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encourage the participation of playwrights who were committed to theatre. During these early years, Write from the Hip plays were performed by actors from
Nightwood's Emerging Actors Program. In the beginning, Write from the Hip was aimed at playwrights aged 19 to 29, but it is now open to participants of any age who fit Nightwood's description of "emerging playwright".
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In 1985, Grant and several other founding members left
Nightwood. The same year, Vingoe was appointed Nightwood's 'artistic coordinator', fulfilling the same responsibilities of an artistic director. Vingoe said the change in title was to "allow more 'collective' input on major decisions". White took
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Write from the Hip or WFTH, as it is sometimes called, is
Nightwood's script development program for emerging playwrights and began in 2001. Originally, Write from the Hip culminated with playwrights writing 15-minute plays, but former artistic director Kelly Thornton felt that this format did not
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by stating that
Nightwood's 1984β85 season was designed around and to address the issues raised in Rina Fraticelli's report on the status of women in Canadian theatre. In the same funding application, Vingoe noted that Nightwood's work dealt with "the concerns of the women's community" among other
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Nightwood was originally intended to be a collective. The company was not originally intended to be a feminist theatre company, but became so by reputation. Nightwood
Theatre is part of what Denis Johnston refers to as the "third-wave" of small theatres in Toronto, encapsulating companies which
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In 2011, Nightwood
Theatre held two Groundswell Festivals, the latter of which was called The New Groundswell Festival. In a brochure published by Nightwood for the 2011 New Groundswell Festival, they wrote that "Nightwood has re-envisioned and expanded Groundswell to be A National Festival of
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Nightwood did not develop a formal administrative structure until the 1982, when a small board of directors was formed. It was around this time that the company began consistently referring to, if albeit informally, Cynthia Grant as
Nightwood's artistic director. Until this point, Nightwood's
277:. FemCab was originally produced with Women's Cultural Building, a Toronto-based women's collective who looked to establish a building for women's groups, but, in 1990, it became an annual fundraising event solely for Nightwood. FemCab was briefly suspended for two years from 1995 to 1996.
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250:, originally intended to be a festival of new Canadian works. Nightwood co-presented the 1980, 1981, and 1982 Rhubarb! Festivals until Rhubarb! became a strictly Buddies in Bad Times production in 1983. The founding artistic director of Buddies in Bad Times,
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began in 1983. The play was created by a group of artists, many of whom had worked with
Nightwood before, who called themselves the Anna Collective. The collective consisted of Suzanne Khuri, Ann-Marie MacDonald,
1951:
435:
Contemporary Women's
Theatre." Since the second Groundswell of 2011, the festival has operated under the new name. The Groundswell Festival takes up approximately one third of Nightwood Theatre's budget.
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381:. The event featured the premieres of two plays and the Consent Event Symposium, a community conversation and workshop about consent. The plays premiered as part of the Consent Event were
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would be taking over
Thornton's role of artistic director. Donaldson's first programmed season will be 2020β21, though she officially began transitioning into the new role in March 2019.
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As part of their 1982β83 season, Nightwood produced the inaugural FemCab, or "Five Minute Feminist Cabaret" on March 8, 1983 at the Horseshoe Tavern. Early FemCab participants included
235:, and is described as "an innovative mixed-media performance". Grant, who had worked in an editing group at the Women's Press to publish the novel, organized a dramatic reading of
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in 1977 and there was a workshop production in 1978 featuring Renders, Vingoe and White in addition to Grant herself. The official Nightwood production opened in September 1979.
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issues. Nightwood did not, however, explicitly define themselves as feminist theatre or use the words 'feminist' or 'feminism' in official self-description until much later.
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showcase of North American female artists. The 2003 Hysteria Festival was ten days long and featured classes and workshops in addition to performances and staged readings.
336:. The play premiered with Nightwood in 1988 as directed by BaΕuta Rubess and was remounted in 1990. The play was the winner of Floyd S. Chalmers Canadian Play Award and
450:
Write from the Hip pieces are now featured as readings as part of the Groundswell Festival. Andrea Donaldson was Write from the Hip program director from 2014 to 2019.
