Not One Less - Knowledge

31: 704:. The village mayor is unwilling to give her money for a bus ticket to the city, so she resolves to earn the money herself, and recruits the remaining students to help. One girl suggests that they can make money by moving bricks in a nearby brickyard, and Wei begins giving the students mathematical exercises centered on finding out how much money they need to earn for the bus tickets, how many bricks they need to move, and how much time it will take. Through these exercises and working to earn money, her rapport with the class improves. After earning the money, she reaches the bus station but learns that the price is higher than she thought, and she cannot afford a ticket. Wei ends up walking most of the way to Zhangjiakou. 711: 771:

streets begging for food—sees the show. After Wei and Zhang are reunited, the station manager arranges to have them driven back to Shuiquan village, along with a truckload of school supplies and donations that viewers had sent in. Upon their return, they are greeted by the whole village. In the final scene, Wei presents the students with several boxes of colored chalk that were donated, and allows each student to write one character on the board. The film ends with a series of title cards that recount the actions of the characters after the film ends, and describe the problem of poverty in rural education in China.

30: 3450: 871: 697:

guarding the door to make sure no students leave until they have finished their work. Early in the month, a sports recruiter comes to take one athletic girl, Ming Xinhong, to a special training school; unwilling to let any students leave, Wei hides Ming, and when the village mayor (Tian Zhenda) finds her, Wei chases after their car in a futile attempt to stop them; and yet they, the sports recruiter and mayor, first notice and comment on Wei's running ability, endurance, and tenacity.

788:

short supply that Gao gives Wei specific instructions limiting how large her written characters should be. Wei sleeps in the school building, sharing a bed with several female students. The version of the film released overseas ends with a series of title cards in English, the last of which reads, "Each year, poverty forces one million children in China to leave school. Through the help of donations, about 15% of these children return to school."

838:

Aside from Wei, many characters in the film show a "blind faith" in authority figures. While she lacks money and power, Wei overcomes her obstacles through sheer obstinacy and ignorant persistence, suggesting that speech and perseverance can overcome barriers. Wei becomes an example of "heroic obstinacy" and a model of using determination to face "overwhelming odds". For this reason, the film has been frequently compared to Zhang's 1993

3464: 898:

people are faced with difficulties and discrimination in the cities. While Wei's first view of the city exposes her to well-dressed people and modern buildings, the living quarters she goes to while searching for Zhang Huike are cramped and squalid. Likewise, the iron gate where Wei waits all day for the TV station director reflects the barriers poor people face to survival in the city, and the necessity of

732: 718: 271: 767:

as "a man with glasses". For the rest of the day, Wei stands by the station's only gate, stopping every man with glasses, but she does not find the station manager, and spends the night asleep on the street. The next day the station manager (Wu Wanlu) sees her at the gate again, through his window, and lets her in, scolding the receptionist for making her wait outside.

672:

copying his texts onto the board and then making the students copy them into their notebooks; he also tells her not to use more than one piece of chalk per day, because the village is too poor to afford more. Before leaving, he explains to her that many students have recently left school to find work in the cities, and he offers her a 10

1018:

school is aimed to give rise to a question: what about the remaining 85 percent?" The disagreement about the title cards is also reflected in the critical reaction to the rest of the film's resolution. Kemp described the ending as "feelgood" and criticized the film for portraying officials and generous cityfolk as coming to the rescue,

1048:, on the other hand, said that while the end of the film may have been like propaganda, the rest was a "strong denunciation of a regime that is unable to assure proper education for the country children". Likewise, Zhang Xiaoling argued that although the film superficially appears to praise the city people and officials, its 1053:

the city, Zhang Huike's clearest memory of city life is having to beg for food. Zhang and Kraicer both argued that critics who see the film as pro-government propaganda are missing the point and, as Kraicer put it, "mistaking layer as the message of the film ... mistaking the part for the whole". David Ansen of

1193:

Lu warns that domestic box office sales are not reliable indicators of a film's popularity in mainland China, because of piracy and because of state or social group sponsorship; many workers were given free tickets to promote the film, and a 1999 report claimed that more tickets were purchased by the

1052:

is harshly critical of them: he pointed out that the apparently benevolent TV station manager seems to be motivated more by audience ratings than by altruism, that the receptionist's callous manner towards Wei is a result of Chinese "bureaucratism and nepotism", and that for all the good things about

902:

to avoid becoming an "outsider" in the city. Frequent cuts show Wei and Zhang wandering aimlessly in the streets, Zhang begging for food, and Wei sleeping on the sidewalk; when an enthusiastic TV host later asks Zhang what part of the city left the biggest impression, Zhang replies that the one thing

837:

The film addresses the prominent place that bureaucracy, and verbal negotiation and struggle, occupy in everyday life in China. Many scenes pit Wei against authority figures such as the village mayor, the announcer in the train station, and the TV station receptionist who also acts as a "gatekeeper".

823:

argues that Zhang Yimou used the documentary perspective in order to suggest that the story is an accurate reflection of most rural areas in China, while Shelly Kraicer believes that his "simultaneous presentation of seemingly opposing messages" is a powerful artistic method in of itself, and that it

397:

enacted a law calling for nine years of compulsory education. By 1993, it was clear that much of the country was making little progress on implementing nine-year compulsory education, so the 1993–2000 seven-year plan focused on this goal. One of the major challenges educators faced was the large

881:

Money is important throughout the film. Concerns about money dominate much of the film—for example, a large portion is devoted to Wei and her students' attempt to earn enough money for bus tickets—as well as motivating them. Most major characters, including Wei, demand payment for their actions, and

787:

was one of the first to focus on contemporary China. The film's main theme involves the difficulties faced in providing rural education in China. When Wei Minzhi arrives in Shuiquan village, the teacher Gao has not been paid in six months and the school building is in disrepair, and chalk is in such

766:

and "missing person" posters, so she goes to the local television station to broadcast a missing person notice. The receptionist (Feng Yuying) will not let her in without valid identification, though, and says the only way she can enter is with permission from the station manager, whom she describes

1146:

says she is "no brighter or more resourceful than ". Reactions to the city portion of the movie were also mixed: while Zhang describes the second half of the film as an eloquent commentary on China's urban-rural divide and Kevin Lally calls it "startling", Kemp criticizes it for being a predictable

770:

Although Wei has no money to run an ad on TV, the station manager is interested in her story and decides to feature Wei in a talk show special about rural education. On the talk show, Wei is nervous and hardly says a word when the host (Li Fanfan) addresses her, but Zhang—who has been wandering the

897:

Finally, the film illustrates the growing urban–rural divide in China. When Wei reaches Zhangjiakou, the film creates a clear contrast between urban and rural life, and the two locations are physically separated by a dark tunnel. The city is not portrayed as idyllic; rather, Zhang shows that rural

761:

In the city, Wei finds the people that Zhang was supposed to be working with, only to discover that they had lost him at the train station days before. She forces another girl her age, Sun Zhimei, to help her look for Zhang at the train station, but they do not find him. Wei has no success finding

696:

When Wei begins teaching, she has little rapport with the students: they shout and run around instead of copying their work, and the class troublemaker, Zhang Huike, insists that "she's not a teacher, she's Wei Chunzhi's big sister!" After putting the lesson on the board, Wei usually sits outside,

934:

I cannot accept that when it comes to Chinese films, the West seems for a long time to have had just the one 'political' reading: if it's not "against the government" then it's "for the government". The naïveté and lack of perspective of using so simple a concept to judge a film is obvious. With

459:

Zhang had to work closely with government censors during production of the film. He related how the censors "kept reminding not to show China as too backward and too poor", and said that on the title cards at the end of the movie he had to write that the number of rural children dropping out of

1017:

wrote, "All that's missing is the address we should send donations to." Zhang Xiaoling, on the other hand, considered the titles to be an implicit criticism of the state of rural education in China, saying, "the news that voluntary contributions have helped 15 percent of the pupils to return to

671:

Thirteen-year-old Wei Minzhi arrives in Shuiquan village to substitute for the village's only teacher (Gao Enman) while he takes a month's leave to care for his ill mother. When Gao discovers that Wei does not have a high school education and has no special talents, he instructs her to teach by

428:

s Steven Rea described the performances, the actors are just "people playing variations of themselves in front of the camera". For instance, Tian Zhenda, who played the mayor, was the real-life mayor of a small village, and the primary actors Wei Minzhi and Zhang Huike were selected from among

1069:

recognized the dispute abroad over whether the film was pro- or anti-government, but made no comment; they praised the film for its realistic portrayal of hardships facing rural people, without speculating about whether Zhang intended to criticize or praise the government's handling of those

806:

Because the people and locations used in the film are real but are carefully selected and edited, the film creates a "friction" between documentary reality and narrative fiction. This balancing act between the real and the imaginary has drawn comparisons to neorealist works such as those of

863:, reflects its prominent place in Chinese society of the late 1990s, when domestic cinema was floundering but television was developing quickly; Pang argues that television-watching forms a "collective consciousness" for Chinese citizens, and that the way television unifies people in 364:. Internationally, the film was generally well-received, but it also attracted criticism for its ostensibly political message; foreign critics are divided on whether the film should be read as praising or criticizing the Chinese government. When the film was excluded from the 959:

was selected for the 1999 Cannes Film Festival's Official Selection, the most prestigious competition in the festival, where several of Zhang's earlier films had won awards. The rationale is uncertain; Shelly Kraicer and Zhang Xiaoling claim that Cannes officials viewed the

792: 1194:

government than by individuals. The film was more popular than most government-promoted films touting the party line and Lu claims that it had "tremendous social support", but Pang points out that its success was "not purely egalitarian, but partly constructed."

