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for service in the imperial chapel. In the 1530s he may have attended university, but this portion of his life is poorly documented. In the 1540s he rose in the chapel hierarchy, becoming successively a clerk and a chaplain, and in 1556 he took over the post of
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will become even more fashionable now than before, , since Canis was not able to reconcile himself to it." Thus Payen was a composer in a progressive style to Canis's more conservative bent.
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and five chansons have survived with attribution to him. The motets include some written for state occasions, such as
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who had retired the previous year simultaneously with the abdication of
Charles V. Thus Payen became the first
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Payen's music is both sacred and secular, and all surviving music is vocal, although some of his
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Albert
Dunning, "Musica reservata", Grove Music Online, ed. L. Macy (Accessed August 13, 2007),
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Albert
Dunning, "Nicolas Payen", Grove Music Online, ed. L. Macy (Accessed August 13, 2007),
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Laura Pollie Mc Dowell, "Nicolas Payen - Motets and chansons", A-R Edition, Middleton, 2006
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Laura Pollie Mc Dowell, "Nicolas Payen - Motets and chansons", A-R Edition, Middleton, 2006
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Laura Pollie Mc Dowell, "Nicolas Payen - Motets and chansons", A-R Edition, Middleton, 2006
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Tylman Susato, "le premier livre des chansons à quatre parties", 1543
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His name appears in association with the controversial term
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Renaissance Music: Music in
Western Europe, 1400–1600.
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106:. In 1558 he became canon at the church in
58:imperial chapel, at the end of the reign of
78:; children were commonly recruited in the
16:For the French aeronautical engineer, see
402:Dunning, Grove online, "Musica reservata"
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305:New York, W.W. Norton & Co., 1998.
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384:Dunning, Grove online, "Nicolas Payen"
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271:3 motets and 6 chansons by Payen on
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165:Flemish Chapel (capilla flamenca)
226:Eripe me de inimicis meis Domine
114:the next year or shortly after.
102:Payen acquired honors including
46:composer and choirmaster of the
273:Tota Vita – Music for Charles V
220:Nisi quia Dominus erat in nobis
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251:Vien tost despiteux desconfort
223:Benedictus Dominus Deus Israel
87:, the director of music, from
42:– after April 24, 1559) was a
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261:In Gott gelaub ich das er hat
248:Avecque vous mon amour finira
144:In Gott gelaub ich das er hat
60:Charles V, Holy Roman Emperor
205:Resurrectio Christi/Surrexit
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236:Fringotes jeusnes fillettes
199:Carole cur defles Isabellam
27:Carole cur defles Isabellam
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174:For further informations
167:for the Habsburg king: "
462:Male classical composers
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323:Music in the Renaissance
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126:were later arranged for
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329:W. W. Norton & Co.
50:, associated with the
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452:Renaissance composers
297:(subscription access)
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95:for Habsburg monarch
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447:People from Soignies
214:Domine, deus salutis
18:Nicolas Roland Payen
245:Je ne me puis tenir
193:Virgo prudentissima
138:, for the death of
118:Music and influence
217:Confitemur delicta
211:Convertimini ad me
161:maestro di capilla
97:Philip II of Spain
93:maestro di capilla
85:maestro di capilla
70:Payen was born in
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457:Chanson composers
419:978-0-89579-593-9
352:978-0-89579-593-9
337:978-0-393-09530-2
196:Coenantibus illis
183:978-0-89579-593-9
142:, in 1545. One,
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301:Allan W. Atlas,
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242:Il y a de lognon
208:Qui dabit capiti
169:musica reservata
152:musica reservata
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52:Grande Chapelle
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130:. Thirteen
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442:1559 deaths
48:Renaissance
431:Categories
284:References
266:Recordings
157:Albrecht V
76:Charles V
319:(1954).
124:chansons
104:prebends
72:Soignies
56:Habsburg
40:Soignies
163:of the
108:Tournai
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188:Motets
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132:motets
112:Madrid
54:, the
34:(also
358:Notes
256:Choir
231:Songs
415:ISBN
348:ISBN
332:ISBN
307:ISBN
179:ISBN
128:lute
66:Life
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375:^
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