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became artistic coordinator and Lynda Hill became associate artistic coordinator. In 1990, Lushington reverted the title of Artistic Coordinator to artistic director.
2009:
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Initially, Grant, Renders, Vingoe, and White tried to avoid Nightwood being labelled "women's theatre" but were labelled as such by the press. In a 1984
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Nightwood Theatre was launched in 1979 by co-founders Cynthia Grant, Kim Renders, Mary Vingoe and Maureen White. The name Nightwood was inspired by
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was appointed artistic director of Nightwood Theatre in 2001, the same year Nightwood launched their play development program, Write from the Hip.
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Many plays which have premiered or been workshopped at Groundswell have gone on to be performed as part of Nightwood Theatre's main season.
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founding four members, Grant, Renders, Vingoe, and White, shared leadership roles and frequently interchanged titles and responsibilities.
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and was originally a collective. Though it was not the founders' original intention, Nightwood Theatre has become known for producing
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replaced Donaldson as the Write from the Hip program director for the 2019β20 season. The position has previously been held by
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written by Ann-Marie MacDonald (lyrics and book), Alisa Palmer (book), and Allen Cole (music) (1999-2000 and 2000β01 seasons)
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created by Suzanne Khuri, Ann-Marie MacDonald, BaΕuta Rubess, Maureen White, Aida Jordao and Patricia Nichol (1985-86 season)
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Nightwood Theatre's Groundswell Festival of new works began in the spring of 1986 and was originally timed to coincide with
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written by Sonja Mills (2002-03 season, 2004-05 tours as far as Denmark, remounted at Nightwood for 2006β07 season)
316:, a woman who shot the man accused of killing her daughter, and premiered as part of Nightwood's 1985β86 season.
1981:"Nightwood Theatre's new artistic director Andrea Donaldson wants it to be 'Canada's national feminist company'"
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1251:"Women of the Northern Stage: Gender, Nationality and Identity and the Work of Canadian Women Stage Directors"
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363:
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Farfan, Penny; Ferris, Lesley (2010). "Editorial Comment: Special Issue on Contemporary Women Playwrights".
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which features readings from participants of Nightwood's Write from the Hip playwright development program.
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Dora Mavor Moore Award for Outstanding Performance by a Female in a Principal Role β Play (Large Theatre)
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created and performed by Amy Nostbakken and Norah Sadava (2016-17 season, re-mounted for 2017/18 season)
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were appointed co-artistic directors. Palmer was appointed the sole incoming artistic director in 1995.
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Nightwood Theatre held the Consent Event in 2017, coinciding with widespread conversations around the
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to the Toronto's Distilleries district, where they still are today. The next year, Nightwood launched
227:
In the beginning, Nightwood focussed largely on collective creations. Their first production in 1979,
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119:
2490:"Re-viewing Reception: Criticism of Feminist Theatre in Montreal and Toronto, 1976 to Present" (PDF)
2417:"Re-viewing Reception: Criticism of Feminist Theatre in Montreal and Toronto, 1976 to Present" (PDF)
2369:"Re-viewing Reception: Criticism of Feminist Theatre in Montreal and Toronto, 1976 to Present" (PDF)
1817:"Re-viewing Reception: Criticism of Feminist Theatre in Montreal and Toronto, 1976 to Present" (PDF)
1634:"Re-viewing Reception: Criticism of Feminist Theatre in Montreal and Toronto, 1976 to Present" (PDF)
1408:"Re-viewing Reception: Criticism of Feminist Theatre in Montreal and Toronto, 1976 to Present" (PDF)
1374:"Re-viewing Reception: Criticism of Feminist Theatre in Montreal and Toronto, 1976 to Present" (PDF)
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2066:"View of Women's Theatre Festivals as Counterpublics: Groundswell, FemFest, and The Riveter Series"
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348:
173:
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110:
94:
82:
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1839:"'Women need to take up more space': Feminist theatre calls on industry to hire female directors"
655:, nominated for Dora Mavor Moore awards (1987-88 season, later toured as part of 1989β90 season)
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2124:
1582:"Re-viewing Reception: Criticism of Feminist Theatre in Montreal and Toronto, 1976 to Present"
3092:"A guide to coronavirus-related cancellations that have swept across Canada's cultural scene"
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3143:"Divining Dora: Our theatre critic assesses the shoo-ins and ruins for this year's awards".