981:, Zhang accused the festival of being motivated by other than artistic concerns, and criticized the Western perception that all Chinese films must be either "pro-government" or "anti-government", referring to it as a "discrimination against Chinese films". 859:" with the power to "manipulate social behavior", catching people's attention where paper advertisements could not and moving cityfolk to donate money to a country school. The power of television within the film's story, according to Laikwan Pang of the 681:

Wei Minzhi, you look after the students. More than ten have already left. I don't want to lose any more. The mayor promised fifty yuan; he'll make sure you get it. If all the students are here when I get back—not one less—you'll get an extra ten yuan.

710: 1107:

praised the "richness" displayed by the film despite its deliberate scarcity of color. Reviewers also pointed out that Zhang had succeeded in breaking away from the "commercial entertainment wave" of popular film. Noel Vera of

398:

number of rural schoolchildren dropping out to pursue work. Another issue was a large urban–rural divide: funding and teacher quality were far better in urban schools than rural, and urban students stayed in school longer.

882:

it is left unclear whether Wei's search for Zhang Huike is motivated by altruism or by the promise of a 10-yuan bonus. Zhu Ying points out the prominence of money in the film creates a conflict between traditional

854:

portrays the mass media as a locus of power: Wei discovers that only someone with money or connections can gain access to a television station, but once someone is on camera she or he becomes part of an "invisible

368:'s competition section, Zhang withdrew it and another film from the festival, and published a letter rebuking Cannes for politicization of and "discrimination" against Chinese cinema. The film went on to win the 341:. Called in to substitute for a village teacher for one month, Wei is told not to lose any students. When one of the boys takes off in search of work in the big city, she goes looking for him. The film addresses 1155:

Rights to distribute the film were purchased by the China Film Group Corporation, a state-sponsored organization, and the government actively promoted the film. It was officially released in mainland China in

2634:(3 November 1999). "Un Lion d'or à l'ombre des grandes puissances; Pas un de moins. Zhang Yimou se soumet à des compromis sans abdiquer entièrement son talent ("A Golden Lion in the shadow of great powers; 2195:(3 November 1999). "Un Lion d'or à l'ombre des grandes puissances; Pas un de moins. Zhang Yimou se soumet à des compromis sans abdiquer entièrement son talent ("A Golden Lion in the shadow of great powers; 2034:(3 November 1999). "Un Lion d'or à l'ombre des grandes puissances; Pas un de moins. Zhang Yimou se soumet à des compromis sans abdiquer entièrement son talent ("A Golden Lion in the shadow of great powers; 975:-government. Rather than have his films shown in a less competitive portion of the festival, Zhang withdrew them both in protest, stating that the movies were apolitical. In an open letter published in the 388:

In the 1990s, primary education reform had become one of the top priorities in the People's Republic of China. About 160 million Chinese people had missed all or part of their education because of the

1133:." Another well-received part of the film was the segment in which Wei teaches math by creating practical examples out of her attempt to raise money for the bus to Zhangjiakou; in the Chinese journal 967:

happy ending, with the main characters' conflicts resolved by the generosity of city dwellers and higher-up officials, as pro-China propaganda, while Zhu Ying claims that the officials saw it and

1164:

18 million, an average amount, in its first three months of showing; by the end of its run in November, it sold ¥40 million at the box office. (In comparison, Zhang's 2002 film

353:

style with a troupe of non-professional actors who play characters with the same names and occupations as the actors have in real life, blurring the boundaries between drama and reality.

3178: 452:" style involving hidden cameras and natural lighting. There are also, however, elements of heavy editing—for example, Shelly Kraicer noted that many scenes have frequent, rapid 1208:

issued a notice forbidding unauthorized production or distribution of the film. This was the first time China had enacted special copyright protections for a domestic film. On

1065:

each pointed out that, while the film is "deceptive" positive at face value, it has harsh criticism "bubbling under the surface". Chinese critics Liu Xinyi and Xu Su of

1140:

Wei Minzhi's character received mixed reactions: Scott described her as a "heroic" character who demonstrates how obstinacy can be a virtue, whereas Richard Corliss of

2232: 1205: 1114:

writes that the film concerns itself mainly with emotional impact, at the expense of visual extravagance, making it the opposite of earlier Zhang Yimou films such as

700:

One day, after trying to make the troublemaker Zhang apologize for bothering another student, Wei discovers that Zhang has left to go find work in the nearby city of

1097:

praised the scene of Wei's interview on TV as "one of the most improbably satisfying love scenes on film". The film also received praise for its artistic merits and

2157: 1174:

was the highest-grossing domestic film of 1999, and Laikwan Pang has called it a "box office success". In the United States, the film was released in theaters on

1224:

VCDs", and two days later the Culture Office and movie company joined forces to conduct raids on ten audio-video stores, seizing pirated discs from six of them.

429:

thousands of students in rural schools. (The names and occupations of the film's main actors are listed in the table below.) The movie was filmed on location at

1074:, on the other hand, was more critical, claiming that the movie was organized around a political message and was intended to be pro-government. Hao said that 2115: 342: 2740: 1120:. Other critics noted the strength of the film's storytelling; for instance, Rainer called the film an "uncommon, and uncommonly moving, love story", and 1992: 345:, the economic gap between urban and rural populations, and the prevalence of bureaucracy and authority figures in everyday life. It is filmed in a 4396: 2984: 1797: 1217: 186: 848:

is also filmed in a neo-realistic style, set partially in contemporary rural China and partially in the city, and employs mostly amateur actors.

2956: 4177: 419:). For this film, he cast only amateur actors whose real-life names and occupations resembled those of characters they played in the film—as 3519: 3311:

Mao, Wen (毛文) (2003). "我们的课堂还缺少点什么? --从影片《一个都不能少》谈起" [Are our classrooms still missing a little something? Insight from the film

886:

values (such as the implication that the solutions to Wei's problems can be found through the help of authority figures) and modern,

1432: 4526: 4511: 2167: 4161: 3870: 3829: 3551: 3430: 3389: 3278: 3236: 3190: 3145: 3121: 1004:

assigned the film a weighted average score of 73 out of 100, based on 22 critics, indicating "generaly favourable reviews".

2242: 1922: 1677: 1078:

marked the beginning of Zhang's transformation from an outspoken independent director to one of the government's favorites.

4070: 1101:'s cinematography, even though its visuals were simplistic compared to Zhang's previous films; for example, A.O. Scott of 4531: 3687: 2575: 4546: 1183: 935:

respect to the works of directors from America, France and Italy for example, I doubt you have the same point of view.

327: 3366: 3301: 824:

allows Zhang to circumvent censors by guaranteeing that the movie will include at least one message that they like.

4460: 1248:, mainland China's most prestigious award ceremony, and the film was voted one of the top three of the year in the 834:

maintains that the film was produced "in the shadow of two superpowers" and needed to make compromises with each.

745: 3073: 2125: 860: 4536: 3822: 3723: 45: 1137:, Mao Wen wrote that teachers should learn from Wei's example and provide students with practical exercises. 394: 334: 61: 4541: 4521: 3950: 315: 3420: 3268: 3226: 3135: 4516: 4217: 3168:

Hao, Jian (郝建) (2004). "唯漂亮主义—关于国家新形象的塑造" [Aesthecism—On the shaping of the new national image].

2750: 1008: 287: 2530: 4113: 3998: 3695: 3402:

Zhang, Xiaoling (2001). "A film director's criticism of reform China: a close reading of Zhang Yimou's

2162: 1971: 1122: 1098: 140: 4506: 4089: 3990: 3863: 3835: 3655: 3544: 1709: 1160:, although there were showings as early as mid-February. Sheldon H. Lu reports that the film grossed 955: 421: 365: 819:, and Zhang has openly acknowledged the influence of Kiarostami in this film. Zhang Xiaoling of the 4348: 2858: 820: 1178:

2000, and grossed $ 50,256 in its first weekend and $ 592,586 overall; The release was handled by

360:

was accompanied by a Chinese government campaign aimed at promoting the film and cracking down on

4129: 3739: 3679: 3663: 1549: 460:

school each year was one million, although he believed the number was actually three times that.

4332: 4308: 4273: 4241: 4006: 3902: 3703: 3524: 3077: 1468: 1343: 1249: 1179: 1129:

s Kevin Lally described it as "a poignant story of poverty and spirit reminiscent of the great

361: 338: 323: 3631: 4300: 4153: 4054: 3894: 3747: 3715: 3599: 3288:

Lu, Sheldon H (2005). "Chinese film culture at the end of the twentieth century: the case of

2621:. "从《一个都不能少》开始，张艺谋开始按照政治上的主导意识来安排自己影片中人物的动机发展和行动的走向与结局。该片剧作的转折点力量（爱民的电视台台长）的编排具有中国语境内的政治保险性。" 1325: 763: 377: 4145: 4137: 4105: 4062: 3982: 3856: 3537: 1450: 1275: 1245: 1241: 1045: 369: 337:

during the 1990s, the film centers on a 13-year-old substitute teacher, Wei Minzhi, in the

210: 8: 4501: 4209: 4193: 4030: 4022: 3615: 3607: 3328:

Pang, Laikwan (2004). "Piracy/Privacy: The Despair of Cinema and Collectivity in China".

