woman Rachelina (
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686:
611:
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137:
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676:
195:
426:"Molinara, La (L'amor contrastato, ossia La molinara) (Doubtful Love, or The Maid of the Mill)"
203:
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396:
and added ornaments without preserving the original melody. The song was later included in
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Anonymous MS, 1789, Sächsische
Landesbibliothek, Dresden (D-Dl): Mus.3481-F-503 pp 596 ff.
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26 Italian Songs and Arias: An
Authoritative Edition Based on Authentic Sources
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174:("Introduction and variations in G major" for violin, Op. 38, MS 44, 1827),
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on YouTube performed by Lorna
Anderson, soprano; David McGuinness, piano
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58:
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210:(Böhm), Nel cor più non mi sento, op. 4 for flute & piano.
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70, in 1795. Other composers that have used the theme include
54:
25:
590:
Seven variations on "Nel cor più non mi sento" by
Paganini
514:. Manuscript, n.d. (ca. 1813). Ricasoli Collection at the
581:
Six variations on "Nel cor più non mi sento" by
Beethoven
111:. The voices are accompanied by violins, viola and
551:Paisiello, Giovanni. Giuseppe Palomba (libretto).
57:) and then by Rachelina and the notary Pistofolo (
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166:composed six variations in G major for piano,
227:
67:
18:
559:. Book, 1817. London: W. Winchester and Son.
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455:
73:, the song has secured a place in classical
594:International Music Score Library Project
585:International Music Score Library Project
576:International Music Score Library Project
520:International Music Score Library Project
452:
388:included this work in his collection of
664:
544:La molinara; ossia, L'amor contrastato
540:), Antonio Landini (Jolanda, ballet).
511:L'amor contrastato, oissia La molinara
34:L'amor contrastato, ossia La molinara
465:. Van Nuys: Alfred Publishing, 1991.
178:(Fantasie, Op. 16 for guitar 1823),
402:Twenty-Four Italian Songs and Arias
13:
672:Compositions by Giovanni Paisiello
599:
14:
703:
563:
435:The New Grove Dictionary of Opera
650:on YouTube played by Julio Zoppi
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481:
468:
419:
1:
407:
206:. There is also a version by
647:Seven variations by Paganini
357:you are making fun of youth.
323:Love is a certain something,
158:
7:
635:Six variations by Beethoven
518:Music Library, Louisville.
339:you prick me, you pinch me.
329:I hear you, yes I hear you,
317:you prick me, you pinch me.
132:for each singer covers the
85:The duet is written in the
10:
708:
655:"Nel cor più non mi sento"
630:, with piano accompaniment
623:"Nel cor più non mi sento"
607:"Nel cor più non mi sento"
337:You tease me, you bite me,
331:beautiful flower of youth.
315:You tease me, you bite me,
307:In my heart I no more feel
287:Tu stuzzichi, tu mastichi,
262:Mi stuzzichi, mi mastichi,
237:Mi stuzzichi, mi mastichi,
347:which makes me delirious.
341:What is this thing, alas!
319:What is this thing in me!
313:o Love, it is your fault.
289:tu pungichi, tu pizzichi;
270:Quel viso è un certo che,
264:mi pungichi, mi pizzichi;
239:mi pungichi, mi pizzichi;
228:
213:
136:of a minor seventh (from
19:
516:University of Louisville
363:So everyone cries: alas!
333:The cause of my torment,
311:The cause of my torment,
295:La donna è un certo che,
258:Cagion del mio tormento,
233:Cagion del mio tormento,
229:Nel cor più non mi sento
80:
20:Nel cor più non mi sento
692:Compositions in G major
487:Parisotti, Alessandro.
448:(subscription required)
325:which makes me despair.
291:Che grida ognuno: oimè!
266:Che cosa è questa oimè?
241:Che cosa è questa oimè?
196:Nicola Antonio Manfroce
186:(guitar and keyboard),
618:, with orchestra, 1973
297:che abbrustolir mi fa.
279:Bandiera d'ogni vento,
276:Il Notaro (Pistofolo):
254:Ti sento, sì ti sento,
235:Amor, ci hai colpa tu.
68:
638:on YouTube played by
525:Paisiello, Giovanni.
508:Paisiello, Giovanni.
367:That woman is the one
361:you prick, you pinch.
355:From one to a hundred
351:A flag to every wind,
335:o my soul, it is you.
309:the sparkle of youth.
256:bel fior di gioventù.
245:Amore è un certo che,
204:Johann Baptist Wanhal
200:Johann Nepomuk Hummel
190:(Op. 16 for guitar),
386:Alessandro Parisotti
359:You tease, you bite,
293:Pietà, pietà, pietà!
283:Da uno sino a cento,
268:Pietà, pietà, pietà!
243:Pietà, pietà, pietà!
231:brillar la gioventù.
147:for Rachelina and F#
63:Alessandro Parisotti
626:on YouTube sung by
461:Glenn Paton, John.
353:I know this is you:
247:che disperar mi fa!
194:(for double bass),
182:(flute and piano),
65:'s 1885 collection
36:, usually known as
444:Grove Music Online
430:Gordana Lazarevich
285:burli la gioventù.
281:conosco chi sei tu
272:che delirar mi fa.
192:Giovanni Bottesini
53:) and Calloandro (
30:Giovanni Paisiello
687:1788 compositions
491:, Vol. 1. Milan:
375:
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365:Pity, pity, pity!
343:Pity, pity, pity!
321:Pity, pity, pity!
260:anima mia sei tu.
180:Friedrich Silcher
699:
682:Arias in Italian
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648:
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628:Eglise Gutiérrez
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592:: Scores at the
583:: Scores at the
574:: Scores at the
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527:Giuseppe Palomba
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345:That face is one
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115:. There is an 8
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640:Wilhelm Kempff
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184:Mauro Giuliani
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109:time signature
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75:vocal pedagogy
32:'s 1788 opera
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369:burning me.
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176:Fernando Sor
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69:Arie Antiche
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555:La Molinara
530: [
398:G. Schirmer
251:Calloandro:
42: [
39:La molinara
666:Categories
408:References
224:Rachelina:
122:recitative
164:Beethoven
159:Influence
614:sung by
538:libretto
172:Paganini
134:interval
113:continuo
59:baritone
642:in 1962
612:YouTube
503:Sources
495:, 1885.
493:Ricordi
394:F major
117:measure
93:with a
91:G major
51:soprano
24:" is a
438:. Ed.
214:Lyrics
202:, and
128:, the
534:]
413:Notes
384:When
130:range
81:Music
55:tenor
46:]
28:from
151:to E
143:to E
26:duet
610:on
428:by
400:'s
168:WoO
89:of
87:key
668::
532:it
454:^
446:.
442:.
432:,
198:,
138:F#
77:.
44:it
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536:(
522:.
153:4
149:3
145:5
140:4
101:8
16:"
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