2827:"Unmasking the Face of Gendered Citizenship: Anupama Chandrasekhar's Acid and Free Outgoing"
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620:
534:
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8:
2321:"Royal Manitoba Theatre Centre hires Nightwood's Kelly Thornton as its artistic director"
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1180:- nominated for Dora Mavor Moore Award for Featured Male Performance for performance in
2221:
1397:. Eds. Eugene Benson and L.W. Connolly. Toronto: Oxford University Press, 1989. P. 206.
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916:
359:
313:
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Framing Our Past : Constructing Canadian Women's History in the Twentieth Century
366:
with Buddies in Bad Times. The Hysteria Festival was intended to be a semi-annual and
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2882:"The Public Servant draws laughs with almost-timely satire of government bureaucracy"
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1952:"Review: Asking For It candidly explores consent in the wake of the Ghomeshi scandal"
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written and performed by Diane Flacks (2016-17 season, re-staged for 2018β19 season)
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written by Ann-Marie MacDonald, winner of Floyd S. Chalmers Canadian Play Award and
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written by and starring Diane Flacks (2005-06 season, remounted for 2008β09 season)
594:
401:
340:, and the production as a whole was nominated for several Dora Mavor Moore awards.
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written by Jennifer Tremblay and translated by Shelley Tepperman (2013-14 season)
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In 1991, Diane Roberts was appointed associate artistic director. Then in 1993,
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389:, which Napoli developed when she was a participant in Write from the Hip, and
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2439:"Alex Bulmer's groundbreaking Smudge goes inside the mind's eye. Sight unseen"
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1277:"A Timely Save: Canada's Pre-eminent Feminist Theatre Company at Thirty Years"
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application, Mary Vingoe implicitly identified Nightwood Theatre with the
2937:"Mouthpiece is entertaining and unique on the politics of women's voices"
1225:"For women's theatre such as Toronto's Nightwood, 'the game has changed'"
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3066:"School Girls; Or The African Mean Girls Play is wickedly good theatre"
2010:"Nightwood Theatre announces Andrea Donaldson as new artistic director"
1092:
878:
390:
270:
2989:"Lo (Or Dear Mr. Wells) delivers uncomfortable truths we need to face"
2241:"Donna-Michelle St. Bernard Named Write from the Hip Program Director"
548:
214:
900:
written for the stage by Anne Hardcastle, adapted from the novel by
192:(1988). Nightwood hosts several annual events including FemCab, the
3163:
2829:. In Dutt, Bishnupriya; Reinelt, Janelle; Sahai, Shrinkhla (eds.).
1310:"COLLECTIVE CREATION AND THE CHANGING MANDATE OF NIGHTWOOD THEATRE"
1159:
578:
Love and Work Enough β "A Celebration of Ontario's Pioneer Women" β
177:
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26:
2538:"Blasted: 'Disgusting feast of filth' gets English-Canadian debut"
2180:"Nightwood Theatre Presents THE 34TH ANNUAL GROUNDSWELL FESTIVAL"
1693:. In Cook, Sharon Ann; McClean, Lorna R.; O'Rourke, Kate (eds.).