2667: 2580: 2472:"张艺谋郑重声明退出戛纳电影节 (Zhang Yimou solemnly declares his withdrawal from Cannes Film Festival)" 1487: 1130: 1020: 977: 840: 390: 4476: 4468: 4420: 4412: 4324: 4257: 4121: 4097: 4046: 3910: 3779: 3755: 3731: 3575: 3345: 3110: 2684: 2631: 2192: 2120: 2031: 1802: 1682: 1116: 1103: 1082: 905: 825: 2829: 2333: 1768: 4436: 4372: 4169: 4038: 3763: 3483: 3426: 3385: 3378: 3362: 3349: 3297: 3274: 3232: 3186: 3141: 3117: 3057: 2237: 1093: 993: 816: 409:

was Zhang Yimou's ninth film, but only the second not to star long-time collaborator

171: 4452: 4428: 4404: 4364: 3848: 3671: 3639: 3337: 2559: 1166: 1013: 910: 812: 799: 453: 449: 445: 415: 350: 346: 3183:

Human development in the era of globalization: essays in honor of Keith B. Griffin

2471: 4292: 4225: 3942: 3926: 3795: 3583: 3505: 2834: 2745: 2711:

Vera, Noel (5 November 1999). "One of the finest films to come out in the '90s".

2662: 2508: 2503: 1997: 1932: 1927: 1142: 1081:

Overall, critics were impressed with the performances of the amateur actors, and

1041: 1029: 997: 915: 780: 430: 4380: 3499: 3201: 2638:. Zhang Yimou submits to compromises without entirely abdicating his talent")". 2199:. Zhang Yimou submits to compromises without entirely abdicating his talent")". 2038:. Zhang Yimou submits to compromises without entirely abdicating his talent")". 4356: 3787: 3623: 856: 515: 319: 295: 112: 3341: 3250:[A real portrayal of rural education—Commentary and analysis of the movie 3030: 4495: 4340: 4185: 3771: 2713: 2046:... ce nouveau film a été réalisé dans l'ombre portée de deux superpuissances 1204:

release, DVD and VCD piracy was a growing concern in mainland China, and the

1110: 1037: 891: 3074:"2000年第五屆金紫荊獎得獎名單 (List of winners at the 5th Golden Bauhinia Awards, 2000)" 4233: 4014: 3974: 3918: 3510: 3455: 883: 673: 376:

and several other awards, and Zhang won the award for best director at the

81: 1007:

Many focused on the film's ending title cards: several compared them to a

791: 3879: 3560: 3488: 3469: 2228: 1283: 1237: 874: 750: 701: 434: 373: 291: 275: 102: 3477: 3179:"The Rural-Urban Divide and the Evolution of Political Economy in China" 3137:

Women through the lens: gender and nation in a century of Chinese cinema

1707:

Rea, Steven (24 March 2000). "In a Chinese village, the teacher is 13".

870: 798:

has thematic and stylistic similarities to the work of Iranian director

4316: 4201: 3803: 3081: 2604: 2535: 1061: 1001: 909:

compared the "unbearable" despair of the film's second half to that of

887: 4444: 4388: 3966: 3422:

Chinese cinema during the era of reform: the ingenuity of the system

2682:

Kennedy, Janice (16 July 2000). "Zhang Yimou delivers another gem".

270: 3934: 3494: 2920: 2912: 2640: 2475: 2338: 2201: 2040: 1772: 1161: 1087: 1055: 830: 3376:

Wu, Cynthia (2001). "Not One Less". In Frances K. Gateward (ed.).

464:

was Zhang's first film to enjoy government support and resources.

4249: 2988: 2960: 1049: 754: 410: 844:, whose heroine is also a determined, stubborn woman; likewise, 3591: 1220:

issued an "Urgent Notice for Immediate Confiscation of Pirated

1170:

would earn ¥270 million three years later.) Nevertheless,

899: 3529: 3292:

by Zhang Yimou". In Sheldon H. Lu; Emilie Yueh-Yu Yeh (eds.).

3267:

Lu, Sheldon H. (2002). "Zhang Yimou". In Yvonne Tasker (ed.).

3155:

Da, Lan (2000). "After Zhang Yimou's withdrawal from Cannes".

903:

he will never forget is having to beg for food. A.O. Scott of

456:, partially as a result of filming with inexperienced actors. 3958: 2602:

Paatsch, Leigh (19 February 2000). "China's new class wars".

1252:. Awards the film won or was nominated for are listed below. 1213: 438: 1505:

Best Performance in an International Film (Young Performer)

3035: 808: 676:

bonus if all the students are still there when he returns.

314:). It was produced by Guangxi Film Studio and released by 3225:

Kwok, Juanita; McKnight, Lucinda (2002). "Not One Less".

1969:

Tsang, Susan (3 December 1999). "Life's little lessons".

1091:

called that the film's greatest success. Peter Rainer of

3294:

Chinese-Language Film: Historiography, Poetics, Politics

2469:

The original Chinese text of the letter is available at

1491: 1406: 1364: 1279: 3112:

