180:
204:
192:
31:
162:
107:'s husband. The earliest picture ascribed to the artist is "Dr. Sebastiaen Egbertz de Vrij's Osteological Presentation" of 1619, now in Amsterdam Historisch Museum. His heyday was ca. 1630–1637, a period marked by a high artistic level and numerous commissions from prominent patrons. After 1637 he painted little, save for a number of prestigious—and lucrative—group portraits. Besides portraits, he also painted a small number of biblical subjects, one of which can be seen in the
203:
135:
from 1626. During the years 1631–1634 the latter was collaborating with
Rembrandt, who painted numerous portraits for Van Uylenburgh's art business. Thus the house Pickenoy purchased had been a centre of Amsterdam portraiture for decades. In 1639 Rembrandt returned to the neighbourhood as he bought
149:
The work of
Pickenoy is difficult to distinguish from that of some of his contemporaries. Typical of Pickenoy are the fiercely invading light that makes the heads stand out sharply, the somewhat exaggerated gestures, the large greenish brown shadows and the odd-shaped eyes.
179:
248:
126:
from
Nicolaes Seys Pauw, on the corner of Sint Anthoniessluis and Jodenbreestraat, a fashionable area with many painters, art dealers, jewellers and so on. Till 1620 the house had been owned by his master,
255:
191:
209:
Officers and other Civic
Guardsmen of the IV District of Amsterdam, under the Command of Captain Jan Claesz van Vlooswijck and Lieutenant Gerrit Hudde, 1642
161:
240:
Dudok van Heel, S.A.C. (1985) De schilder
Nicolaes Eliasz. Pickenoy en zijn familie; Liber Amicorum voor Jhr M.C.C. van Valkenburg, pp. 152–60.
146:—painted in his courtyard—rolled up through the tunnel. Like Rembrandt, Pickenoy was not able to bring up the loan and he sold the house in 1645.
17:
30:
140:. Rembrandt could leave his house via an exit onto the Zwanenburgwal under the house of his neighbor Pickenoy. He brought out
76:, he married Levijntje Bouwens (1599-na 1656), an orphan of 21 years. They had ten children: Sara and Elias died young.
269:
243:
Kaaring, David
Burmeister: "Nicolaes Eliasz Pickenoy (1588-1650/56) and Portraiture in Amsterdam around 1620-45", in:
289:
250:.(For illustrations see: "Nicolaes Eliasz Pickenoy (1588-1650/56) og den amsterdamske portrætkunst, ca. 1620-45",
68:
monumental mason Elias
Claeszoon Pickenoy (1565–1640) and Heijltje Laurens s'Jonge (1562–1638), who emigrated to
80:
274:
116:
53:
108:
171:
132:
142:
137:
128:
49:
225:
284:
112:
73:
279:
8:
167:
123:
100:
92:
119:
hold many of his best works, not least the
Schutterstukken or militia paintings.
87:
of the orphanage, and individual portraits of local or national celebrities like
263:
104:
96:
88:
220:
69:
84:
45:
65:
44:(10 January 1588 – 1653/1656) was a Dutch painter of
221:
RKD Artist's entry on
Pickenoy, with link to numerous images
136:
the house next to
Pickenoys, on the site of the present day
72:
before Nicolaes Pickenoy was born. In 1621, living near the
185:
Pharisees bring a woman accused of adultery before Christ
226:Works and literature on Nicolaes Eliasz. Pickenoy
261:
197:The Osteology Lesson of Dr. Sebastiaen Egbertsz
237:Oosthoek's GeĂŻllustreerde Encyclopaedie (1917)
48:origin. Pickenoy was possibly a pupil of
170:in 1636 by Nicolaes Eliaszoon Pickenoy,
122:Around 1638 he bought the house next to
29:
14:
262:
35:Self-portrait at the age of thirty-six
153:
24:
25:
301:
214:
202:
190:
178:
160:
13:
1:
117:Amsterdams Historisch Museum
7:
42:Nicolaes Eliaszoon Pickenoy
18:Nicolaes Eliaszoon Pickenoy
10:
306:
231:
54:Bartholomeus van der Helst
270:Dutch Golden Age painters
83:, group portraits of the
109:Museum Catharijneconvent
290:Painters from Amsterdam
133:Hendrick van Uylenburgh
79:Pickenoy painted large
59:
129:Cornelis van der Voort
64:He was the son of the
50:Cornelis van der Voort
38:
172:Gemäldegalerie Berlin
113:Rijksmuseum Amsterdam
33:
252:SMK Art Journal 2005
245:SMK Art Journal 2005
131:, and rented out to
275:Dutch male painters
56:was his own pupil.
168:Cornelis de Graeff
124:Rembrandt van Rijn
101:Jochem Swartenhont
93:Cornelis de Graeff
39:
16:(Redirected from
297:
206:
194:
182:
164:
154:Gallery of works
81:Schuttersstukken
21:
305:
304:
300:
299:
298:
296:
295:
294:
260:
259:
234:
217:
210:
207:
198:
195:
186:
183:
174:
165:
156:
62:
52:and presumably
28:
23:
22:
15:
12:
11:
5:
303:
293:
292:
287:
282:
277:
272:
258:
257:
241:
238:
233:
230:
229:
228:
223:
216:
215:External links
213:
212:
211:
208:
201:
199:
196:
189:
187:
184:
177:
175:
166:
159:
155:
152:
61:
58:
26:
9:
6:
4:
3:
2:
302:
291:
288:
286:
283:
281:
278:
276:
273:
271:
268:
267:
265:
256:
253:
249:
246:
242:
239:
236:
235:
227:
224:
222:
219:
218:
205:
200:
193:
188:
181:
176:
173:
169:
163:
158:
157:
151:
147:
145:
144:
139:
138:Rembrandthuis
134:
130:
125:
120:
118:
114:
110:
106:
105:Elisabeth Bas
102:
98:
97:Maarten Tromp
94:
90:
89:Nicolaes Tulp
86:
82:
77:
75:
71:
67:
57:
55:
51:
47:
43:
36:
32:
27:Dutch painter
19:
285:1650s deaths
251:
244:
148:
141:
121:
78:
63:
41:
40:
34:
280:1588 births
143:Night Watch
264:Categories
247:, 127-137
74:Oude Kerk
70:Amsterdam
254:, 60–81)
232:Sources
85:regents
66:Antwerp
46:Flemish
111:. The
37:(1627)
115:and
99:and
60:Life
266::
103:,
95:,
91:,
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
_-_RMCC_s14_-_Museum_Catharijneconvent.jpg)