220:
emerged from the late 1970s to the early 1980s during the end of
157:
63:
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Kate Lushington (1988β1993), as artistic coordinator (1988β1990)
156:
is Canada's oldest professional women's theatre and is based in
1691:"Feminist Theatre in Toronto: A Look at the Nightwood Theatre"
2963:"Unholy a passionate debate about women and religion: review"
2347:"Still Acting out after 25 Years [Nightwood Theatre]"
2070:
Theatre Research in Canada / Recherches théÒtrales au Canada
1314:
Theatre Research in Canada / Recherches théÒtrales au Canada
2908:"Refuge: Looking at the issue of refugees from the outside"
584:
for Best Production in children's category (1983-84 season)
308:, Patricia Nichol, and Nightwood co-founder Maureen White.
180:
works. Some of Nightwood's most famous productions include
2564:"Nightwood Theatre 2007 β Linda Griffiths' Age of Arousal"
2642:"That Face β Nightwood Theatre β Berkeley Street Theatre"
2615:"THEATRE REVIEW A Gripping Tale of Black on Black Racism"
1921:"Two new plays complicate the conversation about consent"
1281:
Canadian Literature: A Quarterly of Criticism and Review
471:
Cynthia Grant (founding artistic director, until 1985)
3040:"Review: Inner Elder (NativeEarth/Nightwood Theatre)"
2856:"Nirbhaya is harrowing, moving and beautiful: review"
2801:"The Carousel: A merry-go-round of typical Canadiana"
2668:"Theatre review: 'Ruined' is, in a word, magnificent"
823:
written and directed by Djanet Sears (2001-02 season)
754:
written and directed by Djanet Sears (1996-97 season)
2831:
Gendered Citizenship: Manifestations and Performance
415:
in keeping with Canada's guidelines surrounding the
379:
allegations of sexual abuse against Harvey Weinstein
2512:"Mysteries of pregnancy play hits the stage Friday"
480:Maureen White (1987β1988), as artistic coordinator
407:Nightwood Theatre cancelled their performances of
2749:"Fine female cast makes for a magical Penelopiad"
1182:The Edge of the Earth is Too Near, Violette Leduc
1045:, Sarah McVie and Amy Rutherford (2015-16 season)
614:The Edge of the Earth is Too Near, Violette Leduc
3170:
3119:Nightwood Theatre: A Woman's Work is Always Done
2392:Nightwood Theatre: A Woman's Work is Always Done
2295:Nightwood Theatre: A Woman's Work is Always Done
2268:Nightwood Theatre: A Woman's Work is Always Done
2100:Nightwood Theatre: A Woman's Work is Always Done
2037:Nightwood Theatre: A Woman's Work is Always Done
1895:Nightwood Theatre: A Woman's Work is Always Done
1786:. Athabasca University Press. pp. 119β120.
1783:Nightwood Theatre: A Woman's Work is Always Done
1759:. Athabasca University Press. pp. 117β118.
1756:Nightwood Theatre: A Woman's Work is Always Done
1729:Nightwood Theatre: A Woman's Work is Always Done
1697:. McGill-Queen's University Press. p. 273.
1660:Nightwood Theatre: A Woman's Work is Always Done
1609:Nightwood Theatre: A Woman's Work is Always Done
1556:Nightwood Theatre: A Woman's Work is Always Done
1529:Nightwood Theatre: A Woman's Work is Always Done
1485:Nightwood Theatre: A Woman's Work is Always Done
1458:Nightwood Theatre: A Woman's Work is Always Done
1431:Nightwood Theatre: A Woman's Work is Always Done
1349:Nightwood Theatre: A Woman's Work is Always Done
636:My Boyfriend's Back and There's Gonna Be Laundry
817:The Adventures of a Black Girl in Search of God
1732:. Athabasca University Press. pp. 87β88.
1663:. Athabasca University Press. pp. 66β69.
1612:. Athabasca University Press. pp. 82β84.
1532:. Athabasca University Press. pp. 60β61.
1434:. Athabasca University Press. pp. 59β60.
1352:. Athabasca University Press. pp. 56β57.
681:, directed by Kate Lushington (1990-91 season)
570:, directed by Cynthia Grant, finalist for the
3063:
2238:
2177:
1515:. 2001-02-03. p. 1 – via ProQuest.