In search of cinema: writings on international film art

1000:, based on 47 reviews, and an average rating of 7.6/10. 3878: 3445: 2934: 2856:Liu, Joey (22 January 2006). "Redeeming features". 1244:. Zhang also received a best director award at the 1027:s Desson Howe called the ending "flag-waving", and 393:in the late 1960s and early 1970s, and in 1986 the 3377: 3109: 2073: 2071: 2979: 2977: 1798:"Women of China, Chasing Their Impossible Dreams" 4493: 4397:A Pigeon Sat on a Branch Reflecting on Existence 3058:"The Winner of 5th Golden Bauhinia Awards, 2000" 2951: 2949: 1822: 1820: 1769:"一个都不能少剧组成员 ("Not One Less" cast/crew members)" 877:, where the "urban" half of the film takes place 187:Columbia TriStar Film Distributors International 3228:Film Asia: new perspectives on film for English 2907: 2905: 2557:Porter, Edward (25 June 2000). "Not One Less". 2068: 1791: 1789: 433:'s Shuiquan Primary School, and in the city of 3359:Contemporary Chinese Politics: an introduction 3181:. In Keith B. Griffin; James K. Boyce (eds.). 3025: 2974: 2151: 2149: 2147: 2145: 2143: 1986: 1984: 1982: 1868: 1866: 1598: 3864: 3545: 3176: 3023: 3021: 3019: 3017: 3015: 3013: 3011: 3009: 3007: 3005: 2946: 2822: 2800: 2798: 2624: 2550: 2392: 2390: 2327: 2325: 2323: 2024: 1860:. "也是从那部影片开始，张艺谋将自己的创造能力与政府资本和主导媒体的宣传资源结合起来。" 1817: 1751: 1749: 1671: 1669: 1667: 1665: 1663: 1661: 1652: 1557:Golden Deer: Outstanding Film in Rural Theme 67: 51: 3224: 2902: 2421: 2419: 2417: 2109: 2107: 2105: 2103: 2101: 2077: 2058: 2056: 2054: 1964: 1962: 1841: 1839: 1837: 1835: 1786: 1604: 536:helps Wei search for Zhang Huike in the city 2438: 2436: 2434: 2377: 2375: 2373: 2360: 2358: 2356: 2293: 2269: 2140: 2088: 2086: 1979: 1947: 1863: 1724: 1722: 1720: 779:While most of Zhang's early films had been 3871: 3857: 3552: 3538: 3177:Knight, John; Shi, Li; Song, Lina (2006). 3002: 2810: 2795: 2785: 2783: 2770: 2768: 2523: 2387: 2320: 2209: 2187: 2185: 1746: 1658: 1588: 1586: 1584: 29: 2849: 2656: 2654: 2612: 2453: 2451: 2414: 2310: 2308: 2116:"A Substitute Teacher Is Put to the Test" 2098: 2051: 1993:"Kids these days really known how to act" 1959: 1851: 1832: 1675: 1486: 1403: 1361: 1274: 1150: 616:deputy manager of a broadcasting station 3246:Liu, Xingyi (刘行一); Xu, Su (许苏) (2007). 3107: 3050: 2704: 2660: 2595: 2431: 2370: 2353: 2299: 2281: 2257: 2083: 2012: 1893: 1883: 1881: 1872: 1717: 1702: 1700: 869: 790: 269: 4178:Rosencrantz & Guildenstern Are Dead 3199: 3060:. Chinese Movie Database. 19 March 2000 2890: 2780: 2765: 2681: 2601: 2489:An English translation is available in 2425: 2182: 2062: 1953: 1916: 1914: 1912: 1910: 1908: 1845: 1728: 1581: 1531:Isfahan International Festival of Films 1232:Although it was withdrawn from Cannes, 4494: 2721: 2692: 2675: 2651: 2630: 2556: 2448: 2305: 2191: 2030: 1634: 1622: 1610: 401: 172:Columbia Pictures Film Production Asia 3852: 3830:2008 Summer Olympics opening ceremony 3533: 3401: 3245: 2940: 2442: 2381: 2364: 2331: 2227: 2221: 2113: 2092: 2018: 1990: 1968: 1899: 1878: 1826: 1795: 1734: 1697: 1676:Feinstein, Howard (6 February 2000). 1592: 1433:São Paulo International Film Festival 627:announcer for a broadcasting station 583:mayor of a village in Yanqing county 4071:Artists Under the Big Top: Perplexed 3356: 3327: 2896: 2789: 2774: 2733: 2710: 2573: 2402: 2275: 1920: 1905: 1640: 1628: 1616: 1521:Best Foreign Language Film Director 984: 927: 3688:Riding Alone for Thousands of Miles 3418: 3384:. University Press of Mississippi. 3310: 3167: 3133: 3031:"Awards for Yi ge dou bu neng shao" 2855: 2727: 2698: 2618: 2490: 2457: 2314: 2287: 2263: 1857: 1706: 1190:was Columbia's first Chinese film. 717: 13: 3375: 3287: 3266: 3157:Chinese Sociology and Anthropology 3154: 2884: 2872: 2816: 2804: 2646:... la plus belle réussite du film 2567: 2408: 2396: 2215: 1887: 1740: 528:village teacher in Yanqing county 500:class troublemaker, school dropout 328:Columbia TriStar Film Distributors 14: 4558: 3441: 2957:"The Golden Rooster Award (1999)" 2155: 1182:, and home video distribution by 992:has an approval rating of 96% on 4461:All the Beauty and the Bloodshed 3880:Venice Film Festival Golden Lion 3462: 3448: 2114:Scott, A.O. (18 February 2000). 1533:for Children & Young Adults 730: 716: 709: 3559: 3080:. 4 August 2005. Archived from 2985:"Hundred Flowers Awards (1999)" 2878: 2866: 2496: 2463: 1991:Adair, Gilbert (26 June 2000). 1761: 861:Chinese University of Hong Kong 731: 649:TV station head of programming 4162:The Legend of the Holy Drinker 3823:Turandot at the Forbidden City 3425:. Greenwood Publishing Group. 3140:. University of Hawaii Press. 2574:Howe, Desson (17 March 2009). 1646: 1388:Beijing Student Film Festival 940:—Zhang Yimou (20 April 1999). 366:1999 Cannes Film Festival 308: 68: 52: 1: 4527:1990s Mandarin-language films 4512:Films directed by Zhang Yimou 3515:at the Chinese Movie Database 3270:Fifty contemporary filmmakers 2943:. "这是我国第一次对国产影片的版权实行如此正式的保护。" 2332:Ansen, David (6 March 2000). 1678:"Losing a Muse and Moving On" 1569: 1440:Audience Award: Best Feature 1362:Shanghai Film Critics Awards 383: 1921:Kemp, Philip (August 2000). 1574: 1553: 1535: 1517: 1472: 1454: 1436: 1390: 1347: 1329: 953:nor Zhang's other 1999 film 922: 867:is an illustration of this. 316:China Film Group Corporation 7: 1796:Scott, A.O. (27 May 2001). 1653:Knight, Shi & Song 2006 1458:Screen International Award 1009:public service announcement 10: 4563: 4532:Films about social realism 3696:Curse of the Golden Flower 3231:. Curriculum Corporation. 3100: 2163:Film Journal International 1410:Outstanding Film Director 1404:China Obelisk Film Awards 1123:Film Journal International 444:The movie was filmed in a 395:National People's Congress 335:People's Republic of China 227:18 February 2000 201:7 September 1999 4547:Films shot in Zhangjiakou 4284: 4081: 3886: 3814: 3567: 3342:10.1215/01903659-31-3-101 3170:《电影欣赏》(Film Appreciation) 2875:, pp. 126–7, 129–31. 1710:The Philadelphia Inquirer 1421:Outstanding Feature Film 1416:with two other directors 1227: 1059:and Leigh Paatsch of the 774: 638:stationery store manager 591:Zhang Huike's sick mother 422:The Philadelphia Inquirer 343:education reform in China 310:tiān shàng yǒu ge tàiyáng 303: 260: 252: 242: 216:14 January 2000 192: 182: 162: 154: 146: 136: 126: 118: 108: 98: 94: 90: 80: 76: 60: 44: 40: 28: 23: 3317:《师道》 (Teacher Doctrines) 3247: 3200:Kraicer, Shelly (2001). 3116:. McGill-Queen's Press. 2859:South China Morning Post 2078:Kwok & McKnight 2002 1605:Kwok & McKnight 2002 1495:Best International Film 1260: 821:University of Nottingham 437:; both locations are in 413:(the first was his 1997 356:The domestic release of 46:Traditional Chinese 16:1999 film by Zhang Yimou 4130:A Year of the Quiet Sun 3724:Under the Hawthorn Tree 3680:House of Flying Daggers 3380:Zhang Yimou: interviews 3357:Wang, James CF (2002). 3108:Cardullo, Bert (2004). 