1136:School Girls; Or, the African Mean Girls Play
506:
2344:
2203:
358:In 2002, Nightwood moved their offices from
2462:
2271:. Athabasca University Press. p. 285.
1688:
1559:. Athabasca University Press. p. 118.
649:Goodnight Desdemona (Good Morning Juliet) β
515:a collaborative adaptation of the novel by
3122:. Athabasca University Press. p. 73.
2395:. Athabasca University Press. p. 84.
2298:. Athabasca University Press. p. 87.
2103:. Athabasca University Press. p. 92.
2040:. Athabasca University Press. p. 89.
1898:. Athabasca University Press. p. 53.
1488:. Athabasca University Press. p. 60.
1461:. Athabasca University Press. p. 86.
333:Good Night Desdemona (Good Morning Juliet)
327:Nightwood Theatre's breakthrough play was
189:Good Night Desdemona (Good Morning Juliet)
25:
2536:Nestruck, J. Kelly (September 27, 2010).
1579:
560:by Patricia Keeney-Smith (1982-83 season)
3064:Fein-Goldbach, Debbie (March 11, 2019).
2986:
2934:
2905:
2879:
2798:
2746:
2535:
2463:Al-Solaylee, Kamal (February 11, 2005).
2318:
2125:"Write from the Hip - Nightwood Theatre"
1978:
1949:
1509:"Life is a feminist cabaret, old chum".
1395:The Oxford Companion to Canadian Theatre
1222:
743:written by Alisa Palmer (1993-94 season)
3089:
2773:Hoile, Christopher (January 18, 2012).
2747:Nestruck, J. Kelly (January 13, 2012).
2692:Hoile, Christopher (October 10, 2015).
1979:Nestruck, J. Kelly (February 4, 2019).
1950:Nestruck, J. Kelly (October 11, 2017).
1223:Nestruck, J. Kelly (December 6, 2017).
1054:written by Mary Vingoe (2015-16 season)
422:
3171:
2935:Nestruck, J. Kelly (October 7, 2016).
2930:
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2639:
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2509:
2436:
2319:Nestruck, J. Kelly (October 3, 2018).
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2003:
2001:
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767:, workshop production (1997-98 season)
659:Princess Pocahontas and the Blue Spots
3115:
3037:
2987:Campbell, Trevor (November 1, 2011).
2906:Nestruck, J. Kelly (April 25, 2016).
2880:Nestruck, J. Kelly (March 18, 2016).
2824:
2799:Nestruck, J. Kelly (March 15, 2014).
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1427:
1393:Forsyth, Louise. "Feminist Theatre."
1345:
1307:
1303:
1301:
1299:
1297:
1256:. University of Missouri. p. 169
1166:
588:La Musica β "an interlude in divorce"
572:Floyd S. Chalmers Canadian Play Award
465:
441:
400:In early 2019, it was announced that
320:over this position in 1987. In 1988,
16:Canadian professional women's theatre
2960:
2853:
2717:
2665:
2007:
1918:
1836:
1274:
1218:
1216:
806:(1999-2000 season, followed by tour)
477:(1985β1987), as artistic coordinator
2925:
2720:"Bryony Lavery's Stockholm: Review"
2562:Citron, Paula (December 28, 2007).
2142:
1998:
1969:
1938:
1800:
1647:
1149:All the Little Animals I Have Eaten
1119:and Erin Brubacher (2017-18 season)
413:All the Little Animals I Have Eaten
13:
2737:
2488:MacArthur, Laura Michelle (2014).
2415:MacArthur, Laura Michelle (2014).
2367:MacArthur, Laura Michelle (2014).
2054:
1919:Cole, Susan G. (October 4, 2017).
1815:MacArthur, Laura Michelle (2014).
1677:
1632:MacArthur, Laura Michelle (2014).
1580:MacArthur, Laura Michelle (2014).
1406:MacArthur, Laura Michelle (2014).
1372:MacArthur, Laura Michelle (2014).
1294:
1158:(2019-20 season, cancelled due to
780:(1997-98 season, followed by tour)
203:
14:
3210:
3157:
2854:Maga, Carly (November 24, 2015).
2666:Crew, Robert (January 25, 2010).
2437:Kaplan, Jon (November 16, 2000).
2178:BWW News Desk (August 27, 2019).
1213:
292:Work on the collective creation,
3090:Wheeler, Brad (March 13, 2020).
2961:Maga, Carly (January 19, 2017).
2640:Mooney, Sam (October 30, 2009).
2588:Lacey, Dana (October 21, 2008).
2008:Maga, Carly (February 4, 2019).
1837:Katz, Dahlia (January 9, 2018).
231:, was adapted from the novel by
3136:
3109:
3083:
3057:
3031:
3006:
2980:
2954:
2899:
2873:
2847:
2818:
2792:
2766:
2711:
2685:
2659:
2633:
2607:
2590:"Wild Dogs β Nightwood Theatre"
2581:
2555:
2529:
2503:
2482:
2456:
2430:
2409:
2382:
2361:
2338:
2312:
2285:
2258:
2232:
2197:
2171:
2152:Kaplan, Jon (August 25, 2005).
2117:
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1912:
1885:
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1830:
1773:
1746:
1719:
1626:
1599:
1573:
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1519:
1502:
1475:
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242:In 1979, Nightwood, along with
3189:1979 establishments in Ontario
2239:BWW News Desk (May 21, 2019).
1421:
1400:
1387:
1366:
1339:
1268:
1242:
513:The True Story of Ida Johnsonβ
1:
3038:Grant, Keira (May 14, 2019).
2833:. Springer. pp. 158β59.
2718:Crew, Robert (May 17, 2012).
2510:Zettel, Mike (May 13, 2010).
2064:Scott, Shelley (7 May 2014).
1689:Rusch-Drutz, Corinne (2014).
1206:
996:(2011β12 and 2012β13 seasons)
712:Love and Other Strange Things
489:and Diane Roberts (1993β1995)
364:Hysteria: A Festival of Women
312:was inspired by the story of
237:The True Story of Ida Johnson
229:The True Story of Ida Johnson
3179:Theatre companies in Toronto
2465:"Throwing her weight around"
160:. It was founded in 1979 by
7:
2345:O'Connor, Jennifer (2004).
1868:"Her story at hot Hysteria"
694:, directed by Mandiela and
10:
3215:
685:dark diaspora . . . in DUB
530:Charlotte Perkins Gilman's
507:Select performance history
495:Kelly Thornton (2001β2019)
3164:Nightwood Theatre website
2843:– via Google Books.
2405:– via Google Books.
2308:– via Google Books.
2281:– via Google Books.
2154:"Getting the Write start"
2113:– via Google Books.
2050:– via Google Books.
1769:– via Google Books.
1715:– via Google Books.
1673:– via Google Books.
1622:– via Google Books.
1542:– via Google Books.
1498:– via Google Books.
1471:– via Google Books.
1444:– via Google Books.
1362:– via Google Books.
1249:Rollie, Emily A. (2013).
1115:written and performed by
1060:written and performed by
641:written and performed by
452:Donna-Michell St. Bernard
429:International Women's Day
135:
73:
56:
48:
33:
24:
2629:– via PressReader.
2129:www.nightwoodtheatre.net
1154:written and directed by
1024:written and directed by
653:Governor General's Award
492:Alisa Palmer (1995β2001)
338:Governor General's Award
116:Alisa Palmer (1995β2001)
3116:Scott, Shelley (2010).
2389:Scott, Shelley (2010).
2292:Scott, Shelley (2010).
2265:Scott, Shelley (2010).
2097:Scott, Shelley (2010).
2034:Scott, Shelley (2010).
1892:Scott, Shelley (2010).
1780:Scott, Shelley (2010).
1753:Scott, Shelley (2010).
1726:Scott, Shelley (2010).
1657:Scott, Shelley (2010).