1550:Changchun Film Festival 1240:, the top award at the 1070:hardships. Hao Jian of 666: 624:train station announcer 547:TV station receptionist 503:primary school student 467: 62:Simplified Chinese 4007:Last Year at Marienbad 3704:To Each His Own Cinema 3525:Sony Pictures Classics 3248:农村教育的现实描摹—电影《一个都不能少》评析 3078:Golden Bauhinia Awards 1563:with four other films 1482:with nine other films 1469:Golden Bauhinia Awards 1427:with nine other films 1394:Jury Award: Best Film 1344:Hundred Flowers Awards 1305:Sergio Trasatti award 1295:Lanterna Magica award 1250:Hundred Flowers Awards 1206:China Copyright Office 1180:Sony Pictures Classics 1151:Box office and release 937: 878: 803: 684: 635:stationery store clerk 539:middle school student 514:mayor of a village in 492:middle school student 324:Sony Pictures Classics 278: 4537:Films about educators 4301:The Magdalene Sisters 4154:Au revoir les enfants 4055:The Battle of Algiers 3716:A Simple Noodle Story 3600:Raise the Red Lantern 2233:"The Story of Qiu Ju" 1476:Top 10 Chinese films 1357:with two other films 1326:Golden Rooster Awards 1011:, and Philip Kemp of 932: 873: 794: 764:public address system 679: 481:Real-life occupation 378:Golden Rooster Awards 326:in North America and 322:, and distributed by 273: 4106:Marianne and Juliane 3983:General Della Rovere 3256:《电影评介》(Movie Review) 3134:Cui, Shuqin (2003). 2245:on 28 September 2012 1515:Kinema Junpo Awards 1451:European Film Awards 1276:Venice Film Festival 1242:Venice Film Festival 1147:"Victorian cliché". 1131:Italian neo-realists 1046:Venice Film Festival 1040:called it "sugary". 746:class=notpageimage| 370:Venice Film Festival 290:by Chinese director 235: (United States) 86:Yīgè dōu bùnéng shǎo 4542:Chinese drama films 4522:Golden Lion winners 4210:Three Colours: Blue 4194:The Story of Qiu Ju 4114:The State of Things 4031:Hands over the City 3999:Tomorrow Is My Turn 3632:Lumière and Company 3608:The Story of Qiu Ju 3172:(in Chinese) (121). 2632:Frodon, Jean-Michel 2581:The Washington Post 2193:Frodon, Jean-Michel 2032:Frodon, Jean-Michel 1488:Young Artist Awards 1236:went on to win the 1021:The Washington Post 978:Beijing Youth Daily 942:Beijing Youth Daily 841:The Story of Qiu Ju 660:restaurant manager 402:Production and cast 391:Cultural Revolution 339:Chinese countryside 177:Beijing New Picture 4517:Films set in Hebei 4477:The Room Next Door 4421:The Shape of Water 4413:The Woman Who Left 4325:Brokeback Mountain 4258:The Way We Laughed 4122:First Name: Carmen 3732:The Flowers of War 3419:Zhu, Ying (2003). 2685:The Ottawa Citizen 2278:, pp. 119–20. 2170:on 22 January 2013 2128:on 18 January 2012 2121:The New York Times 1803:The New York Times 1683:The New York Times 1104:The New York Times 1083:Jean-Michel Frodon 906:The New York Times 879: 826:Jean-Michel Frodon 804: 762:Zhang through the 613:TV station manager 602:man in bus station 572:sports instructor 279: 4487: 4486: 4170:A City of Sadness 3846: 3845: 3432:978-0-275-97959-1 3408:China Information 3391:978-1-57806-262-1 3280:978-0-415-18974-3 3238:978-1-86366-543-8 3192:978-1-84542-593-7 3147:978-0-8248-2532-4 3123:978-0-7735-2707-2 2941:Liu & Xu 2007 2290:, pp. 123–4. 2266:, pp. 124–5. 2238:Chicago Sun-Times 1935:on 2 October 2008 1827:Liu & Xu 2007 1567: 1566: 1539:Golden Butterfly 1135:Teacher Doctrines 1094:New York Magazine 1072:Film Appreciation 1014:Sight & Sound 994:review aggregator 985:Critical response 928:Cannes withdrawal 817:Mohsen Makhmalbaf 664: 663: 330:internationally. 268: 267: 4554: 4507:1999 drama films 4023:Ivan's Childhood 3951:Romeo and Juliet 3873: 3866: 3859: 3850: 3849: 3635:(segment) (1995) 3554: 3547: 3540: 3531: 3530: 3472: 3467: 3466: 3465: 3458: 3453: 3452: 3451: 3436: 3415: 3398: 3383: 3372: 3361:(7th ed.). 3353: 3324: 3307: 3284: 3263: 3242: 3221: 3219: 3217: 3196: 3173: 3164: 3151: 3130: 3115: 3094: 3093: 3091: 3089: 3084:on 19 March 2008 3069: 3067: 3065: 3054: 3048: 3047: 3045: 3043: 3027: 3000: 2999: 2997: 2995: 2981: 2972: 2971: 2969: 2967: 2953: 2944: 2938: 2932: 2931: 2929: 2927: 2909: 2900: 2894: 2888: 2882: 2876: 2870: 2864: 2863: 2853: 2847: 2846: 2844: 2842: 2826: 2820: 2814: 2808: 2802: 2793: 2787: 2778: 2772: 2763: 2762: 2760: 2758: 2749:. Archived from 2737: 2731: 2725: 2719: 2718: 2708: 2702: 2696: 2690: 2689: 2679: 2673: 2672: 2658: 2649: 2648: 2628: 2622: 2616: 2610: 2609: 2599: 2593: 2592: 2590: 2588: 2571: 2565: 2564: 2560:The Sunday Times 2554: 2548: 2547: 2545: 2543: 2527: 2521: 2520: 2518: 2516: 2500: 2494: 2487: 2485: 2483: 2467: 2461: 2455: 2446: 2440: 2429: 2423: 2412: 2406: 2400: 2394: 2385: 2379: 2368: 2362: 2351: 2350: 2348: 2346: 2329: 2318: 2312: 2303: 2297: 2291: 2285: 2279: 2273: 2267: 2261: 2255: 2254: 2252: 2250: 2241:. Archived from 2225: 2219: 2213: 2207: 2206: 2189: 2180: 2179: 2177: 2175: 2166:. Archived from 2153: 2138: 2137: 2135: 2133: 2124:. Archived from 2111: 2096: 2090: 2081: 2075: 2066: 2060: 2049: 2048: 2028: 2022: 2016: 2010: 2009: 2007: 2005: 1988: 1977: 1976: 1966: 1957: 1956:, pp. 85–6. 1951: 1945: 1944: 1942: 1940: 1931:. Archived from 1918: 1903: 1897: 1891: 1885: 1876: 1870: 1861: 1855: 1849: 1843: 1830: 1824: 1815: 1814: 1812: 1810: 1793: 1784: 1783: 1781: 1779: 1765: 1759: 1753: 1744: 1738: 1732: 1726: 1715: 1714: 1704: 1695: 1694: 1692: 1690: 1673: 1656: 1650: 1644: 1638: 1632: 1626: 1620: 1614: 1608: 1602: 1596: 1590: 1255: 1254: 1211: 1203: 1184:Columbia TriStar 1177: 1159: 1128: 1035: 1026: 966: 945: 911:Vittorio De Sica 813:Abbas Kiarostami 800:Abbas Kiarostami 781:historical epics 734: 733: 720: 719: 713: 692: 657:restaurant owner 646:TV show director 569:sports recruiter 472: 471: 427: 312: 305: 300:A Sun in the Sky 234: 232: 223: 221: 208: 206: 72: 71: 70: 56: 55: 54: 33: 21: 20: 4562: 4561: 4557: 4556: 4555: 4553: 4552: 4551: 4492: 4491: 4488: 4483: 4293:Monsoon Wedding 4280: 4242:Michael Collins 4218:Before the Rain 4077: 3943:Forbidden Games 3927:Justice Is Done 3882: 3877: 3847: 3842: 3810: 3796:Under the Light 3584:Codename Cougar 3563: 3558: 3506:Rotten Tomatoes 3468: 3463: 3461: 3454: 3449: 3447: 3444: 3439: 3433: 3392: 3369: 3304: 3281: 3249: 3239: 3215: 3213: 3193: 3148: 3124: 3103: 3098: 3097: 3087: 3085: 3072: 3070: 3063: 3061: 3056: 3055: 3051: 3041: 3039: 3029: 3028: 3003: 2993: 2991: 2983: 2982: 2975: 2965: 2963: 2955: 2954: 2947: 2939: 2935: 2925: 2923: 2911: 2910: 2903: 2895: 2891: 2883: 2879: 2871: 2867: 2854: 2850: 2840: 2838: 2835:Box Office Mojo 2828: 2827: 2823: 2815: 2811: 2803: 2796: 2788: 2781: 2773: 2766: 2756: 2754: 2739: 2738: 2734: 2726: 2722: 2709: 2705: 2697: 2693: 2680: 2676: 2659: 2652: 2629: 2625: 2617: 2613: 2600: 2596: 2586: 2584: 2572: 2568: 2555: 2551: 2541: 2539: 2529: 2528: 2524: 2514: 2512: 2509:Rotten Tomatoes 2502: 2501: 2497: 2493:, p. 140). 2488: 2481: 2479: 2478:. 20 April 1999 2470: 2468: 2464: 2456: 2449: 2441: 2432: 2424: 2415: 2407: 2403: 2395: 2388: 2380: 2371: 2363: 2354: 2344: 2342: 2330: 2321: 2313: 2306: 2298: 2294: 2286: 2282: 2274: 2270: 2262: 2258: 2248: 2246: 2231:(28 May 1993). 