1606:Scott, Shelley (2010).
1553:Scott, Shelley (2010).
1526:Scott, Shelley (2010).
1482:Scott, Shelley (2010).
1455:Scott, Shelley (2010).
1428:Scott, Shelley (2010).
1346:Scott, Shelley (2010).
1308:Scott, Shelley (1997).
2825:Aston, Elaine (2017).
582:Dora Mavor Moore Award
498:Andrea Donaldson (2019
387:Lo (or Dear Mr. Wells)
2498:University of Toronto
2425:University of Toronto
2377:University of Toronto
2078:10.3138/tric.35.1.103
1825:University of Toronto
1642:University of Toronto
1593:University of Toronto
1416:University of Toronto
1382:University of Toronto
1326:10.3138/tric.18.2.191
1099:Lo (or Dear Mr. Wells
1013:Anupama Chandrasekhar
810:Anything That Moves β
672:A Fertile Imagination
628:This is For You, Anna
393:'s documentary-play,
329:Ann-Marie MacDonald's
310:This is for You, Anna
295:This is for You, Anna
183:This is For You, Anna
3199:Second-wave feminism
1866:(November 4, 2004).
702:The Wonder Quartet β
692:Ahdri Zhina Mandiela
621:Jovette Marchessault
535:The Yellow Wallpaper
523:The Yellow Wallpaper
423:Groundswell Festival
244:Buddies in Bad Times
222:second-wave feminism
198:Groundswell Festival
75:Artistic director(s)
2694:"Review - The List"
2494:library.utoronto.ca
2421:library.utoronto.ca
2373:library.utoronto.ca
1821:library.utoronto.ca
1638:library.utoronto.ca
1589:library.utoronto.ca
1412:library.utoronto.ca
1378:library.utoronto.ca
263:Ann-Marie MacDonald
21:
3096:The Globe and Mail
2941:The Globe and Mail
2912:The Globe and Mail
2886:The Globe and Mail
2805:The Globe and Mail
2779:www.stage-door.com
2753:The Globe and Mail
2698:www.stage-door.com
2621:. November 5, 2009
2542:The Globe and Mail
2469:The Globe and Mail
2427:. p. 139-140.
2325:The Globe and Mail
1985:The Globe and Mail
1956:The Globe and Mail
1275:Johnston, Kirsty.
1229:The Globe and Mail
1167:Notable performers
1117:Christine Brubaker
1032:The Public Servant
964:and translated by
917:Dael Orlandersmith
855:and translated by
466:Artistic directors
442:Write from the Hip
368:multi-disciplinary
360:the Theatre Centre
314:Marianne Bachmeier
19:
3129:978-1-897425-55-8
3044:Mooney on Theatre
2840:978-3-319-59093-6
2646:Mooney on Theatre
2594:Mooney on Theatre
2402:978-1-897425-55-8
2305:978-1-897425-55-8
2278:978-1-897425-55-8
2245:BroadwayWorld.com
2184:BroadwayWorld.com
2110:978-1-897425-55-8
2047:978-1-897425-55-8
1905:978-1-897425-55-8
1793:978-1-897425-55-8
1766:978-1-897425-55-8
1739:978-1-897425-55-8
1704:978-0-7735-6911-9
1670:978-1-897425-55-8
1619:978-1-897425-55-8
1595:. pp. 18β19.
1566:978-1-897425-55-8
1539:978-1-897425-55-8
1495:978-1-897425-55-8
1468:978-1-897425-55-8
1441:978-1-897425-55-8
1359:978-1-897425-55-8
966:Shelley Tepperman
962:Jennifer Tremblay
706:Diana Braithwaite
417:COVID-19 outbreak
286:feminist movement
248:Rhubarb! Festival
194:Hysteria Festival
154:Nightwood Theatre
151:
150:
143:.nightwoodtheatre
20:Nightwood Theatre
3206:
3194:Feminist theatre
3184:Women in theatre
3151:
3150:
3149:. June 21, 2003.