2226: 2222: 2214: 2210: 2190: 2183: 2173: 2171: 2154: 2141: 2131: 2129: 2112: 2099: 2091: 2084: 2076: 2069: 2061: 2052: 2029: 2025: 2017: 2013: 2003: 2001: 1998:The Independent 1989: 1980: 1967: 1960: 1952: 1948: 1938: 1936: 1928:Sight and Sound 1919: 1906: 1898: 1894: 1886: 1879: 1871: 1864: 1856: 1852: 1844: 1833: 1825: 1818: 1808: 1806: 1794: 1787: 1777: 1775: 1767: 1766: 1762: 1754: 1747: 1739: 1735: 1727: 1718: 1705: 1698: 1688: 1686: 1674: 1659: 1651: 1647: 1639: 1635: 1627: 1623: 1615: 1611: 1603: 1599: 1591: 1582: 1577: 1572: 1532: 1230: 1209: 1201: 1197:At the time of 1175: 1157: 1153: 1126: 1042:Alberto Barbera 1033: 1030:The Independent 1024: 998:Rotten Tomatoes 987: 964: 947: 939: 930: 925: 916:Bicycle Thieves 892:individualistic 777: 759: 758: 757: 748: 742: 741: 740: 739: 735: 727: 726: 725: 721: 694: 686: 669: 580:brickyard owner 470: 431:Chicheng County 425: 404: 386: 294:, adapted from 245: 238: 230: 228: 219: 217: 204: 202: 195: 178: 176: 174: 167: 165: 131: 66: 50: 36: 17: 12: 11: 5: 4560: 4550: 4549: 4544: 4539: 4534: 4529: 4524: 4519: 4514: 4509: 4504: 4485: 4484: 4482: 4481: 4473: 4465: 4457: 4449: 4441: 4433: 4425: 4417: 4409: 4401: 4393: 4385: 4377: 4369: 4361: 4353: 4345: 4337: 4329: 4321: 4313: 4305: 4297: 4288: 4286: 4282: 4281: 4279: 4278: 4270: 4262: 4254: 4246: 4238: 4230: 4222: 4214: 4206: 4198: 4190: 4182: 4174: 4166: 4158: 4150: 4142: 4134: 4126: 4118: 4110: 4102: 4094: 4085: 4083: 4079: 4078: 4076: 4075: 4067: 4059: 4051: 4043: 4035: 4027: 4019: 4011: 4003: 3995: 3987: 3979: 3971: 3963: 3955: 3947: 3939: 3931: 3923: 3915: 3907: 3899: 3895:The Southerner 3890: 3888: 3884: 3883: 3876: 3875: 3868: 3861: 3853: 3844: 3843: 3841: 3840: 3832: 3827: 3818: 3816: 3812: 3811: 3809: 3808: 3800: 3792: 3788:Full River Red 3784: 3776: 3768: 3760: 3752: 3748:The Great Wall 3744: 3736: 3728: 3720: 3712: 3700: 3692: 3684: 3676: 3668: 3660: 3652: 3644: 3636: 3628: 3624:Shanghai Triad 3620: 3612: 3604: 3596: 3588: 3580: 3571: 3569: 3565: 3564: 3557: 3556: 3549: 3542: 3534: 3528: 3527: 3516: 3508: 3497: 3486: 3474: 3473: 3459: 3443: 3442:External links 3440: 3438: 3437: 3431: 3416: 3399: 3390: 3373: 3367: 3354: 3336:(3): 101–124. 3325: 3319:(in Chinese). 3308: 3302: 3285: 3279: 3264: 3258:(in Chinese). 3243: 3237: 3222: 3202:"Not One Less" 3197: 3191: 3185:. p. 46. 3174: 3165: 3152: 3146: 3131: 3122: 3104: 3102: 3099: 3096: 3095: 3076:(in Chinese). 3049: 3001: 2973: 2945: 2933: 2919:(in Chinese). 2917:news summary)" 2913:"一个都不能少新闻摘要 ( 2901: 2899:, p. 120. 2889: 2877: 2865: 2848: 2830:"Not One Less" 2821: 2819:, p. 132. 2809: 2807:, p. 129. 2794: 2792:, p. 118. 2779: 2777:, p. 119. 2764: 2753:on 24 May 2000 2741:"Not One Less" 2732: 2720: 2703: 2701:, p. 216. 2691: 2674: 2663:"Not One Less" 2661:Peter Rainer. 2650: 2623: 2611: 2594: 2576:"Not One Less" 2566: 2549: 2531:"Not One Less" 2522: 2504:"Not One Less" 2495: 2462: 2460:, p. 122. 2447: 2445:, p. 131. 2430: 2413: 2401: 2399:, p. 126. 2386: 2384:, p. 139. 2369: 2367:, p. 134. 2352: 2319: 2317:, p. 215. 2304: 2302:, p. 115. 2292: 2280: 2268: 2256: 2220: 2218:, p. 122. 2208: 2181: 2158:"Not One Less" 2156:Lally, Kevin. 2139: 2097: 2095:, p. 137. 2082: 2080:, p. 103. 2067: 2050: 2023: 2021:, p. 138. 2011: 1978: 1972:Business Times 1958: 1946: 1923:"Not One Less" 1904: 1902:, p. 133. 1892: 1890:, p. 414. 1877: 1875:, p. 114. 1862: 1850: 1831: 1816: 1785: 1771:(in Chinese). 1760: 1745: 1743:, p. 128. 1733: 1716: 1696: 1657: 1645: 1643:, p. 346. 1633: 1631:, p. 340. 1621: 1619:, p. 344. 1609: 1607:, p. 102. 1597: 1595:, p. 136. 1579: 1578: 1576: 1573: 1571: 1568: 1565: 1564: 1561: 1558: 1555: 1552: 1546: 1545: 1543: 1540: 1537: 1534: 1528: 1527: 1525: 1522: 1519: 1516: 1512: 1511: 1509: 1506: 1502: 1501: 1499: 1496: 1493: 1490: 1484: 1483: 1480: 1477: 1474: 1471: 1465: 1464: 1462: 1459: 1456: 1453: 1447: 1446: 1444: 1441: 1438: 1435: 1429: 1428: 1425: 1422: 1418: 1417: 1414: 1411: 1408: 1405: 1401: 1400: 1398: 1395: 1392: 1389: 1385: 1384: 1382: 1379: 1378:Best Director 1375: 1374: 1372: 1369: 1368:Film of Merit 1366: 1363: 1359: 1358: 1355: 1352: 1349: 1346: 1340: 1339: 1337: 1334: 1333:Best Director 1331: 1328: 1322: 1321: 1319: 1316: 1312: 1311: 1309: 1306: 1302: 1301: 1299: 1296: 1292: 1291: 1289: 1286: 1281: 1278: 1272: 1271: 1268: 1265: 1262: 1259: 1246:Golden Rooster 1229: 1226: 1218:Culture Office 1152: 1149: 986: 983: 931: 929: 926: 924: 921: 857:media hegemony 776: 773: 753:, relative to 744: 743: 737: 736: 729: 728: 723: 722: 715: 714: 708: 707: 706: 687:—Teacher Gao, 678: 668: 665: 662: 661: 658: 655: 651: 650: 647: 644: 640: 639: 636: 633: 629: 628: 625: 622: 618: 617: 614: 611: 607: 606: 603: 600: 596: 595: 592: 589: 585: 584: 581: 578: 574: 573: 570: 567: 563: 562: 559: 556: 552: 551: 548: 545: 541: 540: 537: 534: 530: 529: 526: 523: 519: 518: 516:Yanqing county 512: 509: 505: 504: 501: 498: 494: 493: 490: 487: 483: 482: 479: 476: 469: 466: 403: 400: 385: 382: 320:mainland China 306:; pinyin: 302:(Chinese: 298:'s 1997 story 296:Shi Xiangsheng 266: 265: 262: 258: 257: 254: 250: 249: 246: 243: 240: 239: 237: 236: 225: 214: 198: 196: 193: 190: 189: 184: 183:Distributed by 180: 179: 170: 168: 163: 160: 159: 156: 152: 151: 148: 144: 143: 138: 137:Cinematography 134: 133: 128: 124: 123: 120: 116: 115: 113:Shi Xiangsheng 110: 106: 105: 100: 96: 95: 92: 91: 88: 87: 84: 78: 77: 74: 73: 64: 58: 57: 48: 42: 41: 38: 37: 34: 26: 25: 15: 9: 6: 4: 3: 2: 4559: 4548: 4545: 4543: 4540: 4538: 4535: 4533: 4530: 4528: 4525: 4523: 4520: 4518: 4515: 4513: 4510: 4508: 4505: 4503: 4500: 4499: 4497: 4490: 4479: 4478: 4474: 4471: 4470: 4466: 4463: 4462: 4458: 4455: 4454: 4450: 4447: 4446: 4442: 4439: 4438: 4434: 4431: 4430: 4426: 4423: 4422: 4418: 4415: 4414: 4410: 4407: 4406: 4402: 4399: 4398: 4394: 4391: 4390: 4386: 4383: 4382: 4378: 4375: 4374: 4370: 4367: 4366: 4362: 4359: 4358: 4354: 4351: 4350: 4346: 4343: 4342: 4341:Lust, Caution 4338: 4335: 4334: 4330: 4327: 4326: 4322: 4319: 4318: 4314: 4311: 4310: 4306: 4303: 4302: 4298: 4295: 4294: 4290: 4289: 4287: 4283: 4276: 4275: 4271: 4268: 4267: 4263: 4260: 4259: 4255: 4252: 4251: 4247: 4244: 4243: 4239: 4236: 4235: 4231: 4228: 4227: 4223: 4220: 4219: 4215: 4212: 4211: 4207: 4204: 4203: 4199: 4196: 4195: 4191: 4188: 4187: 4186:Close to Eden 4183: 4180: 4179: 4175: 4172: 4171: 4167: 4164: 4163: 4159: 4156: 4155: 4151: 4148: 4147: 4146:The Green Ray 4143: 4140: 4139: 4135: 4132: 4131: 4127: 4124: 4123: 4119: 4116: 4115: 4111: 4108: 4107: 4103: 4100: 4099: 4095: 4092: 4091: 4090:Atlantic City 4087: 4086: 4084: 4080: 4073: 4072: 4068: 4065: 4064: 4063:Belle de Jour 4060: 4057: 4056: 4052: 4049: 4048: 4044: 4041: 4040: 4036: 4033: 4032: 4028: 4025: 4024: 4020: 4017: 4016: 4012: 4009: 4008: 4004: 4001: 4000: 3996: 3993: 3992: 3991:The Great War 3988: 3985: 3984: 3980: 3977: 3976: 3972: 3969: 3968: 3964: 3961: 3960: 3956: 3953: 3952: 3948: 3945: 3944: 3940: 3937: 3936: 3932: 3929: 3928: 3924: 3921: 3920: 3916: 3913: 3912: 3908: 3905: 3904: 3900: 3897: 3896: 3892: 3891: 3889: 3885: 3881: 3874: 3869: 3867: 3862: 3860: 3855: 3854: 3851: 3838: 3837: 3833: 3831: 3828: 3825: 3824: 3820: 3819: 3817: 3813: 3806: 3805: 3801: 3798: 3797: 3793: 3790: 3789: 3785: 3782: 3781: 3777: 3774: 3773: 3772:Cliff Walkers 3769: 3766: 3765: 3761: 3758: 3757: 3753: 3750: 3749: 3745: 3742: 3741: 3737: 3734: 3733: 3729: 3726: 3725: 3721: 3718: 3717: 3713: 3710: 3706: 3705: 3701: 3698: 3697: 3693: 3690: 3689: 3685: 3682: 3681: 3677: 3674: 3673: 3669: 3666: 3665: 3661: 3658: 3657: 3656:The Road Home 3653: 3650: 3649: 3645: 3642: 3641: 3637: 3634: 3633: 3629: 3626: 3625: 3621: 3618: 3617: 3613: 3610: 3609: 3605: 3602: 3601: 3597: 3594: 3593: 3589: 3586: 3585: 3581: 3578: 3577: 3573: 3572: 3570: 3566: 3562: 3555: 3550: 3548: 3543: 3541: 3536: 3535: 3532: 3526: 3522: 3521: 3517: 3514: 3513: 3509: 3507: 3503: 3502: 3498: 3496: 3492: 3491: 3487: 3485: 3481: 3480: 3476: 3475: 3471: 3460: 3457: 3446: 3434: 3428: 3424: 3423: 3417: 3413: 3409: 3405: 3400: 3397: 3396:not one less. 3393: 3387: 3382: 3381: 3374: 3370: 3368:0-13-090782-0 3364: 3360: 3355: 3351: 3347: 3343: 3339: 3335: 3331: 3326: 3322: 3318: 3314: 3309: 3305: 3303:0-8248-2813-5 3299: 3295: 3291: 3286: 3282: 3276: 3273:. Routledge. 3272: 3271: 3265: 3261: 3257: 3253: 3244: 3240: 3234: 3230: 3229: 3223: 3211: 3207: 3203: 3198: 3194: 3188: 3184: 3180: 3175: 3171: 3166: 3162: 3158: 3153: 3149: 3143: 3139: 3138: 3132: 3129: 3128:not one less. 3125: 3119: 3114: 3113: 3106: 3105: 3083: 3079: 3075: 3059: 3053: 3038: 3037: 3032: 3026: 3024: 3022: 3020: 3018: 3016: 3014: 3012: 3010: 3008: 3006: 2990: 2986: 2980: 2978: 2962: 2958: 2952: 2950: 2942: 2937: 2922: 2918: 2916: 2908: 2906: 2898: 2893: 2887:, p. 31. 2886: 2881: 2874: 2869: 2861: 2860: 2852: 2837: 2836: 2831: 2825: 2818: 2813: 2806: 2801: 2799: 2791: 2786: 2784: 2776: 2771: 2769: 2752: 2748: 2747: 2742: 2736: 2729: 2724: 2716: 2715: 2714:BusinessWorld 2707: 2700: 2695: 2687: 2686: 2678: 2670: 2669: 2664: 2657: 2655: 2647: 2644:(in French). 2643: 2642: 2637: 2633: 2627: 2620: 2615: 2607: 2606: 2598: 2583: 2582: 2577: 2570: 2562: 2561: 2553: 2538: 2537: 2532: 2526: 2511: 2510: 2505: 2499: 2492: 2477: 2473: 2466: 2459: 2454: 2452: 2444: 2439: 2437: 2435: 2428:, p. 84. 2427: 2422: 2420: 2418: 2411:, p. 47. 2410: 2405: 2398: 2393: 2391: 2383: 2378: 2376: 2374: 2366: 2361: 2359: 2357: 2341: 2340: 2335: 2334:"Winning Wei" 2328: 2326: 2324: 2316: 2311: 2309: 2301: 2300:Cardullo 2004 2296: 2289: 2284: 2277: 2272: 2265: 2260: 2244: 2240: 2239: 2234: 2230: 2224: 2217: 2212: 2204: 2203: 2198: 2194: 2188: 2186: 2169: 2165: 2164: 2159: 2152: 2150: 2148: 2146: 2144: 2127: 2123: 2122: 2117: 2110: 2108: 2106: 2104: 2102: 2094: 2089: 2087: 2079: 2074: 2072: 2065:, p. 87. 2064: 2059: 2057: 2055: 2047: 2044:(in French). 2043: 2042: 2037: 2033: 2027: 2020: 2015: 2000: 1999: 1994: 1987: 1985: 1983: 1974: 1973: 1965: 1963: 1955: 1950: 1934: 1930: 1929: 1924: 1917: 1915: 1913: 1911: 1909: 1901: 1896: 1889: 1884: 1882: 1874: 1873:Cardullo 2004 1869: 1867: 1859: 1854: 1848:, p. 86. 1847: 1842: 1840: 1838: 1836: 1828: 1823: 1821: 1805: 1804: 1799: 1792: 1790: 1774: 1770: 1764: 1757: 1752: 1750: 1742: 1737: 1731:, p. 85. 1730: 1725: 1723: 1721: 1712: 1711: 1703: 1701: 1685: 1684: 1679: 1672: 1670: 1668: 1666: 1664: 1662: 1655:, p. 46. 1654: 1649: 1642: 1637: 1630: 1625: 1618: 1613: 1606: 1601: 1594: 1589: 1587: 1585: 1580: 1562: 1559: 1556: 1551: 1548: 1547: 1544: 1541: 1538: 1530: 1529: 1526: 1523: 1520: 1514: 1513: 1510: 1507: 1504: 1503: 1500: 1497: 1494: 1489: 1485: 1481: 1478: 1475: 1470: 1467: 1466: 1463: 1460: 1457: 1452: 1449: 1448: 1445: 1442: 1439: 1434: 1431: 1430: 1426: 1423: 1420: 1419: 1415: 1412: 1409: 1402: 1399: 1396: 1393: 1387: 1386: 1383: 1380: 1377: 1376: 1373: 1370: 1367: 1360: 1356: 1353: 1351:Best Picture 1350: 1345: 1342: 1341: 1338: 1335: 1332: 1327: 1324: 1323: 1320: 1317: 1315:UNICEF award 1314: 1313: 1310: 1307: 1304: 1303: 1300: 1297: 1294: 1293: 1290: 1287: 1285: 1282: 1277: 1273: 1269: 1266: 1263: 1257: 1256: 1253: 1251: 1247: 1243: 1239: 1235: 1225: 1223: 1219: 1215: 1207: 1200: 1195: 1191: 1189: 1185: 1181: 1173: 1169: 1168: 1163: 1148: 1145: 1144: 1138: 1136: 1132: 1125: 1124: 1119: 1118: 1113: 1112: 1111:BusinessWorld 1106: 1105: 1100: 1096: 1095: 1090: 1089: 1084: 1079: 1077: 1073: 1068: 1064: 1063: 1058: 1057: 1051: 1047: 1043: 1039: 1038:Gilbert Adair 1032: 1031: 1023: 1022: 1016: 1015: 1010: 1005: 1003: 999: 995: 991: 982: 980: 979: 974: 970: 969:The Road Home 963: 958: 957: 956:The Road Home 952: 946: 943: 936: 920: 918: 917: 912: 908: 907: 901: 895: 893: 889: 885: 876: 872: 868: 866: 862: 858: 853: 849: 847: 843: 842: 835: 833: 832: 827: 822: 818: 814: 810: 801: 797: 793: 789: 786: 782: 772: 768: 765: 756: 752: 747: 712: 705: 703: 698: 693: 691:(11:08–11:27) 690: 683: 677: 675: 659: 656: 653: 652: 648: 645: 642: 641: 637: 634: 631: 630: 626: 623: 620: 619: 615: 612: 609: 608: 604: 601: 598: 597: 593: 590: 587: 586: 582: 579: 576: 575: 571: 568: 566:Zhang Yichang 565: 564: 561:TV show host 560: 557: 554: 553: 550:ticket clerk 549: 546: 543: 542: 538: 535: 532: 531: 527: 524: 521: 520: 517: 513: 510: 507: 506: 502: 499: 496: 495: 491: 488: 485: 484: 480: 477: 474: 473: 465: 463: 457: 455: 451: 447: 442: 440: 436: 432: 424: 423: 418: 417: 412: 408: 399: 396: 392: 381: 379: 375: 371: 367: 363: 359: 354: 352: 348: 344: 340: 336: 331: 329: 325: 321: 317: 313: 311: 301: 297: 293: 289: 285: 284: 277: 272: 263: 259: 255: 251: 247: 241: 226: 224: (Mexico) 215: 212: 200: 199: 197: 194:Release dates 191: 188: 185: 181: 175:Guangxi Film 173: 169: 161: 157: 153: 149: 145: 142: 139: 135: 129: 125: 121: 117: 114: 111: 107: 104: 101: 97: 93: 89: 85: 83: 79: 75: 65: 63: 59: 49: 47: 43: 39: 32: 27: 22: 19: 4489: 4475: 4467: 4459: 4451: 4443: 4435: 4427: 4419: 4411: 4403: 4395: 4387: 4379: 4371: 4363: 4355: 4349:The Wrestler 4347: 4339: 4331: 4323: 4315: 4307: 4299: 4291: 4285:2001–present 4272: 4266:Not One Less 4265: 4264: 4256: 4248: 4240: 4232: 4226:Vive L'Amour 4224: 4216: 4208: 4200: 4192: 4184: 4176: 4168: 4160: 4152: 4144: 4136: 4128: 4120: 4112: 4104: 4096: 4088: 4069: 4061: 4053: 4045: 4037: 4029: 4021: 4015:Family Diary 4013: 4005: 3997: 3989: 3981: 3975:Rickshaw Man 3973: 3965: 3957: 3949: 3941: 3933: 3925: 3917: 3909: 3901: 3893: 3834: 3821: 3802: 3794: 3786: 3778: 3770: 3762: 3754: 3746: 3738: 3730: 3722: 3714: 3708: 3702: 3694: 3686: 3678: 3670: 3662: 3654: 3648:Not One Less 3647: 3646: 3638: 3630: 3622: 3614: 3606: 3598: 3590: 3582: 3574: 3520:Not One Less 3518: 3512:Not One Less 3511: 3501:Not One Less 3500: 3490:Not One Less 3489: 3479:Not One Less 3478: 3456:China portal 3421: 3411: 3407: 3404:Not One Less 3403: 3395: 3379: 3358: 3333: 3329: 3320: 3316: 3313:Not One Less 3312: 3293: 3290:Not One Less 3289: 3269: 3259: 3255: 3252:Not One Less 3251: 3227: 3214:. Retrieved 3209: 3205: 3182: 3169: 3160: 3156: 3136: 3127: 3111: 3086:. Retrieved 3082:the original 3062:. Retrieved 3052: 3040:. Retrieved 3034: 2994:12 September 2992:. Retrieved 2966:10 September 2964:. Retrieved 2936: 2924:. Retrieved 2915:Not One Less 2914: 2892: 2880: 2868: 2857: 2851: 2841:16 September 2839:. Retrieved 2833: 2824: 2812: 2757:10 September 2755:. Retrieved 2751:the original 2744: 2735: 2723: 2712: 2706: 2694: 2683: 2677: 2666: 2645: 2639: 2636:Not One Less 2635: 2626: 2614: 2603: 2597: 2587:10 September 2585:. Retrieved 2579: 2569: 2558: 2552: 2542:10 September 2540:. Retrieved 2534: 2525: 2515:10 September 2513:. Retrieved 2507: 2498: 2482:10 September 2480:. Retrieved 2465: 2426:Kraicer 2001 2404: 2343:. Retrieved 2337: 2295: 2283: 2271: 2259: 2249:17 September 2247:. Retrieved 2243:the original 2236: 2229:Ebert, Roger 2223: 2211: 2205:(in French). 