3140:
3134:
3133:
3113:
3107:
3106:
3104:
3102:
3087:
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3078:
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2845:
2844:
2822:
2816:
2815:
2813:
2811:
2796:
2790:
2789:
2787:
2785:
2775:"The Penelopiad"
2770:
2764:
2763:
2761:
2759:
2744:
2735:
2734:
2732:
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2715:
2709:
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2449:
2434:
2428:
2413:
2407:
2406:
2386:
2380:
2365:
2359:
2358:
2353:. Archived from
2342:
2336:
2335:
2333:
2331:
2316:
2310:
2309:
2289:
2283:
2282:
2262:
2256:
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2020:
2005:
1996:
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1947:
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1419:
1418:. p. 85-86.
1404:
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1246:
1240:
1239:
1237:
1235:
1220:
1145:(2018-19 season)
1132:(2018-19 season)
1109:(2017-18 season)
1095:(2017-18 season)
1064:(2016-17 season)
1028:(2015-16 season)
1015:(2013-14 season)
981:(2011-12 season)
968:(2010-11 season)
951:(2010-11 season)
947:and directed by
932:(2009-10 season)
919:(2009-10 season)
904:(2008-09 season)
891:(2007-08 season)
885:Age of Arousal β
881:(2006-07 season)
859:(2005-06 season)
842:(2004-05 season)
793:(1998-99 season)
738:Wearing the Bone
734:(1993-94 season)
721:(1992-93 season)
708:(1991-92 season)
698:(1990-91 season)
668:(1989-90 season)
645:(1986-87 season)
623:(1984-85 season)
610:(1984-85 season)
597:(1983-84 season)
595:Marguerite Duras
574:(1983-84 season)
538:(1980-81 season)
402:Andrea Donaldson
147:
144:
142:
126:Andrea Donaldson
44:
42:
29:
22:
18:
3214:
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3209:
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2290:
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2233:
2206:Theatre Journal
2202:
2198:
2188:
2186:
2176:
2172:
2162:
2160:
2150:
2143:
2133:
2131:
2123:
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2111:
2095:
2091:
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2055:
2048:
2032:
2028:
2018:
2016:
2006:
1999:
1989:
1987:
1977:
1970:
1960:
1958:
1948:
1939:
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1913:
1906:
1890:
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1253:
1247:
1243:
1233:
1231:
1221:
1214:
1209:
1201:Christine Horne
1195:The Danish Play
1169:
1130:Michelle Thrush
1062:Anna Chatterton
1039:Jennifer Brewin
994:Margaret Atwood
902:Helen Humphreys
889:Linda Griffiths
840:Lisa Codrington
827:The Danish Play
765:Caryl Churchill
509:
468:
460:Anna Chatterton
456:Lisa Codrington
444:
425:
375:#MeToo movement
322:Kate Lushington
246:, launched the
206:
204:Company history
139:
131:
101:Kate Lushington
76:
69:
40:
38:
17:
12:
11:
5:
3212:
3202:
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3196:
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3159:
3158:External links
3156:
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2568:classicalfm.ca
2554:
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2500:. p. 194.
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2357:on 2020-03-23.
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1827:. p. 187.
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1644:. p. 133.
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1384:. p. 185.
1365:
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1320:(2): 191β207.
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1000:The Carousel β
997:
986:The Penelopiad
982:
969:
952:
933:
920:
905:
892:
882:
869:
860:
857:Morwyn Brebner
853:VΓ©ronique Olmi
843:
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824:
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785:One Flea Spare
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666:Monique Mojica
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267:The Clichettes
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3146:National Post
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3014:"7th Cousins"
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2379:. p. 99.
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2015:
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1173:Megan Follows
1171:
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1127:
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1113:7th Cousins β
1111:
1108:
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1100:
1097:
1094:
1090:
1087:
1086:Asking For It
1084:
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1006:Free Outgoing
1004:
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983:
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979:Bryony Lavery
976:
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946:
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930:Polly Stenham
927:
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