2200: 2197:Not One Less 2196: 2172:. Retrieved 2168:the original 2161: 2130:. Retrieved 2126:the original 2119: 2063:Kraicer 2001 2045: 2039: 2036:Not One Less 2035: 2026: 2014: 2002:. Retrieved 1996: 1970: 1954:Kraicer 2001 1949: 1937:. Retrieved 1933:the original 1926: 1895: 1853: 1846:Kraicer 2001 1807:. Retrieved 1801: 1776:. Retrieved 1763: 1756:Not One Less 1755: 1736: 1729:Kraicer 2001 1708: 1687:. Retrieved 1681: 1648: 1636: 1624: 1612: 1600: 1234:Not One Less 1233: 1231: 1222:Not One Less 1221: 1199:Not One Less 1198: 1196: 1192: 1188:Not One Less 1187: 1172:Not One Less 1171: 1165: 1154: 1141: 1139: 1134: 1121: 1115: 1109: 1102: 1092: 1086: 1080: 1076:Not One Less 1075: 1071: 1067:Movie Review 1066: 1060: 1054: 1028: 1019: 1012: 1006: 990:Not One Less 989: 988: 976: 972: 968: 962:Not One Less 961: 954: 951:Not One Less 950: 948: 941: 938: 933: 914: 904: 896: 880: 865:Not One Less 864: 852:Not One Less 851: 850: 845: 839: 836: 829: 805: 796:Not One Less 795: 785:Not One Less 784: 778: 769: 760: 749:Location of 699: 695: 689:Not One Less 688: 685: 680: 670: 558:TV show host 462:Not One Less 461: 458: 443: 420: 414: 407:Not One Less 406: 405: 387: 358:Not One Less 357: 355: 332: 309: 307: 299: 283:Not One Less 282: 281: 280: 244:Running time 82:Hanyu Pinyin 24:Not One Less 18: 4469:Poor Things 3815:Other works 3740:Coming Home 3709:Movie Night 3664:Happy Times 3576:Red Sorghum 3561:Zhang Yimou 3470:Film portal 3216:9 September 2132:9 September 1939:9 September 1809:9 September 1689:9 September 1284:Golden Lion 1238:Golden Lion 1216:province's 1176:18 February 1117:Red Sorghum 900:connections 875:Zhangjiakou 751:Zhangjiakou 724:Zhangjiakou 702:Zhangjiakou 632:Wang Shulan 577:Xu Zhanqing 544:Feng Yuying 525:Teacher Gao 508:Tian Zhenda 497:Zhang Huike 489:Teacher Wei 446:documentary 435:Zhangjiakou 374:Golden Lion 351:documentary 333:Set in the 292:Zhang Yimou 276:Zhang Yimou 248:106 minutes 132:Zhang Huike 130:Wei Minzhi 122:Zhang Yimou 119:Produced by 103:Zhang Yimou 99:Directed by 35:Film poster 4502:1999 films 4496:Categories 4333:Still Life 4317:Vera Drake 4309:The Return 4274:The Circle 4202:Short Cuts 4039:Red Desert 3903:The Strike 3836:You and Me 3804:Article 20 3764:One Second 3707:(segment: 3330:Boundary 2 3206:Persimmons 2605:Herald Sun 2536:Metacritic 2443:Zhang 2001 2382:Zhang 2001 2365:Zhang 2001 2345:19 October 2174:19 October 2093:Zhang 2001 2019:Zhang 2001 2004:19 October 1900:Zhang 2001 1758:, credits. 1593:Zhang 2001 1570:References 1461:Nominated 1158:April 1999 1062:Herald Sun 1002:Metacritic 888:capitalist 811:directors 588:Liu Hanzhi 533:Sun Zhimei 511:Mayor Tian 486:Wei Minzhi 450:neorealist 441:province. 384:Background 347:neorealist 288:drama film 286:is a 1999 231:2000-02-18 220:2000-01-14 205:1999-09-07 164:Production 109:Written by 4453:Happening 4445:Nomadland 4405:From Afar 4389:Sacro GRA 4365:Somewhere 4082:1980–2000 3967:Aparajito 3887:1946–1968 3640:Keep Cool 3350:161527685 3088:9 October 3064:9 October 3042:4 October 2926:5 October 2897:Pang 2004 2790:Pang 2004 2775:Pang 2004 2491:Zhu (2003 2276:Pang 2004 1778:4 October 1641:Wang 2002 1629:Wang 2002 1617:Wang 2002 1575:Citations 1264:Category 923:Reception 894:society. 884:Confucian 643:Fu Xinmin 599:Ma Guolin 594:villager 555:Li Fanfan 522:Gao Enman 416:Keep Cool 274:Director 166:companies 147:Edited by 4138:Vagabond 3935:Rashomon 3711:) (2007) 3495:AllMovie 2921:Sina.com 2728:Mao 2003 2699:Zhu 2003 2668:New York 2641:Le Monde 2619:Hao 2004 2476:Sina.com 2458:Zhu 2003 2339:Newsweek 2315:Zhu 2003 2288:Cui 2003 2264:Cui 2003 2202:Le Monde 2041:Le Monde 1858:Hao 2004 1773:Sina.com 1210:21 April 1099:Hou Yong 1088:Le Monde 1056:Newsweek 996:website 949:Neither 913:'s 1948 831:Le Monde 610:Wu Wanlu 448:-like, " 264:Mandarin 261:Language 155:Music by 141:Hou Yong 127:Starring 4357:Lebanon 4250:Hana-bi 3616:To Live 3315:]. 3254:]. 3101:Sources 2989:YesAsia 2961:YesAsia 2885:Lu 2005 2873:Lu 2005 2817:Lu 2005 2805:Lu 2005 2409:Da 2000 2397:Lu 2005 2216:Lu 2005 1888:Lu 2002 1741:Wu 2001 1267:Result 1258:Awards 1050:subtext 1044:of the 971:as too 809:Iranian 755:Beijing 738:Beijing 654:Bai Mei 411:Gong Li 253:Country 229: ( 218: ( 203: ( 158:San Bao 150:Zhai Ru 4480:(2024) 4472:(2023) 4464:(2022) 4456:(2021) 4448:(2020) 4440:(2019) 4432:(2018) 4424:(2017) 4416:(2016) 4408:(2015) 4400:(2014) 4392:(2013) 4384:(2012) 4376:(2011) 4368:(2010) 4360:(2009) 4352:(2008) 4344:(2007) 4336:(2006) 4328:(2005) 4320:(2004) 4312:(2003) 4304:(2002) 4296:(2001) 4277:(2000) 4269:(1999) 4261:(1998) 4253:(1997) 4245:(1996) 4237:(1995) 4229:(1994) 4221:(1994) 4213:(1993) 4205:(1993) 4197:(1992) 4189:(1991) 4181:(1990) 4173:(1989) 4165:(1988) 4157:(1987) 4149:(1986) 4141:(1985) 4133:(1984) 4125:(1983) 4117:(1982) 4109:(1981) 4101:(1980) 4098:Gloria 4093:(1980) 4074:(1968) 4066:(1967) 4058:(1966) 4050:(1965) 4047:Sandra 4042:(1964) 4034:(1963) 4026:(1962) 4018:(1962) 4010:(1961) 4002:(1960) 3994:(1959) 3986:(1959) 3978:(1958) 3970:(1957) 3962:(1955) 3954:(1954) 3946:(1952) 3938:(1951) 3930:(1950) 3922:(1949) 3914:(1948) 3911:Hamlet 3906:(1947) 3898:(1946) 3839:(2013) 3826:(1998) 3807:(2024) 3799:(2023) 3791:(2023) 3783:(2022) 3780:Sniper 3775:(2021) 3767:(2020) 3759:(2018) 3756:Shadow 3751:(2016) 3743:(2014) 3735:(2011) 3727:(2010) 3719:(2009) 3699:(2006) 3691:(2005) 3683:(2004) 3675:(2002) 3667:(2000) 3659:(1999) 3651:(1999) 3643:(1997) 3627:(1995) 3619:(1994) 3611:(1992) 3603:(1991) 3595:(1990) 3592:Ju Dou 3587:(1988) 3579:(1987) 3429: 3388: 3365: 3348: 3300: 3277: 3235: 3189: 3144: 3120: 1270:Notes 1228:Awards 1212:1999, 846:Qiu Ju 775:Themes 621:Liu Ru 605:clerk 362:piracy 304:天上有个太阳 211:Venice 209: ( 69:一个都不能少 53:一個都不能少 4437:Joker 4381:Pietà 4373:Faust 4234:Cyclo 3959:Ordet 3919:Manon 3568:Films 3346:S2CID 1554:2008 1536:2001 1518:2001 1492:2000 1473:2000 1455:1999 1437:1999 1407:1999 1391:1999 1365:1999 1348:1999 1330:1999 1280:1999 1261:Year 1214:Hubei 1202:' 1127:' 1034:' 1025:' 965:' 439:Hebei 426:' 256:China 4429:Roma 3672:Hero 3484:IMDb 3427:ISBN 3414:(2). 3386:ISBN 3363:ISBN 3323:(6). 3298:ISBN 3275:ISBN 3233:ISBN 3218:2009 3187:ISBN 3163:(2). 3142:ISBN 3118:ISBN 3090:2009 3066:2009 3044:2009 3036:IMDb 2996:2009 2968:2009 2928:2009 2843:2009 2759:2009 2746:Time 2589:2009 2544:2009 2517:2009 2484:2009 2347:2009 2251:2009 2176:2009 2134:2009 2006:2009 1941:2009 1811:2009 1780:2009 1691:2009 1560:Won 1542:Won 1524:Won 1508:Won 1498:Won 1479:Won 1443:Won 1424:Won 1413:Won 1397:Won 1381:Won 1371:Won 1354:Won 1336:Won 1318:Won 1308:Won 1298:Won 1288:Won 1167:Hero 1143:Time 973:anti 890:and 815:and 674:yuan 667:Plot 478:Role 475:Name 468:Cast 454:cuts 3523:at 3504:at 3493:at 3482:at 3406:". 3338:doi 3212:(3) 1085:of 828:of 372:'s 318:in 4498:: 3412:15 3410:. 3394:. 3344:. 3334:31 3332:. 3296:. 3260:24 3208:. 3204:. 3161:32 3159:. 3126:. 3071:* 3033:. 3004:^ 2987:. 2976:^ 2959:. 2948:^ 2904:^ 2832:. 2797:^ 2782:^ 2767:^ 2743:. 2665:. 2653:^ 2578:. 2533:. 2506:. 2474:. 2450:^ 2433:^ 2416:^ 2389:^ 2372:^ 2355:^ 2336:. 2322:^ 2307:^ 2235:. 2184:^ 2160:. 2142:^ 2118:. 2100:^ 2085:^ 2070:^ 2053:^ 1995:. 1981:^ 1961:^ 1925:. 1907:^ 1880:^ 1865:^ 1834:^ 1819:^ 1800:. 1788:^ 1748:^ 1719:^ 1699:^ 1680:. 1660:^ 1583:^ 1186:; 1036:s 919:. 783:, 380:. 3872:e 3865:t 3858:v 3553:e 3546:t 3539:v 3435:. 3371:. 3352:. 3340:: 3321:3 3306:. 3283:. 3262:. 3241:. 3220:. 3210:1 3195:. 3150:. 3092:. 3068:. 3046:. 2998:. 2970:. 2930:. 2862:. 2845:. 2761:. 2730:. 2717:. 2688:. 2671:. 2608:. 2591:. 2563:. 2546:. 2519:. 2486:. 2349:. 2253:. 2178:. 2136:. 2008:. 1975:. 1943:. 1829:. 1813:. 1782:. 1713:. 1693:. 1162:¥ 944:. 802:. 349:/ 233:) 222:) 213:) 207:)

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.

Index